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Artist, Basel, Switzerland
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www.claudiacomte.ch-
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#contemporaryart#neo2#neo2magazine#solohouses#albarranbourdais#art#modernart#artist#artwork#artoftheday
Recent posts
Solo Sculpture Trail
Solo Sculpture Trail es un nuevo formato para las exposiciones de escultura que la galería Albarrán Bourdais ha venido celebrando por tres años, como parte de Solo Houses, su proyecto de arquitectura vanguardista y paisajismo situado junto al parque natural de los Puertos de Tortosa-Beceite, que también incluye la bodega ecológica Venta d’Aubert.
El parque de esculturas Solo Sculpture Trail está en diálogo con el paisaje del río Matarraña, colindante con el parque natural de los Puertos de Tortosa-Beceite, en la frontera entre Cataluña y Aragón. Esta particularidad hace que la relación entre escultura y territorio se fortalezca, así que en el recorrido los materiales no solo importan por su significado, sino también por su impacto sensorial.
El recorrido tiene un carácter único porque es al mismo tiempo contemplación de arte, y de naturaleza. Algunas obras hacen pensar de forma crítica, mientras que otras te llevan a sensaciones estéticas más personales, íntimas o incluso casi místicas.
Solo Houses está junto al parque natural de los Puertos de Tortosa-Beceite en el Matarraña, a menos de tres horas de Barcelona.
Imagenes:
1 y 2 Claudia Comte @claudiacomte - Burning Sunset
3 Jordi Colomer @jordi.colomer - No Future
4 Hector Zamora @_hector_zamora_ - Estructuras
5 Mona Hatoum - Orbital
6 Claudia Comte @claudiacomte - Five Marble Leaves
7 Cristina Lucas @studiocristinalucas - Round Around
8 Jose Davila @josedavila - The Act of Being Together
9 Pedro Cabrita Reis @cabritastudio - Blossom
@albarran.bourdais
Editor de arte: @ruben_manriquediaz
#neo2 #neo2magazine #solohouses #albarranbourdais #art #modernart #artist #artwork #artoftheday #creative #contemporaryart #artistsofinstagram
23 Aug 2025
It was so special to see “From Where We Rise” again, two years after its installation. The piece is deeply connected to the land itself, painted with soil taken directly from the site. Just a few meters away, the ocean and beach create a powerful dialogue with the piece - the sound of the waves constantly linking sea and land.
The work is also rooted in Oaxaca and its people, in a place where pottery and artisanal practices have been shaped from the same earth for generations. This weekend, it was a joy to discover new additions to the property since my last visit, including the Orchid Pavilion by @BernardoQuinzaños, and the Mushroom Pavillion by @omanewyork @shohei_shigematsu. The opening of Richard Long’s beautiful exhibition “From Popocatépetl to the Pacific” was a wonderful occasion to reconnect with this special place and the people behind it.
I’m truly honored to have this permanent work here, in the company of incredible architects @TadaoAndo, @AlvaroSiza, and @KengoKuma, alongside a fantastic group of artists at this remarkable site. @josedavila @ugorondinone0 @_hector_zamora_ big up to @izukat692 for his beautiful show @meridiano.art and special thanks and congratulations to @studioboscosodi
From Where We Rise (freestanding wall, soil painting), 2024
Concrete block, plaster, acrylic and soil
3 m height by 24 m long
Fundación Casa Wabi, Puerto Escondido (MX)
“What we see is a landscape of red dunes cresting in an endlessly repeating climax. Fashioned from local soil, it stands in seeming harmony with the hardscrabble but irrepressibly fecund local environment, including the various native plants that Comte intended to be integral to it. But this harmony is an intentionally gorgeous mirage. The insistently accelerating pattern of irregular wave forms on the wall is: a distortion field; a visual klaxon signaling doom; the readout of a terrestrial oscilloscope, with the disordered frequency, cycle, wavelength, amplitude, and phase of these waves showing our existence accelerating towards critical mass. (…)“ by Dakin Hart
02 Feb 2026
Studio Open Doors 2026 - wow what a beautiful day thanks to everyone for coming we are overjoyed 🍃❤️✨🙌😍☀️😘
14 Jun 2026
Last week, we celebrated the opening of “What does it mean to live a Finite, Fragile Life in an Infinite Eternal Universe”, Claudia Comte’s second solo exhibition at Albarrán Bourdais.
