chris

chris

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@chrispanicker he, him

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Olivia for Pitchfork šŸ’™ It’s a wonder that Bowen (our Senior Visuals Editor!) and the incredible Collier Schorr trusted me enough to experiment with these beautiful photos and lay them out in a way that bolsters this truly great interview by the one and only Shaad D’Souza. And of course, it’s always so so cool to work on something that features such a great artistšŸ’™(Seriously, name one skip on the album, I dare you) The 072U Pantone became a bit of a character through the zine. We ended up choosing it because it complemented the photos so well, it’s a fresh take on the colors she typically uses, and all while feeling distinct and additive for every page. These zines are probably the only projects where I get to collaborate with so many other people, pulling help from every direction. I play a small part of this in the grand scheme of things, and it’s such an honor to put my name alongside such talented and creative people! Olivia Zine for Pitchfork Words by @shaad Photographs by @collierschorrstudio Edited by @jeremydlarson @manobells Visuals by @bowenfernie @roxtrot Designed by me🫪 @michael_houtz @keirnov Research by @anushkadakshit Additional Contributions by Gaylord Fields, @heven.haile John Markic, Timothy Meneely, Mick Rouse, and Corey Sabourin 24 Jul 2026 drop your guess for what the MJ stands for āœļø bonus: swipe for a pic of me and the rock & roller of the year @mjlenderman Design Director: @keirnov Art Director: @michael_houtz Story by @currincy Photographs by @tyrellhampton Styled by @georgecortina Skin by @hollysilius Hair by @teddycharles35 Set design by @heathmattioli Tailoring by Yelena Travkina Produced by @campproductions 14 Nov 2025 How Jay-Z Pushed American Fashion Forward This was a real beast. So much of our design process was intertwined with the in-depth research on Jay’s visual archive by our Photo Editors, conversations with Edit/Photo about what to highlight in Frazier’s interview, attention to detail by the keen-eyes of our Production and Design teams, and everyone collaborating to explore how to compile all of this into an exciting and rich reading experience for anyone picking up the mag. (All while juggling other fun projects….This was done start-to-finish in the span of 2 weeks) Really could not have brought this to life alone, I’m so grateful for the whole team! šŸ–¤ Words by @the_summerman In Conversation with @jerrylorenzo @tremaineemory @angelobaque @chicagodonc Editor: @jon__wilde Visuals and Creative Direction: @therealbrauna @ellemenopeeee @roxtrot Art and Design Direction: @michael_houtz @keirnov Production: Timothy Meneely, @djonamarkic @jim_gomez 20 Apr 2026 Presenting the cover story openers for our annual @gq Men of the Year print issue featuring Chris Rock @chrisrock, Matt Damon, and Andrew Garfield. šŸ’ššŸ§”šŸ’™ All brilliantly photographed by @richardburbridge, and styled by @georgecortina. This years’ MOTY design language was all about color and the balance of high and low. We strove to juxtapose elegant and restrained typesetting with expressive inky lettering to achieve a visual tension that felt energetic and celebratory. In addition to a color theme for each cover star, we also designed a bespoke symbol to represent their award. And so for the Auteur of the Year, Chris received an all-seeing eye, Leading Man of the Year, an odyssean Longboat, and Performer of the Year, a Rose or two for the show—all expertly illustrated by our own @kelseyniziolek, who also did the lettering for Matt Damon! This year’s bold GQ Men of the Year logo was created by @chrispanicker, and animated by @armandolemolle who also worked on all of the social rollout graphics going live this week. And there are more stories yet to be revealed so please stay tuned! 

