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Artist, Seoul Korean Pavilion, Venice Biennale 2026 •••
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#biennalearte2026#liberationspace#inminorkeys#venicebiennale2026#ヴェネチアビエンナーレ#repost#koreanpavillion#koreanpavilion#venicebiennale#japanpavilion
Recent posts
Now on view at La Biennale di Venezia as part of the Korean Pavilion’s (@korean_pavilion) "Liberation Space: Fortress/Nest,” Goen Choi’s (@dionisox) “Meridian” rethinks the concept of a "fortress”—not as a closed structure but as one that allows openings, circulation, and healing. Made from copper pipes evoking spears, needles, and rays of light, Choi's "Meridian" traverses the interior and exterior of the Pavilion, reconnecting and reactivating architectural spaces long closed.
"Liberation Space: Fortress/Nest," curated by Binna Choi (@choi.binna), explores liberation as an ongoing process shaped by movement, resilience, protection, and renewal. Commissioned by Arts Council Korea (@arkokorea) in partnership with Hyundai Motor.
Experience Choi’s “Meridian” at the Korean Pavilion at the 61st International Art Exhibition of La Biennale di Venezia through November 22, 2026.
#KoreanPavillion #LiberationSpace #BiennaleArte2026 #InMinorKeys
02 Jun 2026
Step inside “Liberation Space: Fortress/Nest” through the exhibition film of the Korean Pavilion at the 61st International Art Exhibition of La Biennale di Venezia.
Screened as part of the “Hyundai Art Node for the Korean Pavilion — Seoul Gathering” on August 31, the film features Curator Binna Choi (@choi.binna) reflecting on the idea of “Liberation Space,” the period of nation building that followed Korea’s liberation in 1945 till the 1948 establishment of the new state.
Participating artists Goen Choi (@dionisox) and Hyeree Ro (@hyereemro) speak to how the sensibilities of “fortress” and “nest” engages with the Pavilion’s architecture. Through these intersections, “Liberation Space” becomes an ongoing process of movement and renewal, inviting us to consider how we might continue along the paths it opens.
“Liberation Space: Fortress/Nest” is on view at the Korean Pavillion through November 22, 2026. The full film is also available on the Hyundai Artlab website. Link in bio.
#KoreanPavilion #LiberationSpace #BiennaleArte2026 #InMinorKeys
03 Sep 2026
The @korean_pavilion at the 2026 edition of the #VeniceBiennale unfolds as a meaningful exercise in deconstruction and reconstruction, using architecture to mirror the openness of the nation-building process.
Titled “Liberation Space,” the pavilion is an exercise in collective thinking, as Seoul-based Goen Choi (@dionisox) and New York-based Hyeree Ro (@hyereemro) bring their sculptural practices into a shared choreography that transforms the pavilion into a “living, breathing monument,” as curator Binna Choi (@choi.binna) describes it.
Read more by @elisartgal at the link in our bio.
10 Jun 2026
日本館と韓国館とのコラボレーション Collaboration Between the Japan Pavilion and the Korean Pavilion! 🇯🇵🇰🇷
今回の日本館で、象徴的な出来事となったのが、隣接する韓国館との初めての公式連携です。 韓国館でのノ・ヘリの定期的なパフォーマンス《Bearing》では、荒川ナッシュ医の赤ちゃん人形が参加。韓国館の屋根でも、1919年3月1日と1980年5月18日がテーマの赤ちゃん人形が設置、両館の間にある生垣にはチェ・ゴウンさんのパイプの作品《Corea Pavilion-Bush-Giappone Pavilion》が敷地を貫通するように設置されました。
またオープニングレセプションでは、まずシンガー・ソングライター、イ・ランがリードし《Our ㅁ（mieum）》という解放の歌に包まれ、日本館からのチームや観客も傘を差しながら韓国館前へ移動し、国境を越えた乾杯が実現しました。涙！
今後、会期中もさらなるコラボレーションを予定しておりますので、乞うご期待！
One of the most symbolic aspects of this year’s Japan Pavilion has been its official and first collaboration with the neighboring Korean Pavilion.
As part of the Korean Pavilion’s ongoing performance ”Bearing” by Hyeree Ro, Ei Arakawa-Nash’s baby doll has joined her score. Additional 2 baby dolls, themed for March 1, 1919 and May 18, 1980, have been installed on the roof of the Korean Pavilion, with both teams in attendance. Between the two pavilions, Choi Goen’s pipe sculpture “Meridian” titled “Corea Pavilion–Bush–Giappone Pavilion” physically traverses the hedge separating the sites, connecting the two spaces.
During the opening reception, “Our ㅁ (Mieum)”, a song of liberation was sung in chorus led by singer-songwriter Lee Lang. The Japan Pavilion team and many visitors carrying umbrellas moved from the Japan Pavilion’s pilotis to the front of the Korean Pavilion, where a cross-border big toast took place in a powerful gesture of solidarity and dialogue.
