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Authentic, Relationship-Driven, Influencer Marketing.
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Recent posts
Set life is always fun with the Craterr team. @imkofiyeboah @bradybessette @ryanmkao #setlife #makingmovies #filmmaking
08 Oct 2026
Throwback, on set of No Good Legend blowing up some TNT. đ§¨
13 Aug 2026
The new FX5 Menu is a game changer. @mondobytes shares his favorite part of the new camera and how it impacts his workflow.
05 Aug 2026
Donât ask him for a refund⌠but watch Stoner Ryan in the award-winning thriller short, No Vacancy on YouTube on April 22! @top.shorts voted it Best of the Fest for 2025!
#awardwinningfilm #shortfilm #thrillermovie #horrormovie #indepentfilm
07 Apr 2026
Day 7
Process Trailer - Part 2
Kondor Blue style
Thankful for @kondorblue craterrcrew and @lukascolombo in partnering with us on this film. Couldnât have done it without you guys.
Clay - Landon Ashworth
Sam - Colin OâBrien
Director - Josh Long
Process Trailer - Chase Car Inc.
Driver - Chris Layton
Producer - Myself
Co-Producer - Lukas Colombo
Co-Producer - Armando Ferreira
Co-Producer - Jess Weixler
UPM - Diana Kindra
1st AD - Anthony Laurita
Cinematographer - Antonio Cisneros
Camera Operator - Daniel Woiwode
Camera Operator - Daniel Meja
1st AC - Ezra Riley
1st AC - Adam Crampsey
2nd AC - Mei Ling Marzonie
Key Grip - David Newbert
CLT - David Galindo
Swing - Chris Way
Swing - Niki Orndahl
Sound Mixer - Emerson Boergadine
Art Department - Melissa Yu
Makeup Artist - Kalida Ghazar
Costume Designer - Swinda Reichelt
Script Supervisor - Kelli Neal
Production Assistant - Ryan Yost
Alexis Valdez
Sergio Esqueda
Ben Segall
#indiefilm #fathersontime #roadtripmovie #palmdale
25 Mar 2026
The final lesson in our Making a Music Course is live. Jordan Orme breaks down how to remove a subject in Premiere Pro with masking and tracking without a single hard cut. He isolates the subject, tracks the mask forward and backward through the shot, then dials in opacity until sheâs completely gone. The result is a clean wipe where she disappears, serving the story perfectly.
This clip is just a taste of whatâs inside the Making a Music Video course, now fully live. Jordan walks you through the complete professional order of operations for music video post production, from on set proxy syncing and emotional performance selects all the way to a final high resolution delivery. Whether youâre cutting on a laptop at the airport or in a dedicated suite, this is your roadmap for turning raw footage into a story.
Link in bio to watch the full course.
#filmmaking #musicvideo #videoediting #premierepro #editing
24 Mar 2026
Check out all the @smallrig.us gear I used to film a music video for @mergui đ Sponsored by Smallrig!
04 Feb 2026
How do you actually direct a music video and book the job? Our latest course, Making a Music Video, is officially live, and Part 1 drops you straight into the directorâs seat with director Lukas Colombo. This is a real, working music video and youâre a fly on the wall for every major creative decision.
In this first lesson, Lukas breaks down exactly how he:
⢠Books the job and pitches the vision
⢠Builds treatments that artists and labels approve
⢠Translates a song into a strong visual narrative
⢠Uses storyboards and previs animatics to sell the vision
⢠Casts talent based on performance and physicality
⢠Collaborates with the artist, label, and DP
⢠Leads a full professional crew on set
Youâll see how a music video actually comes together from the pitch room to shoot day and what it really takes to step beyond âhaving a good eyeâ and direct with confidence, clarity, and authority.
If youâve ever wanted to:
⢠Direct music videos
⢠Stand out in a room full of directors
⢠Build treatments that win the job
⢠Lead a professional set
This is your opportunity to see the full process, start to finish.
đŹ Watch Part 1 now
đ Click the link in our bio to get on set.
27 Jan 2026
In this clip from Making a Music Video, ASC cinematographer Shane Hurlbut breaks down what he calls a âhelicopter rigââa poor manâs process lighting gag using the SmallRig RC 220B Pro COB/D LED to fake driving motion while shooting on stage against an LED wall.
By physically rotating a lightweight, battery-powered fixture, the team motivates passing streetlight movement across the actorsâ faces, helping the scene feel alive and dimensional even though the car isnât actually moving.
The setup relies on the SmallRig RC 220B Pro COB/D LED for its compact size, strong output, and ability to run entirely on battery power. Dialed to match the metal halide streetlights visible on the LED wall, the light blends seamlessly with the background imagery, without the heavy fixtures, cable runs, or constant resets this kind of gag once required.
This lighting trick is just one small piece of a larger professional workflow.
Learn more in Making a Music Video, a course that takes filmmakers inside a real-world production to show how directing, camera prep, lighting, and editing come together on set, featuring âThree Tearsâ by Mergui.
Click the link in bio to watch now.
Presented by Filmmakers Academy & Craterr. Special thanks to SmallRig and our collaborators Kondor Blue, Blackmagic Design, Artlist, B&H, Company3, Keslow Camera, Northern Lighting, Legacy Grip, and The Cinema Junkies for making this education possible.
#behindthescenes #smallrig #cinematography #filmmakers #filmmaking
23 Jan 2026
And it was amazing to see everyoneâs unique perspectives. Check out a sample of underrated features they loved about this tripod. 2 of 2
#collaborations #creatoreconomy #partnerships #creators #filmmaking
22 Dec 2025
We recently ran a partnership with SmallRig on their new Tribe-Ex SE tripod.
We all loved working with @smallrig.global and everyone involved loved the Tripods unique feature, check it out! 1 of 2
#creator #partnerships #collaborations #creatoreconomy
22 Dec 2025
Whos going to #cinegear?? Stop by the Kondor Blue booth and check out this epic panel of speakers â including me!
05 Jun 2025
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