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ARRI

@arri

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Inspiring images. Since 1917. Welcome to ARRI's official Instagram. ARRI is dedicated to connecting art and future technologies for moving images.

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arri.com/linkinbio arri.link/43Msp1E shop.arri.com arri.link/41nL5mF

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#arri #alexa35 #capturedwitharri #omnibar #arrilighting #alexa35xtreme #filmmaking #alexaminilf #capturedwithalexa35xtreme #arricore

Recent posts

Introducing ARRI Omnibar: compact, modular, battery-powered IP65 LED bars with precise pixel control! Available in 2‑ and 4‑foot lengths, Omnibars offer ARRI light quality and a modular system with flexible mounting, interchangeable optics, and wired as well as wireless control. Built for motion picture, live entertainment, and content creation, Omnibar combines full-spectrum light output, high-resolution effects, modular scalability, and durable weather protection for reliable indoor and outdoor use, whether on set, on stage, or in a small studio. ㅤ 👉 Watch the full guided tour and learn everything about our newest addition to the ARRI lighting family at arri.com/omnibar (link in bio)! ㅤ #ARRI #Omnibar #ARRILighting 05 May 2026

More speed. Less data. Building on the ALEXA 35’s foundation, ALEXA 35 Xtreme uses powerful new hardware to deliver Xtreme performance and flexibility, including: • Higher frame rates for high-speed cinematography, reducing the need for dedicated slow-motion cameras • Next-generation ARRICORE codec maximizes image quality and postproduction flexibility at lower data rates, saving time and money • New Sensor Overdrive mode unlocks even higher maximum frame rates for extreme slow motion • 5x longer pre-recording times, now up to five minutes • Improved efficiency, with 10% power savings compared to ALEXA 35 • Enhanced wireless connectivity through WiFi 5 GHz band, WiFi roaming, and auto-reconnect to previously known networks ALEXA 35 Xtreme replaces the original ALEXA 35, delivering the same superior image quality, ease of use, and reliable operation, but with added flexibility and performance—all at no additional cost. To protect your investment, upgrade paths are available for all current ALEXA 35 owners. 🔗 Learn more about features, upgrades, and capabilities at arri.com/alexa35xtreme and head over to YouTube for the full guided tour at link in bio. #ARRI #ALEXA35Xtreme #capturedwithALEXA35Xtreme #ARRICORE #highspeedshots #highspeedcamera #slowmotion #cinematography #filmmaking 31 Jul 2025

ARRI proudly presents the new Ensō Prime lenses! 🎥✨ Join Art Adams (@artadamsdp) on a Guided Tour as he introduces this versatile lens series. Offering 14 focal lengths and the ability to customize your look, these compact and lightweight lenses adapt to any production. Inspired by Zen philosophy, Ensō lenses are designed to help you fully embrace your creative flow and bring your vision to life. Want to learn more? Check the link in bio! Got questions? Contact: [email protected] #ARRIEnsōs #EnsōPrimes #Ensōlense #ARRIEnso #ARRIEnsos #EnsoPrimes #Ensolenses #EnsoVintageElements Additional Cinematography provided by: Aiden Ulrich (@Aidenulrich) Joanna Cameron (@joannacamerondp) Karl Walter Lindenlauub ASC (@kwlindenlaub) Kate Cornish (@screenkate) Lali Rubio Panadès (@lalirp) Michael Schrom (@schromco) Tom Black (@tomblackdp) Tom Fährmann Trudi Gultom (@trudaayy) Vijay Kartik Kannan (@vijaykartikkannan) 15 Oct 2024

As we're looking forward to another exciting edition of the @camerimage.festival starting today, let's have a look at the ARRI cameras behind some of the categories for this year. We thank the cinematographers for trusting in our gear and wish everyone good luck for the competitions! ㅤ #ARRI #ARRIatCamerimage #Camerimage #Camerimage2026 #EnergaCAMERIMAGE 07 Nov 2026

