@art

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Art is the language

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On November 8, hundreds of people gathered in Chicago’s Millennium Park with an unusual goal: to push Anish Kapoor’s (@anish.kapoor) ‘Cloud Gate’ seven inches to the left. The plan came from a cryptic flier and a Partiful invite, and it was based on a long-running internet rumor that a man was trapped inside the sculpture. If the crowd could move it, the organizers claimed, they would reveal a hidden latch door and get him supplies. The sculpture they were up against is one of the most famous public artworks in the world. Kapoor, a British Indian artist known for monumental, reflective works, completed ‘Cloud Gate’ in 2006. He took inspiration from liquid mercury and shaped 110 tons of polished stainless steel into the form that earned it the nickname “the Bean.” In the end, the Bean didn’t budge. No door was found, no supplies were delivered, and city officials confirmed once again that no one is trapped inside. 11 Nov 2026

Daniel Malikyar (@dmalikyar) is an Afghan-American photographer and filmmaker, born in Los Angeles to Afghan refugee parents. Growing up between the Afghanistan he saw in the media and the one he knew through his family, he became fascinated by the gap between how people are represented and who they really are. ‘Afghanistan’, his most personal project to date, came out of years of independent travel through his ancestral homeland during a rare window of access. From remote mountain villages to the streets of Kabul, it captures the people, traditions and everyday life seldom seen beyond headlines of conflict. The work spans a monograph with a foreword by Khaled Hosseini, an 11-episode documentary series and a traveling exhibition, which opens next on November 12 during Paris Photo. 11 Nov 2026

Emmit Fenn (@emmitfenn) is a Los Angeles-based composer, producer, and artist whose work spans electronic music, contemporary composition, songwriting, and visual art. His latest project, The Light We Leave Behind (@lightweleavebehind) is an immersive live music experience set inside a soundstage in the Arts District. Fenn built the experience as one continuous piece of work. Guests silence their phones and are asked to stay off them, then walk down a dark corridor into the Snow Lounge. There they gather with cups of hot tea around a 30-foot tree as snow falls from above. From there they enter the Water Room, the heart of the experience. The floor is flooded, and about 70 lights are wired to the musical system, so every note changes the room. Fenn performs among the audience with a small ensemble, and as the music builds, rain falls from above and joins the performance. The newest space, the Meadow, is for the time after the show. Guests can reflect, have something to eat or drink, and stay inside the sound a little longer. The room is built around a musical illusion of perspective: seven platforms each play their own composition, and from the center of the room they come together into an eighth. Much of the music was written for these rooms and will never be released. Fenn treats light, water, pacing, and the way guests are welcomed as part of the composition. The result is a performance that exists only in that space, with that audience, on that night. The Light We Leave Behind is open in Los Angeles for a limited time through November. 📷: @connerbell 10 Nov 2026

Carsten Höller (@carsten.holler) is a former scientist turned artist whose work turns audiences into participants, often treating the experience of art as an experiment. Since 1998 he has built slides as “sculptures with people inside,” at institutions like Tate Modern and the New Museum. His newest, ‘Mexico City Slides’ (2026), is a permanent installation at Arte Abierto (@arte_abierto) in Mexico City. Four spiral slides, up to 38 meters tall, wind through the Antara development from four different starting points: a restaurant, the Google offices, the Rosewood hotel and the Arte Abierto art space. Riders all land side by side at the bottom, which Höller sees as an equalizer. For him, the ride is a controlled fall, where fear and delight happen at once. Images captured by Pierre Bjork (@pierre_bjork) 09 Nov 2026

For the 20th anniversary of its first-ever store, Maison Margiela (@maisonmargiela) chose to tell the store’s origin story in a form that belongs to its city. The house invited Tokyo artist Takehito Moriizumi (@moriizumi_takehito) to create a manga about Maison Margiela Tokyo Ebisu, which opened in 2006 inside a former electronics factory. That building was where Margiela first shaped its retail concept, and the manga, ‘The Factory at Night,’ turns its transformation into science fiction. In the story, researchers in white coats, a nod to the house’s signature blouse blanche, investigate strange signals in an abandoned factory and watch it transform into the store as it stands today. Moriizumi is known for a distinctive ink wash style made with toothpicks and disposable chopsticks instead of brushes. He drew the entire story by hand over several weeks. That handmade process fits a house built on craft and its Artisanal tradition, and the manga is printed in a limited-edition zine handed out at Ebisu newsstands and in the store. 06 Nov 2026

‘Never The Same River’ at the Ford Foundation Gallery (@fordfoundationgallery) explores human migration and bodily autonomy, considering how movement reshapes our identities and our relationship to the world. Taking its title from a remark attributed to Heraclitus, the exhibition uses the river as a metaphor for transformation, bringing together photography, video, sculpture, and painting to reflect on displacement, resistance, and self-definition. Independent curator Dexter Wimberly (@dexterwimberly) takes us through the exhibition, where we explore Edison Peñafiel’s (@edisonpenafielstudio) looping journey in search of safety, Anoushka Mirchandani’s (@anoushka) reflections on departure and the lasting traces of colonialism, and Elliot and Erick Jiménez’s (@elliotanderick) exploration of spirituality as something we carry across borders. Across these works, movement becomes a way of considering what we leave behind and what remains with us. Visit ‘Never The Same River’ at the Ford Foundation Gallery in New York City through December 5. 06 Nov 2026

