@casprenger - IGDataHub

Christian Sprenger, ASC

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@casprenger

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Cinematographer

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www.sprengerdp.com

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#cinematography #americancinematographer #asc #widowsbay #shotonretrocams #shotdeck #asctoddao65 #appletv #theasc #emmys

Recent posts

JVC SATICON TUBE CAMERA For Apple TV’s “Widow’s Bay,” cinematographer Christian Sprenger, ASC, used Retrocams’ refurbished JVC Saticon Tube Camera from the early 1980s to capture this eerie vintage welcome video. The camera’s unique analog texture gives the footage the unsettling feel of something long-forgotten. CREDITS: Director: Hiro Murai @muraihiro Cinematographer: Christian Sprenger, ASC @casprenger Production Company: Apple Studios, Chum Films, Spooky Tree Productions Platform: Apple TV @appletv EPs: Katie Dippold @katiedippold, Matthew Rhys @thematthewrhys Camera Ops: Michael Fuchs @mfyuchs, John Garrett @johnnygtimes ACs: Liam Sinnott @liamsinnott, Zack Schultz Loader: Emily Kahn @mayemk DIT: Kyo Moon @kyomoon Utility: Keenan Kimetto @keenankimetto Gaffer: Joshua Dreyfus @joshuadreyfus Key Grip: Frank Montesanto @montesantobicycles Colorist: Damien Vandercruyssen @damocolor Modern Cameras: Keslow Camera @keslowcamera, Arri Rentals @arri_rental #ShotOnRetrocams #Cinematography 01 Nov 2026

ShotDeck x ASC Lookback | Widow’s Bay, Episode 6 @shotdeck The ASC Todd-AO 65 lenses, developed by the ASC and @zerooptik and available to rent at @keslowcamera , made their debut on Episode 6 of Widow’s Bay, where Christian Sprenger, ASC @casprenger , used them to set the 1702-set stand-alone episode apart from the rest of the series. Sprenger won an Emmy Award for shooting the episode. He received the lenses only days before production began and has said he was exploring their character in real time as the shoot progressed. Sprenger shot the episode on the Arri Alexa 265 at 3,200 ISO, lighting interiors and night sequences with period-correct candles and firelight. For Sarah and Richard’s wedding in a church, he hung two LiteGear LiteMat Spectrum 2Ls above the set for base room tone, with practical candelabras on the walls and flame bars out of frame. Read the full article in the October issue, available at the link in bio. @american_cinematographer #ShotDeck #ASCToddAO65 #WidowsBay #AppleTV 28 Oct 2026

Christian Sprenger, ASC @casprenger , shot Episodes 1-3, 6, 9 and 10 of Widow’s Bay , including Episode 6, which debuted the ASC Todd-AO 65 lenses on the Arri Alexa 265. He and cinematographer Cody Jacobs, who shot Episodes 4, 5, 7 and 8, built the series’ vintage look from references including The Shining, The Fog and Jaws. The ASC Todd-AO 65 lenses are available to rent at Keslow Camera @keslowcamera . Read the full article in the October issue. #Cinematography #AmericanCinematographer #ASC 08 Oct 2026

How do you make something feel spooky AND go on to break Emmy records? For cinematographers Christian Sprenger and Cody Jacobs and Harbor Senior Colorist Damien Vandercruyssen, Widow’s Bay started with building a visual language that could move between absurdity, mystery, and genuine darkness without ever losing its identity. Drawing from the film photography of the ’70s and ’80s, the team leaned into texture, naturalism, and restraint, pushing away from anything that felt too clean, modern, or polished. Go behind the look of Widow’s Bay and the collaboration that brought it to life. Read the full editorial at the link in bio in Harbor's bio 🔗 Director: @muraihiro DP: @casprenger, @codatron Colorist: @damocolor VFX Artist: Kevin Szczepanski Harbor Producers: James Reyes, Nicole Guillermo, Lauren La Melle, Elizabeth Niles Where to Watch: @AppleTV 28 Sep 2026

