Alec Contestabile

Alec Contestabile

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Film / TV / Commercial Emmy nominated • VMA winner Start of Watch • Hacks • Physical ↓ Selected work

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Deborah’s Tour Bus from @Hacks Season 2 was one of the most challenging sets I’ve had to design. Scripted, it needed to include a dashboard and seats, a lounge, a kitchen, bunks, an elaborate bedroom for Deborah, and several ‘impractical’ luxuries including a full closet, a separate shoe closet, a vanity, a regenerative LED therapy bed, a fireplace, and a soda fountain. Practically, the living space had to be big enough for our cast of relatively tall actors and crew but small enough to still feel like a tour bus. It would also need to ‘self-light’ because a small space with that many windows would be impractical to light with our fast shooting schedule. (4.5 total shooting days for the bus.) It needed to allow for crew access while having some sort of semblance of COVID safety protocols. And it needed the ‘look of luxury’ you’ve come to expect from Deborah Vance. It was like cramming all the details of a house into a 12’ x 40’ footprint. With the help of Assistant Art Director @brontecambell, we pulled hundreds of research photos, toured a number of busses, and purchased and cut apart an actual bus. Set Designer @krullbetry then began drawing and building an incredibly complicated model in SketchUp. Art Director @robtokarz colored, lit, and rendered some beautiful concepts. Fixtures Foreman @owljazeer was instrumental in incorporating hundreds of feet of LED tape which needed to be installed concurrently with the work Const. Coordinator Will Thayer and Const. Foreman Neal Garland were doing to actually build the set. It's hard to fit everything that should be said about this set into one post, so I’ll split this up over a couple days. directed by @lilroocher written by @jenstatsky @paulwdowns @lilroocher DP: @realadambricker PD - 🏜️ Art Director - @robtokarz Assistant Art Directors - @brontejc, @katelynabudke, Michael Piccirillo Graphics - @e9000, @kings_lee989 Set Design. - @0.0_bai, @krulbetty Art Coord - @AaronmNadler Art PA - @taylorjohnston333 Set Decorator - @jenlukehart Asst. Set Decorator - @jscarvalho13 Leadman - @timfassino Prop Master - @cyberskip Fixtures Foreman - @owljazeer Const. coordinator – Will Thayer 22 Jun 2022 I had an amazing time designing this spot for @accenture and @nfl in Prague! The core concept was “moving forward toward the goalposts.” Our ‘goal’ was to tell that story in a visually graphic yet naturalistic way, a fun and rewarding challenge. Huge thanks to @jovan_todorovic and @smugglersite for bringing me on! Across four shoot days, we maximized every location around our anchor sets. For example, the “corporate headquarters” scene was shot in a university’s main lobby. While scouting, we discovered a beautiful glass hallway nearby, and then built a custom server room in another hallway just around the corner. This strategy played out in almost every other location we shot. To support the concept’s look, we built custom props that would blend seamlessly into each environment. I.e. the greenhouse sprinkler posts, the window frame in the hallway, the yellow pallet crate in the warehouse, etc. Shooting an NFL spot in Prague, without an NFL stadium, was…interesting. We solved this by transforming an old Soviet-era airfield into our football field using plywood boards, artificial turf, and an excess of fog and haze. We built a 10-foot section of the goalpost for the close-up flag shot, with the wide shots beautifully completed in post by @prlmt. AI turned out to be a perfect tool to concept this project. To test the push-in camera move, I took scout photos, illustrated the frames, and animated them with AI to help create a high-quality animatic, proving the concept would work before we shot anything. Huge shoutout to the amazing Prague art department for their creativity, precision, and craftsmanship. Can’t wait to collaborate again with that talented team!  