Italian artist Diego Marcon (@die.marcon) makes films and animations that borrow from horror movies, slapstick comedy and cartoons. His stories unfold like fables, full of families and children, but they often take an unsettling turn, mixing humor with a quiet sense of melancholy. ‘Arrivederci, Piggies!,’ his first solo museum exhibition in New York, is on view at the New Museum (@newmuseum) through January 31, 2027. The show brings together three of his recent films with ‘Krapfen’ (2025), a new commission staged like a short Italian opera set in a child’s bedroom. Familiar settings like bedrooms and family homes become strange and slightly menacing, calling up childhood memories of fairy tales, myths and small tragedies. Like much of his work, the show uses the look of a children’s story to get at something darker about how we learn who we are supposed to be. 05 Nov 2026

Nate Lewis (@nloois) is a New York-based artist whose practice grew out of his years as an intensive care nurse. His relationship with paper began with patients’ heart rhythms printed from EKG machines. Today, he combines photography, drawing, painting, and paper sculpting to create intricate textures that reflect his understanding of the body, extending his exploration of rhythm and movement into sound and video. For ‘Timbre in the Current’ at Zidoun-Bossuyt Gallery (@zidounbossuytgallery), Lewis explores the connections between choreography, nature, and sound. In Paris, he guides us through sculpted paper works that transform photographs of dancers into textured compositions, using mirrored bodies and butterfly forms to explore patterns shared between human movement and the natural world. Visit ‘Nate Lewis: Timbre in the Current’ at Zidoun-Bossuyt Gallery in Paris and its sister exhibition in Luxembourg through December 19. 03 Nov 2026

Virginia Deaver (@virginia.deaver) grew up in southern Appalachia and now paints in Los Angeles. She studied classics, political science, ethics, and philosophy before turning to the canvas, and those moral questions still drive her work. Her figures are caught in suspended moments, just before impact or revelation, when something is about to break or change. She draws on performance and literature, and her paintings move between gesture and abstraction. The scenes carry a magical realism, along with disaster, tenderness, and longing. 02 Nov 2026

Eric Sall (@ericsall76) is an American painter who has spent three decades pursuing abstraction. Starting in oil paints in high school and diving fully into abstraction in college, he works without knowing how a painting will start or finish, trusting that something will unfold and reveal itself along the way. Can a painting tell you what it wants to become? For Sall, that question is the whole process. In his studio in Tulsa, Oklahoma, Sall shares his current series ‘The Four Seasons,’ where sheetrock knives pull big fields of paint—a broad nod to Gerhard Richter and to his father, who built houses. Alongside the series, Sall shares a commission for the Philbrook Museum of Art (@philbrookmuseum) in which he makes a painting live on stage with the Tulsa Ballet (@tulsaballet), responding spontaneously to the dancers, sound, and energy of the moment. A Tulsa Artist Fellowship (@tulsaartistfellowship) fellow from 2016 to 2019, Sall lives and works in Tulsa. 31 Oct 2026

Chuck Ramirez (1962–2010) (@chuckramirezestate) was a San Antonio-based artist with a reverence for material culture. After years as a graphic designer and art director, he turned to making art full-time, using the objects that lined store shelves and filled home pantries as a reflection of who we are as humans. In his photographs, the goods people buy, consume, discard, or treasure become more than just things; they are evidence of life, recast as portraits of humanity, community, memory, and loss. For ‘Ordinary Wonders’ at the Momentary (@themomentary) , Ramirez’s photographs find wonder in the everyday, from pill minders to brooms gathered from shopkeepers in Mexico to his purse portraits of the things we hold closest. Curator Alejo Benedetti (@alejobenny) guides us through an exhibition that positions material culture as a window onto the people who used it. Visit ‘Chuck Ramirez: Ordinary Wonders’ at the Momentary in Bentonville, Arkansas through January 10. 30 Oct 2026

People’s (@peoplesny) is an after-dinner spot, social club and art gallery all in one. Founded by Margot Hauer-King (@margot_hk1) and Emmet McDermott (@mcdmmt), People’s has quietly become one of the city’s most sought-after evenings out. The building was once home to the Downtown Gallery, founded in 1926 by Edith Gregor Halpert, New York’s first female gallery owner. It was the first gallery in the country devoted only to living American artists, and it gave early shows to Georgia O’Keeffe, Stuart Davis and Jacob Lawrence. People’s continues that history with a rotating program of work by emerging artists, shown in a skylit gallery at the back of the club, in the same rooms where American Modernism got its start. 29 Oct 2026

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shortcode	caption	likes	comments
DfnlnLxj0qD	On November 8, hundreds of people gathered in Ch…
Dfm-BGGgtk3	Daniel Malikyar (@dmalikyar) is an Afghan-Americ…
DfknDcTPmAM	Emmit Fenn (@emmitfenn) is a Los Angeles-based c…

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shortcode	caption	likes	comments
DfnlnLxj0qD	On November 8, hundreds of people gathered in Ch…
Dfm-BGGgtk3	Daniel Malikyar (@dmalikyar) is an Afghan-Americ…
DfknDcTPmAM	Emmit Fenn (@emmitfenn) is a Los Angeles-based c…

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