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editor @laweekly
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Recent posts
LA’s speed cameras are live, so we built an overlay with each location that you can add directly to your Google Maps app in full detail.
On Monday, Oct. 26, the city switched on the first 26 of 125 camera corridors, and the rest are set to go up by the end of the year.
We mapped every monitored stretch of road, with live cameras in red and the ones coming soon in purple. It’s free, and you can add it to Google Maps on your phone or computer in about a minute.
For now they only send warnings. After each camera’s 60-day grace period, going 11+ mph over the limit will cost you $50 to $500, mailed to the car’s registered owner. Be sure to always drive safe and within the speed limit.
Link and more details in bio @laweekly
🗺️ @boyface_
27 Oct 2026
Isaiah Rashad has spent the past decade being asked to explain who he is, where he fits and what comes next. These days, his answer is simpler: “I’m just a dude.”
In between legs touring his new album “It's Been Awful” he returns to Los Angeles for The Anniversary Show at YouTube Theater, next Tuesday, Sept. 29, honoring 10 years of his studio debut “The Sun’s Tirade” and celebrating over a decade of music, growth and devoted fans.
At 35, Rashad is continuing to figure out what he’s learned along the way. He talks about the pressure of being put on a pedestal, sobriety, fatherhood, Chattanooga, Los Angeles and the role of family in keeping him grounded.
He also explains why these days he’s more interested in making a table, cooking a meal or finding somewhere with fireflies than building a mythology around himself.
@isaiahrashad
Read the story and see the photos thru @laweekly
✍️ @boyface_
📸
Portrait: @marikarosegold
Concert: Getty
25 Sep 2026
Trash cans, explosions, confetti, dancing, a 25-minute side quest, someone getting killed. Somehow, this is ”Stamptown.”
Zach Zucker and Co's clown variety show started in the basement of a gay bar in Edinburgh, where the guys flyered in suits and performed for zero to three people a day. Ten years later, it’s on Netflix.
The special, taped at the Montalbán during Netflix Is a Joke Fest, crams hours of comedy into 59 minutes — hilarious, daring, horny, and at times both profound and deviant levels of stupid.
Onstage, ”Stamptown” can resemble total anarchy. Behind the curtain, its operation is more like a football game, built around performers taking real risks every single night.
Chad Damiani calls it “the standard.” Courtney Pauroso calls it “the clown phenomenon that it is today.” And Zach? “This is all of our win.”
@stamptown
@zach_zucker
@jonnywoolley
@dylanwoodley
@courtneypauroso
@thechaddamiani
@netflixisajoke
Read the story and see the photos thru @laweekly
✍️ @boyface_
📸
Cover: @dylanwoodley
Netflix taping: @vancorona
Edinburgh: @jacintaoaten
04 Sep 2026
For more than a decade, Dahi has helped define the sound of other artists. From Kendrick Lamar’s “Money Trees” and Travis Scott’s “90210” to work with SZA, Drake, Madonna and countless others, the Inglewood-raised producer has spent years behind the boards, winning the Best Rap Song Grammy for 21 Savage and J. Cole’s “a lot” in the process.
Now, he’s stepping into the center with “Black Boy (Alternative),“ his debut album as Dahi, out tomorow, Aug. 28.
The 11-track album brings together Kendrick Lamar, Childish Gambino, Vince Staples, Ravyn Lenae, Moses Sumney, Channel Tres, Amber Mark, Fousheé and more, in a genre-agnostic triumph that draws from the hip-hop, R&B, rock and West African sounds that shaped his upbringing.
The album took 12 years to develop, partly because Dahi had to figure out what his own voice sounded like, finally coming together upon this realization: “I really need to honestly make this album for me and not really care about anything outside of that.”
@dahi
Read the interview and see the photos thru @laweekly
✍️ @boyface_
📸
Marissa Blair @mariss_bliss
Barrington Darius @barringtondarius
27 Aug 2026
anees has spent his career chasing one thing: connection. After going from law school to music, the singer, rapper and songwriter began releasing songs in 2020 with "sun and moon" becoming a breakthrough hit in 2022 (reaching No. 1 on the Billboard Philippines Songs chart — a country he plans to tour next year), and a number of albums and releases that have followed.
