@davidbolendp - IGDataHub

David Bolen

@davidbolendp

27.9K

Followers

3,298

Following

598

Posts

N/A

Reels

Highlights

8/4

Photos/Videos in last 12

Bio

Cinematographer - @unitedtalent You Can See Everything (A24) - In Theaters Now Primetime (A24) Thelma, Some Kind of Heaven (Magnolia)

Links

www.davidbolen.com

Avg likes

Avg comments

Engagement

0.8/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#keslowcameraneworleans

Recent posts

PRIMETIME SEPTEMBER 25 PRIMETIME PRIMETIME PRIMETIME 06 Aug 2026

(no caption) 07 Sep 2026

andiamo. world premiere at the 83rd venice film festival. in theaters september 25. so proud of everyone who worked on it. photo by @strange.victory 23 Jul 2026

Comment LOOKBOOK for a link to the full interview now. Lance Oppenheim @lanceopp and David Bolen @davidbolendp sat down with ShotDeck to discuss their new film, Primetime @tobeformed @a24 a stylized dramatization of the production of To Catch A Predator. In this exclusive interview, Lance and David discuss trying to bring the spontaneity of their previous documentary work into narrative, as well as break down the many (many) visual references that informed the look of the film. 02 Nov 2026

primetime is opening today in the UK 🇬🇧 ! they say you must kill your darlings at some point… and here’s a darling that hurt to let go. I really loved this title sequence that @dsgarber, @teddyblanks and I made for the movie, and here it is now, in all its glory. thank you to the best cast and crew in the planet that made this movie happen. and if you’re in the US, the movie is still playing in select theaters! 30 Oct 2026

David Bolen @davidbolendp on building Primetime’s look across hidden DV cameras, a 1982 tube camera, and Alexa 35 footage printed to 16mm. Cinematographer David Bolen shot Primetime for director Lance Oppenheim on an Arri Alexa 35, printed the footage to 16mm 50D stock at Cinelab, and combined it with about eight concealed Panasonic DVX100s and a 1982 Sony DXC-M2 Plumbicon tube camera. The DV and tube-camera footage was left unprinted to retain its digital look, and each format was chosen to reflect Chris Hansen’s emotional landscape or the film’s questions about watching and being recorded. The first half was shot spherically on Zeiss Super Speed MkIIs, with the second half moving to Hawk V-Lite Vintage ‘74 1.3x anamorphics. Read more at the link in bio. 22 Oct 2026

Why don't you have a seat? 🪑 Directed by Lance Oppenheim (@lanceopp), PRIMETIME follows ambitious TV host Chris Hansen as he pushes the boundaries of reality television and media ethics. We are so incredibly proud to have supported DP David Bolen (@davidbolendp) on this visually ambitious film. To achieve the grungy 2000s look the story required, David and Lance pushed the ARRI Alexa 35 to 6,400 ISO. The production utilized a massive mix of formats, pairing the Alexa with Zeiss Super Speed primes, 1.3x Hawk V-Lite Vintage '74 Anamorphics, an Ancient Optics 55mm Petzvalux, Angénieux and Cooke Varotal zooms, and Zeiss Ultra Primes. "In all the chaos, stress, and anxiety of making PRIMETIME, going to Keslow Camera was my happy place; I could just experiment, try things, and be a creative. Every time I felt like I was losing my sense of creativity, I would just go to Keslow, I would start playing with things, and it was a beautiful place to be." - DP David Bolen Visit the link in our bio to read the full interview! DP | David Bolen (@davidbolendp) Serviced By | #KeslowCameraNewOrleans Thank you to A24 for the behind-the-scenes images and stills! @primetimemovie @A24 @arri @zeisscinematography @hawkanamorphic @angenieuxlenses @ancient_optics 09 Oct 2026

