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Artisan Audio Mastering
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#mastering#audio#weezer#dalebecker#dalebeckermastering#bellevuestudios#dreamcenter#kennybeats#mixedbyjoshgudwin#music
Recent posts
Queens of the Stone Age - Perfecth
@queensofthestoneage
Produced by
Josh Homme & Michael Shuman @jhobabyduck
Engineered by
Mark Rankin @markrankin
Gregg White @greggnwhite
Robert Adam Stevenson @robertadamstevenson
Mixed by
Mark Rankin @markrankin
Alan Moulder
Finn Howells @le_finn_fatale
Mastered by
Dale Becker @beckermastering
Half-Speed Vinyl Cut by
Peter Hewitt-Dutton @phdutton
Released on @matadorrecords
30 Oct 2026
I hope you’re dancing 💃🏽 And I hope you’ve pre-saved my upcoming album, Legendary Love
(Link in bio)
♥️♥️♥️ I Love You
22 Oct 2026
NEXT WEEK • LIMITED SPOTS
@beckermastering is coming to share insights on mastering, the music business, and building longevity in the industry.
Dale Becker is a 9-time Grammy-nominated, Latin Grammy-winning mastering engineer who has worked with some of the biggest names in music, including Billie Eilish, SZA, Justin Bieber, Doja Cat, and Khalid.
GUEST PERFORMANCE @brandoncrockett
10/28/26 • 6PM
626 CORONADO TERRACE BEHIND DC FITNESS
SIGN UP IN BIO
#dalebecker #dalebeckermastering #bellevuestudios #dreamcenter
21 Oct 2026
Karma ♾️ out now!
I’ve missed you all more than these few words can hold.
Thank you for keeping a light on for me through the silence, for your patience, and for the love that has found its way to me these past few days. ❤️
I’ve lived with this music for so long, held it close through changing seasons.
There is a tenderness in finally letting you hear it and a joy of knowing we get to meet here again. So it begins…
Love you all xx
14 Oct 2026
@CHELSEACUTLER
IS THIS THE END? - ALBUM
WRITTEN BY @CHELSEACUTLER @ANDREWWELLS_ @LAFRANTZ @BILBOBAGNALL @LILYKAPLAN_ @THISISROMANS @SADGIRLSLOAN @WHATSUPSAHL @RICKYJAMES
PRODUCED BY @ANDREWWELLS_ @CHELSEACUTLER @BILBOBAGNALL
MASTERED BY @BECKERMASTERING
29 Sep 2026
Had a fun trip up to San Francisco to speak at Dolby this week and share some of my favorite ATMOS Mixes and Masters in their awesome theater. It was so fun to see all the innovation being made in the tech space, how far the format has really taken over car audio, and to meet so many awesome folks.
25 Sep 2026
Sometimes we do too much.
A great master on a great mix, generally speaking, is a 1–3% improvement. If that.
A 1% change in amplitude is about 0.086 dB. A 1% change in power is about 0.043 dB.
Adding 1 dB is a 12.2% increase in amplitude.
Anytime I’m EQing anywhere near a dB, I have to stop and ask myself: Does this mix really require that level of change?
Working with the mixing engineers I do, the answer is more commonly no.
I “sit” with a mix. I listen with no changes. I listen and compare. Active listening, then passive listening.
What jumps out of the speakers in the shootout: the loud mix ref, or my master?
I actually try to hate my changes. I try to prefer the mix over the master, because I want to overcome my own prejudice that whatever I changed must be better simply because I changed it.
Discerning artists and engineers commonly comment that a well-placed 0.1 dB cut or boost was “game changing.”
It should be.
For someone who has lived and breathed a production or mix for a month, who has pursued a finished-sounding record for any length of time, sometimes the appetite for change is less than 1%.
The phase shift, groove impact, tonal shift, etc. imparted by even the smallest EQ move can make or break a record.
Call me crazy, but attention to the smallest details, and the willingness to dive into those details with a client, is a major reason certain clients work with me.
Decide that 0.1 dB matters, and eventually you’ll perceive it.
You’ll start operating in the margins. And you’ll enter into the deeper realms of perception with your client.
“This mix doesn’t need mastering” is often “this mix needs a mastering engineer who is able to not overstep.” Operate in nuance.
(Audio & science nerds: please allow me to make my point speaking roughly.)
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#mastering #audio
23 Sep 2026
An honor to work with Boy Harsher. True visionaries at the highest level.
Get Mean, out now 🖤
Love to the family
@atlanticrecords @goldtheoryartists
18 Sep 2026
Hard to believe I’m writing this here, but mixing this new @weezer album is truly a full circle moment for me, bringing me right back to my youth and revitalized my inner child!
Shoutout to the great @kennybeats for bringing me on board for this gem. @klasahlund, you’re a legend!!
#weezer #kennybeats #mixedbyjoshgudwin
18 Sep 2026
It’s been a minute since I’ve shared a part of our process. I hope it’s as helpful to you as it is for me!
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#audio #mastering #music #production #mixing
08 Sep 2026
As this album was taking shape, I found myself stuck in a state of gratitude. Every track is so intentional, so thoughtful… so musical.
This is one I know will stay in my personal rotation for years to come. One of my favorite parts of this work is the transition from experiencing an album as a technician, intensely focused within the relatively narrow window of mastering, to simply being a listener and letting the music continue to unfold to me over the months and years that follow its release.
Thank you, Dahi, for the great honor of trusting me to master your personal music. And thank you to Cody Verdecias for bringing me into the orbit of such incredible artistry. Truly grateful for this one.
Of course, last but certainly not least, major props to David Wrench for mixes that don’t only sound awesome today, but that will also stand the test of time.
31 Aug 2026
Working with one of the all-time greats honestly has me feeling incredibly thankful and inspired.
Growing up, I would have KROQ in LA playing everywhere I went, and you’d be hard pressed to find a car ride back then where Weezer didn’t get played at some point. Getting to work on their new album all these years later is pretty surreal.
This album feels fresh, yet somehow completely true to the band’s sound and identity.
Beautifully produced by Kenny Beats and Klas Åhlund, and mixed to alternative rock perfection by Josh Gudwin.
One fun mastering fact on this one: the whole album ended up being pretty heavy-handed on the analog side, with surprisingly minimal in-the-box processing. It was definitely worth the time finding just the right chain and gain staging to pull a little extra magic out of two very special custom pieces of gear.
Really thankful to have had the opportunity to be a small part of this one. ❤️ Huge thank you to my team on this one @katieharveycaldwell and @ajbhyphenmusic couldn’t have done it without you.
Magic Vinyl cut by Eric @bakerymastering ☀️☀️☀️
Also huge congrats to long time client @lutherrussellmusic on your writing on this album. Fun to see you on here as well!
#mastering #weezer
24 Aug 2026
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