Blythe Marks

Blythe Marks

@blythemarks

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“equal parts hilarious and chic” — @voguemagazine

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Recent posts

if you see me outside in november in anything other than a black peak lapel blazer and/or cashmere hoodie, please alert local and international authorities because i have clearly been body snatched, replaced by an evil clone, and need to be stopped 12 Nov 2026 jewish joan of arc walks into a ren faire rave 04 Nov 2026 Happy birthday, @harinef. I have this image—captured by @e.miliotamez and styled by yours truly in an operatic editorialization of @borna_joon’s play, The Perverse—as my iPhone lock screen background. When people see it, they more often than not ask if it’s me. They see the intensely crafted bob and Weimar mug; the intense, willfully feminine gaze; the décolletage flexing and straining against (toward?) a man’s psychosexual wills and whims. She thumbs his own belt, pulled taught, into his slack mouth. He tenses in sheer anticipation of the ecstasy she will bring him. They are serving and servicing each other. It’s off-putting and erotic, too. You want to look closer. Hari always makes me want to look closer and lean in and slow down. That’s love. I see myself in all of these gestures, sure, but I see Hari just as much if not more. In our 18 years of friendship, we’d never worked together in this way that’s so familiar to us both—steeling ourselves, body and soul, in service of an arresting image. In a warehouse we normally rave together for hours and hours and hours in, something sublime and unspeakable emerged in the space within and beyond our lifetime of telepathically shared reference points. That’s trust. Hari held up a mirror to the girl in me so many years ago. I waded into a pool of liquid silver and emerged a sister to her and a possibility to myself. My focus sharpened and I snapped into place. I became legible to myself and to the world around me. More often than not, when we speak about something or someone we desire to each other, they emerge out of the ether sooner than later. We serve each other in that way. We conjure our futures out of nothing but our own sheer will. That’s magic. When I look down at my phone, or look into Hari’s face across a dance floor or a dinner table or her own living room as I return with Chinese delivery to accompany a marathon night of watching endless drag queen videos, I see the entirety of my life in one person. An image made flesh, thank goodness. That’s my sister. 21 Oct 2026 an 11:30am espresso martini while dancing with your friends to a flawless techno b2b on a rainy sunday in the greatest city in the world can actually be so healing for a bitch bitch bitch like me 13 Oct 2026 Happy opening night to the cast and crew of THE PERVERSE, a new play by @borna_joon. Good luck snagging a ticket to the sold-out run, pervs 🧸 @samuelhine is SUBJECT 1 @harinef is SUBJECT 2 @kbnyc is BOSS @jamescusatimoyer is PLAYER 1 @nyomistewart is PLAYER 2 Photography @e.miliotamez Styling @blythemarks Hair @uhmmwhat + @ivainsane Makeup @kyequinlan + @alexlevymakeup 24 Sep 2026 THE PERVERSE, a new play by @borna_joon at @qncc.bk September 24-27, 2026. Photography @e.miliotamez Styling @blythemarks Hair @uhmmwhat Makeup @kyequinlan A sick and twisted privilege to style @harinef and @samhlevine as SUBJECT 1 and SUBJECT 2 to promote Borna’s slick and delightfully limp-wristed piece of psychosexual techno theater. We conjured blown out, backlit boy-on-girl romance in the Zero Chill darkroom—of course the show sold out its entire run immediately. Perverts, see you at the afters on Sunday so we can dance off our disgust and act out our desires together to @laurenflax and @sevyn0000. 22 Sep 2026 “are you wearing the—“ “the spring 2007 house of holland FLICK YER BEAN FOR AGYNESS DEYN tee that charli xcx reinterpreted for her music, fashion, film tour wardrobe? yeah, i am.” 17 Sep 2026 I love being a transsexual. I love Fire Island. I love being a transsexual on Fire Island. For my debut @dazed piece, I offer you portraits by @lindsayperryman and 1,125 words of my own on @doll.invasion’s mission to make every city girl feel like a little mermaid for one weekend every August in Fire Island Pines. If the Pines itself is a project of fantasy built around the social, sexual, and monetary capital of gay guys and their desires, Doll Invasion affords queer men and trans people the collective dream of reshaping the landscape of the island and building a new way of being together—as friends, lovers, and beyond—while we fail together, too. We’re supposed to! As long as we keep returning. An absolute joy and privilege to speak to @xychelsea87, @willieherself, @unit01barbie, and Fire Island Pines’ everyness herself, @thelinabradford—I wish more of my 40-minute phone call with her could’ve made it into this. Their collective voices echo and amplify a long history of trans women turning it the fuck out in the Pines since its inception as a queer enclave in the early 20th century. Let’s make sure that keeps happening well into the future, guys and dolls! We’re supposed to. 09 Sep 2026 @jordan.tannahill invited me into the woods to play overdressed dandy in @hunterabrams’ recreation of Édouard Manet’s “Le Déjeuner sur l’herbe”—of course I said yes! He’s my brother, my creature, my deer and my dog, my dear and the dawn of a freakier kind of life. It’s a life I lived for so long on my own and now get to share with him and with the people who choose to cruise in our forest of kinky, queer chosen family matters. Read all about it—and his brief, brilliant new novel, The Living Realm, on sale September 8—in his @cultured_mag interview with @adameli. 01 Sep 2026 I’ve been finding new ways of seeing. I happened upon the charm of these moving portraits—video diptychs, if you will—after pressing my thumb down on an iPhone photo a lover took of me to hear him say, “Beautiful. Gorgeous.” on repeat as I posed. Something special I haven’t quite sketched out rests upon, or beyond, this visual fulcrum of tension and release. So I stitched together other pieces of my recent days, bulges and kisses and embraces and gazes into the lens. As a self-described zillennial, this is a way to regard my twin selves and their attendant visual displays of affection: the earnest back and forth of a Boomerang, and the ironic, winking digital love letter of a photo turned into a video turned into two videos smashed together in a carousel dump. I’ve brought the same disposable camera everywhere with me this summer and haven’t captured a single image with it since 4th of July; since @e.miliotamez challenged me to make a new kind of painting with the binary data inside a smartphone. Seeing sub-surface. A new horizon line. The beach in the Pines at sunset on my @doll.invasion day trip, emerging from a horizontal Turkish towel makeout with a newlywed to see a friend kissing the newlywed’s husband. No pictures then. Just feeling. Our gazes soft and steadied upon the same dusky horizon of attention and desire. Madonna calls across the void of time—a portal, if you will—to Sabrina and challenges her: “Bring your love, ‘cause you’ll never break me.” Meghan O’Gieblyn, on Simone Weil and Iris Murdoch, writes: “Attention… is a way of enlarging one’s desire for good. We find a focal point that appears to contain the good, we look at it, we wait, and over time, if we’re patient, our will becomes aligned with it.” To remain strong enough to withstand a beloved’s attention without being destroyed by it. In that way, to see and be seen can be a way to be free. Again, Madonna: “I feel so free.” 31 Aug 2026 we saw you from across the bar and lowkey think your vibe is shocking and bizarre yet downright intoxicating. we’re wondering if you would join us on a brief but enthralling emotional journey that will change the three of us forevermore, body and soul. yes or no? 28 Aug 2026 @ebay transparency (gatekeeping the rest) 25 Aug 2026

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Dfpic1AG4Ndif you see me outside in november in anything ot…
DfU1TqtkeEdjewish joan of arc walks into a ren faire rave
DewthTeEaWoHappy birthday, @harinef. I have this image—capt…

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