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This holiday season’s big trend appears to be hand-crafted animation. Prada tapped John Pomeroy, famous for his work on Disney and Don Bluth films, to create charming cartoons for their wintry campaign. Loewe is making a collection inspired by Tim Burton’s ‘The Nightmare Before Christmas’ which “resonates deeply with Loewe’s commitment to the handmade.” And Dior released a holiday campaign animated by Sylvain Chomet and voiced by a star-studded cast including Robert Pattinson and Rihanna.
The unsubtle message behind these projects is a rejection of AI, or ‘effort-signalling.’ So, why is Dior’s film receiving backlash?
You can’t pull the wool over animation enthusiasts’ heads; They are extremely devoted to their craft despite the many technological advancements which strive to render them obsolete. Dior and Chomet fans alike quickly noticed alarm-raising abnormalities in the short film; A hand with six fingers, text that was inscrutable when studied closely, suspiciously unnatural movements, and extra folds on one of Monsieur Dior’s eyes. Did Dior release AI slop?
Dior then released a BTS video with Chomet, perhaps to instill confidence around the processes employed by the animator. But it only made matters worse. Comments on the BTS overwhelmingly focus on its perceived inability to prove that AI was not used. Technical terms like “interpolation” and “in-betweening” began to circulate amongst those who suspected Chomet may have drawn the film’s “key frames” before using AI tools to animate the movements in between them. These criticisms, when viewed next to the widely positive response to Prada and Pomeroy’s recent video, feel particularly damning.
If the allegations are true, then Dior will have failed in delivering a non-AI product to a fanbase that expects much better. Though the house did not explicitly claim the video was made without AI, the campaign’s conceptual approach comes at a time when other fashion houses are employing analog techniques, especially those related to animation, to convince customers of their holistic approach to high quality craftsmanship. Dior may have just demonstrated to their fans that they’d rather cut corners.
05 Nov 2026
For those watching against their better judgment 🤭 #HuluPartner @AllsFairOnHulu Season 2 is now streaming on Hulu and with Hulu on Disney+. New episodes Wednesdays.
#AllsFair #Hulu #FX #tv
04 Nov 2026
Ignore the polls, get out there and vote! 🌊
#electionday #vote #news #reels #midterms
03 Nov 2026
@szilvesztermako has had a big year. He has photographed major celebrities from Elle Fanning to John Galliano to Rihanna, been featured on cover after cover, held a showcase in New York, and developed a distinct visual language that has made audiences declare that fashion editorial is back.
But we live in a time where the attention economy moves faster than artistic processes. Online users and some publications have noted how Makó’s plethora of cover shoots this year—there are no less than a dozen—has rendered outlets like Vogue, Elle, and Wall Street Journal homogenous.
In the same calendar year as Makó’s meteoric rise to prominence, some who so recently showered Makó’s work with praise and adoration have begun to express boredom with his aesthetic. Across social media platforms, fans, critics, and commentators began to weigh in.
“Not the fucking sad, dim box again,” one commenter said. “At this point he might as well just be Photoshopping heads onto the same outfits,” said another.
It’s worth noting that Makó reportedly eschews digital processing, AI, and CGI when creating his images. But furthermore, is the concept really the “same” across Makó’s shoots? Or are we confusing the artist’s unique authorship with our own appetite for fresh new content, delivered at faster speeds than any artist can (or should) have to produce? And in this media climate, is it possible for beloved, standout image creators to build longstanding, legacy careers? Or does the audience gobble them up too fast?
The best person to speak on this is the artist himself. We spoke to Makó about his year, the work he has done, and the peaks and valleys of finding mass acclaim in a world full of armchair critics. Swipe through to read what Szilveszter Makó has to say.
29 Oct 2026
Last night in downtown Manhattan, skincare met contemporary art as luxury body care pioneer @necessaire took over Bortolami for a one-night-only exhibition to bring their latest brand campaign to life. Inside the gallery, oversized canvases exploring the human form lined the walls, setting the scene for an interactive installation that reimagined attendees as works of art themselves.
Throughout the night, guests including Chef Sophia Roe, designer and fashion editor Tabitha Simmons, celebrity stylist Erin Walsh, and esthetician and skincare brand founder Sofie Pavitt were among the guests at the buzzing gallery, taking part in the brand’s portrait studio. Each subject was photographed for a full-body shot and a tight crop of their skin, emphasizing texture and silhouette. The result was an exhibition that unfolded in real time—a live translation of the brand’s “For Every Inch, For Every Body” campaign, and a celebration of the individuality of the human form.
It’s a message that carries significant market weight. Since launching in 2018, Nécessaire has been a frontrunner in the luxury body care boom—a category gaining immense momentum, with Euromonitor projecting 7.1% growth to reach $27.8 billion by 2030.
Last night’s activation proved that as competition intensifies, the brands winning the space are those capable of translating consumer data into high-concept culture. By blurring the line between observer and exhibit, Nécessaire bypassed traditional marketing, transforming a commercial campaign into a living piece of participatory performance art.
