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Film & Digital | B Corp DIT & Video Crew • Film • Dailies • Rental
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Recent posts
Exciting News for Digital Orchard!
We have completed the installation of a new DFT Scanity 2 at the KODAK Film Lab at Pinewood Studios, bringing high-end native 4K RGB-IR scanning, HDR performance and increased throughput to film production, post-production and restoration workflows.
The Scanity 2 builds on the proven Scanity platform, combining:
• Native 4K RGB-IR imaging
• Multi-stage TDI HDR for enhanced dynamic range
• Speeds of up to 56 fps for 35mm 3-perf
• Optical Pin Registration for precise frame stability
• Full-perforation overscan for restoration
• Infrared capture to support dirt and defect removal
• WetGate scanning for 16mm and 35mm
Following several months of beta testing, the system is now ready for commercial use, marking an important step forward in our film scanning capabilities.
This investment strengthens the Digital Orchard + KODAK Film Lab partnership, supporting filmmakers, post-production teams and archives with higher-quality scans, more flexible workflows and increased capacity, while continuing to preserve the creative intent captured on film.
As film continues to thrive as both a creative and archival medium, Scanity 2 provides a powerful bridge between the original negative and today’s digital production, restoration and preservation workflows.
Are you excited to see your first scans?
Photo credit: DFT
https://dft-film.com/products/scanity-2/
Website article: https://digitalorchardgroup.com/news/do-kodak-scanity2
#FilmScanning #16mm #35mm #DigitalOrchard #Kodak DFT Scanity2 FilmProduction PostProduction
07 Oct 2026
🚨 BREAKING NEWS 🚨
Big things are happening at Digital Orchard… Our Agency and Diary teams are joining forces, bringing the entire DIT and Video Playback roster together under one name: ORCHARD CREW! 🍊
So, what does this mean?
🧡 One powerhouse roster. An even more diverse line-up covering Features, Drama, Commercials and Fashion.
🧡 Talent for every call. An incredible range of technicians and specialists, bringing together expertise across the industry.
🧡 Crewing made easier. Streamlined bookings and one central point of contact, whether you know exactly who you’re after or need a little help finding the perfect fit.
The bad news? No more sibling rivalry, and having to mix teams up for the DO vs Orchard Crew summer rounders tournament. 💔
To celebrate, we’re putting the spotlight on just a few of the brilliant technicians who make up Orchard Crew.
Want to know more? Explore the full roster here: https://digitalorchardgroup.com/crew/
06 Nov 2026
MISTABECH @yarin.szn | 200T 16mm
“Shooting on film was born from a deep love of analog still photography — a feeling that digital cameras struggle to replicate. That passion naturally evolved into film video, and every time I see the footage, the colors of the film stock move me all over again. There’s a warmth, a texture, and an unpredictability to film that feels alive in a way that digital simply can’t imitate. This project was made with that love at its core.”
Directed, Filmed and Edited By @dinperlis
Music production: @dinperlis
Producers : @baroryon / @hatzub
Art Director : @mey.d.ko
PA : @yonatanplat
First AC : @papolokk
BTS : @baroryon
Gaffer : @shayeidin
Studio : @studio08
film lab : @kodak_shootfilm Film Lab: London
Scanned by : @digitial_orchard
Colorist : @dinperlis
Dancer : @_orlyy
Ballet Dancer : @ninagb_
Actors : @saarkopel / @shiraperez / @kinertsing / @shellybernig
19 Oct 2026
4 VMA WINS! 🏆🪩
Huge congratulations to DOP Daniel Landin and everyone behind Madonna’s CONFESSIONS II - THE FILM: eight @vmas nominations and four wins, including Best Cinematography and Best Long Form Video!
Our DIT Paul Swann worked closely with Daniel to bring his vision to life, supported on several days by our Data Manager Dan Saffer.
“Massive congratulations to Daniel Landin on his Best Cinematography win at the MTV VMAs. I have collaborated with Daniel on many projects over the years and I’m so glad his uncompromising and distinctive visual style has received the recognition it deserves on this project.” - Paul Swann, DIT
Directed by @torso.solutions
DOP: Daniel Landin
Produced by @division.global
UK Production: @voodoo.pictures
@madonna @vmas @mtv
@paul_swann_dit @danielsaffer
Next up: three 2026 UK Music Video Awards nominations - Best Pop Video - International, Best Cinematography and Best Special Visual Project. Fingers crossed for 4 November! 🤞✨
Book our team via the 🔗 in our bio
14 Oct 2026
Mustbejohn - SUPERSTAR 🌠
Directed by Matt Chandler & Will Sharp, DOP Kai-Yan Lai.
