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@unitedtalent
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"The most challenging part of this project was getting a brand like Bosch to step beyond the product. The idea at the heart of this campaign is simple: the world is built by the hands of tradeswomen and tradesmen, and they deserve to be seen. We set up a striking contrast between the passive "non-action" world and the raw, kinetic reality of professionals at work. My role as director was to amplify that energy." - Director: @_jeremidurand
Bosch Professional "Engineered for Action"
Director: @_jeremidurand
Photographer: @koljaeckert
DOP: @davidwrightdop
PRODUCTION COMPANY: @bonaparte.tv
CLIENT: Bosch Professional
AGENCY: Heimat TBWA\
PRODUCTION:
EP: @philip_toepfer
Producer: @alprodi
Production Coordinator: @powerdoomed
Service Production: @naftafilms
Producer: @pavelgumennikov
Production Manager: @sisselmaria
Production Coordinator: @grandordinaire
1st AD: @daryna_lukashenko
1AC: @nikolayvonwestwood
Drone Pilot: Jaan Kronberg & @henripetrutis
Key Grip: @bertiltarbe
Bullet Time Rig: Markus Beer, Julia Beer
Gaffer: @tuugaffer
Laser: @hugovisnapuu
Production Designer: @armin_kohlman
Art Director / Props Master: @mailikohlman
Wardrobe Stylist: @alliliisvandel
Make-Up Artist: @krislinlainelo
SFX Coordinator: @pyytsep
Casting Director: @jonathpeterson
POST PRODUCTION:
Post Producer: @philipp.weinrich
Editor: @matthieulsc at @icecream_paris
Editor Support & Assistant: @juliaealove at Bonaparte Studio
Edit House Main: @icecream_paris
Edit House Support: Bonaparte Studio
VFX House: @bepic.studio
VFX Supervisor (bEpic): Sebastian Zilius
Executive Producer (bEpic): Lion Graf
Colourist: @nurali_kushkov at @chemistry_film
Music: @smashhifi & @leeroy_thornhill from The Prodigy
Vocals: @igakumka
Sound Mix & Supervision: @philip_calisto
VFX Compositing Artist: Timo Frank
T-VFX Executive Producer: Alex Savitskiy
Tech Specs:
We shot on ARRI Alexa Mini LF with K35 prime lenses + 1 Angénieux zoom + 1 Canon 50 - 1000 zoom lens for the extra long punch-in opening shot. Additionally, we shot on Amber Freefly for extra slow-motion shots. Eventually, we shot two scenes with a Lazy Susan rig & Two others with a bullet time rig.
13 Jul 2026
Some of my favourite frames from our commercial for SYNC w/ director @_jeremidurand
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I particularly enjoyed the GIANT LED SCREEN which enabled us to do all the fancy duplication effects in camera with some savvy playback techs.
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I lit the bedroom scene with 2 dinos through the window. Production weren’t enamoured with my asking for a enormous crane for lighting (when are they ever) BUT I didn’t choose the 4th story location (I just said it was the only one that worked for our look…🫣). Did I mention the LED screen was ENORMOUS?