27 Oct 2026
Yesterday Nicki Minaj, a recent addition to the MAGA party, appeared at a Trump rally in Michigan wearing a two-piece Gucci monogram suit with matching Gucci Horsebit ‘Donna’ pumps. Netizens took note, especially after seeing the brand’s Spring ‘27 show which seemed to feature cartoonish nods to modern American conservative glamour. Looks 11 and 12, for example, reeked of First Lady Melania Trump, who has been seen in Gucci and Gucci-esque looks in recent years.
Demna Gvasalia, Gucci’s current Creative Director, is famous for his ironic (or post-ironic?) design approach, often showing high-fashion subversions of tackiness, gaudiness, and class. Therefore, his play at sending what appeared to be Melania facsimile’s down Gucci’s runway could be read as typical IYKYK performance art. But what happens when the performance becomes real life?
The release of Kering’s Q3 earnings reports caused a stir in the industry last week after they revealed bleak results for the group’s prestigious design houses. Gucci stood out in particular for an almost 10% slump in sales year-over-year, as well as its reported worst Q3 in the past decade, which includes that of 2020.
Gucci’s shortcomings are significant because the Italian brand accounts for an outsized swath of Kering’s profits, but also because it was previously prospering under the leadership of its former designer, Alessandro Michele. Michele left the house in ‘22, and was succeeded by Sabato de Sarno. Gvasalia then took the role in ‘25.
Gucci’s problems appear to extend beyond falling sales and into a darker, much less manageable territory: Politics. Fascism is on the rise, particularly in the US under President Trump. And as US politics continue to divide into increasingly inflamed camps, Gucci appears to be getting pulled into the mess. Few things can topple a brand’s carefully curated image like becoming the statement wardrobe for fascists—not to mention the most aesthetically illiterate political party on the face of the Earth.
Minaj’s Gucci outfit signals that Demna’s approach to the brand may be going off the rails. But, then again, there has been a Gucci store inside NYC’s Trump Tower for almost 20 years…
32.1K likes · 1,063 comments · 26 Oct 2026
It just seems right for @MassimoDutti to return to New York, a city whose style is defined by the sharp suiting of Madison Avenue, high-fashion minimalism, and the art-world intellect of downtown neighborhoods like SoHo.
The new store at 575 Broadway sits at the center of SoHo’s busiest retail center just off the corner of Broadway and Prince. True to the brand’s ethos, the store design honors the building’s original architectural elements as well as the character of the surrounding neighborhood. Vintage furniture sourced from local galleries peppers the space, nodding to how local artists and gallerists have decorated their studios and loft spaces for decades, especially in the various sitting areas in the men’s and women’s sections which bookend the store. Sounds like a high-service luxury environment? That’s the idea.
Fabric content is a hot topic right now, with a hyper focus on natural fibers and premium textiles. Combing through Massimo Dutti’s product inside the new store is an opportunity to get touchy feely; It’s easy to linger on buttery Nappa leather jackets, 100% cashmere sweaters, sturdy cotton t-shirts, and selvedge denim jeans. Stand-out pieces include velvetized jeans, fully reversible car coats, and leather kitten wedges with pillowy insoles.
To demonstrate the brand’s downtown street cred, they have curated an exhibition of Patti Smith photos (and other remarkable paraphernalia related to the rockstar’s career) by fashion photographer Steven Sebring. The show is open to the public at 260 Bowery until October 25th and, for punk rock fans and fashion fans alike, is not to be missed. The exhibition carries over to Casa Magazines in the West Village with a special window display and a city guide curated by Apartamento in their café space.
NYC is famously tough toward transplants, tourists, and out-of-towners in general. But with Casa Magazines, Patti Smith, and a SoHo space, Massimo Dutti is up for the challenge.
5,831 likes · 123 comments · 23 Oct 2026
This is so Veep-coded LOL. At an Ohio midterm rally on Wednesday, JD Vance spoke in support of MAGA candidates on the ballot as music blared over his speech.
The song, “Whole Lotta Shakin’ Goin’ On” by Jerry Lee Lewis, was released in 1957 — the same year Lewis notoriously married his first cousin in secret when she was just 13 years old.
Whether the botched audio was a technical malfunction or expert trolling, the gratifying blunder comes just two days after a protester interrupted the vice president at a North Carolina rally, shouting “RELEASE THE EPSTEIN FILES,” and “GOD BLESS OUR CHILDREN.”
During his speech yesterday, Vance slammed Dr. Amy Acton (D) and backed Vivek Ramaswamy (R) for Ohio governor. Ramaswamy’s campaign is currently facing backlash from both parties for running a political attack ad featuring Acton’s estranged mother. In the ad, Donna Arthur claims Acton lied about her childhood trauma, which involved being sexually abused by her stepfather between the ages of 9 and 12.
In response to the ad, Acton’s campaign released records this week showing Arthur’s husband was indicted by a grand jury for r*ping the candidate when she was 12.
At the rally, Vance stood by Ramaswamy: “I’m a little bit disgusted when I see Republicans across the country who are whining more about that advertisement than they are about what the congressional Democrats and other Democrats want to do to the United States of America.”