Dreamy from start to finish. 🎞️✨
Scanned and brought to life by Orchard Film.
Directors: Matt Chandler @matt.chandler.films Will Sharp @will_sharp__
Produced by: Square Up @square_up_films
DOP: Kai-Yan Lai @kaiyanlalai
1st AC: Calem Trevor @applecrumblr
2nd AC: Ant Belle @xntwxrld
Gaffer: Ben Job @benjob
Spark: Maxime Laurant @maxime.jlaurent
Sound: Leo Gribanov @leoaudio
Graphics/Art Director: Courtney Page @courtneypage_
Costume Design: Alice Secchi @iamaliceice
Editor: André Rodrigues @andre_with_an_accent
Colour Producer: Thea Dagnaud
Colourist: Aiden Tobin @aiden_.tobin @timebasedarts
Sound Design: Tyler Darrington @liquidstate_audio
@kodak_shootfilm @fomo_rentals
Special Thanks to:
Ridley Road Market Bar @ridleyroadmb
Hannah Nicole Drew @hannahnicoledrew
Digital Orchard @digital_orchard 🔥
Time Based Arts @timebasedarts
Cast:
Busker: Sam Porter @morierrr
Dancer: Zakarius Harry @zakariusharry
John’s Girlfriend: Evie Webzell @ewebzell
Shop Owner: Kunal Kishor @kunal_rocks_the_world
Bar Manager: Akar Faraj @faraj_film
John’s friends: Jude Politt @jude_pollitt , Juan Pablo @juanpablo.cfts , Eliot Eason @arc_elliott_eason, Sahan Hiddalalarachichi @sahan_betafit
05 Oct 2026
Ever wondered what actually happens to your camera card after ‘CUT’ is called? 🎥
Our aim is to demystify industry terms and services - breaking down the critical tools your project needs to succeed. Starting with the backbone of on-set workflow: Dailies!
👉 Having a dedicated Dailies Lab isn’t just about reviewing yesterday’s takes; it’s about colour pipeline integrity, data security, and seamless hand-offs to editorial
Swipe to see what our Dailies team, led by Joanna Rann, have outlined - so you can plan your next shoot with confidence
01 Oct 2026
At Digital Orchard, we get to scan all kinds of amazing projects, from feature films and music videos to passion projects and everything in between.
Over the last few months, we’ve noticed one thing on the rise… Wedding content!
There’s something pretty special about helping to preserve the memories for such an important day. So, we thought we’d take a moment to share some of our favourites…
A huge thank you to all our wonderful clients, not only for trusting us with your precious footage, but for coming back to us time and time again, and even recommending us to your friends and colleagues.
YOUR SUPPORT REALLY DOES MEAN THE WORLD.
Which frame is your favourite?
📸 1) Mark Brown Films @markbrownfilms 16mm
2) Becky Wright @beckywright_weddingphotography 8mm
3) Scott MacKenzie @mackenzieweddingfilms 16mm
4) Jared Tinetti @jaredtinetti.films 16mm
5) Summer Grace LaBelle @summ_shine 8mm
#WeddingsOnFilm #8mm #16mm #wedding #weddingphotography
24 Sep 2026
The trailer has finally dropped 🎬
Coming soon: Fortitude, directed by Simon West and starring Nicolas Cage, Ed Skrein, Matthew Goode, Michael Sheen, Alice Eve and Ben Kingsley
We were behind the scenes for the full feature, scanning the entire film at our base in Pinewood Studios across both 35mm and 16mm
Head of Scanning - Dan Redrup
Scanning Operators - Timi Oladeji & Nora Pribek
Our Dailies team also handled a full Film Dailies workflow - from digital labroll and sound sync to transcodes and LTO archival. Managed by our Dailies Operator Daniel Saffer @danielsaffer, and Head of Dailies Joanna Rann
We can’t wait for you to see this one 🎞️
18 Sep 2026
Pressure released last week, and what an incredible feature to be a part of 🎬✨
Directed by Anthony Maras, with stunning visuals by DOP Jamie Ramsay BSC SASC, with Production Manager Monique Mussell
Our Video Operator Olly Brassell @obrassell shared, ‘Working on Pressure was a fantastic experience. We were lucky to have such an incredible cast and crew. And having the opportunity to shoot something as important as D-Day (and blowing up half of Camber Sands in the process) remains one of my absolute highlights of working in video’
🎥 Our very own Digital Orchard team also brought their A-game to this high-tension project
Pacu Trautvetter - Video Operator @pacu_trautvetter
Olly Brassell - Video Assistant @obrassell
Ria Brown - Video Operator (Dailies Cover) @riabrownxx
Madison Marshall - Video Trainee (2nd Unit Dailies) @wonki_blue_eye
Monika Sak - DIT Trainee (Main Unit Dailies) @monciahaha
Behind the scenes, Orchard Dailies delivered a full Digital Dailies Lab - handling transcodes, RAID backups, and LTO archival to keep the workflow secure and moving seamlessly. Meanwhile, our Orchard Film team scanned 16mm sequences in stunning 4K on our Scanity HDR, preserving every grain of detail for the big screen
🎞️ Massive congratulations to the entire cast and crew
14 Sep 2026
What does it take to bring Oasis’ story to the big screen? 🎬
Our Head of Dailies, Joanna Rann, takes us behind the scenes of Don’t Look Back in Anger and into the dailies workflow behind the documentary
Got any questions? Contact our Dailies team today!
