David Wright

David Wright

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@davidwrightdop

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"The most challenging part of this project was getting a brand like Bosch to step beyond the product. The idea at the heart of this campaign is simple: the world is built by the hands of tradeswomen and tradesmen, and they deserve to be seen. We set up a striking contrast between the passive "non-action" world and the raw, kinetic reality of professionals at work. My role as director was to amplify that energy." - Director: @_jeremidurand Bosch Professional "Engineered for Action" Director: @_jeremidurand Photographer: @koljaeckert DOP: @davidwrightdop PRODUCTION COMPANY: @bonaparte.tv CLIENT: Bosch Professional AGENCY: Heimat TBWA\ PRODUCTION: EP: @philip_toepfer Producer: @alprodi Production Coordinator: @powerdoomed Service Production: @naftafilms Producer: @pavelgumennikov Production Manager: @sisselmaria Production Coordinator: @grandordinaire 1st AD: @daryna_lukashenko 1AC: @nikolayvonwestwood Drone Pilot: Jaan Kronberg & @henripetrutis Key Grip: @bertiltarbe Bullet Time Rig: Markus Beer, Julia Beer Gaffer: @tuugaffer Laser: @hugovisnapuu Production Designer: @armin_kohlman Art Director / Props Master: @mailikohlman Wardrobe Stylist: @alliliisvandel Make-Up Artist: @krislinlainelo SFX Coordinator: @pyytsep Casting Director: @jonathpeterson POST PRODUCTION: Post Producer: @philipp.weinrich Editor: @matthieulsc at @icecream_paris Editor Support & Assistant: @juliaealove at Bonaparte Studio Edit House Main: @icecream_paris Edit House Support: Bonaparte Studio VFX House: @bepic.studio VFX Supervisor (bEpic): Sebastian Zilius Executive Producer (bEpic): Lion Graf Colourist: @nurali_kushkov at @chemistry_film Music: @smashhifi & @leeroy_thornhill from The Prodigy Vocals: @igakumka Sound Mix & Supervision: @philip_calisto VFX Compositing Artist: Timo Frank T-VFX Executive Producer: Alex Savitskiy Tech Specs: We shot on ARRI Alexa Mini LF with K35 prime lenses + 1 Angénieux zoom + 1 Canon 50 - 1000 zoom lens for the extra long punch-in opening shot. Additionally, we shot on Amber Freefly for extra slow-motion shots. Eventually, we shot two scenes with a Lazy Susan rig & Two others with a bullet time rig. 13 Jul 2026 Some of my favourite frames from our commercial for SYNC w/ director @_jeremidurand . I particularly enjoyed the GIANT LED SCREEN which enabled us to do all the fancy duplication effects in camera with some savvy playback techs. . I lit the bedroom scene with 2 dinos through the window. Production weren’t enamoured with my asking for a enormous crane for lighting (when are they ever) BUT I didn’t choose the 4th story location (I just said it was the only one that worked for our look…🫣). Did I mention the LED screen was ENORMOUS? . Tbh all the scenes were lit with one lamp, be it a HMI at the end of the street shot for an early morning feel, or the long shadow cast by a 10k tungsten through the doorway or the trusty dino through the window. You can’t go wrong with single source cinematography. Also we had this MASSIVE LED screen which was like 20 meters high. HUGE. #itwasimpressive #thatstillisactuallyherinfrontofthescreen #thosegiantpeoplewereVFXthough #cinematography 26 Aug 2024 How Mo can you go? Shame to see Egypt went out last night, but I already know he’s a man of many talents (if the football thing doesn’t work out) 08 Jul 2026 This music video was timed well for Halloween! It’s been posted a lot recently, so I thought I’d be a bit different and share stills straight from camera (and a few BTS) from recent music video for Starset directed by the mythical @jebhardwick and produced by some fast friends @tanner_gordon @jessiexthexmess @itskatehill 🧙 👻 It was turned around and live within a week which is a testament to Jeb’s intense work in post! Grade by me auld mate Jonny @jonnytully 🎨 Rep: @utaproductionarts 20 Oct 2026 Bit late to the party on this one but here it is! Raye ‘Joy’ and it really was a joy to shoot this, and be reunited with @oatsiris and @raye again. My passion for shooting 16mm was certainly reawakened ✨❤️ Creative Studio: @cuyjet.studio Film Written By: @raye, @oatsiris, @mikeyrobbins Director: @oatsiris Creative Director: @mikeyrobb1ns Executive Producers: @raye, @mikeyrobb1ns, @oatsiris EP/Producer: @oscar.stewart Producer: @lydiamartland Cuyjet Producer: @producer_eve Production Manager: @uzanmsx Managers: Paul Keen & Sarah Keen Operations Manager: Lucrezia Vittoria Chelini Marketing Manager: Kaela Ismael Raye - Day to Day Executive: Cecilia Griffin Amma - Day to Day Executive: Jack Cox Absolutely - Day to Day Executive: Giana Castro Social Media Content: Erika Smith Photographer: @aliyahotchere Hair Stylist Raye: @alexpriceglam Hair Stylist: Jonny Albutt Make-Up Artist Raye: @lanslondon Make-Up Artist: Olly Fisk Stylist Raye: Eniola Dare @enied Stylist Amma: Macy Richards Close Protection: Red DOP: @davidwrightdop Ist Ac: @paulsnell_pws Loader: Josh Shutler Mini Dvs: @oatsiris @mikeyrobb1ns Hi-8 Op: @courtnipoe Digital Op: @denike Super 8 Op: @essotori Camera Trainee: @connor_sweetman Sound: @manonplewis Camera Driver: Theus Morgan Edit House: @thequarryedit Edit Producer: jackfloop Editor: @kazove Assistant Editor: @miles.mov Grading: Acid Colour Colourist: @marty_colour Mix Engineer & Sound Design: @cbav_productions Víx: Conor Mckinney Production Designer: @lubakuziw Location Manager: @j_a_m_i_e_s_o_n Runner: @katehoodd Runner: @sonnygreaneyfilm Medic: Dean Omar Minibus: Matty Hampton Minibus: Varol Yildirim Production Splitter: Anouar Zaari Security: Tyrone Young Security: Calvin Stone 02 Oct 2026 Visual Techniques: Wipe Transition/Step-Printing/Double Dolly/Crash Zoom/Levitating Adidas Football - F50 vs Predator - Choose One (2026) Cast & crew: Director: @_jeremidurand Editor: @oveay DOP: @davidwrightdop Production Company: @the_midnight_club Executive Producer: @hello_imnadia Colorist: @andikdc, @electric_theatre_collective B team Director (Liverpool): @salim_adam B team DOP (Liverpool): @joecookdop More visuals → @genery.io #adidasfootball #predator #adidas #commercial #genery 28 Sep 2026 "We built the set like a theatre stage but shot it like a film, that was the real challenge. Every trick, from false perspective to hand-painted backdrops, had to survive the camera's scrutiny without losing its theatrical soul." - Director @_jeremidurand Adidas Football "F50 vs PREDATOR - Choose one" Director & photographer: Jeremi DURAND @_jeremidurand #jeremidurand . Represented by OCURENS @ocurenscontent TALENTS: @judebellingham @lamineyamal @pedri @raphinha @aitanabonmati @vickyylopezz._ @flowirtz @franco.mastantuono PRODUCTION COMPANY & AGENCY: The Midnight Club @the_midnight_club CLIENT: ADIDAS FOOTBALL @adidasfootball CDs & CREATIVES: Josh CONNELL @joshdconnell / Luke BRIGHT @lukebright_ / Steph DEZEUS @dezeuss / Caleb AL-JORANI @caljorani / James WILLSHER @pillies EP: Nadia AMICO @hello_imnadia DOP: David WRIGHT @davidwrightdop SERVICE PRODUCTION: House Of Content @houseofcontentproductions SERVICE PRODUCTION EP: Sem ROSSI @semrossi EDITOR: Mykyta BEREG @oveay GRADE by Andi CHU @andikdc at ETC @electric_theatre_collective VFX by Elemental in London. B team director (Liverpool): Salim ADAM @salim_adam B team DOP (Liverpool): Joe COOK @joecookdop Budget: Over $100k Tech Specs: SONY Venice on Cooke Anamorphic Full Frame Plus prime lenses 23 Sep 2026 NEW WORK - ADIDAS FOOTBALL - F50 vs PREDATOR, CHOOSE ONE (commercial) / Feeling incredibly grateful to have directed AND photographed this one for ADIDAS Football with The Midnight Club in London. A huge thanks to the amazing group of creatives and a huge shout out to my team for making this a reality. Full films & credits on my @vimeo . All stills & photo work coming out soon and already on www.jeremidurand.com Director & photographer: Jeremi DURAND @_jeremidurand #jeremidurand . Represented by OCURENS @ocurenscontent TALENTS: @judebellingham @lamineyamal @pedri @raphinha @aitanabonmati @vickyylopezz._ @flowirtz @franco.mastantuono CLIENT: ADIDAS FOOTBALL @adidasfootball PROD CO. & AGENCY: The Midnight Club @the_midnight_club CDs & CREATIVES: Josh CONNELL @joshdconnell / Luke BRIGHT @lukebright_ / Steph DEZEUS @dezeuss / Caleb AL-JORANI @caljorani / James WILLSHER @pillies EP: Nadia AMICO @hello_imnadia DOP: David WRIGHT @davidwrightdop SERVICE PRODUCTION: House Of Content @houseofcontentproductions SERVICE PRODUCTION EP: Sem ROSSI @semrossi FOFUS PULLER: @waldocalavera_ EDITOR: Mykyta BEREG @oveay GRADE by Andi CHU @andikdc at ETC @electric_theatre_collective VFX by Elemental in London. B team director (Liverpool): Salim ADAM @salim_adam B team DOP (Liverpool): Joe COOK @joecookdop A special thanks to @dmarion19 @lukebright & @emmlechat for the continuous support. #adidasfootball #film #art #theatre 18 Sep 2026 BOSCH Professional - Engineered For Action (Commercial, 2026). More images from this film that was shot in 4 days in Tallinn, Estonia, with the best team - full list of credits on @vimeo Swipe right for some BTS vs SHOT images. Director: @_jeremidurand Production company: @bonaparte.tv DOP: @davidwrightdop EP & co-founder: @philip_toepfer EP & co-founder: @nic_kreis Produced by Alexander Stigler & Aratrika Das Service production: @naftafilms Service producers: @pavelgumennikov & @sisselmaria 1st AD: @daryna_lukashenko Edited by @matthieulsc VFX by @bepic.studio Colourist: @nurali_kushkov at @chemistry_film Agency: Heimat TBWA\ CD: Diogo Brandao #film #global #commercial #art #action jeremidurand 27 Aug 2026 This was my first of many jobs for Turkish Airlines. It’s always great to be asked back again and again. Such good vibes on these shoots ✨ 20 Aug 2026 16mm with Nina Nisbett on my ARRI 416 ✨ 17 Aug 2026 My first MV with my long time friend and collaborator @_jeremidurand - fire, phantom and floating cars 21 Jul 2026

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