Through a new series of Carrara marble sculptures and an immersive, site-specific installation, Comte transforms the gallery into a landscape where nature, time and scale intertwine.
Exploring the relationship between the fleeting nature of life and geological time, the exhibition brings together delicate floral forms and ancient stone, creating an immersive environment that reflects on fragility, transformation and the passage of time.
Thank you to everyone who joined us for the opening!
🗓️ On view in Madrid until December 31, 2026.
–
La semana pasada celebramos la inauguración de “What does it mean to live a Finite, Fragile Life in an Infinite Eternal Universe”, la segunda exposición individual de Claudia Comte en Albarrán Bourdais.
A través de una nueva serie de esculturas en mármol de Carrara y una instalación inmersiva concebida específicamente para el espacio, Comte transforma la galería en un paisaje donde se entrelazan la naturaleza, el tiempo y la escala.
Explorando la relación entre el carácter efímero de la vida y el tiempo geológico, la exposición reúne delicadas formas florales y piedra milenaria, creando un entorno inmersivo que invita a reflexionar sobre la fragilidad, la transformación y el paso del tiempo.
¡Gracias a todos los que nos acompañaron en la inauguración!
🗓️ La exposición podrá visitarse en Madrid hasta el 31 de diciembre de 2026.
03 Nov 2026
Happy Halloween 2026!
We must be living in the best village… People are going wild with the Halloween decorations and have still such a great sense of community.
The video is an excerpt from my performance La Dance Macabre 🔥🔥🔥
31 Oct 2026
Opening today!!
“What does it mean to live a finite, fragile life in an infinite, eternal universe” @albarran.bourdais in Madrid.
I’m very proud to share my second solo show at the gallery with you. 🤍
33 unique marble flowers, each one holding a contradiction: something delicate and fleeting transformed into something seemingly eternal.
A flower blooms for a moment. Marble remembers millions of years. Perhaps this tension is also a reflection of us. Our lives are finite, fragile and brief, yet we are part of something immeasurably larger, made of the same matter as the universe around us.
The flowers remind us that fragility and permanence are not opposites, but different ways of understanding time. What matters is not only how long something lasts, but what happens while it is here.
Thank you to Eva and Christian, the gallery team, and my studio for making this exhibition possible.
Photos: @pablogomezogando
31 Oct 2026
Claudia Comte (@claudiacomte ) is doing the final touches on her solo exhibition “What does it mean to live a Finite, Fragile Life in an Infinite Eternal Universe”, opening this Saturday at the gallery.
The show unfolds as a landscape. A flower blooms for a moment. Marble remembers millions of years.
🗓️ Opening October 31 at 11am.
📍 C. Barquillo, 13
29 Oct 2026
Albarrán Bourdais is pleased to present “What does it mean to live a Finite, Fragile Life in an Infinite Eternal Universe”, Claudia Comte’s (@claudiacomte) second solo exhibition with the gallery.
Opening on Saturday, October 31 at 11am in Madrid, the exhibition presents new Carrara marble sculptures within a landscape that unfolds throughout the gallery.
A flower blooms for a moment. Marble remembers millions of years. Between these two scales, Comte explores life, beauty and transience.
🗓 Opening October 31 at 11am.
📍 C. Barquillo, 13
–
Albarrán Bourdais se complace en presentar “What does it mean to live a Finite, Fragile Life in an Infinite Eternal Universe”, la segunda exposición individual de Claudia Comte (@claudiacomte) con la galería.
