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Architecture & Design Los Angeles, New York, Mexico City Smithsonian National Design Award, AD100, Elle Decor A-List
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Recent posts
Profoundly grateful for Guy Trebay’s piece in The New York Times about our firm - he captures so much of our approach and how we think about things. It’s beautiful to see how the different strands of our practice come together in this article. Thank you ❤️ @guytrebay @nytimes and thank you to the brilliant @sarah_goulet - photo by @evelynfreja
23 Apr 2026
Today, CHH was announced as the recipient of the Smithsonian National Design Award for our work in Interior Design. This award is given to a firm for their innovative contributions to interior environments that advance the understanding of our spatial experiences and will be presented at the Smithsonian National Design Awards Gala in May. Launched in 2000 by the Cooper Hewitt as an official project of the White House Millennium Council, the award and its associated public programs seek to increase national awareness of the impact of design in our everyday life. Prior recipients include many of our heroes, people and firms that have shaped our own education and practice in meaningful ways. We are humbled by this honor and it has affirmed our commitment to this work, our field, and our community.
Thank you to the jury of our peers. And thank you to the many people who are a part of the projects that constitute this achievement - the clients and collaborators, builders, artisans, artists, weavers, upholsterers, lighting designers, antique dealers, photographers, graphic designers, florists, landscape designers, carpenters, painters. And bravo to the CHH team over the years - a hardcore, hardworking and highly creative group of individuals that have dreamed up so many amazing spaces and made them realities! @cooperhewitt #NationalDesignAwards
25 Feb 2026
The primary bedroom and kids’ room at our Tudor City project, a New York pied-à-terre and outpost for @ninajohnsongallery - in @nymag this week with words by @dhwendygoodman and photos by @thomasloof 🥀
05 Nov 2026
The living room of the New York pied-à-terre and outpost of @ninajohnsongallery, featured in @nymag this week. Photographed here before works from her first show in the space went up, the entire apartment was painted a deep gray, with matching taffeta curtains in a style called “Bishop’s Sleeve.” Beneath is a 1970s Klaus Uredat sofa in its original burlap, and above is a 1960s chandelier by Luigi Caccia Dominioni.
It was a real honor to work with Nina, with whom we’ve collaborated on so many projects now, to develop this envelope for artists to show their work outside of her main gallery, while also serving as a home away from home for her husband, Dan, and their amazing kids - thank you, Nina, for your trust.
Endlessly grateful to @dhwendygoodman for putting into words so much of what this project was about, and to @thomasloof for capturing it in such alluring images 🖤
03 Nov 2026
In the media room at our Studio City project, a print from Giovanni Battista Piranesi’s “Carceri d’invenzione” series hangs on linen wallpaper above a vintage rattan daybed - featured in @1stdibs with words by @ingridabram & photos by @andreherrero
30 Oct 2026
CHH is honored to be named to @aninteriormag @archpaper Top 50 Architects & Designers - the magazine’s list built from editorial coverage and research, showcasing the most relevant, interesting, and important architecture and design firms shaping interiors in North America today.
A massive thank you to @yhprumkcaj & Kelly Pau for believing in us over the years, and bravo to the @ch_herrero team 🖤
23 Oct 2026
A checkered bathroom in Austin for some amazing friends and clients - seen in @cabanamagazine N24 ❤️
16 Oct 2026
Custom oval mirrors with integrated lighting we designed for the guest suites at @pocketbookhudson - photographed by @matthieulavanchy🪞
02 Oct 2026
A cardboard maquette we made of our set for Camille Henrot’s first theatrical work, “Commedia dell’arte” - making its New York premiere at L’Alliance New York Florence Gould Theater tomorrow 🎭 Photos by @charlierubin
A few tickets left for performances at the link in bio:
September 23-25 at 7:30pm
September 26 at 2:00pm
———
“Commedia dell’arte” is directed by Camille Henrot, with a script by Camille Henrot, Estelle Hoy, and Justine Gelfman, and music composed and performed by Mauro Hertig and Aaron David Ross. It features set design by Adam Charlap Hyman of Charlap Hyman & Herrero, in collaboration with Camille Henrot, choreography and rehearsal direction by Sigrid Lauren, lighting design by Dan Stearns, costume design by Sandra Berrebi, and make-up design by Ayami Nishimura. The work is performed by Samori Etienne, Maya Margarita, Christina Catherine Martinez, Bobbi Salvör Menuez, Isa Spector, and Alex Tatarsky. It is produced by Julia Simpson (Performa) and Eliza Ryan (Aspen Art Museum), with associate production by Dria Brown, and stage management by Philip Trevino, with many others.
