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We support Texas, national, and international artists in creating new art. We make art happen.
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Recent posts
Dan Cameron, Artpaceโs Fall 2027 Guest Curator, returns after a Fall 2004 residency cycle featuring works by Anne Wallace, Wangechi Mutu, and Milica Tomiฤ.
Each artist examined systems that shape our world and their human cost. Wallace gathered stories along the two-thousand-mile U.S./Mexico border for ๐ฆ๐ญ ๐ฐ๐ต๐ณ๐ฐ ๐ญ๐ข๐ฅ๐ฐ, a video and sound installation exploring the constructed barrier and its consequences; Mutu, provoked by the execution lore in Texas, created ๐๐ข๐ฏ๐จ๐ช๐ฏโ ๐ช๐ฏ ๐๐ฆ๐น๐ข๐ด, which featured her first video work, an installation questioning whether killing can absolve anyone from harm; and Tomiฤ's ๐๐ฆ๐ข๐ฅ๐ช๐ฏ๐จ ๐๐ข๐ฑ๐ช๐ต๐ข๐ญ re-examined Karl Marx's premise within the context of todayโs global and capitalist economy.
Join us next week for a special Tuesday-night Curator Talk on November 17, from 6-8PM, to learn about his practice and early vision for the Fall 2027 residency.
This event is free and open to the public. Register at the link in our bio.
๐ธ Todd Johnson
11 Nov 2026
LEAVING SOON | ๐๐ฆ๐ญ๐ง
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How do you see yourself, and how do others see you? Through self-portraits, projections, and the body as a form of self-representation, Artpace alum artists Alex Bag, Paul Pfeiffer, Kang Seung Lee, and Anne Wallace use video to explore how identity is constructed, performed, and perceived.
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๐๐ฆ๐ญ๐ง is on view through November 29, 2026. Plan your visit โ Artpace is free seven days a week, with free parking at 513 N Flores.
10 Nov 2026
Weโre still floating from MILANO MASSIMO, our annual Brunch! โจ
Thank you to everyone who joined us for MILANO MASSIMO, our annual Brunch last month, and helped us celebrate the intersection of art, identity, and cultural memory.
Our deepest gratitude goes to our co-chairs, Elizabeth and Hunter Houston Abbey and Mac Brady; our host committee; and our sponsors, whose generosity and leadership made the afternoon possible and our most successful one yet. The event was everything we hoped for and so much more. A special thank you to our sponsors, Fraulein Boots, Neiman Marcus, Period Modern, Rick Liberto, Chris Hill, and Liz and Hunter Houston.
Your support sustains Artpaceโs International Artist-in-Residence program, exhibitions, and educational programming, and weโre profoundly grateful.
๐ฅ Seven Sisters Studios (@sevensistersstudios)
08 Nov 2026
DreamLab is tomorrow! ๐จโจ
We canโt wait to welcome back muralist Kat Cadena and local artist Anfisa Brewer for a day of hands-on creativity!
Join us for a chalk mural led by Kat, screen printing with Anfisa (BYO shirt, tote bag, or printing surface!), and activities led by our friends at Spare Parts and the San Antonio African American Community Archive and Museum (SAACAM).
Bring your family, friends, and curiosity! Rain or shine, weโll see you there!
๐
Saturday, November 7 | 12-4PM
๐ง Open to all ages
๐๏ธ Free admission | No registration required
๐ Artpace San Antonio | 445 N Main Ave
๐ Free parking at 513 N Flores
06 Nov 2026
As we look back on Artpaceโs 31-year history, weโre continuing to look back with our next Guest Curator, and we are excited to announce alum curator Dan Cameron as our Guest Curator for the Fall 2027 International Artist-in-Residence program.
Dan joined us as a Guest Curator in 2004, when he selected artists Wangechi Mutu, Milica Tomiฤ, and Anne Wallace. In a 45-year career, Dan has organized exhibitions for museums, galleries, and public spaces worldwide, championing significant artists before they become publicly recognized. He served as Senior Curator at the New Museum (1995-2006), Founder and Artistic Director of the first two editions of Prospect New Orleans, and Chief Curator and Acting Director of the Orange County Museum of Art. He has also co-curated biennials in Venice, Istanbul, Taipei, and Cuenca, and has published widely and taught at Columbia, NYU, and SVA. Since 2022, he has co-led La Capilla Azul, an independent exhibition space on the island of Chiloรฉ, Chile.
This month, Dan is traveling across Texas for studio visits to select the Texas Artist for Fall 2027.
