37.7K
Followers
101
Following
90
Posts
N/A
Reels
2
Highlights
4/8
Photos/Videos in last 12
Bio
More than a simple motion control solution. Paris • Los Angeles • Barcelona • London Job Applications bellow
-
Avg likes
-
Avg comments
-
Engagement
0.1/wk
Posting
Likes and comments are still being collected for this account. Check back shortly.
Recent posts
Hello Los Angeles!
We are finally opening in Hollywood and ready to shoot!
#filmmaking #motioncontrol #filmmakersworld #losangeles #hollywood
06 Jan 2025
Hola Barcelona!
Our doors are officially open!
©ricardobofill
08 Apr 2024
Cinemotion expands to London!
We craft movement, blend art with technology, and push the boundaries of storytelling.
This is our new creative playground, let’s make something incredible.
12 Mar 2025
One day. One setup. Total precision.
Director @boulawayne takes us behind the scenes of his latest project, developed in collaboration with @cinemotionrobotics
Director’s Notes 👇
Total precision using @cinemotionrobotics Ultra system, we combined robot track with a synchronized turntable, to create long motion controlled moves around the car.
A real technical feat, allowing for flawless multipass shots and an extreme level of control over every details.
Thx again to the MoCo Wizard @_ynnb and Dop @julienlascar and Post production @illogicstudios for their talents, creativity and dedication.
And special thx to @filmmakersworld for their unwavering support to the creator of our community 🙏🙏🙏
Directed by @boulawayne
Dop @julienlascar
Motion control @cinemotionrobotics
MoCo Wizard @_ynnb
MoCo assistants @vico_frn & @aurelien_cts
VFX and post production @illogicstudios
PPS @theophiledufresne
#filmmakersworld #behindthescene #motioncontrol #filmmaking #tvc
21 Apr 2026
I’m super proud of this New Clio 6 seamless specs film.
Sometimes the stars align: the right project, the trust of extraordinary people, the right crew around you, and a little hard work.
Thank you to the Fantastic team who came along on this crazy adventure.
Big shout-out to the final bosses, @_ynnb and @JulienLascard, for taking the project to the next level with their talent, expertise and good vibes. Thanks also to the brilliant team at @illogicstudios for supporting us every step of the way.
Directed by @boulawayne
First AD @photos2kuhn
Dop @julienlascar
2nd OPV @chliccaille
Motion control @cinemotionrobotics
MoCo Wizard @_ynnb
MoCo assistants @vico_frn & @aurelien_cts
Gaffer @instabatjour
Sparks @diegzo.lauv @leasorrenti & thomas_secor16
Key Grip Sam Fisher
Grip David Camus
Set designer @noeallali
Car Prep Charles Heidet
VFX and post production @illogicstudios
PPS @theophiledufresne
CG Supervisor Gabriel Grapperon
VFX Supervisor Tim Mendler
Flame @11h16.paris
Title and Logos @seizeneuvieme
Grading @antoine_ravache_colorist
Webdesigner @jonathandacosta
Developer @benjamin_rbnt
Stylist @alexandraryzow
Groomer @doris_hemar_make_up
Casting Director @malpauxlavraie
Talent 1 @mereana.cha
Talent 2 @emmanuelmesch
Music & sfx @casini_royale
Line Producer @sihamgouymenaa
16 Apr 2026
GO FOR LAUNCH @cadillacf1 | 4-perf 35mm
Featured during the LX Super Bowl 2026.
