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medien und gestaltung Inquiries via Dm archive @cc.ballett (former grauevenen)
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Recent posts
Ein Rollrasen ist ein vorkultiviertes, standardisiertes Vegetations-Substrat-Komposit aus homogener Rasennarben und wurzeltragender Bodenschicht zur sofortigen Etablierung einer funktional nutzbaren und ästhetisch konsistenten Grasoberfläche.
foto: @juniaswoelk
04 Apr 2026
über den dächern
11 Aug 2026
By @cc.riesselmann & @cc.ballett & @schluessel.schluessel : 24 × 20 × 12.8 × 0.03 cm polyurethane plastic, laser-cut.
Zweite Sphäre creates a typographic world that unfolds both spatially and through projection. At its core lies an exploration of chance within predetermined form and the endurance of imperfection in an era defined by smooth displays and seamless digital interaction. The aggressive manufacturing process produced burns, distortions, and deformations that became integral to the work. These traces were not concealed but embraced as part of a material study that sought collaboration rather than control by working with the material instead of against it.
Designed by Hannes Schlötelburg and Carl Riesselmann. (@schluessel.schluessel)(@grauevenen)
„Zweite Sphäre“ - 21.10.2025—11.11.2025
@ Hansa48 - Kiel, Germany
31 Aug 2026
Used my LineWeaver algorithm with JavaScript and Canvas for this.
Brightness translated into variable vertical lines.
48 iterations, one print. Mineral source footage.
Silver gelatin tones, inkjet on 420x594mm paper, 2026.
#creativecoding #codeart #algorithmicart
#pixelsorting #generativedesign
25 Aug 2026
buchfindungsphase, abziehbildchen, abrieb und liniengrafik
23 Jul 2026
einen Dienstag lang
20 Jul 2026
animal series 210x297mm fine art print on silk paper (2024) last picture from »sphäre Ausstellung« last year.
10 May 2026
(no caption)
17 Apr 2026
Hannes Schlötelburg + Carl Riesselmann
—
#anothergraphicdotorg #archive #graphicdesign #inspiration #typography #typematters #typedesign #contemporaryart #font #visualart #type #goodtype #artwork #typelove #Germany
—
more info on the website
https://anothergraphic.org/hannes-schlotelburg/
18 Nov 2025
Photo Documentation of “Zweite Sphäre”
80 x 100 x 0.05 cm acrylic glass, laser-cut.
Zweite Sphäre creates a lyrical world that unfolds both spatially and through projection. At its core lies an exploration of chance within predetermined form and the endurance of imperfection in an era defined by smooth displays and seamless digital interaction. The aggressive manufacturing process produced burns, distortions, and deformations that became integral to the work. These traces were not concealed but embraced as part of a material study that sought collaboration rather than control by working with the material instead of against it.
Designed by Hannes Schlötelburg (@schluessel.schluessel) and Carl Riesselmann. (@grauevenen)
Photo Documentation by Hannes Schlötelburg.
„Zweite Sphäre“ - 21.10.2025—11.11.2025
@spontihansa48 , Kiel Germany
@cargoworld @type01_ _ @youaretypography @poster.index @poster.reposter @typosters @swissposters @contemporarytype @tomorrow.type.today @anothergraphicdotorg @typeipsum @certainmagazine @kooollektoor @visualbleed @papersarchive @typosters
#cargoworld #type01_ #youaretypography #posterindex #posterreposter #typosters #swissposters #contemporarytype #tomorrow.type.today #anothergraphicdotorg #typeisum
#certainmagazine #kooollektoor #visualbleed #papersarchive #typosters
17 Nov 2025
Photo Documentation of “Zweite Sphäre”
24 × 20 × 12.8 × 0.03 cm polyurethane plastic, laser-cut.
Zweite Sphäre creates a lyrical world that unfolds both spatially and through projection. At its core lies an exploration of chance within predetermined form and the endurance of imperfection in an era defined by smooth displays and seamless digital interaction. The aggressive manufacturing process produced burns, distortions, and deformations that became integral to the work. These traces were not concealed but embraced as part of a material study that sought collaboration rather than control by working with the material instead of against it.
Designed by Hannes Schlötelburg (@schluessel.schluessel) and Carl Riesselmann. (@grauevenen)
Photo Documentation by Hannes Schlötelburg.
„Zweite Sphäre“ - 21.10.2025—11.11.2025
@ Hansa48,Kiel Germany
@cargoworld @type01_ _ @youaretypography @poster.index @poster.reposter @typosters @swissposters @contemporarytype @tomorrow.type.today @anothergraphicdotorg @typeipsum @certainmagazine @kooollektoor @visualbleed @papersarchive @typosters
#cargoworld #type01_ #youaretypography #posterindex #posterreposter #typosters #swissposters #contemporarytype #tomorrow.type.today #anothergraphicdotorg #typeisum
#certainmagazine #kooollektoor #visualbleed #papersarchive #typosters
15 Nov 2025
This collection is the published result of a browser based tool that was developed in the summer of 2025 alongside several other code experiments. The idea emerged while researching ways to digitally reproduce web techniques through the generation or weaving of lines based on a wide range of parameters. The tool analyzes the brightness values of an image and generates vertical lines whose length, distortion, and color can be adjusted dynamically. The original image content is not reconstructed but fragmented into a visual language of light, rhythm, and direction. Fragments of the initial motif resonate as visual echoes. The tool transforms image information into linear textures that, depending on the chosen parameters, evoke textile weaves, topographic maps, or oscillating radiations. The process is not destructive but interpretive. The image does not decay but is reorganized into a new order.
@cargoworld @type01_ @youaretypography @poster.Index @poster.reposter @typosters @swissposters @contemporarytype @tomorrow.type.today @anothergraphicdotorg @typeipsum @certainmagazine @kooollektoor @visualbleed @papersarchive @typosters
#cargoworld #type01_ #youaretypography #posterindex #posterreposter #typosters #swissposters #contemporarytype #tomorrow.type.today #anothergraphicdotorg #typeisum
#certainmagazine #kooollektoor #visualbleed #papersarchive #typosters
15 Nov 2025
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