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an other space for making radio eora/sydney/AUS. narrowcast = 91.9Mhz Waterloo/Marrackville
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#bardo#liberationthroughhearing#digitalopera#buddhism#deathjourney#pnode#radioart#soundart#sonicarts#experimental
Recent posts
Show 191
Liberation Through Hearing
composed by Dganit Elyakim
@misscomposed_
Puppets & Stop motion films
by Omer Gal
@omergalart
~~~
This Week on Air:
09.11 - 11 pm cet - Radio RaBe
11.11 - 3 pm cet - Noise Radio
+ Weekly Wed. & Sat. 3 pm cet
13.11 - 7 pm aest - diffusion919fm
and repeats
~~~
Liberation Through Hearing is a digital interactive opera based on video game technologies, presented here as a radio transmission of the entire opera. This large-scale, audiovisual work combines dramatic narrative with video game technologies. Its libretto is rooted in the Bardo Thödol, a foundational text of Tibetan Buddhism, and focuses on two of its core sections.
Concept, libretto* and interactive design: Dganit Elyakim and Shahar Sarig | Composition and electronics: Dganit Elyakim | Sound director (tonmeister): Ronald Boersen | * The libretto is rooted in translations of Padmasambhava by:
Robert A.F. Thurman, Gyurme Dorje, Chongyam Trungpa | Narrator, The Intermediate State:
Voice: Anat Pick, Percussion: Tomer Galili, Recorders: Inbar Solomon, Bass Clarinet: Yoni Silver | Signs of Death: 6 Voice: Michal Oppenheim, Piano (extended techniques): Dganit Elyakim, Mix:Dror Schiemann | Recitatives:
Digital harpsichord performer: Ronald Boersen,
Narrator: Guy Harries.
Dganit Elyakim is a composer and sound artist, working across a broad spectrum of practices to depict various aspects of the human and digital paradigm. Exploring numerous artistic strategies that span from electro-acoustic, vocal, or chamber music through sound installation, video, and new-media creations, her body of works attempts to reflect on philosophical, political, and ethical issues regarding the constantly evolving technologies.
www.misscomposed.com/
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#bardo #liberationthroughhearing #digitalopera #buddhism #deathjourney
09 Nov 2026
(no caption)
09 Oct 2026
Show 190
Works by Shaun Robert, Leonie Roessler,
Joan Schuman and Sylvia Hinz
~~~
@institute_for_alien_research
@ljroessler
@schumanjoan
@dissonant_witchcraft
~~~
This week on Air:
06.10 - 7 pm cet - Usmaradio
07.10 - 3 pm cet - Noise Radio
+ Weekly Wed. & Sat. 3 pm cet
09.10 - 7 pm aest - diffusion919fm
and repeats
11.10 - 10 pm cet - Reboot.fm
~~~
Shaun Robert plays musical instruments like objects and vice versa. “Cross talk & frequency drifting pulls my heart strings” and a Heavy use of Cassette Tape in Structure, loops and rough editing, audio drop outs… Sonic Organic.
Leonie Roessler is a Sound and Installation artist, composer, improviser and radio maker based in The Hague. Part of her work is purely sound-based: Portraits of cities for her Cultural Spaces nomad project, noise-based performances. The theme of marginalization has been increasingly present in her work, especially in her art radio.
Joan Schuman makes radio art; organize and present other sound artists on various platforms; mentor radio art archivists; and teach online (sound culture and production courses through The New School/Parsons, Arts, Media & Technology). She is mesmerized by sounds along the farthest reaches of the Northern California Coast, where she lives and returns to from other geographies.
Sylvia Hinz is a media artist and performer of contemporary music based in Berlin. Her work combines video art, virtuosity, and sonic exploration on recorders of all sizes – from soprano to sub-contrabass – as well as experimental sound design on synthesizers.
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@femalepressure_official @radiocampusparis @nearfm90.3 @usmaradio @noise.radio.station @diffusion919fm @wgxc_90.7fm @reboot.fm @radiorabe @radio.uap.poznan #pnode
#radioart #soundart #sonicarts
#experimental fieldrecording
06 Oct 2026
want to eat the earth
A sonic almanac from the New School of the Anthropocene
NSOTA is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice.
This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.
This episode is created for the Spring Equinox. In it we pay tribute to the author of Deschooling Society - Ivan Illich, September 2026 marks 100 years since his birth. The show is curated and produced by Michael Timmerman, Simon McClelland Morris and Chris de Selincourt in collaboration with NSOTA scholars, ensemble, and friends.