Director: @jovan_todorovic  Producer: @bluequarter DOP: @carella Colorist: @mikolour  PD: 🏈  Art Director: @zuzanasucha Prop Master: Standa Prerovsky  Propmaster Assistant: Vojta Oulicky  Location Managers: @ondrejlouthan 12 Oct 2025 Some of the videos I designed for @keke’s new visual album. Director: @ladyist Production company: @staygoldenla Producers: @valleyofthedahlz, @magenashleyyoung, @matthewdmt DP: @cole__graham Color @company_3 @kathraisch Styling: @zerinaakers Set Decorator: @kaitlynnwood8 Props: @cberlin Art Director: @chrisg.tv Set Dec Lead: @monicacervantess Treatment Designer: @mimigaudetcreative 23 Jun 2025 @coach starring @ellefanning One of those “seemingly simple but complicated” jobs. Originally bid as a full tree build…..but I felt we should find a real tree for authenticity, texture and location scope. Thankfully everyone agreed and we had some really fun tree scout days looking at literally hundreds but really around a dozen seriously. Some choice location photos attached and we even walked through poison oak!  Because talent (understandably) couldn’t commit to the stunt work of leaping through a real tree, our next challenge was figuring out how to put her into a tree while keeping her on the ground. I ended up designing a series of platforms to raise the “ground” into the air after taking a 3D scan of our hero tree. Thank you gbgrip80 for building all that. (Now realizing I don’t have a photo but it was built.) The library was pretty simple and stark. We added a wall and some door flats which were relocated out to our field location. Thank you to everyone on this one!    Director: @jovan_todorovic Production Company: @smugglersite Produced by:  @sophie___brooks @elliesanderswright @kategreenberg13 @queen_carmenita DP: @steveannisdop Production Designer: @contestabile Art Dept Coordinator: @aquayost Set Decorator: Gail Otter @gailotter Leadman: David Lavker @dcalindinc On Set Dresser: Mark Rivadeneyra  Set Dresser: Scott Shackelford  Set Dresser: Alex Hampson  Set Dresser: Rob Asinger  Set Dresser: Doug Armstrong  SPFX: @madfx_la  Graphics: @kings_lee989 Greensman: Alex Sessing Prop Master: @cberlin Asst Props: Morgan Coleman  Asst Props: Kristin Rasmussen  Art Director: @chrisg.tv Prop Maker: Ezra Hamill  Prop Maker: Dominic Shauger  Prop Maker: Daryl Whiting  Painter: Greg Manabat Coach Creative Director: @stuartvevers Photographer: @elaine_constantine Elle’s Stylist: @samanthamcmillen_stylist Coach Stylist: @rizzo_olivier Music: Citeras by @lajkofelixofficial 05 Sep 2025 Fun job for @burgerking! 🤳🏻🍔🙇🏼‍♂️👑📸 Some #bts and custom props at the end. Production Company: @leloi @freenjoy Executive Producer: @eloibeauchamp, Sonia Marques, @freenjoy, @tarasheree Director: @nethyj Producer: @collindruz DOP: @zacharykoski Production Designer: @contestabile Set Decorator: @kaitlynnwood8 Prop Master: @clskmel Set Dec Lead: @monicacervantess Treatment Designer: @mimigaudetcreative 25 Aug 2025 tbt 2018. Here’s a photo dump of a bunch of old Black Monday photos from season 1 for @showtime . We got to do some really fun 1980s sets for this one. 2018 LA for 1987 NYC. We built A LOT for this one! Sadly you can’t stream this anywhere anymore. Appropriately lost in the aether of corporate mergers and acquisitions… Showrunner - David Caspe Showrunner - Jordan Cahan @pointgrey @sonypicturestv Starring @doncheadle @morereginahall @andrewrannells @paulscheer @caseyrosewilson Produced by Steven Yell DP - @carlherse Pilot PD: @spellnospell Series PD: 💸 AD: @mcjla Pilot SD: @yardfuzz SD: @kathyorlando20 Props: @chuckprops Const: @fmf4242 ADC: Tara Walker Set Des: Sloan U’Ren Graphics: @lee989 Art Asst: @lovingjimmorrison Costumes - @melissabruning #productiondesign #artdepartment #artdept #setdec #setdecor #archdigest #architecturaldigest #interiordesign #setdesign #pictureperfect #productiondesigner #interiordesign #blackmonday #doncheadle #reginahall #andrewrannells #80sdesign #1988 #retroaesthetic #aesthetic #80sinterior #vintagedecor #80sedits #80sstyle #retroaesthetic #wallsteet #80s #retrodesign #nyse #stockexchange #bts #behindthescenes 28 Feb 2025 ✨ I’m beyond thrilled to share that 𝓛𝓸𝓿𝓲𝓷𝓰 𝓑𝓲𝓷𝓰 has been nominated for the Big Sky Award 🏆 at the 2025 @bigskydocfest! This award celebrates the character, tradition, and imagination of the American West, and it’s such an incredible honor to have our story recognized in this way. When I first began this project, I never imagined it would take me on such a powerful and far-reaching journey. 