What a night! Thank you @appletv and @televisionacad for everything! 15 Sep 2026

Cinematographer Christian Sprenger, ASC went looking for filtration that could create an organic, subtle bloom in the highlights without affecting contrast while developing the look of @widowsbay He found it in our Soft Glow filters, then brought Golden Glow into the mix to add a slight warmth to the highlights. Combined with the lens choices, LUT and DI, it all came together to create the unique look of the series. 12 Sep 2026

Christian Sprenger, ASC @casprenger , and James Whitaker, ASC @jameswhitaker_dop , were among the cinematographers honored at the 78th Emmy Awards, held September 5–6 at the Peacock Theater at L.A. Live. Sprenger won Outstanding Cinematography for a Half-Hour Series for Widow's Bay Episode 6, "Our History," a flashback set in 1702, directed by Ti West. The episode was the first production to use the restored ASC Todd-AO lenses. Whitaker was honored for Cinematography for a Limited or Anthology Series or Movie for DTF St. Louis, created with showrunner Steven Conrad, a collaborator of 12 years. Read more at the link in bio. #AmericanCinematographer #ASC #TheASC 10 Sep 2026

(no caption) 07 Sep 2026

With Emmy voting is underway, I spoke with #widowsbay cinematographer Christian Sprenger @casprenger about his overall approach to the show, and how he’s shot the episode. “We tried to use firelight, naturalism and candles as much as we could, and not artificial lighting.” Read the interview on @variety @appletv #emmys #fyc 23 Aug 2026

Christian Sprenger, ASC @casprenger shot six episodes of the horror-comedy series Widow’s Bay using the ASC Todd-AO lenses @keslowcamera — a set of nine vintage primes rediscovered in the ASC Clubhouse and refurbished in collaboration with Zero Optik @zerooptik . In a new Clubhouse Conversations episode, Sprenger discusses the lenses with interviewer M. David Mullen, ASC, alongside his film-emulation workflow and the show’s balance of comedy and horror. Read more at the link in bio. #AmericanCinematographer #ASC #Cinematography 22 Jun 2026

Had the pleasure of shooting @ramy’s latest HBO Standup special, shot on Kodak 5219 and cameras provided by @keslowcamera with a lot of great ol’ pals in my hometown of Chicago. An absolute blast in every way. Director: Christopher Storer EPs: @joshsr and Tyson Binder Producer: Danny Sanchez Co-Producers: @hannahwhatevah & @noratheexlplorer PD: @merjev Tech Manager: @jtharriman Gaffer: @samdemio Board op: Jared Moore Key Grip: Ed Titus @primalxgrip Camera Operators: @rejano_cinematography, @therealblainebaker, Darryl Miller 1st ACs: Joe Segura, @jhb79 & @Dancingthroughlife81 Loaders: @toreylenart & @The_Pilsen_Perch Film Lab: @fotokem_LA Post House: @seniorpostny Colorist: @mikeypackage Finishing: @royal.muster Editor: @jnaugz Asst. Editor: @davyintl Production Lega: @epic31 Location Manager: @joshshullshoots Prod. Assts rosebud_harrison @madi.delk Wardrobe Stylist: @q.robinsonstyle Lead Person: @adridesignsmovies Set Decorators: @ericwally @retroactve Location: @hideoutchicago 18 Jun 2026

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Every post & reel

263 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

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shortcode	caption	likes	comments
DfNIyIWsPX8	JVC SATICON TUBE CAMERA For Apple TV’s “Widow’s…
DfC-gkwmK5f	ShotDeck x ASC Lookback \| Widow’s Bay, Episode 6…
DeP7M0Ukvco	Christian Sprenger, ASC @casprenger , shot Episo…

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Everyone who follows them

up to 13,689 followers

Handle, full name, ID, and verified/private flags for each follower.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$68.45

Everyone they follow

up to 1,259 accounts

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$9.99

minimum

Every post & reel

263 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfNIyIWsPX8	JVC SATICON TUBE CAMERA For Apple TV’s “Widow’s…
DfC-gkwmK5f	ShotDeck x ASC Lookback \| Widow’s Bay, Episode 6…
DeP7M0Ukvco	Christian Sprenger, ASC @casprenger , shot Episo…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 13,689 followers

$68.45

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 1,259 accounts

$9.99

minimum

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 20 hours, 49 minutes ago.