Do Ho Suh

Do Ho Suh

@dohosuhstudio

182.2K

Followers

897

Following

384

Posts

N/A

Reels

N/A

Highlights

10/2

Photos/Videos in last 12

-

Avg likes

-

Avg comments

-

Engagement

1.4/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

Recent posts

서도호 〈완벽한 집: 런던, 호셤, 뉴욕, 베를린, 프로비던스, 서울〉설치 현장 🏠🪡🧵 작가가 살아온 여섯 도시, 30개 가량의 방에서 본뜬 전등 스위치와 콘센트, 문손잡이와 자물쇠, 보일러 조절기, 조명, 수도꼭지와 벽걸이 전화기. 서로 다른 도시에서 매일 손으로 만졌던 집의 물건들이 하나의 공간에 모였습니다. 서도호 작가의 "완벽한 집"을 국립현대미술관 서울에서 만나보세요! 🛋️ 서도호 국립현대미술관 서울 2026. 8. 27. ~ 2027. 2. 9. Do Ho Suh MMCA Seoul 27 Aug 2026 – 9 Feb 2027 #MMCA #국립현대미술관 #서도호 #퍼펙트홈 08 Sep 2026 A love letter to New York ❤️ For nearly 20 years, Korean artist Do Ho Suh (@dohosuhstudio) called New York City home. The Guggenheim is thrilled to announce the first major museum exhibition in the city dedicated to his work, opening February 19, 2027. Spanning three decades and featuring more than 50 works, “I dream in another language” explores themes of memory and belonging. The exhibition will mark the world premiere of “Rubbing/Loving,” a life-size installation inviting visitors to explore a replica of the artist’s former New York apartment. 🖼️ I dream in another language | Do Ho Suh 📍 Guggenheim New York 📅 February 19–August 1, 2027 ___ Do Ho Suh, “Rubbing/Loving: Apartment A, 348 West 22nd Street, New York, NY 10011, USA,” 2014–26. (2) Do Ho Suh, “Hubs,” 2011– . Installation view at Victoria Miro, London, 2017. Photo: Thierry Bal. (3) Do Ho Suh, “348 West 22nd Street, New York, NY 10011, USA,” 2017. Photo: Courtesy the artist; Lehmann Maupin, New York, Seoul, and London; Victoria Miro; and STPI – Creative Workshop and Gallery, Singapore. (4) Do Ho Suh, “Karma Juggler,” 2020. Photo: Courtesy the artist; Lehmann Maupin, New York, Seoul, and London; and Victoria Miro © Do Ho Suh 09 Nov 2026 필름앤비디오 FILM & VIDEO 서도호의 현장들 Do Ho Suh: On Site 국립현대미술관 서울 MMCA영상관 MMCA Seoul FILM & VIDEO 2026. 11. 11. – 2027. 1. 10. www.mmca.go.kr booking.mmca.go.kr (예약-필름앤비디오) mmca.go.kr(관람.참여-통합예약–전시예약–필름앤비디오) 09 Nov 2026 These photos were shared with me by the Korean journalist Keunyoung Kwon (권근영) @_unlearn_ing, taken on the opening day of my MMCA exhibition in August. Based on her research, the bird is likely a 멧도요 (Eurasian Woodcock) — though we’re not 100% sure! One thing is certain: it is not a bird typically found in or around Seoul during the summer. If it is indeed a 멧도요 (Eurasian Woodcock), a migratory bird that would usually only pass through Korea during the winter, it is a mystery how it ended up in the centre of Seoul in the middle of summer! I have to say, it was ‘Karma’! #MMCA #국립현대미술관 #DoHoSuh #서도호 09 Nov 2026 필름앤비디오 FILM & VIDEO 서도호의 현장들 Do Ho Suh: On Site 국립현대미술관 서울 MMCA영상관 MMCA Seoul FILM & VIDEO 2026. 