𝓛𝓸𝓿𝓲𝓷𝓰 𝓑𝓲𝓷𝓰 started as something deeply personal—a cathartic exploration of my family’s story, of my father and mother, and the raw, complicated emotions surrounding it. Sharing something so intimate with the world is both terrifying and deeply rewarding, but the connection this story has fostered with others—offering hope, strength, and understanding—has made every step worthwhile. A huge thank-you to my fellow directors, @isaacbing and @contestabile, for helping bring this story to life and to the team at @bigskydocfest for this incredible recognition. Here’s to storytelling that unites us all. 💛 #lovingbingdoc 30 Jan 2025 Sometimes the more mundane sets can be the most fun, and these two “sister sets” from @peacock’s Based on a True Story are a great example: Tori’s Law Student Apartment and the Motel Room. The interesting part? Both sets were built using the same set walls. It’s a poetic detail—“it rhymes,” as George Lucas would say—that mirrors the arc of Matt and Tori’s relationship. The Dorm Room is where Tori starts her new chapter, moving to law school with a bit of optimism but an underlying dread. To reflect that, we went with a muted, beige-heavy palette—neutral, quiet, and clean. We leaned into vertical blinds to cast eerie streaks of light, echoing Matt’s dark side, a Season 1 motif. The vibe? Late-2000s practicality: mostly IKEA furniture, a dorm-sized fridge with campus stickers, and institutional fire alarms. We wanted it to feel like a 1970s building given a 2000s “facelift.” Simple but layered, it’s a blank slate with just enough personality to feel lived-in. We watched a lot of UCLA dorm tours on YouTube to get the details just right. Fast forward to the Motel Room; same set walls, completely different vibe. This was where our red/green color story took center stage. Inspired by Hitchcock, the palette builds unease, flirting with Christmas-y tones while landing powerfully here. The transformation was all about grime—cigarette burns, mildew, questionable stains, and even dead flies in the light fixture. To sell the space, we blocked off the dorm’s bedroom door, painting it shut and placing a bed in front—a nod to a cheap motel owner’s “renovation.” The dorm’s kitchen became a “bathroom” with a custom-tinted glass divider. Set decorator Kristin Petersen found the perfectly awful bedspreads. Both spaces tell Tori and Matt’s story: the dorm as her fresh start, the motel as her realization that Matt is a dead end. Subtle details, like the “dead end” hallway, reinforce this theme. So much of this was a team effort, and I’m endlessly grateful to our amazing crew for bringing these spaces to life with such detail and care. More behind-the-scenes insights coming soon! 02 Jan 2025 Here’s a look at our work for ‘Based on a True Story’ Season 2 on @peacock! First, a huge thank-you to @annieweisman for trusting us to bring this darkly comedic version of LA to life. Designing these sets was a joy, though the real highlight was being able to work with such an amazing crew @ucp . We opened the season with the ‘Humidad Wellness Center’ —a new-age, somewhat off kilter, wellness retreat. What starts very tranquil and serene, turns culty at night… Ava and Nathan’s ‘California basement’ was another unique challenge. It had to connect visually to the Season 1 house while also doubling as a creepy “murder basement.” This is where we kicked off a red/green color story, using the palette to subtly build unease and dread throughout the season. That color story hit its peak in the season finale with the ‘Motel Room’ hideout and ‘Endgame Podcast Studio’ sets. The motel room went fully maximalist with the red and green, creating a disturbingly intense atmosphere. Meanwhile, the podcast studio leaned heavily into red neon lighting for a moody, “cool yet ominous” vibe. I’m so proud of the incredible work from our entire team this season! More to come about the design process behind these spaces and more—stay tuned! EP / Showrunner @annieweisman EP / Co-Showrunner @jaclynpmoore EP / Directed by @alex.buono.8 Directed by @anuvalia Directed by @jeneelamarque @aggregatefilms Exec Produced by Michael Costigan Exec Produced by Roxie Rodriguez Starring @kaleycuoco, Chris Messina, Tom Bateman, @lianaliberato Produced by Missy Mansour DP - @m_laws DP - @markschwartzbard Production Designer - 🔪 Set Decorator - Kristin Peterson