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Tbh all the scenes were lit with one lamp, be it a HMI at the end of the street shot for an early morning feel, or the long shadow cast by a 10k tungsten through the doorway or the trusty dino through the window. You can’t go wrong with single source cinematography. Also we had this MASSIVE LED screen which was like 20 meters high. HUGE. #itwasimpressive #thatstillisactuallyherinfrontofthescreen #thosegiantpeoplewereVFXthough #cinematography
26 Aug 2024
How Mo can you go? Shame to see Egypt went out last night, but I already know he’s a man of many talents (if the football thing doesn’t work out)
08 Jul 2026
This music video was timed well for Halloween! It’s been posted a lot recently, so I thought I’d be a bit different and share stills straight from camera (and a few BTS) from recent music video for Starset directed by the mythical @jebhardwick and produced by some fast friends @tanner_gordon @jessiexthexmess @itskatehill 🧙 👻 It was turned around and live within a week which is a testament to Jeb’s intense work in post! Grade by me auld mate Jonny @jonnytully 🎨 Rep: @utaproductionarts
20 Oct 2026
Bit late to the party on this one but here it is! Raye ‘Joy’ and it really was a joy to shoot this, and be reunited with @oatsiris and @raye again. My passion for shooting 16mm was certainly reawakened ✨❤️
Creative Studio: @cuyjet.studio
Film Written By: @raye, @oatsiris, @mikeyrobbins
Director: @oatsiris
Creative Director: @mikeyrobb1ns
Executive Producers: @raye, @mikeyrobb1ns, @oatsiris
EP/Producer: @oscar.stewart
Producer: @lydiamartland
Cuyjet Producer: @producer_eve
Production Manager: @uzanmsx
Managers: Paul Keen & Sarah Keen
Operations Manager: Lucrezia Vittoria Chelini
Marketing Manager: Kaela Ismael
Raye - Day to Day Executive: Cecilia Griffin Amma - Day to Day Executive: Jack Cox
Absolutely - Day to Day Executive: Giana Castro
Social Media Content: Erika Smith
Photographer: @aliyahotchere
Hair Stylist Raye: @alexpriceglam
Hair Stylist: Jonny Albutt
Make-Up Artist Raye: @lanslondon
Make-Up Artist: Olly Fisk
Stylist Raye: Eniola Dare @enied
Stylist Amma: Macy Richards
Close Protection: Red
DOP: @davidwrightdop
Ist Ac: @paulsnell_pws
Loader: Josh Shutler
Mini Dvs: @oatsiris @mikeyrobb1ns
Hi-8 Op: @courtnipoe
Digital Op: @denike
Super 8 Op: @essotori
Camera Trainee: @connor_sweetman
Sound: @manonplewis
Camera Driver: Theus Morgan
Edit House: @thequarryedit
Edit Producer: jackfloop
Editor: @kazove
Assistant Editor: @miles.mov
Grading: Acid Colour
Colourist: @marty_colour
Mix Engineer & Sound Design: @cbav_productions
Víx: Conor Mckinney
Production Designer: @lubakuziw
Location Manager: @j_a_m_i_e_s_o_n
Runner: @katehoodd
Runner: @sonnygreaneyfilm
Medic: Dean Omar
Minibus: Matty Hampton
Minibus: Varol Yildirim
Production Splitter: Anouar Zaari
Security: Tyrone Young
Security: Calvin Stone
02 Oct 2026
Visual Techniques: Wipe Transition/Step-Printing/Double Dolly/Crash Zoom/Levitating
Adidas Football - F50 vs Predator - Choose One (2026)
Cast & crew:
Director: @_jeremidurand
Editor: @oveay
DOP: @davidwrightdop
Production Company: @the_midnight_club
Executive Producer: @hello_imnadia
Colorist: @andikdc, @electric_theatre_collective
B team Director (Liverpool): @salim_adam
B team DOP (Liverpool): @joecookdop
More visuals → @genery.io
#adidasfootball #predator #adidas #commercial #genery
28 Sep 2026
"We built the set like a theatre stage but shot it like a film, that was the real challenge. Every trick, from false perspective to hand-painted backdrops, had to survive the camera's scrutiny without losing its theatrical soul." - Director @_jeremidurand
Adidas Football "F50 vs PREDATOR - Choose one"
Director & photographer: Jeremi DURAND @_jeremidurand #jeremidurand . Represented by OCURENS @ocurenscontent
TALENTS: @judebellingham @lamineyamal @pedri @raphinha @aitanabonmati @vickyylopezz._ @flowirtz @franco.mastantuono
PRODUCTION COMPANY & AGENCY: The Midnight Club @the_midnight_club
CLIENT: ADIDAS FOOTBALL @adidasfootball
CDs & CREATIVES: Josh CONNELL @joshdconnell / Luke BRIGHT @lukebright_ / Steph DEZEUS @dezeuss / Caleb AL-JORANI @caljorani / James WILLSHER @pillies
EP: Nadia AMICO @hello_imnadia
DOP: David WRIGHT @davidwrightdop
SERVICE PRODUCTION: House Of Content @houseofcontentproductions
SERVICE PRODUCTION EP: Sem ROSSI @semrossi
EDITOR: Mykyta BEREG @oveay
GRADE by Andi CHU @andikdc at ETC @electric_theatre_collective
VFX by Elemental in London.
