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Film, Art, Culture and Confessions.
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Recent posts
“I know a few people who have a person and a persona. That’s okay, but I can’t do that. I’m going to be Diego Calva ‘til I die. I can’t present myself any differently.”
When @diegocalva dials in with A Rabbit’s Foot, he is on the way home from Mexico’s Morelia Film Festival, where he’s just been presented with an honorary award celebrating his contributions to Mexican cinema. It’s a special festival for Calva, who went from local skater-boy standing in line outside the ticket booth, to premiering his first film I Promise You Anarchy at the fest, to now attending with Club Kid, the international indie hit of which he is one of the stars. “I don’t feel like I deserve any kind of career award just yet,” he tells @luke_georgiades. “But it felt great. It’s a special feeling when your own people recognise your work.”
🔗 At the link in bio, Calva discusses co-starring in two of the buzziest films at Cannes this year—Nicolas Winding Refn’s Her Private Hell and Jordan Firstman’s Club Kid—what to expect from the upcoming Possession re-imagining (don’t call it a remake, he says), and why, to him, every day is a movie.
Diego is wearing @loewe
Interview @luke_georgiades
Creative Direction: Fatima Khan
Photography: @maddyrotman
Production Director: @a.v.pierce
Stylist: @mauriceediallo
Creative assistant: @kitty_spicer
Styling assistant: @mariigco
Photo assistant: @_irenetang
Set designer: @a_vaj
Set assistant: @oliviaballardstudio
Graphic design: Broad Peak Studio
Groomer: @jessica_o_
Graphic design: Broad Peak Studio
Video director: @viviankimx
DP: @nolanzangas
06 Nov 2026
“I never saw myself as Antonio Banderas. I wanted to be Almodóvar.”
Introducing @diegocalva as our November digital cover star!
Every weekend, a young Diego Calva sat in the cozy darkness of Mexico City’s Cineteca Nacional while his grandmother whispered the subtitles in his ear. A heartbreak at 15 made him want to direct; a no-show on a friend’s short made him an actor; and then, at some point along the way, Damien Chazelle called.
Four years after his breakthrough with Babylon, Calva talks finding home in the movies, his relationship with the queer scene, navigating Hollywood, and why he doesn’t fall in love without thinking in the eternal.
Diego is wearing @loewe
Interview @luke_georgiades
Creative Direction: Fatima Khan
Photography: @maddyrotman
Production Director: @a.v.pierce
Stylist: @mauriceediallo
Creative assistant: @kitty_spicer
Styling assistant: @mariigco
Photo assistant: @_irenetang
Set designer: @a_vaj
Set assistant: @oliviaballardstudio
Groomer: @jessica_o_
Video director: @viviankimx
DP: @nolanzangas
Graphic design: Broad Peak Studio
06 Nov 2026
“I didn’t find home in Hollywood. I found home in the movies.”
Our November digital cover star @diegocalva sits down with A Rabbit’s Foot to discuss the throughline between Nicolas Winding Refn and Jordan Firstman, professing his love to Margot Robbie, and how a heartbreak made him watch four Almodóvar films in one night.
Diego is wearing @loewe
Interview @luke_georgiades
Creative direction: Fatima Khan
Photography: @maddyrotman
Head of production: @a.v.pierce
Stylist: @mauriceediallo
Creative assistant: @kitty_spicer
Styling assistant: @mariigco
Creative assistant: @kitty_spicer
Photo assistant: @_irenetang
Set designer: @a_vaj
Set assistant: @oliviaballardstudio
Groomer: @jessica_o_
Graphic design: Broad Peak Studio
Video director: @viviankimx
DP: @nolanzangas
07 Nov 2026
“Damien Chazelle protected me when Babylon bombed. He kept all the negativity for himself. He told me that the situation with the movie wasn’t my fault, and ordered me to enjoy the moment. Don’t read the fucking reviews, don’t listen to the fucking critics. If Paramount lost 100 million dollars, it’s their fault, not yours.”
We sat down with Mexican actor and our November digital cover star @diegocalva to discuss how Babylon saved him from isolation, his relationship to the queer scene, and how he’s building his Diego Calva cinematic universe.
