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Recent posts
Tairseach (2025)
Pigment print on Hahnemühle Baryta FB 350gsm, Oak frame, 110X110 cm
The work captures the final moments of a 24 hour performance made in isolation in the Sirius Arts Centre, Cobh, Ireland. Kerr enters the Atlantic ocean at Cork Harbour, a departure point for millions of Irish people driven from their homeland by colonisation and oppression.
Installation photography - @jurosenstock
25 Sep 2025
« A point and a flowing. A joining together of two streams. Two breathing sources. Multidimensional and forever fluctuating. Still but never static. Opening up to a shared sense of time and space. Noise, noises. Bodies. Octaves awaken harmony. Horizontal lines etched in infinite space. Glistening surfaces and oceanic depths. Deftly shaped vocal formants give rise to overtone pedal notes or harmonic sweeps. Space within space. Glassy overtones chart what’s latent or implicit in the organ’s harmonic spectrum. Low to high. Low and high. Microtonal pulsations. Ghostly remnants. Bells in the horizon. » (Rebecca Lane)
Confluence (for pipe organ and voice) has been released today on @discreet_editions, my first solo album. It means a lot to finally share this music and I have a lot of people to thank.
Firstly, the late composer Ernstalbrecht Stiebler, my mentor, collaborator and friend. (Pictured in slide 3) This work is a dedication to him. I owe so much to him for the ideas he inspired in me in the few years that we knew each other. He taught me to uncover the entire universe hidden within each individual sound, this work is an attempt to put that into practice.
It is a live recording from a concert in St. Paul's Chapel, Columbia University, NYC. I shared the bill with two of my dear friends @psxcaete and @seanbeing, I would like to thank them both along with Julian Bennett holmes for organising the concert.
Thank you to @claradeasis_ for your interest in the work and the care you provided it. @rebecca.lane.a for the beautiful words. @jamesginzburg for mixing and A.F. Jones @laminalaudio for mastering.
@cy.klock for the gorgeous photographs.
It takes a village!
Head to the Discreet Editions bandcamp to find the music. Link in bio.
@claradeasis_ also asked me some questions about the work, you can find the interview on the Discreet Editions website.
I hope you enjoy it 💫
05 Dec 2025
Last night performing 'Substratum - For voice and fixed electronics' @km28berlin
It was such a pleasure to perform this piece for the first time 🌠
Looking forward to performing it again on Tuesday the 24th in the beautiful Kuppelhalle of @silent.green, opening for @brichaimbeul.
Video by @baal_mortimer
22 Sep 2024
R.O.O.M. - Rituals Of Other Minds
🔗 full trailer in bio
a performance by Julian Zehnder
premiered in June 2026 at @basel.social.club
featuring artists: @ouri.riou @vincent.glanzmann @nalini.jeyla @vichaldimann @david.e.zehnder @vokalensemble.franzforte @saloume.zehnder @dylan__kerr
producer: @laurababuschka
cars: @abdi_abbas_ @limitless.zh
live sound: @derkaspar #berylrider
light: #patrickpauli
video documentation: @taxidriverr @yonca.sophia
audio documentation: @derkaspar
video edit: @taxidriverr
video color: @taxidriverr
video audio: Julian Zehnder
special thanks: @philiportelli @paeldenial #yaelsalomonowitz
copyright: Julian Zehnder
10 Nov 2026
For Thee Further
Dylan Kerr and Rebecca Lane
November 27th @km28berlin
‘For Thee Further’ is a new collaborative work engaging with the unfinished sketches and fragments of the late Ernstalbrecht Stiebler’s final work, ‘Der Tiefe Klang’. Musicians Dylan Kerr and Rebecca Lane worked with Stiebler during the last years of his life and their names appear among the fragments, alongside text from a 14th century Petrarchan sonnet, melodic phrases, and even scenographic ideas.
Kerr and Lane take these sketches as a point of departure. Unending melodies go through phases of cyclical transformations; motifs are stretched and transformed across voices, flutes, piano and electronics. Stiebler’s own piano is present in the work as a tape element—he is there in spirit through the signature ‘klang’ of his piano and its unique resonance which is highlighted using various extended techniques.