Art Director - @artforlifela Assistant Art Directors - @stephanie.spiegel, @frvr310 Const. Coord. - Pete Josephs Propmaster - Parker Swanson Graphics - @kings_lee989 Set des. - Cameron Birnie Art Coord - @lkamino Art PA - @mimigaudetcreative 05 Dec 2024 New work for e.l.f. Cosmetics @elfcosmetics with director Alex Buono - starring @joeyking and @its_lucien - premiering during Macy’s Thanksgiving Day Parade this Friday. Sharing some concept —> dressed set + graphics Happy Thanksgiving! Director: @alex.buono.87 Production company: @prettybirdpic Agency: @72andsunny_ EP: @actioncannon Producer: @dennis.beier DP: @martin_ahlgren Stills: @ladyist Production Designer: @contestabile Art Coord - @alex66hollywood Set Decorator - @kaitlynnwood8 Set Dec Shopper - @paigeriley Propmaster - @cberlin Graphics - @kings_lee989 Art PA - @mimigaudetcreative #eyeslipsfacefandom #PowerGripPrimer #elfcosmetics #productiondesign #productiondesigner #artdirection #artdirector #artdepartment #artdept #setdesign #setdesigner #filmdesign #scenicdesign #conceptart #filmmaking #physical #appletv #appletvplus #filmset #behindthescenes #bts #joeyking 28 Nov 2024 I’m thrilled to have one of the stars of “Physical,” @dierdre_friel, take us on an exclusive tour of ‘Body by Sheila!’ Our vision was to create a warm, welcoming, and gently feminine ambiance using carefully selected colors and decor. Set decorator Kristin Peterson and assistant set decorator Rhonda Elliott sourced vintage sofas, chairs, artwork, and more. Highlights include period swivel chairs reupholstered in vintage zig-zag fabric and a semicircular sofa in lovely pink fabric for a womb-like comfort. The office’s chic ‘check’ stripe pattern extends around the studio, complemented by teal ‘torn paper’ art pieces created by a friend of Kristin, and an elegant white carpet with an intricate woven pattern completes the look. In the reception area, we designed a custom desk supported by a large etched glass logo wall designed by Graphic Designer Jeff Lee. Our “merch” section, meticulously planned and priced by art coordinator Kyle Higman, features carefully selected products. Behind the etched glass wall, you’ll find practical cubbies and well-appointed dressing rooms adorned with vintage curtains. Created by @annieweisman Directed by @stefflaing Exec Produced by @alissabachner Produced by Jesse Sternbaum DP - @jimmy_lindsey_asc PD - 🏋️‍♂️ Set Decorator - @kaitlynnwood8, Kristin Peterson Art Director - @artforlifela Assistant Art Directors - @brontejc, @frvr310 Const. Coord. - Pete Josephs Propmaster - Parker Swanson Graphics - @kings_lee989, @e9000, Set des. - Cameron Birnie, @importantandy Art Coord - @khig Art PA - @taylorjohnston333 20 Jun 2024 One set we built for the @appletv show Physical was this Reno Hotel Room which beautifully encapsulates the kitsch 1970s Regency style. I’d been a fan of the @homes2themax IG for a while and had been trying to find an excuse to do a period maximalist set. We struck gold with 30' of vintage lime and mustard scalloped valances discovered by our Set Decorator, Kaitlynn Wood, in the back of an old drapery store and used every inch she was able to find to inspire this set. Our team built custom room dividers, headboards, bricks, and breeze block walls, each element meticulously tailored to create an authentic and immersive environment. Our Art Department Coordinator, @khig, sourced an incredible flocked mustard wallpaper, which added the perfect touch to this maximalist's dream of patterns. We also covered our bathroom with a custom metallic orange wallpaper, custom vanity and mirror and tiled bath. This show was so much fun merging historical accuracy with creativity to transport viewers back to a distinctive era. We are so proud of our work on this show! Created by @annieweisman Directed by @stefflaing Exec Produced by @alissabachner Produced by Jesse Sternbaum DP - @jimmy_lindsey_asc PD - 🏋️‍♂️ Set Decorator - @kaitlynnwood8, Kristin Peterson Set Dec Shoper - @danny_diamond Art Director - @artforlifela Assistant Art Directors - @brontejc, @frvr310 Const. Coord. - Pete Josephs Propmaster - Parker Swanson Graphics - @kings_lee989, @e9000, Set des. - Cameron Birnie, @importantandy Art Coord - @khig Art PA - @taylorjohnston333 19 Jun 2024

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