We hope more collaborations between the two pavilions happen throughout the exhibition period and beyond, so stay tuned!
@hyereemro @dionisox @choi.binna @korean_pavilion @langleeschool @ei.arakawa.nash @mizukit0730 @horikawa_lisa @rei_izmi
#japanpavilion #venicebiennale2026 #BiennaleArte2026 #ヴェネチアビエンナーレ
05 Jun 2026
Acupuncture on a building in Venice!
Step inside the Korean Pavilion at the 2026 Venice Biennale (@labiennale) to discover the work of Choi Goen (@dionisox). In “Liberation Space: Fortress and Nest”, the exhibition reconsiders what “liberation” means today, while recalling its historical weight. Within this framework, Goen’s work engages directly with the architecture, opening up the space and reshaping how it is seen and experienced. Split metal pipes puncture through the rooftop, curving in and around. Light pierces through the windows, reflecting yet another dimension of the work as it bounces off its glistening surface. As a visitor, you're wrapped by these pipes from all directions, as if hugged to heal by her art - just as acupuncture releases the stresses from the building.
Her connection with Bvlgari (@bvlgari) began with the Frieze Seoul Artist Award, where the brand has supported new commissions by Korean artists since 2023. What started as a platform for new work now extends to Venice, where Bvlgari supported Choi Goen's participation in this year’s pavilion.
This coincides with Bvlgari's new role as Exclusive Partner of the International Art Exhibition of La Biennale di Venezia for the 2026, 2028, and 2030 editions.
베니스 비엔날레 한국관에 ‘침’이 놓였습니다.
올해 베니스 비엔날레(@labiennale) 한국관에서는 최고은 작가(@dionisox)의 작업을 만날 수 있습니다. 서울을 중심으로 이어져온 그의 작업은 베니스라는 공간 속에서 또 다른 방식으로 확장됩니다.
이번 한국관은 “해방공간: 요새와 둥지"를 주제로, 오늘날 우리가 말하는 ‘해방’의 의미를 다시 짚어보면서 그 역사적 맥락까지 함께 되돌아봅니다. 이러한 맥락 속에서 최고은 작가의 작업은 건축 구조와 직접 맞닿으며, 공간을 새롭게 열어 관람객의 전시 경험 자체를 바꿔놓습니다. 갈라진 금속 파이프는 건물의 안과 밖을 관통하고, 빛은 반사되며 공간 안에 또 다른 층위를 만들어냅니다. 관객은 사방에서 뻗어 나오는 파이프 사이를 지나며, 마치 건물 전체에 침술이 놓인 듯한 감각을 경험하게 됩니다.
최고은 작가와 불가리(@bvlgari)의 인연은 프리즈 서울 아티스트 어워드를 계기로 시작됐습니다. 불가리는 2023년부터 한국 작가들의 새로운 커미션 작업을 꾸준히 지원해왔으며, 이러한 흐름은 이번 비엔날레까지 이어집니다. 이와 함께 불가리는 올해를 시작으로 2028년, 2030년까지 베니스 비엔날레 국제미술전의 독점 파트너로 참여합니다.
Liberation Space: Fortress and Nest (해방공간: 요새와 둥지)
May 9–Nov 22, 2026
Korean Pavilion, Giardini
Venice 🇮🇹
27 May 2026
✨ @korean_pavilion highlighted by @friezeofficial @observer @galeriemagazine @whitewall.art & @artnews ✨
10 May 2026
史上初となる日本館と韓国館との公式連携！A Historic First Official Collaboration Between the Japan Pavilion and the Korean Pavilion! 🇯🇵🇰🇷
ジャルディーニ地区で隣接する日本館と韓国館は、公式連携の一つとして、内覧会オープニングレセプションで共同乾杯を行ないました。
日本館のオープニングは、激しい雨と時折響く雷の中でスタート。来場者たちも雨宿りをしながら、その特別な時間を共に過ごしました。
途中でウクライナのテティアナ・ベレジュナ副首相（人道政策担当）兼文化大臣と、その娘のオーサカちゃんも飛び入りでスピーチに参加。さらに、作家と共同キュレーターによる反戦の詩の朗読が行われた後、参加者全員が傘を差しながら韓国館前へ移動し、国境を越えた乾杯が実現しました。涙を流すキュレーターの姿も見られ、忘れがたい感動的なひとときとなりました。
ヴェネチア・ビエンナーレという国際舞台において、アジアの存在感を⾼め、国家の枠組みを越えた平和のメッセージを発信することができました。
またこの他にも、お互いの垣根を越えての展示やパフォーマンスも実現することが出来ました！その様子も今後お伝えします。
🏛️第61回ヴェネチア・ビエンナーレ国際美術展 日本館
🎨「草の赤ちゃん、月の赤ちゃん」
📍日本館（ジャルディーニ）
📅2026年5月9日～11月22日
🌛アーティスト：荒川ナッシュ医
🌱共同キュレーター：高橋瑞木、堀川理沙
👶主催・コミッショナー: 国際交流基金
—--
As neighboring pavilions in the Giardini, the Japan Pavilion and the Korean Pavilion collaborated officially for the first time, including a joint toast at the preview opening reception.
