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David Wise

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@david_wise

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Cranbrook Academy of Art MFA 2015 @mf9.world Currently: SLC, UT 🏔🍂🍃 Producing and Creating at Forthcoming Studio Past: GD at UO, Aspen Art Museum

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Day 266: Identity:Focus. The result of a 3 week workshop focusing on multi-page document design, and the relationship between content and form. The annual workshop co-hosted with @ikhoor for the University of Utah’s Visiting Designer class begins with students selecting from a set of three conceptual methodologies to help guide them through collection of content—the anthology, the derive, and hypergraphy. As an act of solidarity with the students our participation is required. This year’s project acts as a beta test for a future series of books each collecting, deconstructing, and reassembling work from a defined period of time—in this case roughly 1 year. Through this form of “reflection” one begins to find and better understand underlying motivations, interests, and motifs across the “practice.” responding to, and manipulating them in real-time. Across various substrates and print passes the boundary between self-initiated, commissioned, and otherwise “commercial” work is dissolved and what is rendered on the page reflects an essense of expression beyond the initial client scope or set of deliverables. 1 week of design, 3 days to print. 256 pages, 4 Different Paper Stocks, and multiple passes through the laserjet. ⚫️⚫️⚫️ More Forthcoming🔜... 23 Sep 2026

Day: 208 Ides of March: Available for Immediate Release 1 Track. 5m39s. Lathe-cut into Acrylic in the US. Six insert cards printed front and back on 100# matte cover in black and white with metallic silver, and spot metallic clear + three cards printed front and back on florescent yellow stock. Limited edition of 20. Recorded live in March 2025. Full documentation at terminal.fail. Available Immediately. A Reclaimed_Echo Chamber_EID_05:39 Collapse is never immediate, rather it manifests as a slow crawl punctuated through critical fracturing along the path of history, often done in one way or another by the hands wielding power forcibly through a deafness of the reality before them. This record lingers between prophecy and denial. It conceptually inhabits the commons where the echo of unseen footsteps wander through the crumbling colonnades of the present. Industrial drones, fractured rhythms, and the weight of distant marches becomes the theme of a civilization watching its future erode as its past slipped away through the very columns and pillars they fought to build, recalling the moment Rome mistook foresight for madness. Like a forgotten oracle speaking into concrete and static, the album is not just a fleeting memory of collapse but a transmission from the edge of the next one. Caesar: Who is it in the press that calls on me? I hear a tongue, shriller than all the music, Cry ‘Caesar!’ Speak; Caesar is turn’d to hear. Soothsayer: Beware the ides of March. The Tragedy of Julius Caesar—Act I, Scene 2 27 Jul 2026

Day 152: Excerpts from Shadows by @johnclaytonlee Launched at Post-Fake, and Ofr.paris Currently Available at: @ginzatsutayabooks_photofashion @boutique__romantique @ofrparis @hi_bridge_books @jkptstore Event photos by @eijinota “Born from a five-year stay in Japan, ‘Shadows’ transcends conventional visual storytelling through a collection of color and monochrome photographs. Each image captures a moment when light and shadow transforms a moment into an eternal echo, while maintaining a delicate balance between reality and imagination. In these works, the boundary between what is seen and what is invisible becomes fragile, reflecting a traditional yet constantly evolving culture. It embodies the duality of the present intertwined with the ancient past. “Shadows” is not just a collection, it’s a visual symphony that challenges the boundaries of art. In this exhibition, shadows become vessels for untold stories, inviting us to explore the beauty hidden within the colors of existence. 「5年間の日本滞在から生まれた『Shadows』は、カラーとモノクロの写真集を通して、従来のビジュアル・ストーリーテリングを超越する。それぞれのイメージは、現実と想像の間で微妙なバランスを保ちながら、光と影が一瞬を永遠の響きに変える瞬間をとらえている。これらの作品では、見えるものと見えないものの境界線が曖昧になり、伝統的でありながら常に進化し続ける文化を反映している。それは、古代の過去と絡み合う現在の二面性を体現する。「Shadows」は単なるコレクションではなく、芸術の境界線に挑戦する視覚的シンフォニーである。この展示では、影が語られざる物語の器となり、存在の色彩の中に隠された美の探求を誘う。 Production: 1729 Agency (Naohiro Tomura) Design by David Wise Printed and Bound in Japan by Fujiwara Printing Published by Immanence Press Extent: 108 pages Total. Size: 293 x 220 mm Finishing: Threadsewn Hardcover Paper Main Interior: 135gsm Matte Signature Wraps: 135gsm Sirio Nero Black Endpapers: 170gsm Sirio Nero Black Printing Main Interior: 4-color Process Signature Wraps: Tri-tone White Cover: Tri-tone White More Forthcoming 🔜 01 Jun 2026