That instinct has carried him this far entirely independently, on the strength of his magnetic personality, soulful music, and the intimate, look-you-in-the-eye-real relationships he builds with his audience.
In Los Angeles, he’s built that relationship starting with five free Santa Monica beach shows since 2022, drawing thousands of people. “I think this is probably the city and the community that I've done the best job of investing my personal time with.”
anees is returning to LA, bringing his Lucky Duck Tour to the Globe Theatre tomorrow, Aug. 22. Looking ahead, the third chapter in his “summer camp” universe, “camp crush,” is due in 2027.
@anees
Read the interview and see the photos thru @laweekly
✍️ @boyface_
📸
@nathan_hongk
@ethanvovan
@ryan.lockard
21 Aug 2026
P-Lo’s sixth solo studio album “OUT THE BOX” arrives today, Aug. 14, after more than a decade of establishing himself as a producer, artist, entrepreneur and advocate for the communities that shaped him.
Across 16 tracks, the album gathers the knowledge of production and solo work into one intentional project, with guests including Killer Mike, SadBoi, Kreayshawn, 1Umbrella and SOBxRBE.
Throughout his career, P-Lo, who splits his time between LA and the Bay Area, has remained deeply connected to the Bay, carrying its sounds and culture into his work while helping create opportunities for the next generation of artists.
“I never really wanted my music to not sound like I’m from the Bay,” he says. “People want to say, ‘Oh, the Bay sound doesn’t translate.’ But I know it does. I know these tempos and these sonics translate across the world.”
“I feel like we’re always five to 10 years early on a lot of things,” he adds. “And that’s cool. That’s our contribution to the sphere of the world, in the world of music.”
@p_lo
Read the interview and see the photos thru @laweekly
CC:
@kidsofimmigrants
@baryoent
✍️📸 @boyface_
📸 Studio: @bryanberry
14 Aug 2026
By the time Kenyon Dixon arrived at “EGO RUINS EVERYTHING,” his new album out today, July 24, he had already built the kind of resume that could justify a victory lap.
The Los Angeles singer-songwriter had quietly become one of contemporary R&B’s most respected craftsmen, earning five Grammy nominations.
Yet when it came time to make his latest album, Dixon found himself looking inward instead of celebrating outward.
“EGO RUINS EVERYTHING is a concept album that’s kind of just a journey through ego and learning how to deal with it,” Dixon tells LA Weekly. “It came from a retrospective place — looking at decisions I made, experiences I’ve had and things I’ve seen other people go through.”
Loaded with earworms and built without guest features, the album unfolds like a film, following a protagonist learning to confront his ego before finding redemption in the closing moments.
At the heart of the project is an artist who has built his career independently, staying true to his purpose while continuing to evolve.
@kennygotsoul
Read the interview and see the gallery thru @laweekly
✍️ @boyface_
📸 Gordon Price @gordanprice
24 Jul 2026
BLXST returns with “Labor of Love,” his first fully self-produced album and one rooted in family, vulnerability and growth.
The LA artist reflects on reconnecting with his purpose through fatherhood, honoring the home his grandfather built, carrying the torch for the West Coast, and why slowing down helped shape the most personal project of his career.
“I just feel real proud of this body of work, knowing that it comes from an authentic place,” he says. “I think it’s going to stand the test of time. It was real stories, real vulnerable moments, and I feel people connect to that.”
@blxst
Read the story and see the photos thru @laweekly
✍️ @boyface_
📸 Joshua Gonzalez
03 Jul 2026
Incredibly honored to have won three Southern California Journalism Awards from the LA Press Club last night including Print Journalist of the Year (Under 50k Circulation).
For a publication under 50k we sure do punch above our weight thanks to an outstanding editorial team led by @michelestueven and @tamhaz, plus a superb team of freelancers and photographers who tell the story of LA’s vivid culture. A special thank you to @briancalle who's been giving me opportunities for 13 years, and my brilliant in-house editor and biggest supporter @monetteyyy.
Shoutout to all my hilarious and weird family and friends like @rdashj who give me recs and go with me to check stuff out, and to all the creatives and builders in LA who push the culture and make this the best city.