La exposición, que abrirá al público el sábado 31 de octubre a las 11 h en Madrid, presenta nuevas esculturas en mármol de Carrara dentro de un paisaje que se despliega por los distintos espacios de la galería.
Una flor florece por un instante. El mármol guarda la memoria de millones de años. Entre estas dos escalas temporales, Comte explora la vida, la belleza y lo efímero.
🗓 Inauguración: 31 de octubre a las 11 h.
📍 C. Barquillo, 13
21 Oct 2026
Fractal Forest, 2026 @aaaahhhparisinternationale @galleriavistamare
Booth A0.01
187-189 Quai de Valmy, Paris
Eight unique sculptures in yew and common holly brought together in a new monumental installation. The sculptures emerge from a 600 cm long sequoia trunk sourced from the Jura mountains, in the forest of my hometown, where the tree had to be felled as part of forest management. Together, the eight forms transform a single trunk into a forest in miniature, each with its own distinct character yet connected by a shared origin. The work explores the endless variations of organic forms and the sculptural possibilities of wood, bringing together the raw presence of the tree and the precise gestures of carving.
Alongside Fractal Forest, Turn and Slip and Jungle Paintings are on view until Saturday.
19 Oct 2026
In Carrara, among the marble quarries, seeing the stone at its source.
Carrara marble originated from marine sediments around 200 million years ago, which were transformed over time by heat and pressure into the stone I often work with today. Walking through these mountains is always a humbling experience that puts things into perspective, reminding me of the immense timescales of geology and how brief our own presence is in comparison…
Finding the right block is the beginning of a much longer process. Each sculpture starts with a shape carved by hand in wood, which is gradually developed using the chainsaw and refined through weeks of sanding and polishing in the studio. Only then is the wooden shape 3D scanned and translated into marble.
The material is extraordinary because it carries such a long history within it, yet remains so present and tangible, with its own veins, imperfections and variations that make every block (and therefore sculpture) unique. Since my first visit 13 years ago, I continue to be amazed every time I return! It’s truly special coming back to these mountains and to be working with the same teams, whose knowledge and craftsmanship have been passed down through generations of families.
14 Oct 2026
A new feature in CAMINADA. Magazine, photographed by Anne Morgenstern and accompanied by an interview with Caroline Micaela Hauger.
It was a pleasure to welcome Caroline to the studio on a beautiful spring day back in April. We spoke about my practice, the way I work, and how much the studio and the landscape around it have become part of my daily life and inspiration.
Anne captured the atmosphere of the place beautifully. It was actually not the first time she had visited — a few years ago, when we had just moved onto the property, she came to portrait me for Konfekt Magazine. So it felt a little like coming full circle, and lovely to see how much the place has slowly evolved since then.
Thank you to the CAMINADA. team for this feature, and to Caroline and Anne for the wonderful conversation and images.
Full story in German at the link below, or find the print edition at newsstands in Switzerland.
[https://renehauser.com/news/anne-morgenstern-shoots-the-artist-claudia-comte-for-caminada-magazine/](https://renehauser.com/news/anne-morgenstern-shoots-the-artist-claudia-comte-for-caminada-magazine/)
@annemorgensternphoto @caminada_magazine @andreas_caminada_schauenstein #contemporaryart #behindthescenes #artiststudio #artandnature #woodsculptures
09 Oct 2026
I took a road trip to the South of France with Svetlana. We visited some of my favorite places and checked on some of the works I installed lately.
From Saint-Paul-de-Vence at Fondation CAB to Domaine du Muy, we couldn’t help to stop by at Dragon Hill before hitting Cannes for a fun night out. ❤️
@fondation_cab @lesmaisonscab @art.bibi.art @domaine_du_muy @edwardmitterrand @galerie_mitterrand @dragonhillresidence @maximecombot @svetlanamarich
27 Sep 2026
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