Day 138: Hypebeast Magazine #37: The Architects Issue ⚫️⚫️⚫️ Headspace—featuring @tomikono_wig represents for me everthing I find inspiring, and motivating in print editorial. Otherworldly content articulated through design, and finally made physical through experimental and innovative techniques blending various channels and ink densities into works in and of themselves. A story like this one requires more than the straight-forward. The imagery, context, and detailing demanded a process equally immersive and tactile: blending traditional 4-color offset with metallic silver separations and custom 5-color ICC profiles developed by @colorlibrary.ch. in order to push the page as far as possible—subtly. Nothing less would do for an artist like Tomihiro Kono and wigs worn by Bjork in some of their most iconic moments. The result is something difficult to capture and impossible to replicate digitally. Metallic silver weaves beneath and through the traditional CMYK, allowing skin to become pearlescent, highlights to glisten and refract, and the finest strands of hair to emerge with depth and texture. The through portraits, details and typography, ink densities overlap, tint, and interact in ways that make each page feel less printed and more constructed through a physical layering and collage. More and more I find projects like this are a reminder of what print can still become when material, process, and image-making are treated with equal importance. Deeply grateful for the trust, the collaboration, and the opportunity to push it. Published by: @hypebeastmag Editor-In-Chief: Madrell Stinney madrellstinney Deputy Editor: Zach Sokol @zachsokol VP Global Creative Director: Kevin E. Wong @kevinwong Features Editor: Noah Rubin @realnoahrubin Producer: Gabriella Koppelman @gabriellakoppelman ⚫️⚫️⚫️ More Forthcoming 🔜 18 May 2026

Day 126: Circulation of the recent past in details. One for the ages. ⚫️⚫️⚫️ For the @lettonne.dance debut at Paris Fashion Week, @nahkihg and @anitamurnieks wanted to do more than just document. After initial discussions it was clear we needed something more than another traditional look book in Paris. We needed to create something all encompassing that captured the culture that had been crystallized. A book that could begin to help articulate the layered, and multi-faceted world of Lettonne. T-minus 72 hours, @dolor_puritan , @nahkihg and I went to work organizing, layering, collaging, and at times corrupting images of the bags, rave photography, Center Booth stills, and campaign imagery into 48 pages of structured energy moving through time. Lettonne isn’t *just* fashion. It’s a portal, a means, and a catalyst. The raves, the streams, the bags don’t exist in isolation of each other and the book is a small echo of that ongoing work. None of it would exist without the ever-growing network of contributors who have made Lettonne what it is. Artists, DJs, Designers, Dancers. You feel their fingerprints on everything. There’s something special here—a real network vibrating with urgency, memory, and the future in mind. Grateful to play even a small role in what feels unbelievable. ⚫️⚫️⚫️ More Forthcoming 🔜 06 May 2026

DAY 58: Identity:Focus. The result of a 3 week workshop focusing on multi-page document design, and the relationship between content and form. The annual workshop co-hosted with @ikhoor for the University of Utah’s Visiting Designer class begins with students selecting from a set of three conceptual methodologies to help guide them through collection of content—the anthology, the derive, and hypergraphy. As an act of solidarity with the students our participation is required. This year’s project acts as a beta test for a future series of books each collecting, deconstructing, and reassembling work from a defined period of time—in this case roughly 1 year. Through this form of “reflection” one begins to find and better understand underlying motivations, interests, and motifs across the “practice.” responding to, and manipulating them in real-time. Across various substrates and print passes the boundary between self-initiated, commissioned, and otherwise “commercial” work is dissolved and what is rendered on the page reflects an essense of expression beyond the initial client scope or set of deliverables. 1 week of design, 3 days to print. 256 pages, 4 Different Paper Stocks, and multiple passes through the laserjet. ⚫️⚫️⚫️ More Forthcoming🔜... 27 Feb 2026

Day 21: Hypebeast Magazine #36: The Platinum Issue @hypebeastmag Would not be possible without @kevinwong, @zachsokol, @realnoahrubin, @gabriellakoppelman, @chelc.le, @4est.psd ⚫️⚫️⚫️ Part 4: Interior Spreads and test prints of the Ken Carson feature titled, Maximum shot by Max Durante with words Elaina Bernstein. @kencarson @max.dur @kevinwong 21 Jan 2026

Day 356: Hypebeast Magazine #36: The Platinum Issue @hypebeastmag Would not be possible without @kevinwong, @zachsokol, @realnoahrubin, @gabriellakoppelman, @chelc.le, @4est.psd ⚫️⚫️⚫️ Part 3: Glimpses and test prints of the Our Legacy feature titled, Twenty Years Outside the Noise shot by Emanuel Koroly with words by the incredible Kevin Wong. @ourlegacy @emanuelkoroly @kevinwong 22 Dec 2025