Join us for a special Tuesday-night Curator Talk on November 17, from 6-8PM, to learn about his practice and early vision for the Fall 2027 residency. This event is free and open to the public. Register at the link in our bio.
05 Nov 2026
On View Now โ ๐ฉ๐ข๐ญ๐ญ๐ฐ๐ธ๐ฆ๐ฅ ๐ญ๐ช๐ฌ๐ฆ ๐ข ๐ด๐ฉ๐ฆ๐ญ๐ญ ๐ช๐ฏ ๐ธ๐ข๐ต๐ฆ๐ณ, Roksana Pirouzmand
In ๐ฉ๐ข๐ญ๐ญ๐ฐ๐ธ๐ฆ๐ฅ ๐ญ๐ช๐ฌ๐ฆ ๐ข ๐ด๐ฉ๐ฆ๐ญ๐ญ ๐ช๐ฏ ๐ธ๐ข๐ต๐ฆ๐ณ, Roksana Pirouzmand considers how our lives and actions extend beyond ourselves and become intertwined with those of others. As the center of the installation, two rocking chairs face away from one another across a shared basin of water. A connected system carries each chair's movement into the basin, where waves travel, meet, and disrupt one another, giving physical form to the ways we influence and are influenced by one another.
Surrounding the installation, large-scale paintings on steel show bodies leaning against, gathering around, and emerging from one another beneath fields of rust that recall shifting skies and light. Pirouzmand uses oxidation as part of the painting process, letting rust develop across the steel and become part of the image itself. Moving between figure and landscape, individual and collective, the work leaves room to consider our relationships and how they change over time.
๐ฉ๐ข๐ญ๐ญ๐ฐ๐ธ๐ฆ๐ฅ ๐ญ๐ช๐ฌ๐ฆ ๐ข ๐ด๐ฉ๐ฆ๐ญ๐ญ ๐ช๐ฏ ๐ธ๐ข๐ต๐ฆ๐ณ is on view through January 17, 2027. Artpace is free seven days a week, with free parking at 513 N Flores.
๐ธ Michael Cirlos
04 Nov 2026
COMING UP | Artpace Presents the Russell Hill Rogers San Antonio Sessions featuring Joe Harjo
Join Artpace for a screening of Joe Harjoโs (@ndnstagram) film, ๐๐ฆ๐ค๐ฐ๐ฎ๐ช๐ฏ๐จ ๐๐ฎ๐ฐ๐ฌ๐ฆ. ๐๐ฆ๐ค๐ฐ๐ฎ๐ช๐ฏ๐จ ๐๐ฎ๐ฐ๐ฌ๐ฆ explores Native survival in the face of ongoing cultural commodification, removal, and erasure. At the center of the film is a dancer wearing a garment fabricated from retail security alarms and inspired by traditional regalia. As the dancer moves, the garment's weight pulls against the body, creating tension between restriction and freedom, vulnerability and resistance. Through movement, landscape, sound, and material, the film asserts Native presence and the persistence of Native identity: a declaration of sovereignty and a refusal to disappear.
Joe Harjo is a Muscogee (Creek) Nation of Oklahoma artist based in San Antonio, whose work challenges the erasure of Native culture in America, addressing misrepresentation and appropriation. He has recently exhibited at Ft. Worth Contemporary Arts, Contemporary at Blue Star, Galveston Art Center, and Sala Diaz. He's a Harpo Foundation Native American Residency Fellow, and his work is held in collections including the San Antonio Museum of Art, McNay Art Museum, and Texas A&M University at San Antonio. He advocates for change through his work, confronting mainstream culture's neglect of Native identity.
Following the screening, stay for a Q&A with Joe Harjo as they unpack the ideas at the heart of the work.
San Antonio Sessions are generously funded by the Russell Hill Rogers Fund for the Arts. This film was produced in part by an Individual Artist Grant from the City of San Antonio Department of Arts and Culture.
๐๏ธ Thursday, November 19, 2026
๐ 6โ8PM
๐ Artpace Rooftop Terrace | 445 N Main Ave
๐๏ธ Free and open to the public with registration
๐
ฟ๏ธ Free parking at 513 N Flores
๐ Link in bio to register
Please note: space is limited; all guests must register individually to secure their spot.
03 Nov 2026
DreamLab Returns Saturday, November 7!
Spend your afternoon at Artpace and join us for our free family day on Saturday, November 7, from 12โ4PM for an afternoon of hands-on creativity led by artists and makers!
โฆHands-On Make & Take Activities Include:
โฆScratch paper etchings
โฆKinetic paper sculpture
โฆPhoto transfers
โฆMessage collage
โฆSpare Part rocket ships
โฆMultimedia illustration
โฆPrintmaking with Dirty Bones Design Co. (BYO T-shirt, tote bag, or printing surface!)
