Clara Lyon

Clara Lyon

@clarathelyon she, her

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GRAMMY-nominated violinist +curator +educator I specialize in asking questions. @decodamusic @afarcrymusic @lydian_quartet @spektralquartet

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🎶 An absolutely electrifying night at Carnegie Hall! Our performance of “Reverberations” explored the interconnected web between inspiration and imagination, and was completely SOLD OUT! Swipe for some fave moments ✨ It was a surreal experience and an immense honor to take the stage, but also to shape the evening’s program as a curator and co-conspirator to showcase the work of Aaron Copland, Hannah Kendall, Hanns Eisler, Woody Guthrie/Billy Bragg/Claire Bryant, and a world premiere performance of Ringdown’s gorgeous and tender “Every Stone in Cambridge Reminds Me of You”. I am so grateful to have shared this creative process with my absolutely intrepid co-AD @fostermycello and the luminous @ringdownmusic, who brought the most thoughtful approach, deep presence, and generosity on and off the stage, for all of my friends in @decodamusic who gave their unique voices and whole hearts to our collaboration, and to @londonisburning for capturing the whole evening so beautifully. Here’s to many more unforgettable nights of music-making! 🎻❤️ 22 May 2024 2 days to go! Thus, the Night will be available online for the first time later this week, and we’re celebrating by reliving the magic of seeing our film onscreen at its premiere at Aspen Film. We can’t wait for you to experience the mysterious world of Thus, the Night - out this Thursday in a special feature by @the_strad_ . Stay tuned! 09 Apr 2024 “…as soon as I had recognized the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me…immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents; and with the house the town, from morning to night and in all weathers, the square where I used to be sent before lunch, the streets along which I used to run errands, the country roads we took….” - Marcel Proust, “Remembrance of Things Past” From the hushed opening chord of Henri Dutilleux’s “Ainsi la Nuit” a musical sense memory is already unfurling itself through time. Dutilleux was fascinated by Proust’s concept of memory and strove to create a similar fluidity in music, employing structures like palindromes, recurring complex harmonies that subtly transform, and “parentheses”: a series of short interstitial movements throughout the work that serve (in the composer’s words): “as reservoirs of sound events, in which can be found commentaries of what has gone before, and prefigurations of things still to come.” In the creative process of devising THUS, THE NIGHT, we and our collaborators were entranced by the music’s theme of after-image: memories that are created and then “remembered” in transformation, fragmentation, and absence. Through use of temperature, scale, environment, weather, light, and repetition, THUS, THE NIGHT responds to Dutilleux’s notion of sense memory and encourages nonlinear pathways of perception. The full film drops online tomorrow - don’t miss it! 10 Apr 2024 “People are more important than music” - CAS & DLP 💓 DCMF ‘26 ✨ 25 Jun 2026 A few more photos from Iceland, taken with an original Polaroid SX-70 Land Camera, refurbished and adapted for 600 Film. I bought this camera about a year ago and I still feel like every shot is an experiment that surprises. I love how moody these shots are and how they capture the atmosphere and the vibe of the environment in a way that a phone camera never could. The glacier shot was particularly hard - this camera has a known tendency to over-expose, so I did the “normal” thing of adjusting the light meter toward the dark side, and the images came out a dark blurry mess. On a lark, I tried turning the wheel 100 percent to the light side and it worked, still not exactly sure why! #doitonfilm #retrospekt #workinprogress #polaroid600 #sx70 30 May 2026 Returning from the most magical 6 days in Iceland with my love and my parents. This was the third trip there for @cellocollins and me, and it was amazing to share this special place that has meant so much to us with my parents and see it through their eyes. In Iceland, the natural environment is an inseparable part of daily life, and I am coming away thinking bigger, feeling more deeply, and with absolute awe for the giant blue spinning marvel we’re all aboard. #waterfallsfordays #glaciar #naturalhotspring #blacksandbeach #ohmy 28 May 2026 TONIGHT at @carnegiehall ✨✨✨ American Renaissance begins with a question and follows it across a musical landscape shaped by the complexity of the American experience. What does it mean to be human in a society capable of both extraordinary idealism and profound injustice? Why are humans capable of profound selflessness and, at the same time, violence and erasure? How do we reckon with a history that is both generative and painful—and how do we continue striving toward something more just? American Renaissance includes works by Charles Ives, William Grant Still, Margaret Bonds, Zenobia Powell Perry, Sarah Elizabeth Charles (@secsmiles), Florence Price, and Brad Balliett, with special arrangements by Jeremy Jordan (@jeremyajanijordan ) , Monique Brooks Roberts (@moniquebrob ) and Xiaobao He (@yoshi.x1008 ). Together, these works respond to Ives’s question with a clear and resounding “yes”—to life, to remembering, to creativity, to connection, and to the ongoing pursuit of justice. We hope you will join us tonight at 7:30 in Weill Recital Hall! Clara Lyon @clarathelyon Doori Na @findingdoori_ Andrew Gonzalez @violagonspallez Claire Bryant @fostermycello Catherine Gregory @catherineflute Stuart Breczinski Carol McGonnell @carolclarinet Brad Balliett @bradballiett Laura Weiner Elizabeth Roe @elizabethjoyroe Sarah Elizabeth Charles Program notes by Clara Lyon 💙 12 May 2026 Announcing:: American Renaissance — presented May 12, 2026 as part of @carnegiehall’s America at 250 celebration. Spanning more than a century of American music, this vibrant program celebrates the complexity, resilience, creativity, and possibility of the American experience through works by Charles Ives, William Grant Still, Florence Price, Margaret Bonds, Carlos Simon, Sarah Elizabeth Charles, Zenobia Powell Perry, and new arrangements by Jeremy Jordan, Brad Balliett, Monique Brooks Roberts, and Xiaobao He. Don’t miss it! Tickets available at carnegiehall.org Featuring: Sarah Elizabeth Charles, vox @secsmiles Elizabeth Joy Roe, piano @elizabethjoyroe Catherine Gregory, flute @catherineflute Carol McGonnell, clarinet @carolclarinet Stuart Breczinski, oboe and English horn Laura Weiner, horn Brad Balliett, bassoon @bradballiett Doori Na and Clara Lyon, violins @findingdoori_ , @clarathelyon Andrew Gonzalez, viola @violagonspallez Claire Bryant, cello @fostermycello @carlos_simon_music @jeremyajanijordan @moniquebrob #Decoda #AmericaAt250 #CarnegieHall 07 May 2026 Release day! Bandcamp link in my profile. Thank you to the entire team!!! 17 Apr 2026 Tonight at 7:30 ✨ Conversations & Soliloquies with Miki Sawada at Slosberg Recital Hall (Brandeis)—a program moving between solitude and exchange, from Bach to Beach, Ysaÿe to Poulenc, Florence Price to Molly Herron. Free + open to all 💛 Also honored to bring this program to MCI Framingham on Wednesday in partnership with @gatherheartour and @bcprisoneducation. Would love to see you there! #chambermusic #contemporarymusic #duo 14 Apr 2026 CONCERT ALERT FOR PENN STATE- UPARK! GET YOUR TICKETS NOW FOR THIS UNIQUE PROGRAM! Decoda makes its Penn State debut with special guests Ringdown, the cinematic electro-pop duo featuring composers and vocalists Caroline Shaw and Danni Lee Parpan—an “ecstatically blissful” (Night After Night) and “irresistible” (Feast of Music) pair creating music that floats up from the dusty record bin between Brahms and Brandi Carlisle, and centers around joy, human connection, and trying to inspire people to feel more love. The program, Reverberations, explores the profound relationship between inspiration and imagination, revealing an interconnected web of musical influence. Two works by Aaron Copland—Midday Thoughts and the beloved Appalachian Spring—showcase his singular approach to American musical identity, borrowing, distorting, amplifying, and reinventing folk material. Appalachian Spring will feature a special side-by-side collaboration with Penn State School of Music students. Ringdown’s new work, Every Stone in Cambridge Reminds Me of You, reflects Copland’s musical lens and his friendship with Leonard Bernstein through a bold contemporary voice, and was written for and will be performed with Decoda. Ringdown will also perform selections from their latest album, The Lady on the Bike. The program further features Hanns Eisler’s kaleidoscopic Septet No. 1, merging Expressionist textures with fragments of American children’s songs, and Eisler on the Go—a brooding folk ballad by Woody Guthrie and Billy Bragg, arranged by Decodan Claire Bryant, chronicling Eisler’s exile during America’s Red Scare. Public Performance: Tuesday, March 31, 2026; 7:30 PM Presented by the Center for the Performing Arts Concert Location: School of Music Recital Hall 15 Mar 2026 Jumping for joy because there’s still TIME to APPLY for the 2026 Decoda Chamber Music Festival! ⏰ 🗓️ Don’t miss this opportunity to join the Decoda family! Spend 12 unforgettable days in the heart of the Blue Ridge Mountains at Warren Wilson College, making music that matters. Participants will immerse themselves in chamber music, spanning the baroque to the contemporary, and will hone skills for curating meaningful community engagement in venues such as correctional facilities, healthcare facilities, and with other community partners in the Asheville region. Led by seven Decoda faculty, DCMF festival artists will also have the chance to be inspired by this year’s fabulous Guest Artists: Ringdown 🔔(Caroline Shaw and Danni Lee Parpan). Individual instrumentalists, preformed ensembles, and composer/performers are all invited to apply. Applications remain open on a rolling basis until April 15, with scholarship priority given to those who apply before March 15. Link in 🔗 🌳 or on Decoda Music dot org slash Summer @fostermycello @clarathelyon @catherineflute @kaplanpiano @bradballiett @carolclarinet @violagonspallez @ringdownmusic @carolineadelaideshaw @dannileeparpan @warrenwilsoncollege @amyk321 09 Mar 2026

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C7RXIFnA70g🎶 An absolutely electrifying night at Carnegie H…
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