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Bio
Hard-working lighting for film and TV, backed by a 5-year warranty because things happen. Get featured #Creamsource New: C3 & Vortex2 ⬇️ 👇link
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Recent posts
Director Arden Tse and cinematographer Luo Pan ASC, CNSC @ardentse @panluo_dp went analog for Creamsource’s latest launch film, shooting 35mm on ARRI cameras with Kodak VISION3 500T 5219 motion picture film.
Inspired by the Chinese myth of immortal Chang’e’s flight to the moon, 夜夜心 reimagines the story of two lovers destined to reunite, only to separate again. Across four distinct visual worlds, Tse and Pan move from warm neon and saturated color to icy silver tones and otherworldly, almost oil-painted images.
“We wanted something that could chemically observe the light and put life into the images we created,” says Tse. “Shooting on film was the literal embodiment of that idea.”
The new Creamsource C3 was used throughout the production, pairing the familiar flood-and-spot language of a traditional Fresnel with the output, control and color capabilities of a modern fixture.
The final scan retains its overscan and visible perforations, preserving each frame as it was chemically captured on set. For a film about memory, repetition and things that refuse to disappear, there’s something fitting about introducing a new filmmaking tool through one of the medium’s oldest processes.
“The imperfection of handcraft reminds us that we are human.”
#ASC #Kodak #Creamsource
22 Sep 2026
The part you don’t see.
Behind Chang’e with director Arden Tse (@ardentse), DP Luo Pan, ASC, CNSC (@panluo_dp), and an incredibly passionate crew. Shot on 35mm at Shanghai Film Park.
C3 was put to work alongside more of the Creamsource roster, helping shape the film’s shifting colour palette.
Watch Chang’e and get into the details of C3: creamsource.com/product/c3.
See for yourself at IBC2026, Creamsource booth 12.G50.
09 Sep 2026
Four years making a Fresnel. One fever dream in Shanghai to launch it.
This is Chang’e, a short film we made with director Arden Tse and cinematographer Luo Pan, ASC, CNSC. Shot on 35mm. Things get a little strange after dark. Time slips, memories fragment, inspiration bleeds through.
We had a lot of fun making this one. Hope you enjoy it.
C3: creamsource.com/product/c3.
Come see it at IBC2026, Creamsource booth 12.G50.
@panluo_dp @ardentse
#c3 #ledfresnel #creamsource #filmlighting #shoton35mm cinematiclighting
08 Sep 2026
A ring of Vortex8s. A look that had to land.
For the GAP x KATSEYE commercial, Vortex8s went overhead, giving CLT/Gaffer Will Reid the intensity and colour control he needed to shape the shot.
“We needed intensity and the top color control. It’s our go-to tool when we need a desired look.”
The campaign took off in a big way: one of GAP’s most viral ads ever, with over 8 billion impressions and 500 million views.
Thanks @williamreidiv for the BTS
DP Ben Carey @bennncareyyy
Gaffer/CLT @williamreidiv
Key Grip Jake Reeder @misfitgrip
#Creamsource #Vortex8 #GAPxKATSEYE
09 Nov 2026
The Event: Red Bull Tornari Night Ride
A cluster of Vortex lit up this night ride with the main cherry picker rigged with 6 x Vortex8 and 1 x Vortex4.
On the ground, additional V8’s and V4’s with everything pixel mapped via Blackout Lighting Console V3
With a high possibility of rain at the time of event, Gaffer, Timo Haapasaari wasn't concerned "I knew that the Vortex’s wouldn’t mind the weather anyway".
Thanks @timohaapasaari for sharing the pictures 📷
Swipe for more
The Vortex Range, IP65 rated - ready for any weather.
https://creamsource.com
@valofirma @tornaribikepark #creamsource @aarovisala @blackoutlightingconsole #vortex8 #nightshoot #vortex4 #gafferonset
08 Nov 2026
Plans change. LNX One is fine with that.
LNX One is part of LNX, our rigging system for the Vortex Series, and it’s the option for setups that don’t stay still.
You can space fixtures however the job needs, from a tight grid to something more custom, and the clamp rotates for vertical or horizontal mounting. When the plan changes halfway through the day, the rig can change with it.
The pin is built into the clamp, so there are fewer parts to manage, and at 0.832kg / 1.84lb it packs down small. It fits 38–54mm / 1.5–2.1in pipe.
