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Nina Kintsurashvili “Seams” & in the Side Room Yuwei Tu, “Here is the house”
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Recent posts
On view in New York : The Modern Window: Sofía Sinibaldi
Nov 6, 2026–October 2027
MoMA
For this commission, Sinibaldi turns to the intimate textures of interior space: a shared tabletop in the wake of a meal. Her installation draws inspiration from early-20th-century photographers in MoMA’s collection such as Josef Sudek and Man Ray, whose play with luminosity and shadow render ordinary implements—cutlery, stemware, linens—unfamiliar. Monumental in scale, The Long Conversation abstracts and spatializes the wine stain and the orange peel into shorthand for conviviality and connection.
Organized by Kari Rittenbach, Assistant Curator, MoMA PS1.
06 Nov 2026
Milano Chow: “Fantasy Street” on view at Hollyhock House, LA. Curated by Cole Akers
On view through –December 20, 2026
Fantasy Street is an exhibition of new works on paper in two and three dimensions by Los Angeles-based artist Milano Chow. For this project, Chow mined the photo archives of the Los Angeles Public Library, drawing on images of movie palaces, shop windows, and apartment buildings contemporaneous with the construction of Hollyhock House to conjure an invented cast of buildings—structures that look documentary but exist nowhere.
Working in a refined monochromatic idiom of graphite, ink, and photo transfer for over a decade, Chow constructs architectural elevations and interiors drawn from a wide range of source material, including architecture and art history books, technical drawings, blueprints, and lifestyle magazines. She collages selected elements from each of these into fictive facades further embellished with details from her imagination and populates the interiors with enigmatic figures lifted from period advertisements.
03 Nov 2026
Opening in New York on Friday, October 30th
Chapter NY is pleased to present “Here is the house”, Yuwei Tu’s first solo exhibition at the gallery.
While staying at a Deer Park Monastery in Southern California, New York–based artist Yuwei Tu came upon a broken spiderweb laced with dewdrops on her daily meditative walk. The careful encounter quietly weaves
through this gathering of soft paintings, diagrammatic drawings pressed into beeswax-yellow encaustic panels, and cast objects. In Here is the house., her first New York solo exhibition, Tu works in a lineage of artists, Eva Hesse and Doris Salcedo among them, who locate psychological feeling in matter without reducing it to personal meaning, letting the certainty of form fall away like words of a sentence collapsing on themselves. The exhibition picks up a thread spun by Louise Bourgeois, for whom the spider was an archetype of the mother. Tu’s constellation of objects and images follows this logic: if the spider is the mother, the web is the home
Yuwei Tu
Heart’s Roots, 2026
Oil on linen
18 x 24 in (45.7 x 61 cm)
28 Oct 2026
Opening in New York on Friday, October 30.
Chapter NY is thrilled to present “Seams”, Nina Kintsurashvili’s first solo exhibition at the gallery.
In creating the paintings for Seams, the New York-based artist began with a painting defined by electric mint-hued fragments, overlaying a deeper green approaching midnight. Along the canvas’s right edge, the image splits into a sliver of pale, foggy light, like the edge of a photograph. The light carries into the next painting, an oxblood-red one, as a cream margin that won’t stay put, leaking onto a second canvas that is now the other half of a diptych. That margin then becomes a buttery yellow and runs into another diptych. Here, half-erased masses of oxblood-red paint might resemble a dog or other creature-like figure, rendered with the rawness of Soutine’s Carcass of Beef canvases or Francis Bacon’s nightmarish smears trying to flee the frame.
Nina Kintsurashvili
Rifts, 2026
Oil on linen
63 x 63 in (160 x 160 cm)
26 Oct 2026
Art Basel Paris | collaborating with Soft Opening. Presenting new works by Mary Stephenson and Ebun Sodipo.