I’d like to thank @adambaidawi, @keirnov, and the entire @gq team for the opportunity to work alongside such talented editors, writers, producers, stylists, designers, and everyone that comes together to make GQ’s stories happen everyday. @jon__wilde @the_summerman @kstoeffel @zachbaron @danaamathews @branduh @hales_kate @victoria_b_graham @ellemenopeeee @bowenfernie @therealbrauna @sophichia @stephaniewhughes @pappademas @alyssabereznak @raymondangas @eileencartter @savsob @yanggoh @tylerch.in Anthony @tylerch.in @gabriellapaiella @jakehnevins @camjwolf @lookattyler @bazbakerr @zackhauptman @heven.haile @joelcifer @sash.fm @trishnarikhy @carastylee @camille.y.r Nick @mickrouse Corey, @federigogabellieri @kevin_fay @fervallespin @eva.baron Tim, John, and Jim and anyone else I might have missed! 05 Nov 2026 A ghastly Selects for Halloween šŸ‘» Accidentally inspired by a one-off obscure Gamecube horror game, Eternal Darkness: Sanity’s Requiem (Slide 4). It’s like one of very few first party Nintendo horror games, somewhere in the Resident Evil meets Silent Hill world? It wasn’t on a moodboard or anything but I was staring at this and remembered the mark for that game with the wonky baseline and weird scale… Made in @cavalry.app Selects is a weekly playlist by @pitchfork staff. Every week features bespoke art for music streaming services, socials, and web 27 Oct 2026 if i had to consult anyone on building my dream closet, its 100% gotta be @yanggoh and @samuelhine Finally getting around to posting some GQ print stories I’ve worked on over the past few months! It’s always a lot of fun piecing together these catalog-y and gridded stories. There’s always a lot to consider with what to feature prominently, how to keep the reading experience dynamic and coherent, and trying to place little pockets of human touch and style behind all of these systems. We crowd sourced the hand writing from @geraldortiz @kelseyniziolek @keirnov @eva.baron and myself, for the editors’ notes throughout! Thanks as always to my GQ design and art directors for trusting me to work this one out and helping to push this across the finish line! @keirnov @michael_houtz How to Build the Perfect Closet By @yanggoh and @samuelhine Photographs by @wadeschaul Styled by @theemarcusallen 06 Oct 2026 A little cellular and a little inky for this week’s Selects 🦠 Made in @cavalry.app Selects is a weekly playlist by @pitchfork staff. Every week features bespoke art for music streaming services, socials, and web 15 Sep 2026 Here’s a sort of organic glitch particle effect for this week’s selects 🧔 Made in @cavalry.app Selects is a weekly playlist by @pitchfork staff. Every week features bespoke art for music streaming services, socials, and web. The pixel effect is loosely inspired by the particle effects in Metal Gear Solid 1 and other PS1 era games, like the snow falling or the chaff grenade blips It’s a Noise-affected text object, then a Grid duplicator for the pixel effect and a Sub-Mesh duplicator for the tracker boxes on each letter .(Funny enough, the type treatment kinda ends up looking like the Metal Gear Solid 4 brush stroke typeface, not intentional!) 08 Sep 2026 Kind of a techy, glitchy grid for this week’s Selects 🧪 Made in @cavalry.app Selects is a weekly staff-curated playlist by @pitchfork . Every week features bespoke art for music streaming services, socials, and web. Just a couple of grid duplicators that have square shape layers inside, then a ton of arrays that have their index iterating based on Noise effects! …ik that’s a ton of cavalry gibberish but generally it’s just a bunch of controlled chaos with variations in stroke, font, color, etc 24 Aug 2026 @chrispanicker is the sole designer behind @pitchfork’s zines, year-end lists and weekly Selects art. He also designs for @gq.⁠ ⁠ His projects can look disparate, from the cover-story zines to the Best of the Year lists and weekly columns, but the throughline is experimentation. Selects, the staff-curated playlist he calls his favourite, is where it happens. It’s a low-pressure weekly blank canvas for motion, glitch and analogue animation, and what he learns there feeds the higher-pressure work.⁠ ⁠ In our interview, he walks through building temporary identities for the year-end lists, scripting Photoshop and InDesign to render hundreds of artist cards, and where his glitchy, jittery aesthetic began.⁠ ⁠ ———⁠ ⁠ Read the interview at our link in bio.⁠ 20 Aug 2026 I love muuuuuusic šŸŽ¶ This week’s selects featuring @rosadvera ā€˜s super cool typeface based on music notation symbols, Sonata, paired with some classical music notation fonts you might recognize from sheet music (Finale Ash and Finale Jazz) Ash and Jazz were on every chart from my high school jazz band class šŸ˜µā€šŸ’« Selects is a weekly staff-curated playlist by @pitchfork . Every week features bespoke art for music streaming services, socials, and web. Lots and lots of duplicators. One for the lines of the staff, one for each note and dynamic (with Text objects that have String arrays for the music note characters), and one for the grid of ā€œSelectsā€ in the Ash, Jazz and more (Text boxes using a Typeface array, iterated with the duplicator) And of course, the cellular noise to shake things up a bit 03 Aug 2026 Mistral (this font) is kinda sick šŸ” I’ve been trying to remember the name for a while now and I finally decided to look up ā€œDrive movie fontā€ and a 2013 DaFont.com forum poster came to the rescue. (In hindsight it’s probably more known from NWA lol) Selects is a weekly staff-curated playlist by @pitchfork . Every week features bespoke art for music streaming services, socials, and web. 30 Jul 2026

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DbMFFo2iSlMOlivia for Pitchfork šŸ’™ It’s a wonder that Bowen…
DRD096WDS3Hdrop your guess for what the MJ stands for āœļø b…
DXXzW9viVV9How Jay-Z Pushed American Fashion Forward This…

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