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Bio
Award-Winning Post-Production 🏆🐐 Color | Sound | Editorial | Finishing | and more
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Recent posts
‘I Play Rocky’ 🎬 🥊
Supervising Color | @jill.bogdanowicz
Additional Color | @jennymontgomery
Finishing Editor | @nicholas__figueroa
Editorial Services | @g_caligiuri + @jasminehingo + @paulinallorico
Dailies | @jacktashdjian
Dailies Producer | Matt Riera
Finishing Producer | @ray.stanton2
Imaging Science | Amine Boukerrou
Director | Peter Farrelly
DP | @makingoutlikebandits
Editor | @sam_seig_ace
Production Design | @anthonygasparro
Before he became a legend, he was the ultimate underdog. Based on the true story of @officialslystallone’s fight to get the film made.
@iplayrockymovie is now playing in theaters.
06 Nov 2026
Company 3 has been named Global Post-Production Company of the Year at the 2026 @lia_awards. 🏆
From standout work for Heineken, Adidas, Mazda, and more, this honor reflects the creativity, talent, and dedication of our teams worldwide. Congratulations to our artists and collaborators who made this achievement possible!
Read more about the award-winning work recognized by the LIA via the link in bio.
@heineken ‘The Pub That Refused To Die’
Color | Chris Rodgers (@chris_grades)
Color Producer | @ellora_colour_ep + @kerriaungleproducer
Director | @garorourke
DP | @joeyknoxy
Agencies | @lepub_worldwide + @publicisdublin + @helloromans + @thinkhouse + @dentsu
Production Company | @antidotefilms
Editor | @marcoperez_editor
@adidas ‘Backyard Legends’
Color | @tomopoole + @dustinwadsworth
Color Producer | Brendan Mills
Director | @_markmolloy
DP | @harry__wheeler
Agency | @itslolausa
Production Company | @smugglersite
Edit | @workeditorial
Editor | @rich10000
@mazdausa ‘More Control’
Color | @greg.fisher.colour
Color Production | @edwinelkproducer
Director | Paul Hunter
DP | Hoyte van Hoytema
Agency | @wpp
Production Company | @prettybirdpic
Edit | @exileedit
Editors | @rex.lowry + @sreid2 + @lorinaskill
@conedison ‘Because This Is New York’
Supervising Color | @tomopoole
Color | @dustinwadsworth
Color Production | @shannentroup + Brendan Mills
Directors | Derek Cianfrance + Davi Russo
DP | @mikaaltskan
Agency | @codeandtheory
Production Company | @radicalmedia
Production Design | Nora Mendi
Edit | @trimediting
Editor | Tom Lindsay
05 Nov 2026
@nike ‘The Declaration’ 🏃👟
Color | @tomopoole
Color Producer | Brendan Mills
Director | @msmelina
DP | Malik Sayeed
Agency | @wiedenkennedy
Production Company | @prettybirdpic
Edit | @lostplanetpost
Editor | @maxjkoepke
A new declaration for everyone who moves. Inspired by the energy and resilience of Philadelphia, #Nike brings sport back to the collective, championing movement, unity, and the athlete in all of us.
02 Nov 2026
🎃 Looking for something scary to watch this weekend?
Check out our Halloween watchlist 👻🍿
The Last House | Jean-Clément Soret
Hallowarrior | Emily Bailey
From S4 | Joanne Rourke
Obsession | Jake White
Is God Is | Tim Masick
Backrooms | Joseph Bicknell
Ice Cream Man | Tony Dustin
28 Years Later: The Bone Temple | Tom Poole
Resident Evil | Stephen Nakamura
The Bride! | Jill Bogdanowicz
Scream 7 | Stephen Nakamura
Ready or Not 2: Here I Come | Tony Dustin
Victorian Psycho | Bryan Smaller
Scary Movie 6 | Stefan Sonnenfeld
‘The Last House’
Color | @jeanclementsoret
Finishing Editors | @julien.mathus + Barney Jordan + Jeremy Crichton
Color Production | @ellora_colour_ep + Christopher Dewolde + Cody Cardarelli
Imaging Science | @jcquokka + @brettwrayner
Supporting VFX | @sdfxstudios
Director | @louisleterrierpro
DP | @palulvikrokseth
Editor | @that_adam
Production Design | @kevin_e_jenkins
Streaming on @netflix
‘Hallowarrior’
Color | @emilybailey.colorist
Finishing Editor | @nicholas__figueroa
Editorial Services | Gregory Caligiuri, Brandon Rosser
Dailies | Company 3
Color Producer | @ray.stanton2
Director | @spookysottak
DP | @stevenrusselldp
Editor | @andiralph
Production Design | phantomvibrate
Streaming on @amcplus.