Celebrating the 2026 CSC Awards winners and nominees 👏 Congrats to the talented cinematographers whose outstanding work was recognized at this year’s Canadian Society of Cinematographers Awards! Thank you for your trust in ARRI cameras to bring your creative visions to life. ㅤ Winners: Harley Francis — Jazz Infernal Dramatic Short Cinematography Shot on ARRI ALEXA 35 ㅤ Fraser Brown, CSC — Twisted Metal, “NUY3ARZ” Half Hour Scripted Series Cinematography Shot on ARRI ALEXA 35 ㅤ Nominees: Elie Smolkin, CSC — Task Dramatic Series Cinematography Shot on ARRI ALEXA Mini LF ㅤ A A Scott McClellan, CSC — Butterfly on a Wheel Dramatic Short Cinematography Shot on ARRI ALEXA LF ㅤ #ARRI #CSCAwards #ALEXA35 #ALEXAMiniLF #ALEXALF 06 Nov 2026

Want to get a quick overview of the Omnibar's features and main USPs? Check out our new feature tour which gives you an overview of the most important highlights of ARRI’s linear LED fixture, from its new full‑spectrum color engine to the interchangeable optics and innovative mounting and rigging options! ㅤ 👉 Learn more at arri.com/omnibar (link in bio) ㅤ #ARRI #Omnibar #ARRILighting 05 Nov 2026

ARRI Reference Tool CMD 1.1.0 is here! The latest version of ART CMD brings powerful new features for on-set and post workflows: ㅤ - Full ASC MHL support: create, verify, compare and flatten manifests and histories, compatible with ascmhl and the ARRI HDE Transcoder - HDE encoding of ARRIRAW clips, now built right into ART CMD - GPU-accelerated ProRes scaling, plus desqueeze, letterbox and deflip for ProRes - Faster checksum verification on Apple silicon - Set white balance and exposure index directly from the command line - Templates for output naming from clip metadata such as camera, reel and clip directory - New output option: ProRes 422 Proxy ㅤ Download the update at link in bio. ㅤ #ARRI #ARRIRAW #DIT #PostProduction #Filmmaking 01 Jan 1970

Cinematographer Tucker K Anderson (@tuckerkanderson) shot the feature "Seventeen" (@seventeen__film) on the ALEXA 35 with ARRI Master Anamorphics, mounting the camera sideways to shoot vertical anamorphic and deliver a 4:3 final aspect ratio. He shares his approach: ㅤ "From the beginning, director Justin Ducharme (@jayuhstin) and I knew 'Seventeen' would live in a 4:3 aspect ratio. The film takes place over a single day largely in Vancouver's Downtown Eastside, and that frame let us hold onto the vertical cityscape while keeping the focus on our actors' faces. Shooting vertical anamorphic meant we were using the sensor and image circle in a completely different way. Stretching the vertical-sensor image through a 2x squeeze horizontal lens into a 4:3 frame gave us a separation and a tension that echoes what our characters go through in the film. ㅤ I chose the ALEXA 35 largely for the color, dynamic range, and for its ability to bake in custom textures and commit to a look on the day. We ran the Soft Nostalgic Texture in camera throughout the shoot. As is the nature of indie features, we were moving quickly with a small crew and many practical locations. Having the extra latitude to work with meant I could shape scenes the way I wanted while remaining nimble and moving quickly. ㅤ In choosing the ARRI Master Anamorphics, I wanted a modern lens set that held up in multiple different environments and would be forgiving in a fast-paced workflow. They control flare beautifully, and the fidelity, subject separation, and fall-off are what sold me. The fact that the image circle also covered our vertical sensor was a practical necessity that made the entire concept possible." ㅤ “Seventeen" recently celebrated its premiere at the Toronto International Film Festival. ㅤ #ARRI #ALEXA35 #CapturedWithARRI #MasterAnamorphics 02 Nov 2026