Agency: Translation
ECDs: @peanutpickle10 & @stevenjameshorn
GCD: @tcarvalho999
ACD: @rossweaver
CDs: @lucasakelly & @supadup92
Agency Exec. Producer: @tamshayne
Agency Producer: @becca__anton
Director: @s45mpling
Production: @magna.studios
EP: @nickyfullah
MD: @davud_k
HoP: clawkee
Producer: @annaliserowane
DP: @patscola // @wmeproduction
Production Designer: @laszlocorp_inc
Wardrobe: @youngahkimstylist
1st A.D: @petercwhite
D.A: @lodrigues__
Script Supervisor: @cherylmalat
MoCo: @_ynnb // @cinemotionrobotics
Technocrane: @technocraneguy
Ultra op: @_ynnb
Crew: @vico_frn
Stuntman: @dannydowney1x
Stunt Coordinator: @rpmstuntsinc
A 1st A.C: @sirjoshofcoffin
B 1st A.C: @alandembek
2nd A.C: @accoyle
Key Grip: @jmdgrip
Gaffer: @passthekubassay
Locations: @johnhixson
SFX: @jessenoel // @nac_effects
Art Director: @jonnyartdept
Coordinator: @flynninfilm
Set Dec: @sandyhubshman
Props: @illiart
Lead: @99fra6
Set Shop: @spkscenery
Camera: @panavisionofficial
Camera Equipment: @cinemoves
Stock: @kodak_shootfilm @kodak
Scans: @fotokem_la
Edit: @paulhardcastle // @trimediting
Senior Post Producer: Lauren Meltsner
Assistant Editors: laroccatony & Ines Gowland
VFX: @untold_studios
VFX Creatives: @andrewproctor & Adam Droy
Executive Producers: Daniel Beldy @laurenjess07 & @chriskiser
CG Supervisor: Jack Harris
VFX Editors: Richard Gao & Symonne Madalena
Online Artists: Richard Harris & Richard Greenwood
Color: @mikeypackage // @royal.muster
JFK speech excerpt ‘We choose to go to the Moon’ (1962) @jfklibraryfdn
Sound Design: @azzbattle // @wavestudiosny
Audio Producer: @farctic_monkeys
Music: @maxrichtermusic // @deccarecords
09 Mar 2026
Cadillac F1 Team Launch. Shot on @kodak_shootfilm 250D, 4-perf 35mm, at 96fps on the ARRIFLEX 435, serviced by #Panavision Woodland Hills.
From #DOP @patscola: “The main challenge was keeping the 435 fast and nimble. We mounted it upside down and paired it with the @dzofilm X-Tract Probe 18–28mm to capture those close scraping passes along the F1 bodywork.
We stripped the camera down as much as possible — anything that wasn’t essential came off — just to keep the build light and usable.
This shoot was tough — being ready for both sunrise and sunset meant very early starts and late finishes, all in the middle of the Barstow desert, a three-hour drive from Los Angeles.
Heavy wind, dust, and the soft dry riverbed made it challenging for both the crew and the gear, but the results were worth it.”
.
.
.
Directed by @s45mpling
Produced by @magna.studios
Cinematography by @patscola
Ultra op @_ynnb
Crew @vico_frn
Camera @panavisionofficial
.
.
.
#superbowl #formula1 #f1
19 Feb 2026
🎬 Introducing @CadillacF1 formula 1 team !
🎥 Shot on @kodakshootfilm in the rough, windy, and dusty conditions of Death Valley 🏜️
.
.
.
Directed by @s45mpling
Produced by @magna.studios
Cinematography by @patscola
Ultra op @_ynnb
Crew @vico_frn
Camera @panavisionofficial
Vfx @untold_studios
✂️ by @trimediting
🎨 by @mikeypackage
.
.
.
#superbowl #formula1 #f1 #ShotOnFilm #filmmakersworld
16 Feb 2026
CADILLAC F1 - Go For Launch
Cadillac F1’s first ever livery reveal 🏎️💨
_______________________________________
LX Super Bowl 2026 🏉
Featuring excerpts from JFK’s iconic speech:
‘We choose to go to the Moon’ (1962) 🚀
Shot on 35mm 4-perf 🎞️
Music composed by Max Richter 🎼
_______________________________________
Client: Cadillac F1
Agency: Translation
ECDs: @peanutpickle10 & @stevenjameshorn
GCD: @tcarvalho999
ACD: @rossweaver
CDs: @lucasakelly & @supadup92
Agency Exec. Producer: @tamshayne
Agency Producer: @becca__anton
Director: @s45mpling
Production: @magna.studios
EP: @nickyfullah
MD: @davud_k
HoP: @clawkee
Producer: @annaliserowane
DP: @patscola // @wmeproduction
Production Designer: @laszlocorp_inc
Wardrobe: @youngahkimstylist
1st A.D: @petercwhite
D.A: @lodrigues__
Script Supervisor: @cherylmalat
MoCo: @_ynnb // @cinemotionrobotics
Technocrane: @technocraneguy
Stuntman: @dannydowney1x
Stunt Coordinator: @rpmstuntsinc
A 1st A.C: @sirjoshofcoffin
B 1st A.C: @alandembek
2nd A.C: @accoyle
Key Grip: @jmdgrip
Gaffer: @passthekubassay
Locations: @johnhixson
SFX: @jessenoel // @nac_effects
Art Director: @jonnyartdept
Coordinator: @flynninfilm
Set Dec: @sandyhubshman
Props: @illiart
Lead: @99fra6
Set Shop: @spkscenery