Booth 1.H10
Last day is Friday, October 23
22 Oct 2026
For Art Basel Paris 2026 we are presenting new works by Mary Stephenson. You can find us as Stand 1.H10
Mary Stephenson
Crisp White, 2026
Oil on canvas
35 3/8 x 39 3/8 in (90 x 100 cm)
20 Oct 2026
Last few days of Alix Vernet LANDMARKS, closing Saturday October 17.
The words themselves are gathered from overheard conversations, street signs, monuments, and chance encounters across the city. Approaching illegibility, the texts dissolve into the condensers’ mesh grids until language begins to flicker, like the city itself, felt in passing but never quite captured. Compressing a bulk of time and movement rather than arresting an instantaneous moment, the condensers also become less like pictorial documents, in the end, than aura photographs: not mystical portraits of some singular essence, but registers of the thermal, atmospheric, social, and celestial exchanges that continually reshape the built environment’s surfaces. Surfaces, for her, are not flat images or representations laid over the world, but embodied events formed through contact with it, in measurements that don’t subscribe to any metric system we know.
13 Oct 2026
Chapter NY is pleased to present new works by Mary Stephenson at Art Basel Paris 2026.
Booth 1.H10
We will be sharing a booth with Soft Opening.
Mary Stephenson
Baby Turquoise, 2026
Oil on linen
15 3/4 x 19 3/4 in (40 x 50 cm)
07 Oct 2026
We are pleased to congratulate Rene Matić on their inclusion in 2027 Triennial: The Outside Expands at the New Museum, co-curated by Vivian Crockett, Allen and Lola Goldring Curator at the New Museum, and Isabella Rjeille, Curator at MASP–Museu de Arte de São Paulo Assis Chateaubriand. The exhibition will open on February 4, 2027 1 and run through May 16, 2027.
“Kai Taking Their Braids Out II,” 2020
Inkjet print
31 1/2 x 21 in ( 80 x 53.3 cm)
32 3/8 x 21 5/8 in (82.3 x 54.9 cm) (framed)
06 Oct 2026
On view in New York Giuseppe Francalanza solo exhibition “All of My Angels Wear a Rag: I The Tuner” open through October 17
All of My Angels Wear a Rag: I The Tuner marks Francalanza’s first solo exhibition in the United States. Conceived specifically for the occasion, the five paintings on view culminate a body of work produced throughout 2026, revealing a decisive shift within the artist’s visual language. The force that has long defined his painterly imagination is no longer an overwhelming presence that arrests transformation; instead, it becomes an irrepressible, life-giving energy that ultimately enables change
- text by Chiara Nuzzi @cn_cocoon
Giuseppe Francalanza
The Tuner, 2026
Oil, graphite, and fusain charcoal on canvas
35 3/8 x 47 1/4 in (90 x 120 cm)
(GFR 2)
05 Oct 2026
FINAL WEEKS: Jesse Darling’s 𝘎𝘰𝘥𝘴𝘸𝘰𝘳𝘵𝘩 @oudekerkamsterdam is on view through September 27, 2026.
Evening Service, hosted by Jesse Darling
Saturday, September 19, 8pm
Darling invites friends, performers, musicians and other guests to come together in an unconventional service of performance, music and conversation.
For his first institutional solo exhibition in the Netherlands, Jesse Darling transformed the church space of the Oude Kerk, covering large sections of the floor with rubble from construction waste. From this landscape, playful sculptures emerge, assembled by Darling from discarded furniture, scrap metal, and broken appliances. By using everyday waste and debris, Darling highlights the often messy reality of human existence and questions the social and political forces that determine what—and who—is considered valuable.
Image: Jesse Darling: Godsworth, 2026, Oude Kerk Amsterdam. Photo by Aad Hoogendoorn.
#JesseDarling
16 Sep 2026
In @alixalwaysmoves’s solo exhibition, “LANDMARKS,” at @chapterny, salvaged air-conditioner condenser coils are engraved with fragments of found language, evoking the visual languages of urban infrastructure, advertising, and decay. These cast-off machines become uneasy monuments that implicate consumerism and the climate crisis.
Read @tara__parsons’s review of the show through our link in bio!
20 Sep 2026
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