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Good things take time, Great things take a little longer - FreeMind / Artisan de l’image / Human made Founder @byndr 📸 adagp©️
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Recent posts
@homnguyen WIP - ICARE
Everyone remembers the fall.
No one ask why
He kept climbing.
Some things are worth burning for.
📸 @david_beyonder @byndr
20 Mar 2026
Art Performance - 2016 @johnperello @jonone for "The Great Graffiti" project // 예술의전당 서울서예박물관에서 국내 최초 그래피티 뮤지엄쇼인 <위대한 낙서 cc @thegreatgraffiti @ilove_sacmuseum
📸 @byndr @david_beyonder
#jonone #jonone156 #Jon1 #work #thegreatgraffiti #seoul #korea #exhibition #museum #graffiti #art #contemporary
04 Apr 2021
Morning! 📍 @chateaudechambord on set for journée du Patrimoine @patrimoine_francais @fondationdupatrimoine
03 Oct 2014
💙 a bomb of love
01 Nov 2026
🔥 BEYOND THE STREETS — ZEVS 🔥
A swimming pool has never felt so hot. 🔥
With Big Oil – Mobil, ZEVS revisits David Hockney’s “A Bigger Splash”. The work belongs to his Swimming Pool series, begun in 2013, which explores the modernist villa and swimming pool as “symbols of prosperity, leisure and the American dream.”
Here, an oil slick covers the water, while Mobil’s winged horse dissolves into black drips on the façade. This painting introduces fire into the series: the villa itself is burning. The idyllic setting is no longer just polluted it is being destroyed. 🛢️🔥
The pool is no longer a symbol of escape. It becomes the stage for a world consumed by its own excess.
By bringing oil companies’ logos into Hockney’s peaceful setting, @z__e__v__s confronts an image of comfort and escape with the environmental impact of the oil industry. Pollution is no longer somewhere out of sight. It has entered the pool, the home and the picture. « Notre maison brûle et nous regardons ailleurs ».
I photographed the work at @beyondthestreetsart in July, during the Paris heatwave. The Grande Halle already felt like a furnace. The closer I got to the painting, the more it felt like approaching a fireplace. 🔥🔥🔥
With rising temperatures and this summer’s wildfires, ZEVS’s work feels sadly more relevant than ever.
These images extend that feeling, as if the flames were escaping the frame and spreading through the exhibition.
@beyondthestreetsart
Beyond the Streets Paris.
May 27 - August 30, 2026g
Curated by @rogergastman. 🔥
📸 @david_beyonder @byndr
🖼️ David Hockney’s A Bigger Splash
15 Sep 2026
BEYOND THE PHOTOGRAPHERS 📷
A moment, a place, an atmosphere. Their photographs form an invaluable archive, capturing an era and key moments in the lives of emerging artists. Without this work, part of this culture might have been forgotten.
Right place, right time. Just luck? Or hard work, skill and the determination to keep showing up, again and again?
What moves me here is the diversity of perspectives. Different backgrounds, cities and subjects: subways, streets, nightlife, everyday life, artists, walls, encounters. Each photographer has developed a distinct way of seeing and telling stories. That variety fascinates and inspires me.
Seeing photographers recognised here matters. Behind every image is an author, a point of view, an intention, years of work and sometimes real risks taken to be where history unfolds.
A photograph does not lose its author because it documents someone else’s work.
When artists, studio teams or institutions use photographs without credit, or exhibit them without even informing their authors, they undermine not only the photographers’ work, but also their own and the culture they help build. These practices deserve to be questioned and challenged.
Photography is not just witnessing. It is creating, interpreting, making choices and leaving a trace.
This is a tribute to those who have spent decades documenting this culture through their own eyes. They are not just witnesses, but archivists, storytellers and artists in their own right, preserving a collective memory.
Their names belong alongside their images.
The story continues.
Old school, new school, true School !
@beyondthestreetsart
Beyond the Streets Paris.
May 27 - August 30, 2026g
Curated by @rogergastman
Featuring the work of Brassaï, Martha Cooper, Henry Chalfant, Glen E. Friedman, Estevan Oriol, James Prigoff, Maï Lucas, Sophie Bramly, Maripol, KC Ortiz, Philip Andelman, Yoshi Omori and others.
📸 @david_beyonder @byndr
14 Sep 2026
From the streets of Paris to galleries, museums, hotels and nightlife around the world, André Saraiva has built a universe that is instantly recognizable.
At the center of it all: Mr. A, his top-hatted alter ego, first appearing on the streets in the early 1990s and since painted hundreds of thousands of times across the world.
For Beyond the Streets, @andresaraiva brings that same energy into a full installation: graffiti, drawings, signs, memories and fragments of a life where art, music, travel and nightlife have always been connected.
His work goes far beyond a single character. Mr. A became a signature, but also a language: playful, irreverent and unmistakably André.
Beyond the Streets Paris.
May 27 - August 30, 2026
Curating by @rogergastman
📸 @david_beyonder @byndr
12 Sep 2026
Damien Hirst × Invader × Shepard Fairey
📍@beyonthestreets
Seeing @damienhirst, @invaderwashere and @obeygian at Beyond the Streets immediately made me think of Triple Trouble in London, still one of my favorite exhibitions of 2025.
Three very different artists, three instantly recognizable visual languages, and three worlds that have crossed paths more than once.