‘From S4’
Color | Joanne Rourke
Re-Recording Mixers | Alan Degraaf + @lanamariehattar
Finishing Editor | Motassem Younes
Color and Sound Producer | Shane Allan
VFX | @curatedvfx
Directors | @jackbenderart + @1lexilaroche + @jeff_renfroe
DPs | @christopherball80 + @vince.arvidson
Editors | @maxymetremblay + @seaborntad
Production Design | @mlikely
Season 4 now streaming on @mgmplus.
‘Obsession’
Color | @jake.m.white
Finishing Editor | @nicholas__figueroa
Color Producer | @dom_lamp
Director and Editor| @curry.barker
DP | @taylorscottclemons
Production Designer | @viviangray_
Streaming on @peacock.
‘Is God Is’
Color | @timmasick
Finishing Editor | Patrick Kelleher
Editorial Services | Brandon Rosser + @g_caligiuri
Dailies | Ryan Hymel
Dailies Producer | Matt Riera
Trailers | @igordarbo + @jnfrraymond
Color Producer | @Kate_Co3
Imaging Science | Amine Boukerrou
Director | @aleshea.h
30 Oct 2026
‘Nobody Wants This S3’ ✨🥂
Color | Matt Wallach (@captaincinema)
Dailies | @jacktashdjian
Dailies Producer | @mortemandy
Finishing Production | @ivanaj.m + Ryan Tiburcio + @oplf_peter + @bode.color + @eggrischang
Directors | @karen__maine + Natalia Anderson + @katesarasullivan + Richard Shepard + @jafmood
DP | @wescardino
Editors | Taichi Erskine, David Dean, @jenrosencopter + @michaelscottijr + Dipa Gandhi
Production Design | Almitra Corey
Joanne and Noah are diving into the deep end, but navigating the next level means surviving a toxic cocktail of sibling drama, maternal meddling, and one giant leap of faith.
📺 @nobodywantsthisofficial Season 3 is now streaming on @netflix.
29 Oct 2026
@u2 ‘The Greatest Show On Earth’ 🎪🎭
Color | @yoominleecolourist
Color Producer | @ellora_colour_ep
Finishing Editor | Clyde Kellett
Director | @antoncorbijn4real
DP | @papa2
Production Company | @mermanbranded
Edit | @squarepegedit
Editor | @rosepictures
28 Oct 2026
@klaraandthesunmovie ☀️🤖
Color | @greg.fisher.colour
Additional Color | Christopher Francis (@cfranciscolour)
Finishing Editor | Thomas Lambert
Color Production | @whittyquip + @marieanestad
Imaging Science | @brettwrayner + @jcquokka
Director | @taikawaititi
DP | @mikeberlucchi
Editors | @tom_eagles_ace + @that_adam
Production Design | @kohatuworkshop
Meet your new best (artificial) friend. Engineered to be a companion, Klara becomes an unexpected source of hope for a family struggling to heal.
Taika Waititi’s adaptation of Kazuo Ishiguro’s #KlaraAndTheSun is now playing in theaters.
27 Oct 2026
THE ART OF ENTERING THE SEA | VERITA 200D 35mm
“Shooting THE ART OF ENTERING THE SEA on Kodak 35mm, with only three rolls and no retakes forced us to slow down and really watch people. That limitation shaped the whole film: a presence you can feel but digital just can’t replicate. It pushed me and my DoP, Mika Aberra, to trust our instincts and each other, which is exactly what the film is about: the pause before the plunge.” – Marko Roth
Watch the short film doc at the link in our bio.