โฆButton making with San Antonio African American Community Archive and Museum (SAAACAM)
DreamLab is free and open to all ages, and no registration is required. Free parking is available at 513 N Flores.
02 Nov 2026
One design challenge for Artpaceโs Rooftop Terrace Solar System was not only to generate electricity and provide shade, but also to keep rain off the terrace. Yesterday, Artpace could host its Morning Mixer with Estate Coffee even during a downpour.
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Being a laboratory of dreams is our ethos for solving problems, and it extends beyond artwork. Artpace experimented, designed, tested, and installed the only solar panel system in South Texas that also serves as a roof.
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As Artpaceโs Director, Riley Robinson shared, itโs an amazing experience to stand on the rooftop during a downpour while enjoying a drink from Estate Coffee and a bite from Bexar Kolaches.
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Artpaceโs rooftop terrace renovation has been made possible through generous support from:
Janet Lennie Flohr
80|20 Foundation (@8020sa)
City of San Antonio (@cosagov)
Bexar County (@bexarcountytx)
The Brown Foundation, Inc.
John L. Santikos Charitable Foundation, a fund of the San Antonio Area Foundation
Nancy Smith Hurd Foundation
Helen Frankenthaler Foundation (@helenfrankenthalerfoundation)
Kronkosky Foundation (@kronkosky)
31 Oct 2026
On View Now โ ๐๐ต๐ณ๐ข๐ฏ๐จ๐ฆ ๐๐ฐ๐ท๐ฆ, Chavis Mรกrmol
In ๐๐ต๐ณ๐ข๐ฏ๐จ๐ฆ ๐๐ฐ๐ท๐ฆ, Chavis Mรกrmol examines how power, masculinity, and control are performed through familiar images of American culture. At the center of the installation is a mechanical rocket built from a mechanical bull's mechanism, bringing the language of entertainment into direct contact with military and aerospace imagery. The title nods to Stanley Kubrickโs 1964 film, ๐๐ณ. ๐๐ต๐ณ๐ข๐ฏ๐จ๐ฆ๐ญ๐ฐ๐ท๐ฆ, and Mรกrmol shares its satirical use of humor and exaggeration to expose contradictions in objects that can seem ordinary, entertaining, or even desirable. Moving between the playful and the threatening, Strange Love considers how spectacle makes systems of violence familiar, and how easily symbols of domination become entertainment.
Glasstire recently reviewed the work in an article by Seyde Garcia โ visit the link in our bio to read the review.
๐๐ต๐ณ๐ข๐ฏ๐จ๐ฆ ๐๐ฐ๐ท๐ฆ is on view through January 17, 2027. Artpace is free seven days a week, with free parking at 513 N Flores.
๐ธ Michael Cirlos
26 Oct 2026
Lauri Firstenberg, Artpaceโs Spring 2027 Guest Curator, returns after a 2008 residency cycle that brought William Cordova, Marco Ramirez ERRE, and Mark Bradford to San Antonio.
As Lauri wrote in her 2008 essay about the works, each artist responded directly to place: Cordova created sculptures and installations that memorialized figures marginalized in Texas history; ERRE confronted cartel violence at the U.S.-Mexico border in ๐๐ฉ๐ฆ ๐๐ฐ๐ฅ๐บ ๐ฐ๐ง ๐๐ณ๐ช๐ฎ๐ฆ; and Bradford uncovered histories of economic and cultural erasure through his research into the Travis Savings and Loan building.
Join us for a Curator Talk with Lauri on Thursday, October 29, from 6-8PM, as she discusses her practice, legacy, and shares her vision for the Spring 2027 program.
This talk is free and open to the public. Register at the link in our bio. ๐
22 Oct 2026
Itโs the last call for MILANO MASSIMO! ๐ Just 10 tickets remain for our annual brunch this Saturday, October 24!
Every year, our brunch takes on a new theme, and this year weโre heading to Milanโs era of radical design. Swipe through to revisit the afternoons that came before, then see the images that shaped this yearโs world. This afternoon celebrates the intersection of art, identity, and cultural memory. Enjoy specialty cocktails and a northern Italian alfresco lunch, followed by private exhibition tours in our galleries.
With only 100 guests, itโs an intimate afternoon of fine food, good friends, and fun, all in support of Artpaceโs International Artist-in-Residence program, exhibitions, and educational programming.
Secure your seat before theyโre gone! Get your tickets at the link in our bio. ๐
21 Oct 2026
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