Teodora Jeremic

Teodora Jeremic

@dazedsparkle

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curator, editorial director @vogue.adria

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leto izletovalo ❤️‍🔥 19 Oct 2026 “I would most prefer to live somewhere like Svalbard.” “Because there are no people?” I laughed. “Exactly, I cannot stand them.” The truth is, however, that people are just one of many things Žižek cannot stand. He does not like “idiots” and keeps Stalin on his wall “just to provoke idiots,” he enjoys obscenities and swearing not for their own sake, but because he seems to use them as a litmus test for idiots and fake political correctness. He doesn’t like fake political correctness, people who talk too much, those who talk too little, small talk, parties, the idea that age brings wisdom, wisdom as a concept… the list could go on indefinitely. He is an agitator of conscience, a controversial philosopher, an extremely charismatic man who moves quite comfortably in the waters of political incorrectness. Mostly because he has an incredible talent, the ability to provoke everyone ✨ Zaista hvala @slavojzizeks Photo: @juergentellerstudio Creative partner: @doviledrizyte 16 May 2026 March hits different 13 Apr 2026 Il Ritorno 🎡 12 Jan 2026 The day of a new circle ✨ 21 Dec 2025 iz edicije “desilo se”, meni posebno važan razgovor ❤️‍🔥 @vogue.adria @abramovicinstitute … Ipak, do te faze je uvek teško doći, za početak jer svaka velika ljubav, kao i revolucija, traži da damo sebe. Da bi se desile neverovatne stvari, potrebno je neverovatno im se predati, a kada najlepši i najplodniji odnos dođe u tačku u kojoj sve postane samo povređivanje, iz koje se ne može ni napred ni nazad, teško je pronaći sredinu. Posle velike ljubavi obično ne ostaje ništa, sem vraćanja na početnu tačku odakle je sve počelo -biti jedno drugom stranac. Tako je i bilo i za Marinu i Ulaya. ✨✨✨ …Yet reaching that phase is always difficult, because every great love, like a revolution, demands that we give of ourselves fully. For incredible things to happen, one must surrender to them completely, and when the most beautiful and fruitful relationship reaches the point where everything becomes only hurt, with no way forward or back, it is hard to find balance. After a great love, usually nothing remains except returning to the starting point from which it all began — being strangers to each other. It was no different for Marina and Ulay. 28 Oct 2025 softer days 📸 @stanislavzakic 🫶🏼 07 Oct 2025 no soy de aquí, ni soy de allá ☀️ 02 Sep 2025 the land of wanderers 12 May 2025 December. The Rollercoaster. 04 Jan 2025 Finland 2024 🦨 Hortus Futuri “Hortus Futuri” is the title of the multimedia artwork in situ that was created by direct intervention on a rock placed in the forest with the intension to slow down the visitors and invite them to notice, observe and dive into sensation of the invisible world of nature. With text written in Braille alphabet, the artwork acquires an inclusive attribute and a performative element when the “hidden” message is read. In the absence of tactile reading artwork remains a minimal, almost invisible visual installation that draws attention to the surrounding micro world. Intense during performative reading and quiet and visually non- invasive, it opens the question of mutual coexistence and draws attention to all those who are less visible and often marginalized in a society burdened by desire for greater and faster mass production. “Hortus Futuri” gives an active role to nature and people with impaired vision, who are the only catalyst and activator of the artwork itself as the only mediators who convey the message. This artwork is a continuation of a series of works that dealt with issues of capital as the only means of communication and interaction in today’s society and the world, the impact of mass production on the natural environment, the dominance of the Anthropocene and the Capitalocene. Writings that were intentionally left for cognition only during performative reading, warn and remind us that it is important to listen and feel nature and its messages with all senses. The sentences are quotes from the catalog that accompanied the latest body of works “Botanica Futura, Botanica Nova” by curator Teodra Jeremić. @dazedsparkle The works reveal the complex interdependent ecologies: the social, mental and ecology of the natural environment that Gattari talks about and open the question of the legacy that our neglect of these ecologies has left us, but even more importantly, what will be the one that remains behind us? commissioned by Hub Feenix @culturemoveseurope @creative.eu @goetheinstitut #anavujović #anavujovic #contemporaryart 14 Oct 2024 you can’t help but become the sun 13 Oct 2024

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DXECjP1gvxwMarch hits different

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