The work is not a tribute in the traditional sense, but rather a continued exploration of Stiebler’s concepts of resonance and klang, how they pointed towards harmonic space and his unending search for a ‘neue empfindsamkeit’.
Supported by Initiative Neue Musik Berlin
@field.notes.berlin_inm
Flyer design by @nadia.d.marcus
09 Nov 2026
Duo with @madeline_stepien 14.10.26 at @silent.green
First time performing live together. Collaborative record coming soon.
Video by @nesso.xyz
16 Oct 2026
Alpha Maid + Dylan Kerr & Madeline Stepien [14.10.]:
silent green präsentiert: Auf ihrem neuen Album Is This a Queue verbindet Alpha Maid (@alpha_maid) experimentelle Gitarrenmusik mit Einflüssen aus Ambient, Dub und elektroakustischer Musik. Inspiriert von der Teilchenphysik feiert das Album die Magie des Unsichtbaren und all dessen, was sich unserem Verständnis entzieht. Über viele Jahre und an verschiedenen Orten entstanden, zeichnet es eine Reise durch Erinnerung und Zeit nach und erkundet die unterschiedlichen Arten, wie wir die Gegenwart erleben. // Die in New York City lebende Klangkünstlerin Madeline Stepien (@madeline_stepien) und Dylan Kerr (@dylan__kerr), Performancekünstler*in und Sänger*in aus Berlin, verbinden ihre künstlerischen Praktiken. Mithilfe verschiedener Methoden und Techniken erforscht Kerr psychoakustische Phänomene, während Stepien Kerrs Stimme und Instrumente in Echtzeit bearbeitet. Es entsteht ein Prozess der Verwandlung, der Klänge destabilisiert, auffächert und verzerrt.
//
silent green presents: On her new album Is this a queue, Alpha Maid (@alpha_maid) weaves together experimental guitar music with ambient, dub, and electroacoustic influences. Inspired by particle physics, the album celebrates the magic of the unseen and all that escapes our understanding. Written across many years and different places, it traces a journey through memory, time, and the ways we experience the present. // NYC-based sound artist Madeline Stepien (@madeline_stepien) and Berlin-based performance artist and vocalist Dylan Kerr (@dylan__kerr) combine their practices. Dylan uses various methods and techniques to explore psychoacoustic phenomena, while Madeline processes Dylan's voice and instruments in real time—a process of transmutation that destabilises, diffracts, and distorts.
>> Wed, 14.10.
>> Doors: 7 pm / Start: 8 pm
>> silent green Kuppelhalle
>> Infos + Tickets: Link in Bio
>> Visual: @formundkonzept
#silentgreen #silentgreenberlin #alphamaid #dylankerr #madelinestepien
07 Oct 2026
treff15 mit @dylan__kerr
am 16.10. spielt dylan kerr um 19 uhr in der @neue.musik.zentrale .
dylan arbeitet an der der schnittstelle von performance und klang.
in deren kompositionen kombiniert dylan prozessorientierte methoden, mikrotonalität und erweiterte gesangstechniken, um psychoakustische phänomene wie schwebungen, interferenzmuster und das zusammenspiel von stimme und raum zu erforschen.
beim treff präsentiert dylan ‚solo for breath‘
nadja und sophie kochen eintopf. wir essen alle zusammen. bis dann!
mehr infos unter treff.gnm.ruhr
treff ist eine veranstaltungsreihe der GNMR e.V.
gestaltung: sophie rebentisch
kuration: theo voerste
treff wird gefördert vom @kulturamtstadtessen
06 Oct 2026
I moved to Berlin at the beginning of September, and couldn’t be more thrilled that my first performance here as a *resident* is with spirit-family @takensemble — performing ‘when the great fires were lit on the other side of the ocean’ tomorrow @km28berlin
fellow spirt-fam @dylan__kerr will sing traditional Sean-Nós songs, and it will be stunning
I hope to see you there 🌙
29 Sep 2026
🦩🥏
ＵＰＳＴＲＥＡＭ @hafenklang_hamburg
01.10.2026
~ ECHO ~
w/
Dylan Kerr
Dylan Kerr (@dylan__kerr) (b. 1996, Ireland) is an artist and vocalist working across performance, sound, installation, moving image and composition. Their practice is deeply attuned to place, often creating works that engage with the unique resonant qualities and histories of specific environments. In their compositions, they combine process-based methods, microtonality, and extended vocal techniques to explore psychoacoustic phenomena such as interference patterns, combination tones and the interplay between the voice and space.
