@avani.rai - IGDataHub

Avani Kaur Rai

Threads

@avani.rai

134.0K

Followers

5,646

Following

389

Posts

N/A

Reels

Highlights

8/4

Photos/Videos in last 12

Bio

See Instagram photos and videos from Avani Kaur Rai (@avani.rai)

Links

avanirai.com

Avg likes

Avg comments

Engagement

0.2/wk

Posting

Likes and comments are still being collected for this account. Check back shortly.

#pirellicalendar #pirellical2027 #morocco #cartier #aboditransylvania #marakesh

Recent posts

A story of love, memory and the power of photography. Through her lens, Avani Rai pays tribute to her father, legendary photographer Raghu Rai, celebrating his extraordinary vision and legacy. A personal tribute, part of The Cal™️ 2027. Credits Director: Avani Rai @avani.rai and Navzar Eranee @neranee DOP: Ravi Varman @r_varman_ Associate Director: Wesley Joseph First AC / Camera Operator: Tenzing Kelsang @tenzinkelsang_, Wesley Joseph 2nd AC: Shreya Rana @shhhreyyz, Varun Gajjar Gaffer / Technicals: Harman Achint @iamharmanachint Local Production: Ransom Film (India) @ransomfilms Co Producer: ProdCo @prodcofficial Offline (Editor): Ajit K Nair @ajit.k.nair Sound and Grade: Harbor Production Company @harborpictureco Music Composer: Zohaib Kazi @zohaibkazi Music Producers: Zohaib Kazi @zohaibkazi, Shikhar Yuvraj Manchanda @manchandashikhar & Charan Singh Pathania @charanmusic Music Mix: The Beast India Company, @Thebeastindiacompany Violin: Jitendra Thakur Online Studio: Splice Studioz @splicestudioz Assistant Producer: Meghna Vishwakarma @meghna__08 Post: Alokananda Dey @iam_aloka #PirelliCalendar 26 Oct 2026

DIGGER : Sometimes you find yourself somewhere and realise, this is where you want to be. Thank you, my friend @chivexp 🤍 The feeling of being on set with Chivo, Alejandro González Iñárritu and Tom Cruise is indescribable. Every time I am on a film set, I feel alive. It is everything all at once - To be invisible, to observe, to learn, to meet people, to witness extraordinary minds at work and be inspired every second. This is exactly why I want to make films. For the worlds they open up, the people they bring together, and the endless possibility of creating something for posterity. 1/2 05 Nov 2026

I’ve spent so much of my life behind the camera, finding ways to connect with the world and the people in it. Photography, for me, has always been about breaking barriers, building trust, and creating something that neither of us could have imagined alone. To be on the other side of the lens, photographed by Solve, my co-creator on the Pirelli Calendar 2027, was a beautiful reminder of that exchange. To surrender to someone else’s gaze, to let go of authorship for a moment, and to allow yourself to be seen rather than to see, is an equally meaningful part of the process. Maybe that’s what I love most about photography: the meeting of two perspectives, and the possibility of discovering something new in the space between them. Thank you, Solve, for this experience. 🤍 #pirelliCal2027 30 Oct 2026

A little 💌 For @2112saldon_ladakh Film directed by : Avani Rai (@avani.rai ) Photographer : Avani Rai (@avani.rai ) Editor : manthan sharma (@manthan.mp4 ) Cinematography by : Avani rai (@avani.rai ), Daksh Chindalia (@dakshchindalia ) Art Direction : Vibhash (@therandomhead) Talent : Ravleen Varghese Binu (@ravleen_v )(@animacreatives ), Nangskit Angmo (@zes_angmo_ ) Pema Tsamchoe (@_itspema ), Ninkala (@ninkala__ ) Styling : Bikash Choudhury (@camcardashian.cc ) Vibhash (@therandomhead ) Assisted By : Etdzes Tsering Chosdon (@dz3s.jb ), padma zesdan (@zesdann) Hair & Makeup : Umang Thapa (@umang.artist ) Accesories Coutresy : Lhanzey Palden ( @mapcha.studio ) Footwear Courtesy : Anita Soundar ( @disobediencechennai ) 05 Sep 2025

Where is home when no single place contains all of you? For her first T MENA cover, the British-Moroccan model Nora Attal (@noraattal) returns to Morocco and reflects on a life lived between places. From childhood summers in Larache to a career spent travelling the world, Attal considers the people, memories and inherited histories that have shaped her understanding of belonging. She speaks about her family’s journey to Britain, beginning her modelling career as a teenager and why the person behind an image will always matter more than the image itself. Read A Life Between Places at the link in bio. Editor in Chief: Sara Hamdan @bysarahamdan Story: Rachel Bassett @rachbassettgould Creative director: Dané Stojanovic @danestojanovic Photographer: Avani Rai @avani.rai Executive producer: Noor Miah @noormiah.mov Producer: Ghalia Chraibi @edtrl.agency Project manager: Grace Boulter @gboulter Photography assistant: Harman Achint @iamharmanachint Stylist: Carmelo Corvaia @carmelocorvaia5 Hair stylist: Jordan Robertson @itsjordanrobertson Make-up artist: Ricky Morandin @ricky_morandin Nail technician: La Sultana Production assistant: Ayoub El Bardii @ayoub_elbardii Video editor: Manthan Sharma @manthan.mp4 Retoucher: Myriam Barrionuevo @myribarri Location: @maisonbrummell #morocco #cartier #aboditransylvania #marakesh 17 Sep 2026