Commedia dell’arte is curated by RoseLee Goldberg, founding Director and Chief Curator of Performa and Eliza Ryan, Curator-at-Large, Aspen Art Museum. Co-commissioned by Performa, Aspen Art Museum / Wheeler Opera House, and LYRA Art Foundation. The commissioning of Commedia dell’arte was initiated in 2023 by RoseLee Goldberg, founding Director and Chief Curator of Performa.
22 Sep 2026
The cover story of my guest edit for The Magazine ANTIQUES: GHOST CHASING - How Robert de Montesquiou’s gilt bat made its way to the West Village town house of gallerist Matthew Marks and art writer and editor Jack Bankowsky.
Putting this article together helped me to work out something at the core of my own taste and took me into the universes of three generations of collectors on whose walls this sculpted creature has hung. I got to learn about Montesquiou, the fin de siècle aesthete who was known in his time as “the bat” and was the model for Proust’s Baron de Charlus and Huysmans’s Des Esseintes. Researching his suite of eleven tiny rooms, or boyaux (intestines), as Montesquiou called them, changed my life! And I got to learn about Fred Hughes, credited with architecting Warhol’s lucrative portrait commissions, whose insanely inspiring apartment in Paris he renovated with Andrée Putman. The bat moved from Paris to his house in New York when he got sick with multiple sclerosis, and a friend of his told me about how he collected until the bitter end - auction items won days before Hughes passed away, continuing to arrive at his house for months after. And then I got to learn about Matthew and Jack, whose incredible house makes me want to weep! They were generous enough to allow me to photograph some of their perfect rooms for the magazine with the genre-defining Dominique Nabokov, whose images of New York interiors are practically a part of my decorating subconscious.
Writing this piece was the privilege of a lifetime and I am enormously grateful to the many people who talked to me about the web of relationships and possessions that comprise the story - Peter Schlesinger who let us publish Eric Boman’s portrait of Hughes, Xavier Salomon, Vincent Fremont, Jean Kallina, and Louis Bofferding. I’ll never be the same!
11 Sep 2026
I’ve always said that my alter ego is a tyrannical editrix of a shelter magazine! Well, I got my dream assignment and have guest edited the September/October Issue of The Magazine ANTIQUES - I hope you enjoy the read! The subject of our cover story, shot by the legendary Dominique Nabakov, is a striking, carved gilt bat residing in the West Village townhouse of Matthew Marks and Jack Bankowsky. The quest to learn more about this nocturnal creature and where it came from drew me into the complex, inspiring worlds of three generations of collectors: Matthew and Jack, Andy Warhol and his business manager Fred Hughes, and Robert de Montesquiou and his literary alter ego Des Esseintes.
Along the way, I got ahold of an article by the incredible writer and critic Ingrid Sischy, in which she asks Fred Hughes, “How would you describe your decorating style?”, and Hughes replies, “ghost chasing.” I am calling this the “ghost chasing” issue, a term I propose we bring into the lexicon. By my definition, ghost chasing is the act of hunting down objects that once belonged to people with whom you wish to have a kind of spiritual and energetic contact. Everyone that was involved in making this issue can be considered a ghost chaser. Their relationships to antiques are fueled by research and a heightened ability to see and feel the constellation of meaning that gives objects, and the rooms that house them, soul. These are people who look at a gilt bat, or a loose bookplate, or a Victorian pink opaline glass vase, and converse with an endless sea of associations.
I am very excited for you to discover the amazing stories by @amyfinecollinsibdl on Helena Rubinstein (photographed by @seandavidson), @david.micah.le on Joe D’Urso, @laurakugel_ on Taxile Doat, @bofferdingnewyork on things he’d never sell (photographed by @pieterestersohnphoto), @mrmitchowens on Alexandre Serebriakoff, and @jason.wigg on antiques in modernist interiors. Thank you!! ❤️
Available at @casamagazinesnyc and @iconicmagazines - or subscribe at the link in bio!
01 Sep 2026
A steel-clad lobby projects into the main workspace at an office designed by CHH in El Segundo. On the mezzanine above is an industrial kitchen in baby blue with angular millwork and integrated lighting💡
Photos by @seandavidson
28 Aug 2026
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