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Managing Editor at @altpress Photographer NYC
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Recent posts
Haywire gave New York City about an hour to prepare for them. Last night, the band posted a Times Square location to Instagram, and by showtime, hundreds of fans had crowded the intersection for a guerrilla set that ran exactly 90 seconds. They made it through “Flex Your Head” into “Haywire” before NYPD officers unplugged the amplifiers and carried off the equipment, drawing a round of boos from the crowd that, for a brief moment, outsounded the traffic.
Punk and hardcore have a long tradition of shows ending before they’re supposed to. Few of them are going to be talked about for as long as this one.
📸: @dimitrymakphoto
29 Oct 2026
Chelsea Wolfe’s New York history came full circle last night at The Town Hall.
Her first show in the city was at Saint Vitus in 2011, the Brooklyn bar that went on to become one of the defining rooms for heavy music in New York. Last night she brought The Dark World Tour to a historic Midtown theater and opened with “The Dark,” the title track from her new album.
Midway through the set, Gojira’s Joe Duplantier walked out for “Vex,” singing the part Aaron Turner of Neurosis and Isis recorded for ‘Hiss Spun’ in 2017. The setlist reached back as far as “Flatlands,” released the year after that Saint Vitus show, and forward to “Death Is Not the End,” out this past June.
Were you in attendance last night?
📸 @dimitrymakphoto
SETLIST
The Dark
Iron Moon
Whispers in the Echo Chamber
Turn the Key
The Liminal
Tunnel Lights
Dusk
Vex (with Joe Duplantier)
Seethe
Humours
Feral Love
Pale on Pale
Wandering
Flatlands
Cold
The Culling
Death Is Not the End
16 Psyche
07 Oct 2026
Actually one post wasn’t enough, so here’s part two of @castle.rat
Thanks for looking 🐀 🩸 🗡️
29 Apr 2026
Sleeping With Sirens (@sleepingwithsirens) played a sold-out Hammerstein Ballroom last night on the An Ending in Itself Tour.
Were you there?
📷 @dimitrymakphoto for Alternative Press
Setlist:
Kick Me
Leave It All Behind
An Ending in Itself
Forever/Always
The Bomb Dot Com V2.0
A Trophy Father’s Trophy Son
Better Off Dead
Go Go Go
I’m Coming Home (Big Gulps) (acoustic)
Free Now (acoustic)
Iris (Goo Goo Dolls cover, acoustic)
Bloody Knuckles
House of Matches
Who Are You Now
Do It Now Remember It Later
Encore:
If I’m James Dean, You’re Audrey Hepburn
If You Can’t Hang
08 Nov 2026
Headbangers Boat gave South Florida thrash upstarts Chained Saint a send-off close to home, sailing out of Miami just a short drive from the Parkland garage where the band first came together in high school.
Their set dug into the new EP ‘Rise to Fall,’ and singer Sean Sterling kept asking the fired-up crowd if they wanted to hear more new shit. The response was loud, and Chained Saint delivered.
Keep an eye on this band.
04 Nov 2026
Late last night aboard Headbangers Boat, The Dillinger Escape Plan played the second-to-last of their Final ‘Calculating Infinity’ Shows. The run opened with three nights at Brooklyn Paramount in June 2024 and closes tonight with one last set on the ship.
📸: @dimitrymak
02 Nov 2026
Fit For An Autopsy throwing down an absolutely punishing set aboard the Headbangers Boat cruise, with the pit churning into The Sea of Tragic Beasts 🌊
📸: @dimitrymak
01 Nov 2026
Halloween at sea, Lamb of God style. Randy Blythe prowled the stage hooded, skull-faced and skeleton-handed while the band ran a setlist the fans voted for themselves, an hour of wall-to-wall riffs aboard Headbangers Boat. The ship is still floating, somehow.
📸: @dimitrymak
Setlist:
Ruin
Laid to Rest
Hourglass
Walk With Me in Hell
Now You’ve Got Something to Die For
11th Hour
Ghost Walking
512
Blacken the Cursed Sun
Descending
Vigil
Redneck
01 Nov 2026
GWAR on the Headbangers Boat, somewhere between Miami and Great Stirrup Cay. The Norwegian Jewel’s cleaning crew has a long night ahead.
📸: @dimitrymak
31 Oct 2026
Chaos in Times Square. Haywire gave fans one hour’s notice on Instagram for a surprise pop-up show, and 30 minutes later hundreds of people had swallowed the street. The NYPD pulled the plug and confiscated the band’s equipment.
28 Oct 2026
Vince Staples shut down a sold-out Brooklyn Steel last night, backed by a full band ripping through nearly all of ‘Cry Baby’ plus a run of ‘Dark Times’ cuts.
📷 @dimitrymakphoto for AltPress
Setlist:
Only in America
The Running Man
White Flag
Do You Know The Devil
Nothing Matters
Little Homies
Government Cheese
Shame on the Devil
Black&Blue
WHEN SPARKS FLY
7 in the Morning
Tulsa, OK
Go! Go! Gorilla
The Big Bad Wolf
TV Guide
Blackberry Marmalade
28 Oct 2026
Honeycrush is having a moment. Over the past few months, “My Dog” has quietly taken on a life of its own on TikTok, where the slow-burning cut from last year’s ‘Dogwoods’ EP has soundtracked thousands of videos and pushed past a million streams. It’s easy to hear why. The song is a snarling, half-whispered meditation on loyalty and dependence, and Alexandra Antonopoulos’s voice does most of the work, slipping from a murmur into a full-throated wail while a pulsing guitar figure holds the tension underneath.
That voice is the center of everything Honeycrush does. Antonopoulos calls the sound “folk horror rock,” which gets at the way her songs sit between gloomy alt-rock and post-punk, with the DNA of Fiona Apple, Nirvana, and PJ Harvey running through them. She writes like a short-story author, building character studies with no clear victim or villain that circle womanhood, self-doubt, and the quiet violence of ordinary relationships.
Earlier this week, she brought that material to New York’s Mercury Lounge with CMAT drummer Morgan Karabel and Brooklyn multi-instrumentalist Phil Shore behind her. The set doubled as a preview of Honeycrush’s debut full-length, ‘Backwards Crawling Speaking Stalling,’ which arrives November 17 after a year of buildup from the churning “Came Upon a Scene” and, earlier this month, “Spine.”
The night after the album drops, Honeycrush celebrates with a release show at Brooklyn’s Union Pool, with Scout Pare-Phillips and Riley McBride opening.
📸: @dimitrymakphoto
28 Oct 2026
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