On rotation Wednesday
With contributions from, Michael Timmerman, Simon McClelland Morris, Chris de Sel, Josh Tucker, Jonathan Petherbridge, Sk.ye.
@nostagram
@rhonaeve
@pearlfishh
@chrisdesel
@skye.mcdb
@simon_mcclelland_morris
@timmerman242
21 Sep 2026
NAUS is a radio show of improvised electronics recorded live on board ‘A
Slice of Reality’ - a vertical section of an ocean going sand dredger that
stands on the foreshore of the Thames at North Greenwich in London.
Originally conceived of as a sound bite of lost industry to mark the turning of a millennium,
the realities the ship witnesses are now very different - the high octane leisure industries of
the Millennium dome and the docks, and the global finance district at Canary Wharf.
As a guardian of the Slice Stephen Shiell is exploring and understanding the site as both a
public sculpture and a private environment that sits beyond the boundaries of the usual.
These radio shows are recordings of live events, happenings to explore the tensions that
exist between the public and private. Curating the series around his own love for
experimental electronics and improvisation is a way for me to bring communities into this
setting, a chance to celebrate an underground London culture in a place that hasn’t been
commercialised or capitalised, even though it lies in the heart of these very environments.
The fabulousness of NAUS!
Show No. 3 this Saturday eve on repeat!
@dushume @mini_oramics
@laura.netzzz @stephen_shiell
17 Sep 2026
...in Brunswick!
12 Sep 2026
Show 189
Intangible Sound of Contact
by Laura Mello
@lauramello_sound
---
This week on air:
11.09 - 7 pm aest - diffusion919fm
and repeats
13.09 - 10 pm cet - Reboot.fm
---
The work of Brazilian-German sound artist and composer Laura Mello is the outcome of listening to the in-betweens, taking sound as the starting point to establish unheard connections. She explores the auditory dimensions of spoken language to deconstruct and reconstruct (de-)colonial perspectives, challenging established epistemologies. Laura’s projects emerge in multiple formats and evolve from interdisciplinary and often site-specific investigations.
www.lauramello.org
Intangible Sound of Contact - Istanbul:
A project reflecting the history of the early 20th century, the time of the so-called neo-Colonialism, of flourishing industry and the run for energy sources. Starting from the foundation of the German colony Blumenau in Brazil in 1850 (Laura Mello’s hometown), the artist draws a line leading up to the present day and raises questions about the consequences of racial supremacism and dichotomies such as wildness vs. civilization.
Speakers: Aaron Snyder, Laura Mello, Petra Nachtmanova, Zach Hart.
Music: Petra Nachtmanova, Çağrı Bangevaz, Laura Mello. Writer: Laura Mello
Song for an Undefined Object:
"In a series of performances, I understand myself as a person-in-sound, a being-in-voice, with two ears and multiple mouths, from where the influence of multiple cultures speak out. As an outcome of this search for a new artistic perspective, I express myself in site specific performances wearing a loudspeaker-costume, built in collaboration with Lisa Simpson and Albert Amerioun. Song for an Undefined Object was created for one of these performances."
📷 Çigdem Ücüncü @cigdu
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@petra_nachtmanova @agentecostura
@bangevaz @mugglestone23
@femalepressure_official
10 Sep 2026
Show 188
ALS ~ A cruise into the psyche of Salt and Sea
by Anna Stereopoulou
@annastereoscopic
---
Next shows:
14.08 - 7 pm aest - diffusion919fm
and repeats
15.08 - 7 pm utc-4 - WGXC 90.7fm
16.08 - 10 pm cet - Reboot.fm
17.08- 11 pm cet - Radio RaBe
---
“I weaved this show for radioart106 and for the occasion of my recent solo album release titled ALS. I enriched it with previous works and used the flavour of Sea, Salt, and Waves of Water–Nature–Life–Poetry–Dreams.
I drew a map of lust for quest and held a compass of Peace. I traveled the oceans of Time and I finally arrived into the depth of my Mother's eyes; where Sun shines forever.” Anna Stereopoulou
Anna Stereopoulou specialises in music composition for Film & TV. Since 2017, she has been introducing a special form of live presentations, known as Cymatic Environment© (SYN and PLANO projects) inspired by her Art & Science research. She has also composed music for theatre, dance, installations, radio, music Ensembles and orchestra, and has presented her art in cultural venues and archaeological sites. Since 2006, she has been presenting her FEELMUSIC seminar series, and worked as an Advisor/Programmer in Music & Film Festivals.