11. 11. – 2027. 1. 10. www.mmca.go.kr 국립현대미술관은 《서도호》 전시와 연계하여, 서도호의 작업 세계를 입체적으로 조망하고자 그의 작품 현장을 기록한 다큐멘터리 상영 프로그램 《서도호의 현장들》을 마련한다. 본 프로그램에서 소개하는 13편의 영상은 서도호의 예술적 태도를 중심으로, 전시에 소개되지 않은 세계 곳곳의 장소특정적 설치작부터, 다양한 협업을 바탕으로 한 작업들까지 공간과 사람을 엮는 관계를 통해 하나의 작품에 이르는 과정을 추적한다. ※ 온라인 예약은 11월 9일(월) 오전 10시에 오픈됩니다. booking.mmca.go.kr (예약-필름앤비디오) mmca.go.kr(관람.참여-통합예약–전시예약–필름앤비디오) 03 Nov 2026 My Homes (2014) is one of several works now on view alongside Suh Se OK’s works, at @seongbukmuseumofart. As part of ‘Caressing the Memory’, mine and my father’s works accompany each other in a reflection on time, memory and materiality. Caressing the Memory at @seongbukmuseumofart , Seoul, Korea, is on until 20th December 2026. My Homes (2014) thread embedded in STPI handmade cotton paper © Do Ho Suh #DoHoSuh #서도호 20 Oct 2026 My 2019 ´Self-Portrait’ recently entered the British Museum’s collection – it joins my father Suh Se OK’s ´Dancing People’ (1991), which can be seen in the Korea Gallery. ´Self-Portrait’ is currently on show as part of Korea: 2000 years of Creativity, until January 2027. Korea and Korean culture are such important parts of my life and completely shape how I approach and move through the world. It’s is a unique privilege to have my work be the chosen end point for an exhibition going back two millennia. "This major exhibition draws almost exclusively from the 23,000 works bequeathed in 2021 by the late Samsung Chairman Lee Kun-Hee to the National Museum of Korea (NMK) and the National Museum of Modern and Contemporary Art, Korea (MMCA). It offers a dynamic journey through the art and material culture of the last 2,000 years. It also includes many National Treasures or Treasures, objects so designated for their exceptionally high quality and historical significance." Slides 5-7: Photo © The Trustees of @britishmuseum #DoHoSuh #서도호 16 Oct 2026 This Karma Juggler came together as a standing figure with one continuous line. When the line reached its original starting point – in other words, when the figure was completed – I dragged a colourful line to the right hand side of the paper, finishing it with the name of an important person in my life.