Also shoutout to the guy whose headshot they put on screen as me, who isn't me, but does sort of look like me 🤓
I've been writing in newspapers for over twenty years 👴🏽 and now I get to write about my favorite LA stuff like music, comedy and parties, and highlight the genius and resilient spirit of LA’s people. It's the funnest job I've ever had and I hope I get to keep doing it until I've covered all the great stuff in LA, which will be never.
29 Jun 2026
Since launching in 2010, the Hollywood Fringe Festival has served as a proving ground for some of Los Angeles’s most daring live performances, and few corners of the festival have evolved as dramatically as clowning. What was once a niche discipline has grown into one of its most vibrant and inventive features.
We’re not talking about bonk-on-the-head, flower-squirt-in-the-eye Ronald McDonald clowning here — contemporary clown shows blend physical comedy, improvisation, audience interaction and experimental theater, creating performances that can be hilarious, uncomfortable, moving and unpredictable all at once.
Running now through June 28, Hollywood Fringe is a great place to check out some of clown's biggest names, and some up-and-comers just before they become big-time.
@hollywoodfringe
Here's a sampling of some shows you should see, and see the full list thru @laweekly
✍️ @boyface_
📸
1: Photo by @softknox courtesy of @verocherryclown
2: @acid_reflux_molly by @shromcom
3: @alexnauta by @arianahoshino
4: @tiredjustwakeup & @levinep90 by @adambussell
5: @mrdeanevans by @marianovastudio
6: @farhan__inc by Issy Walker
7: @corndudemax by @alexgolshani
8: @the_proactive_pessimist by @stagetone.studio
9: @sjgeez
10: Brian Byrne by Bradyn Woods
15 Jun 2026
For more than 30 years, Insomniac founder Pasquale Rotella has helped grow electronic music from illegal underground parties into a global movement that now draws hundreds of millions of people to dance events every year. In a lot of ways, the story of EDC, Insomniac, and Rotella is the story of dance music itself.
Last weekend, more than 170,000 people a night gathered under the electric sky in Las Vegas for EDC's 30th, an experience built on music, spectacle, community, and PLUR.
In this longform, we speak with Rotella about the rise of EDC, why he still considers himself a “hardcore raver,” the struggle to keep rave culture alive through decades of stigma and growing pains, the criticisms Insomniac faces, why 2027 will be two weekends, and why he still sees dance music as something deeper than escapism.
“I never wanted the rave to be an escape, I wanted it to be a reset for people,“ he says. “This is supposed to reset you to connect with that kid that's in you, and life is better when you push the reset button. That's really the goal.“
@pasqualerotella
@insomniacevents
@edc_lasvegas
Read the story and see the gallery thru @laweekly
✍️
@carochangcreative
@boyface_
📸
Rotella: Shane O'Neal
Archive photos and flyers: @insomniacevents
EDC 30:
@anmariekittysnaps
@jamal.eid
@susangomezmedia
@the.camera.lady
Vero Nafarrete
22 May 2026
With a calm cadence but wild mind, Sheng Wang takes a microscope to the most relatable, mundane things in life, and finds all sorts of hilarious chloroplasts and ribosomes of profound takeaways.
Wang’s newest stand-up special “Purple,” streaming now on Netflix, tackles the day’s pressing topics, all articulated with an incredible vocabulary. “I love the beauty, power, and diversity of language, and finding the perfect word to describe something,” he says. “Some words I'm currently feeling are ‘sop,’ ‘deft,’ ‘patina,’ and ‘murmur.’”
His zen-like stage presence is a welcome change of pace. Some stand-ups need to jump around and yell and shock you, but it takes a special act like Sheng who can get you in tears with the most subtle and precise act-outs.
Wang didn’t become this good at comedy overnight, he’s been at it well over 20 years. Born in Taiwan, raised in Houston, college at UC Berkeley, and with stints in SF and NY, we’re thankful Sheng Wang now calls the Westside of LA home. This week, he was featured at a few shows at the Netflix is a Joke Fest.
@shengwangtime
Read his Comedy Q&A to learn more about infatuation with plants, his journey in comedy, and what 'epiphytic' means, thru @laweekly
📸 Dustin Rabin / @dustinrabin
✍️ @boyface_
08 May 2026
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