Day 335: Hypebeast Magazine #36: The Platinum Issue @hypebeastmag Would not be possible without @kevinwong, @zachsokol, @realnoahrubin, @gabriellakoppelman, @chelc.le, @4est.psd ⚫️⚫️⚫️ Part 1: COMME DES GARÇONS HOMME PLUS x ASAP NAST shot by Goldie Williams Vericain with Creative Direction by Kevin Wong. @commedesgarcons @asapnast @goldiewilliamsvericain ⚫️⚫️⚫️ Part 2: Minimal Mastery written by Dylan Kelly with photographs by Ryohei Ambo and Scotty Tsunami @auralee_tokyo @dylkelly @ryoheiambo @scotty.tsunami 01 Dec 2025

Day 129: I was recently fortunate enough to help steward the design of @hypebeastmag issue 35 (established by @vasunpachisia) along side a whole team of amazing contributors and collaborators — @kevinwong, @rossthe59, @realnoahrubin, @gabriellakoppelman, @chelc.le, @zachsokol, @marcforaday to name just a few More Forthcoming Soon. Featuring: Playboi Carti @playboicarti Kaytranada @kaytranada Oakley @oakley Sexyy Red @sexyyred Feid @feid Willy Chavarria @willychavarrianewyork A.Presse @a.presse_ Pa Salieu @pa_salieu District Vision @districtvision sub @sub.global x @niklas.bildstein.zaar Salehe Bembury @salehebembury Eri Wakiyama @mermaidhair Liberal Youth Ministry @liberalyouthministry XLIM @xlimlink Greg Ross @gregross 424 @424inc O Thongthai @othongthai Phantom Ranch @hok_prm_kzbr 09 May 2025

Day 94: Excerpts from Shadows by @johnclaytonlee. Launched at Post-Fake, and Ofr.paris Currently Available at: @ginzatsutayabooks_photofashion @boutique__romantique @ofrparis @hi_bridge_books @jkptstore North America Distribution: @mf9.store “Born from a five-year stay in Japan, ‘Shadows’ transcends conventional visual storytelling through a collection of color and monochrome photographs. Each image captures a moment when light and shadow transforms a moment into an eternal echo, while maintaining a delicate balance between reality and imagination. In these works, the boundary between what is seen and what is invisible becomes fragile, reflecting a traditional yet constantly evolving culture. It embodies the duality of the present intertwined with the ancient past. “Shadows” is not just a collection, it’s a visual symphony that challenges the boundaries of art. In this exhibition, shadows become vessels for untold stories, inviting us to explore the beauty hidden within the colors of existence. 「5年間の日本滞在から生まれた『Shadows』は、カラーとモノクロの写真集を通して、従来のビジュアル・ストーリーテリングを超越する。それぞれのイメージは、現実と想像の間で微妙なバランスを保ちながら、光と影が一瞬を永遠の響きに変える瞬間をとらえている。これらの作品では、見えるものと見えないものの境界線が曖昧になり、伝統的でありながら常に進化し続ける文化を反映している。それは、古代の過去と絡み合う現在の二面性を体現する。「Shadows」は単なるコレクションではなく、芸術の境界線に挑戦する視覚的シンフォニーである。この展示では、影が語られざる物語の器となり、存在の色彩の中に隠された美の探求を誘う。 Production: 1729 Agency (Naohiro Tomura) Design by David Wise Printed and Bound in Japan by Fujiwara Printing Published by Immanence Press Extent: 108 pages Total. Size: 293 x 220 mm Finishing: Threadsewn Hardcover Paper Main Interior: 135gsm Matte Signature Wraps: 135gsm Sirio Nero Black Endpapers: 170gsm Sirio Nero Black Printing Main Interior: 4-color Process Signature Wraps: Tri-tone White Cover: Tri-tone White More Forthcoming 🔜 04 Apr 2025

Day 49: At the end of last year I was lucky enough to be brought in on an incredible project for a group of incredible people—something that was almost too good to be real. What started with the expansion, and application of the @lettonne.dance beautiful identity by @csoren across various touchpoints ultimately culminated in a series of wheat-paste posters for the project’s first rave of 2025 at Market Hotel in Brooklyn, NY. If this wasn’t enough the graphics not only occupied NYC’s physical space, but they also infiltrated digital space through @avo0xid beautiful recreation of the iconic subway stop. Thanks to the incredible line-up DINA @dinakhashan (Berlin), MORENXXX @morenxx_x, Jayshree @j.ph0ne, ANITA 4OX @anitamurnieks, and the brilliant Ghikhan @nahkihg + Altar Boi @dolor_puritan for bringing me along. I can’t wait to see it flourish even more. Until next time. More Forthcoming 🔜. 18 Feb 2025

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DdokxIcFCmV	Day 266: Identity:Focus. The result of a 3 week …
DbTRsS_Dj-o	Day: 208 Ides of March: Available for Immediate …
DZDcrBtFA2d	Day 152: Excerpts from Shadows by @johnclaytonle…

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DdokxIcFCmV	Day 266: Identity:Focus. The result of a 3 week …
DbTRsS_Dj-o	Day: 208 Ides of March: Available for Immediate …
DZDcrBtFA2d	Day 152: Excerpts from Shadows by @johnclaytonle…

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