Damien Hirst, with his obsession with repetition, color, life and death.
Shepard Fairey, whose work has blurred the lines between street art, graphic design and political imagery for more than three decades.
And Invader, who has transformed the city itself into a playground, spreading his mosaics across the world. 👾
I added to these images a few Invaders I’ve flashed in the streets of Paris over the years, including collaborations connecting Invader with both Shepard Fairey and Damien Hirst. #PA_1552 & #PA_1553
Different generations, different approaches, but the same ability to create images that become part of our collective visual culture.
Beyond the Streets Paris.
May 27 - August 30, 2026
Curated by @rogergastman
📸 @david_beyonder @byndr
10 Sep 2026
“Hip hop soul, but my live show is rock and roll.”
@beyondthestreetsart — Agnès b.
Beyond the artists, the walls and the works, Beyond the Streets is also about the people who helped this culture grow, long before it received the recognition it has today.
Among them, @agnes_b_senga
Designer, collector and patron of the arts, she has played an important role in supporting graffiti and urban culture in France. Through her gallery, her projects and her collaborations, she gave space, visibility and trust to artists at a time when this movement was still far from being embraced by institutions.
Exhibiting them, supporting them, working alongside them and above all believing in their work.
Her presence in Beyond the Streets Paris feels essential. Because the history of graffiti is not only written by those who painted the walls, but also by those who understood their importance early enough to help them cross them.
A few views from the exhibition, and a small tribute to one of the people who helped make that journey possible.
Beyond the Streets Paris.
May 27 - August 30, 2026
Curated by @rogergastman
Portrait Agnes b. @david_beyonder ADAGP, Paris 2026
📸 @david_beyonder @byndr
📹 Collection @byndr ©️
09 Sep 2026
@beyondthestreetsart
Three names, three different approaches, one shared history.
FUTURA 2000, BANDO and Keith Haring each played a major role in pushing graffiti beyond the street and helping shape the visual language of a generation.
From New York to Paris, from subway cars and walls to galleries and museums, their work shows how a culture once considered marginal gradually became part of contemporary art history.
Futura brought abstraction, movement and a completely new vocabulary to graffiti. Bando helped build and structure the European scene, creating a bridge between New York and Paris. Keith Haring developed an instantly recognizable language, connecting street culture, drawing, activism and popular culture.
Different trajectories, but the same energy: creating freely, taking over space and opening new territories for the generations that followed.
Beyond the Streets Paris.
May 27 - August 30, 2026
Curated by @rogergastman
📸 @david_beyonder @byndr
08 Sep 2026
👑 I TOOK THIS SHOT
I took this portrait of @marthacoopergram ten years ago in Moscow, during an art biennale and never share it 📷 a memory that reminds me that art and photography are here to build bridges and, above all, celebrate life.
Years later, when I was invited to the opening of @beyondthestreetsart , I happened to be wearing my favorite T-shirt featuring Martha’s photograph of @futuradosmil. She spotted it from a distance, pointed at it and said: “I took this shot.” It made me laugh immediately, and a few moments later we took a picture together.
Martha Cooper is one of my ultimate references. She created images that became references in their own right and truly represent this culture and movements.
One of the things that struck me most was the place given to photography and photographers. For me, photographers have played an essential role in this movement: by creating these archives, they captured its essence and documented a time when artists, driven by passion, took over the streets. When it was not about trend and hype.
Martha was a pioneer, a precursor, and a woman with an incredible vision photographing young dancers in the emerging Hip-Hop scene, documented painted subway trains in the middle of everyday New York life, and the writers, crews and neighborhoods shaping this culture.
In the late 1970s, while working in New York, she began documenting graffiti writers and breakers. Her encounter with DONDI gave her direct access to a scene that was still largely invisible to the wider public.
In 1984, with Henry Chalfant, she published Subway Art, a book that became a reference for generations of writers around the world and helped New York graffiti cross borders long before social media existed.
She didn’t only photograph finished pieces. She captured the people, the process, the energy and the life around them.
More than forty years later, her photographs are not only archives of the movement.
They are part of its history.
Beyond the Streets Paris.
May 27 - August 30, 2026
Curated by @rogergastman
📸 @david_beyonder @byndr
📷 Archives in the post @marthacoopergram ©️
04 Sep 2026
@felipepantone 🏁 moves between analog and digital worlds, where speed, light, color and technology constantly collide.
From his studio to his immersive installation at @beyondthestreetsart Paris this year, his work transforms the visual language of our hyperconnected world into something physical gradients, glitches, optical patterns and impossible geometries expanding from objects into architecture. ⚡️
What started with graffiti has evolved into a practice that feels permanently in motion, questioning the way we see, process and consume images today.
Drawing from the legacy of kinetic and optical art @victorvasarely , @carloscruzdiez , @julio_le_parc_official and @francois.morellet and resonating with @annveronicajanssens investigations into light, color and perception, Pantone pushes these visual concerns into the language of the digital age. Moiré patterns, pixelated gradients, glitches and shifting perspectives turn perception itself into part of the work, creating images that seem to transform as the viewer moves through them.
A world where nothing stays still for very long. ⚪️
FELIPE PANTONE
Portraits Studio & Beyond the Streets Paris
curated by @rogergastman
📸 @david_beyonder @byndr
03 Sep 2026
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