For @tmagazine.me 02 Jun 2026

For @tmagazine.me Creative Direction: @danestojanovic Photographer: @avani.rai Styling: @carmelocorvaia5 Model: @jadebaya @thefaceparis Hair Artist: @mamrezabbasi @thegreenappleitalia Make Up Artist: @andreaseverinosailis @blendmanagement Executive Producer: @steff.producer Casting Director: @emilieastrom @rawstudio.casting Styling Assistants: @evacarlottadevincenzi & Jacopo Greco Lighting Assistant: @saradipancrazio 21 May 2026

W198 ‘The Cal 2027 - Avani Rai's Tribute to Raghu Rai’ directed by @avani.rai & @neranee for @pirelli Directors: @avani.rai, @neranee Co-Production Company: ProdCo ProdCo Founding Partners / EPs: Ian Pons Jewell & Zico Judge DOP: @r_varman_ Production Designer: @teepeedom Additional Production Design: @twishapal Head Stylists: @gagabytanyasharma, Sujata Sharma Creative Advisor: @purvairai Client: @pirelli Local Production Company:: @theproductionclub The Production Club EPs: @camillajohnsonhill, Jade Jean-Marie, @natasharoseforte Local Production Company: @ransomfilms Ransom Film: @khurana.salil, Suhana Sharma, @sachn_singh Producer: Padmini Nandakumar Associate Producer: @rimalarora1234 Production Coordinator: Supreet Aneja Camera / Lighting 1st AC / Camera Operators: @tenzinkelsang_, Wesley Joseph 2nd ACs: @shhhreyyz, Varun Gajjar Director’s Assistants: @iam_aloka, @anaiyakalra, @_sahanaz, @shhhreyyz, @major_tom2, @saalikhushi, @trivyas Associate Director: Wesley Joseph Lighting & Camera Support Gaffer / Technicals: @iamharmanachint Lighting Assistants: Sahil Gautam, Pankaj Kumar, Kishan, Golu, Vivek, Yogesh, Sumit, Sachin, Jagannath Chavan, Dinesh Magar, Kishor Mhatre, Aadesh Yadav, Akshay Magar, Neeraj Singh, Karan Singh, Mitesh Solanki, Subhash Yadav Focus Pullers: Golu Singh, Hari Shankar Choudhary, Sagar Chaudhary Camera Attendants: Mukesh Gupta, Amit Thakur, Samir, Manju Alam, Kundan Kumar, Sachin Maddy Camera Attendants (Mumbai): Samsuddin, Kundan Kumar, Shubham Gupta Post Production Offline Editor: @ajit.k.nair Sound and Grade: @harborpictureco Sound Design & Mix: @gcastlesound, @jim_db Colour Grade: @alexgregorycolour Colour Producer: Charlie Morris Music Composer: @zohaibkazi Music Producers: @zohaibkazi, @manchandashikhar, @charanmusic Music Mix: @Thebeastindiacompany Violin: Jitendra Thakur Online Studio: @splicestudioz Flame Creative Head: @sohamrawal Associate Flame Artist: Sujal Shetty Assistant Producer: @meghna__08 Post: @iam_aloka 29 Oct 2026

For my Papa 🤍 My father taught me that photography begins with attention. That attentiveness taught me that images begin with a relationship - the willingness to spend time with something before trying to define it. The biggest lesson my father gave me wasn’t technical. It was about how to move through the world. Photography begins with patience, curiosity and a genuine interest in life itself. For my father, attention was a form of respect. He believed that life revealed itself constantly, but only to those willing to slow down enough to notice. He often spoke about what he called the mind’s “in-built memory card” - the tendency to rely on familiar ideas and repeat what one has already seen rather than respond openly to what is actually present. For @mumbaimirrorofficial 16 Aug 2026

Looking for the Divine in every frame. A personal journey through roots, identity and belonging behind the scenes of the 2027 #PirelliCalendar. Avani Rai, Director & Photographer 07 Oct 2026

There are returns that begin as journeys, and others that reveal themselves as inheritances. When Avani Rai went back to Punjab to build a house, she was not entering unfamiliar territory so much as stepping more deeply into a place that had already shaped her. Her mother, the conservation architect Gurmeet Sangha Rai, had never entirely left. Her grandmother had stayed when leaving might have been easier. Across three generations, the story becomes less about property than presence: the women who held ground, bought back, rebuilt and made sacred what history might otherwise have passed over. For “The Emotional Readiness of Return,” Rai’s photographs do not look at Punjab from the outside. They come from within a practice of belonging, where the image becomes evidence, the house becomes memory and return becomes a way of understanding where you are meant to go. Read the full cover story at the link in bio. Editor in Chief: Sara Hamdan @bysarahamdan Story: Marne Schwartz @marnelenoir Photographs: Avani Rai @avani.rai 13 Aug 2026

India through the lenses of Sølve Sundsbø and Avani Rai. Discover the making of the #PirelliCalendar 2027 24 Jul 2026

Follower tracking

We have started recording @avani.rai, but only 1 observation so far — not enough to show a trend yet. Track it weekly →

Download @avani.rai's data

Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.

Data

Records

What you get

Price

Every post & reel

389 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
De9nXZbIjhE	A story of love, memory and the power of photogr…
DfXLj7vk0ss	DIGGER : Sometimes you find yourself somewhere a…
DfH7hw5jZ0J	I’ve spent so much of my life behind the camera,…

Real rows from this account. The file continues in the same shape.

$9.99

minimum

Everyone who follows them

up to 50,000 followers of 133,966 total

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$250.00

Everyone they follow

up to 5,646 accounts

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$28.23

Every post & reel

389 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
De9nXZbIjhE	A story of love, memory and the power of photogr…
DfXLj7vk0ss	DIGGER : Sometimes you find yourself somewhere a…
DfH7hw5jZ0J	I’ve spent so much of my life behind the camera,…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 133,966 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 5,646 accounts

$28.23

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 2 days, 1 hour ago.