Happy Halloween! 🎃 If you're still looking for a scary watch for today, check out the short film “Grief Beast” (@griefbeastfilm), shot on 250D 16mm by DP Justin Aguirre (@justins_lens) with the ARRIFLEX 16SR 3 and ARRI / Zeiss 11-110mm T2.2! “After losing her mom, Ivy gains an obsessive demon-like entity and she’s... starting to like him.” ㅤ “Since my journey began shooting on film, the ARRI SR3 has quickly become one of my favorite cameras to use,” says Aguirre. ㅤ “Its intuitive, ergonomic design keeps me present in the scene with our talent. It’s a camera I can trust, and combined with the texture of 16mm, I knew it would be the perfect choice for the audience to connect with Ivy’s struggle with grief.” ㅤ 👉 Watch “Grief Beast” at the link in bio! ㅤ Written, Directed & Produced by @sarahtitherkaplan ㅤ Executive Producer: @marshallallman ㅤ Producers: @amberviera, @vance.romance, @justins_lens ㅤ Associate Producers: @mario_netta.wav, @rafael_cobos_delgado ㅤ DP: @justins_lens ㅤ Editors: jsteelemax and @restingbitchjake ㅤ Cast ㅤ Grief Beast: @crrmartin ㅤ Ivy: @sarahtitherkaplan ㅤ Adrienne: @danyleahmua ㅤ Lauren: @llenelle ㅤ Dana: Rebekah Paugam ㅤ Tom: @alexanderchard ㅤ Yard Sale Woman: @britt.daley ㅤ Crew ㅤ Production Design & Costume Designer: @raquey ㅤ Art Director: @amberviera ㅤ First Assistant Director: @thezackofalltrades_ ㅤ First Assistant Camera: @nea.robertsdotter ㅤ Second Assistant Camera / Loader: @sophiedonatella ㅤ Key Grip: @samuelajmendoza ㅤ Gaffer: @migsesca ㅤ Swing: @luca.thedp ㅤ Production Sound: @golaskisound ㅤ Special Effects: @joe_castro_director ㅤ Head Makeup Artist: @glamandghoulmakeup ㅤ Key SFX Makeup Artist: @emmua ㅤ SFX Makeup Artist: @sara.joymua ㅤ SFX Makeup Artist: @jdmua13 ㅤ Stills Photographer: kippinitreal ㅤ Color & Finishing: @xinstudiola ㅤ Colorist: @cynthia.chen_post ㅤ Online Editor: @bridgetling6666 ㅤ Sound Designer: @chatota05 ㅤ Re-Recording Mixer: @gabriel.j.serrano ㅤ 2D Animator: @garrymoore.mp4 ㅤ Composer & Engineer: @jadealysee ㅤ #ARRI #ARRIFLEX #CapturedWithARRI 31 Oct 2026

“As pre-production for ‘Hallowarrior’ began, it became clear that the ALEXA 35 was the ideal camera system for us to achieve the nostalgic, vibrant look director Ben Sottak (@spookysottak) and I were aiming for,” says DP and Steadicam operator Steven Jacob Russell (@stevenrusselldp), who shot the horror-action film on the ARRI ALEXA 35 with TLS Cooke Speed Panchro and Angénieux HR 25-250 lenses. ㅤ “For a horror-action film, we did not have a large budget by any means and had an incredibly tight shooting schedule, so it was critical that we employed flexible and reliable tools. ㅤ The ALEXA 35 holds highlights incredibly well, and for the exteriors we were able to embrace a harder, more direct sunlight, which felt more like how I approach shooting on film stock. But what I was most impressed with was the low-light capability. ㅤ There are significant portions of the film where we ran at 1600 ISO or in 2560 ES mode. The script called for the house to be primarily lit by these metallic custom-made ‘Junk-o-Lanterns,’ prop flashlights, and moonlight. Given the physical limitation of the small practical location, the ALEXA 35’s higher sensitivity allowed my gaffer Jared Pearson (@jaredpearson_art) to utilize smaller movable fixtures, dots, and reflectors to light the space, which was essential to giving the location depth and character while still keeping a spooky, low-key mood. ㅤ I also operated Steadicam on the film, and the ALEXA 35’s form factor is excellent. Swapping back and forth between our studio build and Steadicam was very efficient, and I love the user buttons on the camera’s right side to easily cycle ND and use my exposure tools while I was on the rig. ㅤ The REVEAL Color Science and HDE-encoded ARRIRAW gave our colorist Emily Bailey (@emilybailey.colorist) at Company 3 (@company_3) the ability to flesh out the rich colors of Pumpkin’s world even further on the back end.” ㅤ “Hallowarrior” premiered at the 25th Tribeca Festival and is now streaming on Shudder / AMC+. ㅤ ARRI products used: ALEXA 35, Hi-5, WCU-4, SkyPanel X, M18, ARRISUN 4K, LMB 4x5. ㅤ #ARRI #ALEXA35 #ARRIHi5 #SkyPanelX #CapturedWithARRI 30 Oct 2026