Director: Marko Roth (@markoroth)
DP: Mika Aberra (@mikaaberra)
1st AC: Marvin Puscher (@marvin.puscher)
Creative Field Collaborator: Kim Yurani (@kim_yurani)
Production Company: Simon&Paul (@simonundpaul)
Editorial: NIPC (@nipc.tv)
Editor: Nik Kohler (@nik.kohler_)
Music: Nepomuk Heller (We Are Modular) (@wearemodular.wav)
Sound Design: Berg&Dahl (berg.dahl.audio)
Colorist: Jake White (@company_3) (@jake.m.white)
Lab: Andec Berlin (@andecfilm)
Supported by: Rent35, Superglas, CNP+, Andec Film
27 Oct 2026
@harrystyles ‘Coming Up Roses’ 🌹❤️🩹
Color | @davehussey_color
Color Producer | @roberts.jenniferr
Director | @bradleyandpablo
DP | @bennncareyyy
Production Companies | @prettybirdpic + @raptfilmfyi
Production Design | @patienceharding
Edit | @church_edit
Editor | @mahferraz
26 Oct 2026
‘Wildwood’ 🍂🌲✨
Color | @stephen_nakamura
Additional Color | @nicknassif.color
Finishing Editors | @john.diesso + @isandra.edit
Trailers | @stephen_nakamura + @adelude + @jnfrraymond + Levi Hawkinson
Color Production | Erik Rogers + Kristin Graham + @gem_saunders
Imaging Science | Emily Faw + @michael.kannard
Director | Travis Knight
DP | Caleb Deschanel ASC
Editor | Christopher Murrie-Green ACE
Production Design | Nelson Lowry
Beyond Portland’s city limits lies Wildwood, an enchanted forest filled with strange creatures, dark secrets, and powerful forces. When her baby brother is taken there, Prue McKeel risks everything to bring him back.
16 years in the making, #Wildwood is officially the longest and most intricately handcrafted stop-motion film ever made. Now playing in theaters.
23 Oct 2026
Congratulations to Company 3 Senior Colorists Greg Fisher, Tom Poole, and Tim Masick on their four nominations at the 2026 FilmLight CAMERIMAGE Colour Awards. 🎬🎨
Their nominations span feature film, television, and advertising.
Read more about the nominated work via the link bio.
Euphoria Season 3 | @tomopoole
Bugonia | @greg.fisher.colour
Zara Woman ‘Delicately Distressed’ | @timmasick
Squarespace ‘Unavailable’ | @greg.fisher.colour
Congratulations to Company 3 Senior Colorists Greg Fisher, Tom Poole, and Tim Masick on their four nominations at the 2026 FilmLight CAMERIMAGE Colour Awards. 🎬🎨
Their nominations span feature film, television, and advertising.
Read more about the nominated work via the link bio.
Bugonia | @greg.fisher.colour
Zara Woman ‘Delicately Distressed’ | @timmasick
Squarespace ‘Unavailable’ | @greg.fisher.colour
Euphoria Season 3 | @tomopoole
Congratulations to Company 3 Senior Colorists Greg Fisher, Tom Poole, and Tim Masick on their four nominations at the 2026 FilmLight CAMERIMAGE Colour Awards. 🎬🎨
Their nominations span feature film, television, and advertising.
Read more about the nominated work via the link bio.
Zara Woman ‘Delicately Distressed’ | @timmasick
Squarespace ‘Unavailable’ | @greg.fisher.colour
Euphoria Season 3 | @tomopoole
Bugonia | @greg.fisher.colour
Congratulations to Company 3 Senior Colorists Greg Fisher, Tom Poole, and Tim Masick on their four nominations at the 2026 FilmLight CAMERIMAGE Colour Awards. 🎬🎨
Their nominations span feature film, television, and advertising.
Read more about the nominated work via the link bio.
Squarespace ‘Unavailable’ | @greg.fisher.colour
Euphoria Season 3 | @tomopoole
Bugonia | @greg.fisher.colour
Zara Woman ‘Delicately Distressed’ | @timmasick
22 Oct 2026
‘Pan’s Labyrinth 20th Anniversary’ ⏳🌀✨
Supervising Color + 3D Color | @stefansonnenfeld
3D Color | @dave_muscat
3D Additional Color | @jared_pecht
Additional Color | @adam_nazarenko7
Finishing Editor | @aaron_bennett_edits
3D Finishing Editor | Mizuho Nakai (@mico0920)
Color Producer | @mummyscreeps_13
3D Color Producer | @la__graham
Imaging Science | Emily Faw
3D Immersive VFX | @sdfxstudios
Director | @gdtreal
DP | Guillermo Navarro AMC ASC
Editor | @bernat.vilaplana
Production Design | @eugeniocaballero1
Twenty years after its debut, @panslabyrinth20 returned to theaters. Guillermo del Toro and a team of longtime collaborators revisited the film with a new color grade, immersive sound mix, and 3D conversion, with artists at SDFX Studios providing new dimensionality to its fantastical world.
As #Company3 CEO and Colorist Stefan Sonnenfeld told @indiewire: “The benefit is in nuanced color and shaping, and Guillermo had a very good sense of the things that troubled him that he wanted to make better and the areas where he wanted to make sure we preserved everything.”
Read more about the restoration at the link in bio.
21 Oct 2026
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