Amid heavy rain and occasional thunder, guests gathered together under shelter from the storm, creating an unexpectedly intimate atmosphere. During the event, Tetyana Berezhna (Deputy Prime Minister for Humanitarian Policy and Minister of Culture, Ukraine) and her daughter Osaka made a surprise speech appearance. The artist and co-curators also delivered readings of anti-war poetry, followed by a joint toast held in front of the Korean Pavilion, where participants moved together through the rain under umbrellas. Some curators were even moved to tears, making it a deeply emotional and memorable moment.
On the international stage of the Venice Biennale, the collaboration became a powerful expression of Asian solidarity and a message of peace that transcends boundaries.
In addition, the collaboration also extended across the boundaries of each pavilion through artworks and performances. We look forward to sharing more of these moments later.
🏛️The Japan Pavilion at the 61st International Art Exhibition, La Biennale di Venezia
🎨“Grass Babies, Moon Babies”
📍The Japan Pavilion (in Giardini)
📅 May 9 - Nov 22, 2026
🌛Artist: Ei Arakawa-Nash
🌱Co-curators: TAKAHASHI Mizuki, HORIKAWA Lisa
👶Organizer/commissioner: The Japan Foundation
@korean_pavilion
#venicebiennale2026 #ヴェネチアビエンナーレ
10 May 2026
Liberation Space: Fortress/Nest OPENS TODAY, 6 MAY 2026.
A living, breathing monument to what we call “liberation space,” repurposing the Korean Pavilion during the 61st International Venice Biennale.
Together, curator Binna Choi and artists Goen Choi and Hyeree Ro consider the specific geopolitical and historical meanings of the Korean Pavilion as the embodiment of a nation in constant making.
*Join us at 4pm for the official opening reception, with a special performance from @langleeschool and a joint toast with the @japan_pavilion_vb2026
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《해방공간: 요새와 둥지》 드디어 오늘, 2026년 5월 6일 오픈
제61회 베니스 비엔날레 한국관이 ‘해방공간’이라는 살아 숨 쉬는 기념비로 다시 태어납니다.
최빛나 큐레이터와 최고은, 노혜리 작가는 끊임없이 만들어지고 있는 국가의 현신으로서 한국관이 지닌 특수한 지정학적·역사적 의미를 함께 고찰합니다.
• 오후 4시: 공식 오프닝 리셉션
• 퍼포먼스: 이랑(@langleeschool)
• 일본관과 함께하는 건배 및 축하
06 May 2026
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<화이트 홈 월>, 2025, 스탠딩 에어컨(1992-2008),
스테인리스 스틸, 와이어, 합판, 340x600x38(cm)
<White Home Wall>, 2025,
Standing air conditioner(1992-2008), Stainless steel, Wire, Plywood, 340x600x38(cm)
PANORAMA
2025. 8. 22 - 10. 16
송은문화재단
제작 써드핸드 @thirdhand_seoul
도움 노수빈, 이규송, 이기명, 홍지우
촬영 박동균 @vak.dongkyun
#Repost @vak.dongkyun
・・・
송은에서 미술가 최고은의 <화이트 홈 월> 전시 전경을 촬영했습니다.
Shot exhibition view of <White Home Wall> for the artist Goen Choi @dionisox at Songeun.
11 Dec 2025
Meet Choi Goen (@dionisox)—an artist who transforms the overlooked structures of daily life into sculptural installations. From refrigerators and built-in closets to pipes that normally stay hidden behind walls, her practice begins with a fascination for these mass-produced objects and how they shift in meaning once entangled with lived experience. By cutting, rearranging, and repositioning them, she draws out new forms and possibilities that make us reconsider the foundations of our everyday environments.
During our studio visit, she spoke about her current focus on pipes—materials that carry both function and metaphor. For Choi, they suggest movement, circulation, and flow, offering a fresh language for sculpture after years of working with appliances and furniture. Surrounded by fragments of objects and tools in her studio, she shared how this process is less about permanence and more about ongoing transformation. Above all, she hopes to keep making work with persistence, steadily reshaping the way we see the ordinary.
Choi is featured alongside Goni (@gonijisu) and Yooyun Yang (@yangyooyun) as part of our Artists to Watch section. Lots more covered in our guidebook. Hope you were able to grab one while they were in stock. All out now!
04 Sep 2025
⠀
전시 소식을 전합니다.