📸: Cy Klock
🥏🦩 cheaper advance tickets in bio.
@louisdheudieres @michaelbrailey @nina.kttlr
24 Sep 2026
@upstream_hamburg :ECHO w/ Dylan Kerr, ABADIR, Morgan Garrett
Upstream Concert Series
Do. 01.10.26 | 19:30 | Hafenklang
In every space, worlds of meaning echo in plain sight. Histories gather, memories are summoned into the present, while vital aspects of life and death often go unremarked. The three artists in this event bring these hidden layers to light.
@dylan__kerr practice begins by attuning to a site’s histories and resonant qualities. For Upstream, they present Substratum, a composition for voice and electronics inspired by the Hindustani Dhrupad tradition.
@ramiabadir the solo project of Cairo-born producer Rami Abadir, draws on the Coptic, Syriac, Maronite, Greek Orthodox and Catholic choir chants he heard growing up in Cairo, reshaping them through his 2022 album Ison.
@morgangarrett dives into the instability of precarious headspace, wrestling with the sharp edges of life and death. Acoustic guitars are daubed rather than played, while detuned electrics sputter and collapse.
Tix at @tixforgigs VVK ab 12€ AK 15€
Link in Bio 📟✨
Gefördert vom Musikfonds e.V. mit Projektmitteln der Beauftragten der Bundesregierung für Kultur und Medien. Außerdem gefördert durch die Hamburgische Kulturstiftung.
24 Sep 2026
Alpha Maid + Dylan Kerr & Madeline Stepien [14.10.]:
silent green präsentiert: Auf ihrem neuen Album Is This a Queue verbindet Alpha Maid (@alpha_maid) experimentelle Gitarrenmusik mit Einflüssen aus Ambient, Dub und elektroakustischer Musik. Inspiriert von der Teilchenphysik feiert das Album die Magie des Unsichtbaren und all dessen, was sich unserem Verständnis entzieht. Über viele Jahre und an verschiedenen Orten entstanden, zeichnet es eine Reise durch Erinnerung und Zeit nach und erkundet die unterschiedlichen Arten, wie wir die Gegenwart erleben. // Die in New York City lebende Klangkünstlerin Madeline Stepien (@madeline_stepien) und Dylan Kerr (@dylan__kerr), Performancekünstler*in und Sänger*in aus Berlin, verbinden ihre künstlerischen Praktiken. Mithilfe verschiedener Methoden und Techniken erforscht Kerr psychoakustische Phänomene, während Stepien Kerrs Stimme und Instrumente in Echtzeit bearbeitet. Es entsteht ein Prozess der Verwandlung, der Klänge destabilisiert, auffächert und verzerrt.
//
silent green presents: On her new album Is this a queue, Alpha Maid (@alpha_maid) weaves together experimental guitar music with ambient, dub, and electroacoustic influences. Inspired by particle physics, the album celebrates the magic of the unseen and all that escapes our understanding. Written across many years and different places, it traces a journey through memory, time, and the ways we experience the present. // NYC-based sound artist Madeline Stepien (@madeline_stepien) and Berlin-based performance artist and vocalist Dylan Kerr (@dylan__kerr) combine their practices. Dylan uses various methods and techniques to explore psychoacoustic phenomena, while Madeline processes Dylan's voice and instruments in real time—a process of transmutation that destabilises, diffracts, and distorts.
>> Wed, 14.10.
>> Doors: 7 pm / Start: 8 pm
>> silent green Kuppelhalle
>> Infos + Tickets: Link in Bio
>> Photo top: © Finnbar Porteous, photo bottom: © Aria Ruffini and © Courtesy of the artist
#silentgreen #silentgreenberlin #alphamaid #dylankerr #madelinestepien
24 Sep 2026
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