Safe working load is 52kg / 114.7lbs. That puts it in lower density rig territory, which is what it was designed for.
Check out the specs - link in bio
#Creamsource #LNXOne #LNX #Vortex #FilmLighting #Gaffer #keyGrip #Rigging #LightingTechnician
06 Nov 2026
Rig it your way with LNX One.
Flexible spacing, faster setup:
• Integrated clamp + pin: fewer parts, faster builds
• Rotatable clamp: rig vertical or horizontal
• Space fixtures your way, from tight grids to custom layouts
• 52kg / 114.7lb SWL from a mount that weighs under 1kg
• Compact for easier transport and storage
Built for lower density rigs and setups that change on the day.
Now available - contact your Creamsource Partner
#Creamsource #LNX #Vortex #FilmLighting #Gaffer #LightingTech #Cinematography #GripLife #OnSet #FilmCrew
04 Nov 2026
Way back when prep started on @diggerthemovie 🎬
Behind the scenes with Gaffer @westsidelighting and cinematographer @chivexp
The brief was a hard horizon line across the main sets and the miniatures, at every scale.
Our Vortex8s were part of the kit. "We needed a hard horizon in some of the main sets, as well as the miniatures. The Vortex8 filled our requirments with its excellent smooth dimming and output".🍦
Great to see them on set. Thanks for sharing the prep 🙌
📸 @westsidelighting
#Creamsource#vortex8 #Digger #WestsideLighting #Film #Cinematography #filmLighting #BehindTheScenes
01 Nov 2026
When FIFA decides to hold some little football tournament and it clashes with your annual BBQ, what do you do? You host a spooktacular event instead! 👻
After 20+ years of the 4Wall NY Vendor Showcase, this one will be unlike any other.
Come and hang out with the CreamTeam and get a walk through of the new Vortex2 and Vortex2 Soft.
Food, drink and limited-edition Halloween-themed merch on the night. 🎃
#Creamsource #4Wall #VendorShowcase #AVL #FilmLighting #EventLighting #Halloween
RSVP at the link in bio.
27 Oct 2026
Injecting some SpaceX colour into a Monday morning
2,200k to 15,000k : Full colour temperature adjustment
1200W LED: Equivalent output to a 5k tungsten
115°: Soft and even beam
Learn more - link in bio
📷️ @zeferinolights
#onset #setlife #cinematographers #filmcommunity #keygrip #griprigs #commercialshoot
19 Oct 2026
Lighting up Netflix fantasy adventure, One Piece Season2, episode 3
In this episode, the crew gets a friendly reception in Whisky Peak, a town that loves pirates. However, two assassins are lurking, and danger is close at hand. The lights bring Cactus Island to life ⚡️
Bringing Cactus Island to life the #OnePieceLiveAction
Starring:
16 x Creamsource V8's and 4 x ayrtondigital Domino's Profiles inthe moonbox
12 x V8's creatively designed by DOP George Amos in the Supermoon with the top 3 V8's naked for harder punch and the bottom 9 inside a diffusion for a softer feel.
Also starring: #Astera Titan tubes #litegear Litemat 4's
Thanks for the share 📷 @jayceyw_pinn_icls
The Crew:
Zoan Unit:
Gaffer: Phillip mhlabane
Best Boy: @jinnygunuza
Lighting Desk Operator: Willie Bothma
Rigging Grips:
@irigging_solutions @terakebeni @_joshuamorland @zanekassiem
Rigging Lighting:
Rigging Gaffer: @selemani358
Best boy: @ahmadiissa
Rigging Lighting Desk Operator: @iclsociety @jayceyw_pinn_icls
Sparks:
@andile.joni @bhanqo_masana @skinny_guylighthing @junaid.hendricks @slayman021 @kotelanaowam
Gear suppliers:
@5twelve_productions @mediafilmservice @flickerfreerentals
#setlighting #nightshoot #creamsource #vortex8 #lighting #deskoperator #iclsociety
18 Oct 2026
A look back at the Danish elections in March. Vortex8s went up on the JLG lift to light the square — swipe for the drone view with the fixtures right there in the picture.
#Creamsource #CreamsourceVortex8 #JLGLift
Thanks 📷 @lowland_light
16 Oct 2026
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