12 Sep 2026
@nikesportswear CRYOSHOT | 50D & 250D 16mm
Creative Studio @wi__gz
Production Studio @studiobruciato
Director @pietrobizbiasia
EP & Creative Producer @chiarahmannarino
Creative associate @marsdomingues
Production Coordinator @nicholas_luca
DOP @gian0liva
1st AD @internstelar
1st AC @matteo.canzano
2nd AC @fil.from.future
Gaffer @joskacchi
Spark @lonely_boyart
Grip @tommasomgn
Set Design Studio @megabottega
Set Designer @andreamortadea
Set Designer @samuelamodeo
Set Designer Assistant @dan_bodhi
Post-Production House @panchina___
Editor @pietrobizbiasia
VFX Artist @nisju.film
Colorgrading - @herebobo
Composition & Sound Mix @rijo_on_theway
Graphic Designer @konjhuntivite
Camera & Lighting Eq @panalight
Film Stock @frame24ltd
Film Processing Kodak Film Lab: London
Film Scan @digital_Orchard
Designers - Enrico Carbonere, Harry Sun, Michele Galasso
09 Sep 2026
We're thrilled that Don’t Look Back in Anger launches today! A sincere thank you to our exceptional crew and dailies teams whose technical skill drove this project forward 🎸
Managing a global workflow across several countries was no small feat, with Digital Orchard’s work on the project spanning over six countries within multiple cities
Production Manager @kiyomitaylor shared, ‘It was great working with Callum and the team at Digital Orchard who were always so meticulous and considered from a technical and workflow perspective. We always felt very well informed and appreciated the team working diligently on incredibly complex filming systems, their support was always felt’
👉 We also spoke to our Head of Dailies Joanna Rann about working on the project, ‘Working on the Oasis documentary was a new and exciting challenge for our Dailies department. Orchard Dailies would receive a couple of RAIDs of data at a time, processing them within 2-3 days. RAID contents would be logged, all footage would be prepared and transcoded for Editorial, and back ups would be done to a Master RAID and 2 sets of LTOs. It was exciting to be across a year-long project, helping the Production team to track and manage their data’
DOP - Haris Zamboularkos BSC @zambagram
Production Coordinator - @theamilford
Production Manager @kiyomitaylor
🎬 Main Shoot (Rehearsals / Interviews):
DIT - Iain Thomson @yawning_scotsman
Rehearsals Data Manager 1 - Sophie Dymond @sophiedymond1
Rehearsals Data Manager 2 - Andrew ‘Elvis’ McGovern @andyelvisfilm
Data Manager Cover (Dailies) - John McNally @bonesmcnally
Video Rigging (Dailies) - Pacu Trautvetter @pacu_trautvetter
Additional Concerts and Interview Crew (London, Manchester, Cardiff, Dublin, Belfast):
DITs - Iain Thomson, Richard Newton @richardnewton_dit, Andrew ‘Elvis’ McGovern
Concert DIT / Workflow Supervisor - Callum Just @callum.just
Data Managers - Daniel Saffer @danielsaffer, Jay Menos McIntyre @5feet1frame, Nathan Morgan @dit.man.nath
Dry Hires: South America, South Korea
Digital Dailies Lab: Workflow, Transcodes, Media Management, & LTO Archival overseen by Head of Dailies Joanna Rann, and Head of Technology Adam Shell
09 Sep 2026
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