Chelsea Lehmann

Chelsea Lehmann

@chelseajlehmann

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Painter based in Sydney, Australia. Gadigal Land.

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Ravel, 2023, oil on linen, 71 x 102cm 19 Sep 2026 Very glad to be part of Artists for Gaza’s Future, alongside 61 other artists. Huge thanks to the organisers for bringing this fundraiser together in support of the Olive Garden School in Gaza. Works can be viewed and purchased at Rogue Pop-Up Gallery, 130 Regent St, Redfern, 2–27 September, or via artistsforgazaau.square.site. Donations can also be made directly through the site. @artistsforgaza.au @janeburton @anneliesjahn @paulrmallam @elizabethrankin50 @margbunce 21 Aug 2026 New Old School at Maitland Regional Art Gallery has been our Featured Exhibition on The Novocastrian this month, and it is absolutely worth the trip. Bringing together seven contemporary painters, the exhibition treats art history not as something fixed or distant, but as something alive, present and still being worked through. New Old School balances reverence and reinvention, showing just how vital contemporary painting can be. Curated by Chelsea Lehmann and Luke Thurgate. On now at Maitland Regional Art Gallery until June 28. Go see it. @maitlandregionalartgallery Artists: @robcleworth @nicholasives_ @katekurucz @chelseajlehmann @jordanrichardsonartist @luke_thurgate @heidi_yardley 12 May 2026 La bête, 2026, oil on linen, 50 x 60cm. This painting looks at how a pastoral scene might turn, where animals, figure and ground begin to merge into a single shifting body. 30 Apr 2026 The Herd, iteration 3 24 Apr 2026 The Herd, 2026, oil on linen, 84 × 84cm 24 Apr 2026 Working from The Pastoral Concert (Le Concert Champêtre), attributed to Titian, I was interested in the constructed, quiet nature of the pastoral scene. In Pastorale, I’ve stayed with that structure, shifting it to a portrait format and introducing higher chroma colour and passages of erasure with the intention to loosen the space and shift the mood toward something slightly unsettled, closer to an Australian Gothic sense of landscape. Spending time with the image also brought up how pastoral scenes have often worked as a kind of refuge from political turmoil—a ‘safe’, but slightly strange haven. Pastorale is included in New Old School, on now at Maitland Regional Art Gallery until 28 June 2026. 18 Apr 2026 NEW OLD SCHOOL @maitlandregionalartgallery Rob Cleworth, Nicholas Ives, Kate Kurucz, Chelsea Lehmann, Jordan Richardson, Luke Thurgate and Heidi Yardley 14 March – 28 June 2026 Opening Friday 27 March 5.30–7.30pm New Old School brings together seven contemporary painters who treat art history as a living companion rather than a distant legacy. Engaging in a “conversation across time”, the artists reimagine historical forms, materials and figures to explore how the past persists within the present. Balancing reverence and reinvention, the exhibition celebrates painting’s enduring vitality and complex history. Curated by Chelsea Lehmann and Luke Thurgate. @heidi_yardley @robcleworth @nicholasives_ @katekurucz @luke_thurgate @jordanrichardsonartist 07 Mar 2026 Parting with this little tableau ‘Dog’ (oil on board, 30x30cm) inspired by the frivolity of Fragonard and Boucher. As part of the final weekend of @annandale_ghost studio sale! With some wonderful artists including @katybplummer (queen of shop), @kubadora, @vitacochran, @nadiaodlum @carolyncraig_cc @elvismost @make.or.break @joeandchanelle @kaiwasikowski and more! Dog painting is $450 but will be discounted tomorrow, 20% off! 🐕 19 Dec 2025 A reinvention of an older painting. It reflects my uneasy relationship with the myth of Leda and the Swan - its violence, and the unsettling beauty of the paintings it’s produced. 17 Oct 2025 A strange little work from 2023 — still like this one. ‘Strange Neighbour’ (after the wonderful former ARI) Oil on board, 30 × 30 cm Photo: Richard Glover A small painting that found its own mood - half apparition, half accident. #painting #oilpainting #chelsealehmann #australianart #contemporarypainting #figurativepainting 08 Oct 2025 Host Animal, 2025, 60 x 60cm, oil and wax on board. Sidney Nolan’s haunted visions of the bush linger in this work. Host Animal is less creature than presence; something that creeps at the edges. A cipher for estrangement in a world of violence, power-mongering, and environmental collapse. What do we carry inside us? What might we become? 14 Sep 2025

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DdfzDELzhWoRavel, 2023, oil on linen, 71 x 102cm
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