#Repost @seoulmuseumofart
・・・
#마나라트알사디야트 #LayeredMediumWeAreinOpenCircuits
⠀
서울시립미술관과 아부다비음악예술재단(ADMAF)이 공동 기획한 《Layered Medium: We Are in Open Circuits》가 2025년 5월 16일, 아랍에미리트 아부다비의 마나라트 알 사디야트에서 개막합니다.
⠀
서울시립미술관 소장 작품을 중심으로 구성된 이번 전시는, 지난 60여 년간 한국 동시대미술의 고유한 전개 과정을 따라가며, 매체 중심의 확장성과 연결성을 보여주는 주요 작가들의 대표작을 통해 그 흐름을 살펴봅니다. 다양한 매체의 융합을 통해 예술가들이 한국 사회의 급격한 사회적·기술적 변화에 어떻게 대응해왔는지를 살펴보며, 개인의 경험부터 세계적 맥락에 이르기까지, 다층적이고 교차적인 매체 환경에서 전개된 작품들은 과거와 현재, 미래를 아우르는 다양한 시각을 제시합니다.
⠀
특히 세계화와 급속한 도시화를 함께 겪은 아부다비라는 문화적 맥락 안에서, 작품들은 새로운 해석의 가능성을 갖습니다. 아울러 이번 전시는 서울시립미술관 소장품을 한국 외 지역에서 처음으로 대규모로 소개하는 자리로, 한국 동시대미술을 새로운 관객에게 선보이고 미술관의 국제적 지평을 넓히는 계기가 될 것입니다.
⠀
《Layered Medium: We Are in Open Circuits》
2025. 5. 16.(금) - 2025. 6. 30.(월)
아랍에미리트 아부다비 마나라트 알 사디야트
⠀
참여작가: 백남준, 김구림, 박현기, 이건용, 이강소, 박이소, 홍승혜, 정서영, 이불, 임민욱, 문경원 & 전준호, 권병준, 양혜규, 이슬기, 홍영인, 김성환, 오민, 강서경, 김아영, 권하윤, 전소정, 최고은, 전혜주, 우한나, 람한, 구기정, 황선정, 이목하
⠀
#서울시립미술관 #아부다비음악예술재단 #LayeredMedium #소장품 #SeoulMuseumofArt #SeMA #AbuDhabiMusicandArtsFoundation #ADMAF
13 May 2025
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전시 《Masochistic Screen》(2024)에서 선보인 최고은 작가의 《토르소》 아카이브 사진을 공개합니다.
최고은 작가의 냉장고에서 가학성을 볼 수 있게 해준 전시는 2018년 시청각에서 열린 《오렌지 포디움》(윤율리 기획)입니다. 건조하고 절제된 결과물 이면에 톱으로 철을 잘라내는 작가의 몸이 보였고, 이러한 과거의 전시를 딛고 잘린 몸체를 창문처럼 드러내는 이번 작업을 제작할 수 있었습니다.
전시를 만들기 위해 함께 해주신 모든 분들과 방문해 주신 관객 여러분께 감사의 말씀을 전합니다.
사진: 이현석, 홍철기
-
《토르소》, 2024, 8개의 Zipel (76Ⅹ91.1Ⅹ134.5cm*5, 71Ⅹ91.1Ⅹ134.5cm*3)
〈Zipel(2010)〉, 2024, 냉장고, 76Ⅹ91.1Ⅹ134.5cm
〈Zipel(2008)〉, 2024, 냉장고, 76Ⅹ91.1Ⅹ134.5cm
〈Zipel(2012)〉, 2024, 냉장고, 76Ⅹ91.1Ⅹ134.5cm
〈Zipel(2008)〉, 2024, 냉장고, 71Ⅹ91.1Ⅹ134.5cm
〈Zipel(2011)〉, 2024, 냉장고, 76Ⅹ91.1Ⅹ134.5cm
〈Zipel(미상)〉, 2024, 냉장고, 71Ⅹ91.1Ⅹ134.5cm
〈Zipel(미상)〉, 2024, 냉장고, 71Ⅹ91.1Ⅹ134.5cm
〈Zipel(2012)〉, 2024, 냉장고, 76Ⅹ91.1Ⅹ134.5cm
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《Masochistic Screen》
2024.11.20—11.24
2PM—8PM
The WilloW @thewillow1955
참여작가 | 곽소진, 권희수, 김온, 최고은
기획 | QF(하상현)
그래픽 디자인 | 동동
영상 촬영 | 정순영
사진 촬영 | 이현석, 홍철기
필진 | 김지훈, 허호정
후원 | 서울특별시, 서울문화재단
@sojin_kwak @heesuekwon @own.npc @dionisox @qf_unit @xxiivers @ynsoonjng @backstepforward @hcheolki @hurhojung @sfac2004
16 Apr 2025
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