New work for DOVE × US OPEN 🎾 Ali’s Director’s Cut 🎬 🎥 @arri Alexa 35 Xtreme & Signature Primes We scheduled our wide shots first thing up, while we had a beautiful sun, and then it poured for the rest of the shoot 🌧️ but you make it work 😉 ☀️💡 Client @dove Agency @laforcenyc Production Company @goldenchildmedia Director @aliroberto Talent @aprilmbuckles Executive Producer @jamessibio Producer @vbalts Director of Photography @fiorella_occhipinti 1st AD @goforjoy37 Production Designer @ilananotilana Steadicam @arritrinity_miami 1st AC Ken Thompson 2nd AC Lexa Krebs DIT @joebelack Gaffer @leqsee BB Electric Lester Beck Electric Jonathan Alvarez Genny Op/Swing Hemant Tavathia Key Grip @okmot1 BB Grip Lionel Maunz Grip Balz Biellmann Driver/Swing Matt Lundy Editor @sebastienpaquet Colorist @breezus_christ @raremedium.tv VFX @libangjustin Composer @gregmjohnson Camera Package: @handheldfilms #arri #alexa35xtreme #bts #cinematographer #behindthescenes 29 Oct 2026

"I’ve been using the ALEXA Mini LF with ARRI Signature Prime lenses for years, and they still manage to surprise me to this day, especially when I use the Impression Filters. This combination once again proved to be the perfect choice for my documentary project in Jepara, Indonesia, where we had the opportunity to work with some beautiful natural lighting," says DP Krystian Winszewski (@krystianwinszewski). He explains: ㅤ "The Impression Filters allowed me to subtly change the character of the lenses, which worked particularly well when filming the forest, the luxury furniture, and, most importantly, the people behind its creation. The filters created beautiful bokeh in the forest, giving the images the character of vintage anamorphic lenses. The result felt organic, cinematic, and beautifully filmic, adding a unique character to the image. ㅤ Another advantage is that the Signature Primes are relatively lightweight, which allowed me to use a gimbal rather than a Steadicam. This made a significant difference when travelling and working in a 550,000 sqm production facility, while still allowing me to achieve the cinematic look I wanted." ㅤ Client: Java Manufacturing (@javamanufacturing) Filmed, directed and edited by Krystian Winszewski (@krystianwinszewski / @epicshotpictures) 1st Ac/focus puller: Jon Weatherall (@jonwfw) Color grade: Alina Kim (@rockalina) ㅤ #ARRI #ALEXAMiniLF #ARRISignaturePrimes #ImpressionFilters #ARRISignatureLenses 29 Oct 2026

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shortcode	caption	likes	comments
DX831BaDqhn	Introducing ARRI Omnibar: compact, modular, batt…
DMxC4ARuCkx	More speed. Less data. Building on the ALEXA 35’…
DBI9tkkNeN-	ARRI proudly presents the new Ensō Prime lenses!…

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Every post & reel

4,614 posts & reels

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shortcode	caption	likes	comments
DX831BaDqhn	Introducing ARRI Omnibar: compact, modular, batt…
DMxC4ARuCkx	More speed. Less data. Building on the ALEXA 35’…
DBI9tkkNeN-	ARRI proudly presents the new Ensō Prime lenses!…

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Everyone who follows them

up to 50,000 followers of 561,285 total

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Everyone they follow

up to 761 accounts

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minimum

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 12 hours, 44 minutes ago.