Phoebe Bridgers (@phoebebridgers) at Cherry Lane Theatre for A24 Music’s SOUND CHECK, performing ON VIDEO from Lance Oppenheim’s PRIMETIME, now in theaters. Also featuring the incredible @julienrbaker and @lucydacus, @xboygeniusx. A24 Music × Cherry Lane Theatre × A24 × To Be Formed PRODUCTION Director: Lance Oppenheim Producer: Christian Vazquez Executive Producer: Mel Oppenheim PM: Nicole Townsend Coordinator: Conor Hibbler 1st AD: Laura Klein @lanceopp @xtian_vazquez @art_by_mel @nicoletowns.end CAMERA DP: David Bolen @davidbolendp Steadicam: Franz Brun 1st AC: Zach Blosser 2nd AC: Alyssa Junco 2nd AC/Media: Ashton Green Playback: Harold Plaut, Jabri Rios-Rhodes GRIP & ELECTRIC CLT: Jonas Hayes Asst CLT: Kaylee Smith Key Grip: Forest Erwin Best Grip: Autumn Stevens Swings: Clark Ivers, Nicky Wetherell ART Design: Madeline Sadowski Set Dec: Sara Golden Asst: Karlis Bergs CHERRY LANE @cherrylanetheatre Production Mgmt: Sydney Prince / Iron Bloom Creative Prod. Lighting: Shane Hennessy Audio: Chris Genovese A1: Sean Hagerty A2: Rijad Muslic Stagehand: Jake Baumohl PAs Joe Dombrowski, Arian Behpour, Ashley Christopher Leach, Koby Cox DESIGN: Day Job @dayjob.work PHOTO: Wes Ellis @atwes EDITORIAL: CABIN EDIT @cabinedit Editors: Matt Schaff, Megan Heard, Kao Cheng Kai Sr Producer: Andrea Cantor EP: Hope DuHaime @thekidmatt @megan_heard COLOR: HARBOR @harborpictureco Colorist: Damien Vandercruyssen @damocolor Sr Assist: David Franzo Conform: Kevin Szczepanski DI Producer: James Reyes Coordinator: Jasmine Rao EP: Elizabeth Niles BAND Phoebe Bridgers Piano/FX: Ethan Gruska Vocals: Lucy Dacus Guitar/Vocals: Julien Baker Bass: Vixen Jamieson Mandolin: Connor Style Vance Violin: Lily Belknap Cello: Yi-Mei Templeman Mix: Mike Mogis Master: Ruairi O’Flaherty BAND CREW Monitors: Chris Miller Recording: Morgan Travis Guitar Tech: Mark Gardner Audio Tech: Oliver Barnett Bass Tech: Dylan Gardner Strings Tech: Jordan Mitchell PM: Bryan Scheckel Music Directors: Derek Renfroe, Aron Forbes STYLING / BEAUTY Styling: Jared Ellner Asst: Mia Fonte Phoebe Hair: Ryann Carter Makeup: Kabuki Lucy & Julien Hair: Paul Warren Makeup: Molly Fredenberg 09 Oct 2026

reunited with @phoebebridgers at @cherrylanetheatre shot by @davidbolendp.. vid drops tomorrow 📼 08 Oct 2026

Comment PUSH IT for a link to the full interview now. Lance Oppenheim @lanceopp and David Bolen @davidbolendp sat down with ShotDeck to discuss their new film, Primetime @tobeformed @a24 a stylized dramatization of the production of To Catch A Predator. In this exclusive interview, Lance and David discuss trying to bring the spontaneity of their previous documentary work into narrative, as well as break down the many (many) visual references that informed the look of the film. 05 Oct 2026

Comment REFERENCES for a link to the full interview now. Lance Oppenheim @lanceopp and David Bolen @davidbolendp sat down with ShotDeck to discuss their new film, Primetime @tobeformed @a24 a stylized dramatization of the production of To Catch A Predator. In this exclusive interview, Lance and David discuss trying to bring the spontaneity of their previous documentary work into narrative, as well as break down the many (many) visual references that informed the look of the film. 03 Oct 2026

Follower tracking

We have started recording @davidbolendp, but only 1 observation so far — not enough to show a trend yet. Track it daily →

Download @davidbolendp's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

598 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DbszloWsAid	PRIMETIME SEPTEMBER 25 PRIMETIME PRIMETIME PRIM…
Dc_hg8ttzcJ
DbIsmLokQrC	andiamo. world premiere at the 83rd venice film …

Real rows from this account. The file continues in the same shape.

$9.99

minimum

Everyone who follows them

up to 27,932 followers

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$139.66

Everyone they follow

up to 3,298 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$16.49

Every post & reel

598 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DbszloWsAid	PRIMETIME SEPTEMBER 25 PRIMETIME PRIMETIME PRIM…
Dc_hg8ttzcJ
DbIsmLokQrC	andiamo. world premiere at the 83rd venice film …

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 27,932 followers

$139.66

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 3,298 accounts

$16.49

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 1 hour, 21 minutes ago.

Tracking

A monthly plan, not a download: we keep reading @davidbolendp and email you what changed.

Track @davidbolendp every day · up to 5 accounts

We read @davidbolendp daily from today and email you the week's follower, following and post changes, with every reading so far as a CSV. Add up to 4 more accounts on the same plan. Cancel any time.

See the columns