So much for the party of family values, huh?
#ohio #reels #viral #lol
4,209 likes · 124 comments · 22 Oct 2026
Midterms are around the corner! Early voting has already begun in some states and Election Day is November 3 🗳️ #VOTE
40.8K likes · 358 comments · 19 Oct 2026
Today, the fashion industry barely had time to reckon with the announcement of Veronica Leoni leaving Calvin Klein Collection before news of Seán McGirr’s departure from McQueen came out. And this all comes on the heels of another significant departure that rocked the industry last week: Anthony Vaccarello left Saint Laurent after ten years.
Leoni’s stint at Calvin Klein Collection was brief, spanning only four seasons. She followed Raf Simons’ buzzy leadership, which, frankly, was not a terribly easy act to follow. Her vision for the brand was refined, elegant, and true to the house’s history, but failed to make an impact even close to that of her predecessor.
McGirr spent three years at the helm of McQueen. His collections were met with tepid reviews, and the company began restructuring in June due to declining sales. To be fair, it’s an especially heavy lift taking on a legendary name like McQueen; Expectations are high with regard to provocation and concept. This was especially true for the brand’s London Fashion Week homecoming collection just last month. Like Leoni’s Calvin Klein, McGirr’s Mcqueen only grazed the surface of all the house is known for.
Rumours are already swirling: Pierpaolo Piccioli is said to be on the outs with Balenciaga after just one rather unpopular year. Chemena Kamali, currently Chloé’s creative director, is almost officially recognized as Vaccarello’s successor at Saint Laurent. If true, she would be the first woman to lead the French house. But that would leave another seat open at Chloé. One hopes that another woman might fill one of the newly empty seats to balance the scales of gender representation in the top tiers of fashion.
The online fashion contingent is pointing to Dilara Findikoglu or Hannah Rose Dalton and Steven Raj Bhaskaran of Matières Fécales for McQueen. Not only does MF often resemble Lee McQueen’s incendiary glamour (sometimes to a fault) but the design duo has a unique ability to attract a high profile crowd and drum up a healthy discourse about conceptual luxury. And then there is Hedi Slimane, a name that is never far from the rumor mill…
Who would you like to see working for these houses next?
9,879 likes · 228 comments · 15 Oct 2026
Yesterday, Rhode Founder and Chief Creative Officer Hailey Bieber spoke at Fortune’s Most Powerful Women Summit in Santa Barbara, California.
“I am not interested in overconsumption. I think the beauty space is very, very filled as it is,” Bieber said, adding that Rhode’s ethos was inspired by beauty essentials “as somebody who has been working since I was seventeen years old and traveling on my own.”
Problem is, despite the brand’s commitment to “the reduction of overconsumption,” Rhode isn’t exactly known for sustainable products or practices. From bag charms for your makeup to wasteful PR packaging, talk is cheaper than its $16 pimple patch case (patches sold separately).
Can the millionth celebrity skincare brand really avoid overconsumption or is the venn diagram a circle?
Swipe through for examples that seem to counter the brand’s “commitment to our planet.”
#business #reels #makeup #celeb #money
177.8K likes · 2,685 comments · 15 Oct 2026
In the attention economy we live in today, it’s phenomenal when a story sticks for more than 24 hours. So, what is it about Kelly Clarkson and the singing bird that has the world so hooked?
If you don’t know (bless your heart) Clarkson recently went to Brooklyn to check out the ‘Art of Play’ store. When she inquired about a piece of wall art, a singing bird listed for $15k, she was allegedly responded to with condescension by an employee. She quickly went to X to call out the store for treating her like dirt, and ‘Art of Play’ responded in kind with their own side of the story. The back-and-forth carried on from there.
Now, security footage obtained by Pablo Torre has been released showing Clarkson holding several of the store’s items while asking an employee about the singing bird. The employee, leaning casually and sipping on a coffee, says something which causes Clarkson to put back the items she had hoped to purchase, and leave the store. Footage also shows her pulling her phone out on the sidewalk to pen her “big mistake” tweet that would instigate the feud.
This story under different circumstances could’ve played differently; the celeb could’ve been someone regularly marred with accusations of entitled behavior, or the store could’ve been a big-name luxury designer. In either case, it would be easier to discern the bad guy vs. the good guy; you wouldn’t have to look any further than the headline! But Clarkson’s fame, since she became the first American Idol winner, has always been relatable and humble. And ‘Art of Play,’ though they may be a ‘small business,’ calls to mind the gentrification issue on an almost comical level.
So who is David and who is Goliath?
For most of us, the story is also personal. We’ve all been treated rudely in a retail setting for our perceived economic class, race, body shape, or otherwise. Watching the footage puts us in that uncomfortable place where we were made to feel less than and had no power to do anything about it. So, similar to how her American Idol win made us all feel like ‘one of us’ had won, has Clarkson become an avatar for the vindication we wish we could’ve enjoyed when we were treated poorly ourselves?
43.2K likes · 1,853 comments · 14 Oct 2026
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