B team director (Liverpool): Salim ADAM @salim_adam
B team DOP (Liverpool): Joe COOK @joecookdop
Budget:
Over $100k
Tech Specs:
SONY Venice on Cooke Anamorphic Full Frame Plus prime lenses
23 Sep 2026
NEW WORK - ADIDAS FOOTBALL - F50 vs PREDATOR, CHOOSE ONE (commercial) /
Feeling incredibly grateful to have directed AND photographed this one for ADIDAS Football with The Midnight Club in London.
A huge thanks to the amazing group of creatives and a huge shout out to my team for making this a reality.
Full films & credits on my @vimeo . All stills & photo work coming out soon and already on www.jeremidurand.com
Director & photographer: Jeremi DURAND @_jeremidurand #jeremidurand . Represented by OCURENS @ocurenscontent
TALENTS: @judebellingham @lamineyamal @pedri @raphinha @aitanabonmati @vickyylopezz._ @flowirtz @franco.mastantuono
CLIENT: ADIDAS FOOTBALL @adidasfootball
PROD CO. & AGENCY: The Midnight Club @the_midnight_club
CDs & CREATIVES: Josh CONNELL @joshdconnell / Luke BRIGHT @lukebright_ / Steph DEZEUS @dezeuss / Caleb AL-JORANI @caljorani / James WILLSHER @pillies
EP: Nadia AMICO @hello_imnadia
DOP: David WRIGHT @davidwrightdop
SERVICE PRODUCTION: House Of Content @houseofcontentproductions
SERVICE PRODUCTION EP: Sem ROSSI @semrossi
FOFUS PULLER: @waldocalavera_
EDITOR: Mykyta BEREG @oveay
GRADE by Andi CHU @andikdc at ETC @electric_theatre_collective
VFX by Elemental in London.
B team director (Liverpool): Salim ADAM @salim_adam
B team DOP (Liverpool): Joe COOK @joecookdop
A special thanks to @dmarion19 @lukebright & @emmlechat for the continuous support.
#adidasfootball #film #art #theatre
18 Sep 2026
BOSCH Professional - Engineered For Action (Commercial, 2026).
More images from this film that was shot in 4 days in Tallinn, Estonia, with the best team - full list of credits on @vimeo
Swipe right for some BTS vs SHOT images.
Director: @_jeremidurand
Production company: @bonaparte.tv
DOP: @davidwrightdop
EP & co-founder: @philip_toepfer
EP & co-founder: @nic_kreis
Produced by Alexander Stigler & Aratrika Das
Service production: @naftafilms
Service producers: @pavelgumennikov & @sisselmaria
1st AD: @daryna_lukashenko
Edited by @matthieulsc
VFX by @bepic.studio
Colourist: @nurali_kushkov at @chemistry_film
Agency: Heimat TBWA\
CD: Diogo Brandao
#film #global #commercial #art #action jeremidurand
27 Aug 2026
This was my first of many jobs for Turkish Airlines. It’s always great to be asked back again and again. Such good vibes on these shoots ✨
20 Aug 2026
16mm with Nina Nisbett on my ARRI 416 ✨
17 Aug 2026
My first MV with my long time friend and collaborator @_jeremidurand - fire, phantom and floating cars
21 Jul 2026
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