Credits
• Field Recordings by Anna Stereopoulou (Nature & Urban, Greece: various locations); "CanShell" track by Maria Ponce (Venice to Lido Ferry, Italy), from the Cities and Memory playlist.
• Texts, Recitation, Vocals by Anna Stereopoulou; "Ray Matter": 'Marrakech Below the Waterline - Schweppes Symphony" poem by Nicolas Grenier'; "White Dwarf": Introduction (excerpt) of Giordano Bruno's 'Cantus Circaeus' ['The Incantation of Circe; aimed at memory practice', 1582 /ed.: John Regnault], recited by Luca Colella; "The Port": Orphic Hymn 14 'To Rhea; The Fumigation from Aromatics'.
https://annastereoscopic.wordpress.com/
14 Aug 2026
A cruise into the psyche of Sea and Salt
by Anna Stereopoulou.
“I weaved this show for radioart106 and for the occasion of my recent solo album release, titled, ALS.” She writes. “I enriched it with previous works and used the flavour of Sea, Salt, and Waves of Water–Nature–Life–Poetry–Dreams. I drew a map of lust for a quest and held a compass of Peace. I traveled the oceans of Time and I finally arrived into the depth of my Mother's eyes; where Sun shines forever.” Anna Stereopoulou
Anna Stereopoulou specialises in the field of Music Composition for Film & TV, whilst since 2017, she has been introducing a special form of live presentations, described as Cymatic Environment© (SYN and PLANO projects) and inspired by her Art & Science research. She has also composed music for Theatre, Dance, Installations, Radio, Music Ensembles and Orchestra, and has presented her art in cultural venues and archaeological sites. Since 2006, she has occasionally been presenting her FEELMUSIC seminar series, whilst she has worked as an Advisor/Programmer in Music & Film Festivals (Italy, France) and has developed her work through a wide range of collaborations, through her activity in the field of Culture, Education, Journalism and Tourism, and as a member of female:pressure network.
Anna Stereopoulou | composer-pianist-researcher A STEREOSCOPIC perspective of Music & Art©
W: https://annastereoscopic.wordpress.com/
on repeat from 7:00pm 14/8 AEST
@radioart106 @annastereoscopic
13 Aug 2026
2050 viadiffusion.
just a reminder: 85 seconds to midnight...
10/8/26 - 16/8/26
radia.fm
12 Aug 2026
NAUS 2. A radio show of improvised electronics recorded live on board ‘A
Slice of Reality’ - a vertical section of an ocean going sand dredger that stands on the foreshore of the Thames at North Greenwich in London.
Originally conceived of as a sound bite of lost industry to mark the turning of a millennium, the realities the ship witnesses are now very different - the high octane leisure industries of the Millennium dome and the docks, and the global finance district at Canary Wharf.
As a guardian of the Slice Stephen Shiell is exploring and understanding the site as both a public sculpture and a private environment that sits beyond the boundaries of the usual.
These radio shows are recordings of live events, happenings to explore the tensions that exist between the public and private. Curating the series around his own love for experimental electronics and improvisation is a way for me to bring communities into this setting, a chance to celebrate an underground London culture in a place that hasn’t been commercialised or capitalised, even though it lies in the heart of these very environments.
‘Naus’ refers to the Ancient Greek word for ship, and also recalls the word nausea, a ‘ship-sickness’, that reflects the artist’s feelings towards the neo-liberalist landscape surrounding the ship. The sounds created here are a form of electronic improvised noise resistance.
Sunday on repeat, then both 1 and 2 repeating later AEST.
https://giss.tv:666/diffusionfm919.mp3
@tomhirstmusic @rowe.mohammed @elifyalvac_music @stephen_shiell @jacekbroni @ian_sta.gram
03 Jul 2026
60secRadio26. QUAND LA CRÉATION RADIO NE DURE QU'UNE MINUTE
Radio art, fiction, collage, théâtre radio, prose et poésie sonore, sound art, documentaire de création, inclassables, radio mutante, paysages, instantanés sonores: tout est possible pourvu que cela ne dure qu’un strict 60 secondes. C’est un privilège de vous entendre et une joie de vous redistribuer vers nos auditoires internationaux des radios Fm, Dab et web et événements publics. Une minute pour tout dire.
Boris Chassagne, directeur.
https://60secondesradio.com/
En boucle samedi soir AEST.
https://giss.tv:666/diffusionfm919.mp3
02 Jul 2026
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