Camera: @panavisionofficial
Camera Equipment: @cinemoves
Stock: @kodak_shootfilm @kodak
Scans: @fotokem_la
Edit: @paulhardcastle // @trimediting
Senior Post Producer: Lauren Meltsner
Assistant Editors: @laroccatony & Ines Gowland
VFX: @untold_studios
VFX Creatives: @andrewproctor & Adam Droy
Executive Producers: Daniel Beldy @laurenjess07 & @chriskiser
CG Supervisor: Jack Harris
VFX Editors: Richard Gao & Symonne Madalena
Online Artists: Richard Harris & Richard Greenwood
Color: @mikeypackage // @royal.muster
JFK speech excerpt ‘We choose to go to the Moon’ (1962) @jfklibraryfdn
Sound Design: @azzbattle // @wavestudiosny
Audio Producer: @farctic_monkeys
Music: @maxrichtermusic // @deccarecords
#superbowl #formula1 #liveryreveal #jfk #f1
12 Feb 2026
💥
Directed by @turbo_directors
DOP: @matiaspenachino
Motion control: @cinemotionrobotics
Moco Operator: @louis_para
Moco Team: @aurelien_cts & @thomas_elmayas
Lighting Designer: @patrick.mattes
Production : @quad_productions
Executive Producers:@martinrevol & @karenbarel
Line Producer: @beatricechevringuibert
Production Coordinator: @clemsysky
#Intheminining
04 Feb 2026
Sneak peek behind the scenes from the set of @Underarmour x @Mansory , featuring @achrafhakimi and @toniruediger .
Precision, timing, repetition. Where motion becomes language.
Produced & Postproduced by: @sauvagetv
Directed by: @ernest_desumbila
DOP: @jeffbierman
Ultra Op: @adrienpayet
Crew: @aymeric.tpr
Motion Control / Robotics: @cinemotionrobotics
Shoutout to our friends at @cinemotionrobotics for pushing the boundaries of motion control and for sharing with the community!
#filmmakersworld #behindthescenes #motioncontrol #cinematography #filmmaking
13 Jan 2026
I directed the latest @bowmore brand film, and as usual, I wanted to scratch my head with a few challenging practical effects 🤓
The film explores the sensorial layers that flow through body and mind when you take the time to dissect a sip of whisky, and allow yourself to fully dive into the Bowmore world (link in bio 🍿)
To introduce this sensorial universe, three key shots were essential. No CGI here, just practical effects, motion control and a lot of head-scratching and insecure sketching 🙃
1️⃣ THE MAGIC PACKSHOT (my fav)
The whole film is built as a split screen. On the right: our model enjoying a glass of whisky. On the left: a poetic, abstract interpretation of what her mind feels and perceives. I wanted the split screen to dissolve in an organic, natural way. So @momosteu and @maudeleuh built a set within the set: an abstract floral composition placed right next to the packshot on the bar. We then combined two opposite camera moves, both ending at the exact same position. A clockwork precision made possible thanks to the expertise of @cinemotionrobotics 🤌
2️⃣ THE MAGIC SHIFT
At the beginning of the film, the challenge was the opposite: introducing the split screen. I wanted the transition to feel natural and intuitive for the viewer, while clearly signalling that our model was shifting into another, more poetic dimension. Our genius grip team built a bespoke slider with a rotating chair, allowing our talent to glide from one side of the frame to the other while performing a gracious 180° turn ↪️
3️⃣ THE MAGIC BAR
Of course, every good commercial starts with the product.
I wanted this opening shot to be as eye-catching and cinematic as possible. Once again, @cinemotionrobotics came to the rescue to bring this dramatic motion-controlled slide along the bar to life 🫡
The full film is available on YouTube (link in bio) and wouldn’t have been possible without the incredible energy, craft and dedication of everyone involved 👑🙏🏆
Many thanks to the teams at @bowmore, @akqa, @ocurenscontent and to @jchevailler for their trust and tremendous support 🤍
06 Jan 2026
Follower tracking
We have started recording @cinemotionrobotics, but only 1 observation so far — not enough to show a trend yet. Track it daily →
Download @cinemotionrobotics's data
Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.
You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 2 days, 17 hours ago.
Tracking
A monthly plan, not a download: we keep reading @cinemotionrobotics and email you what changed.
Other reports
Not downloads of this account: they take their own inputs.