I repeated this over and over again: I started with names of my most immediate family, relatives and close friends, and then expanded to people I have become acquainted with in my life – as many as possible. I had so many people, I could remember their faces but not always their names. I wasn’t sure how I could draw them all, and I am still figuring out how to include them in my drawings! I drew one figure per name and, as much as possible, tried not to overlap. Maybe a silly rule that I came up with, but I wanted to respect each individual and their space. The end result turned out to be more of a whirlwind or swirl-like shape, with the movement obscuring the original form of the figure. Karma Juggler, 2022 coloured pencil on paper © Do Ho Suh On view at @mmcakorea until 9 February 2027. #MMCA #국립현대미술관 #DoHoSuh #서도호 13 Oct 2026 This circular star-shaped arrangement is made of hubs – in-between spaces. It’s a development of the fabric architecture that I would love to realise at 1:1 scale as it builds on the ideas of circularity and space I explored with my ‘mother of all homes’ work. On view at @mmcakorea until 9 February 2027. Photography by Jeon Taeg Su © Do Ho Suh #MMCA #국립현대미술관 #DoHoSuh #서도호 09 Oct 2026 In South Korea talking about farting is much less taboo than I’ve found it in the US or UK. I see farting as a perfect analogy for ideas about transportability, home and migration. If I eat some beloved home-cooked Korean food in Seoul and then get on a plane, it ferments and digests and I may – it’s just possible! – fart in another continent because of what I’ve eaten in my birthplace. There, in an adopted country, the after-effects of the food disperse in their new environment. We’re always processing, digesting, regurgitating. Places, times, memories, cultures. Fart in the Wind is an expression of that. In order of appearance: Fart in the Wind, 2017 ink on paper Bilingual, 2014 ink on paper Fart in the wind, 2010 thread embedded in STPI handmade cotton paper Farting Home, 2022 watercolour on paper Fart in the Wind, 2017 ink on paper Bangoopong, 2022 watercolour on paper Fart in the wind, 2010 thread embedded in STPI handmade cotton paper All works © Do Ho Suh. #DoHoSuh #서도호 07 Oct 2026 This circular model started from three spaces – the so-called ‘perfect home’ made up of facades of my past and present homes in Seoul, NY and London. The doorways face inward, so you enter from the central void. There’s no hierarchy or prescribed route like my Hubs. There’s freedom, but a lot of weight on the individual action and choice. You would meet people who came from different directions/spaces in the centre, which become a plaza where people can commune. There are fluxes or flows. Sometimes one person, sometimes many. When I sketched this form and drew the figure in the centre, it felt intensely lonely. That’s an important feeling, but I want to build a congregation. The void, which grows as we spend more time on earth, moving through different spaces, is the most important element. It’s one of the inherent structures in my practice. Voids recur in works like Some/One in the reflective centre of the cloak where the viewer sees themselves, in the way I never add backgrounds to my drawings, and the empty or inverted plinths in my anti-monument work. The emptiness at the centre is the real conclusion to that idea of the ‘perfect home’. The void isn’t nihilistic. Buddhism teaches that emptiness (śūnyatā) points us towards the true nature of things, which have no intrinsic existence and so are impermanent and ever-changing, dependent on causes and conditions. Once I’d made the work, the spinning spaceship in Space Odyssey started to occur to me. Mother of all Homes is on show at @mmcakorea until 9 February 2027. Photography by Photograsshopper © Do Ho Suh #MMCA #국립현대미술관 #DoHoSuh #서도호 02 Oct 2026 2026 성북아트위크 특별전시 《서세옥·서도호: 어루만지다(撫)》 □ 전시기간 : 2026. 10. 20. - 12. 20. (화-일, 매주 월요일 휴관) □ 전시장소 : 성북구립미술관 (서울시 성북구 성북로 134) □ 전시작가 : 서세옥, 서도호 □ 운영시간 : 10:00 - 18:00 (입장 마감 17:30) □ 도슨트 : 매일 오후 3시 (1회) □ 관람료 : 무료 □ 단체관람 및 예약문의 : 02-6925-5011 성북구립미술관은 2026 성북아트위크 특별전시 《서세옥·서도호: 어루만지다(撫)》를 10월 20일에 개최합니다. 성북을 기반으로 서세옥이 구축한 세계와 아버지의 공간을 어루만지며 기억을 환기하는 서도호의 작업을 조명합니다. 이번 전시가 두 예술가가 공유한 장소에 스며든 기억과 확장된 예술 세계를 마주하는 시간이 되기를 바랍니다. 30 Sep 2026

Follower tracking

We have started recording @dohosuhstudio, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @dohosuhstudio's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Every post & reel

384 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample
shortcodecaptionlikescomments
DdBGitWFKZO서도호 〈완벽한 집: 런던, 호셤, 뉴욕, 베를린, 프로비던스, 서울〉설치 현장 🏠🪡🧵…
Dfhx9CwnHo-A love letter to New York ❤️ For nearly 20 year…
Dfix0QqSELC필름앤비디오 FILM & VIDEO 서도호의 현장들 Do Ho Suh: On Site…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 182,250 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

See the columns
usernamefull_nameuser_idis_verifiedis_privateprofile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 897 accounts

$9.99

minimum

Every account this one follows, same fields.

See the columns
usernamefull_nameuser_idis_verifiedis_privateprofile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 4 days, 1 hour ago.

Tracking

A monthly plan, not a download: we keep reading @dohosuhstudio and email you what changed.

Track @dohosuhstudio every day · up to 5 accounts

We read @dohosuhstudio daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns
read_atfollowersfollowingpostsfollowers_change

These are the columns of the file. It gets one row per account for every day we read it, from the day you start.

$14.99/month