Diego is wearing @loewe
Interview @luke_georgiades
Creative direction: Fatima Khan
Photography: @maddyrotman
Head of production: @a.v.pierce
Stylist: @mauriceediallo
Creative assistant: @kitty_spicer
Styling assistant: @mariigco
Photo assistant: @_irenetang
Set designer: @a_vaj
Set assistant: @oliviaballardstudio
Groomer: @jessica_o_
Graphic design: Broad Peak Studio
Video director: @viviankimx
DP: @nolanzangas
07 Nov 2026
At our cover shoot in New York, actor @diegocalva longs to return to the shamelessness of his younger self, discussing how being in the wrong place at the wrong time can often lead to life’s biggest victories.
Diego is wearing @loewe
Creative Director: Fatima Khan
Video director: @viviankimx
DP: @nolanzangas
Video editor: @alexstenhouse_
Video producer: @luke_georgiades
Head of production: @a.v.pierce
Stylist: @mauriceediallo
Creative assistant: @kitty_spicer
Graphic design: Broad Peak Studio
06 Nov 2026
“They never talk about being gay. This was quite a cheerful film about queer love.”
Four decades after it rocked Thatcher’s Britain and ushered in a new vision for queer stories in cinema, Henry Wong (@hennnners) revisits the fashions and feelings of My Beautiful Laundrette with writer Hanif Kureishi and its director, Stephen Frears.
Then an up-and-coming writer in London, Kureishi drew on his own experiences, the city’s subcultures, imperial history and the realities of immigrant life to create a story that—starring a racoon-haired Daniel Day-Lewis—changed the way LGBT relationships were depicted on screen. Nominated for both a BAFTA and an Academy Award for his screenplay, he gave audiences something rarely seen on screen at the time: a gay, interracial love story that was neither tragic nor defined by the struggle of coming out.
Read the full story via the link in bio.
05 Nov 2026
Aged 6 or 7 years old, Jane Schoenbrun (@janedoesnotknow) had "launched a TV channel in my brain," and was writing fake episode guides. After directing indie hits We Are All Going to the World's Fair and I Saw the TV Glow, in a "manic artistic" moment they wrote 1,600 pages of television scripts. "I always had this belief that I would never be able to get any of those shows to exist out of my head because of the amount of money that it would actually require—I just didn’t see it for myself," says Schoenbrun, who has now published the work as a debut novel Public Access Afterworld. "In the way I had written it the first season alone would cost $100 million, give or take. And no one’s going to give that to a trans girl."
Via the link in bio @jennamahale speaks to the Teenage Sex and Death at Camp Miasma director about the influences behind their exhilirating 600 page novel which, kicking off in the 2009 digital television transition, typically explores the limits of reality and fiction.
04 Nov 2026
How do you make a basket sexy?
At the link in bio, Wētā Workshop’s Joe Dunckley and Sarah Rubano reveal how they turned one of the hottest actors alive into a flirty piece of furniture 🪑
Words: @samuel.a.murphy
@wickermovie @wetaworkshop
03 Nov 2026
For all the ink (and Instagram mood boards) spilled over cinema's leading men, there’s a key supporting actor who tends to be left out. This player has never been nominated for an Academy Award, has not received a standing ovation at Cannes, and doesn’t even have an IMDb page. This snubbed subject is not a sentient human but rather a 100% cotton fabric: corduroy, to be precise.
Now online, Eric Twardzik (@eric_twardzik) investigates the hardest working fabric in Hollywood. From films such as The Graduate and All the President’s Men to the Talented Mr Ripley, he makes the case for corduroy being anything but boring.
02 Nov 2026
From Nathan Fielder in You Can See Everything to the back room in Backrooms, here are 12 quick costumes to throw together this Halloween 🎃
31 Oct 2026
Mica Kayde (@micakayde) has never really been a fan of horror movies. Which is news, considering her costume design credits have only consisted of them. What was holding her back? “My sleep paralysis demon," admits the designer behind hits such as Backrooms, Longlegs and The Monkey. “Usually it feels like a spirit talking behind me. I don’t believe in ghosts or spirits, but I’m trying to maybe get into believing in them so that I feel better about it? But I don’t know; it’s a funny thing. Maybe I’m a spiritual portal.”
In time for Halloween, she speaks to @tylerdanewing.co about the sundrenched Californian mood that informed Backroooms, creating an unusual sartorial language for scream queens and her love of vintage graphic tees, featuring exclusive sketches from her archive.
Read the full story via the link in bio
30 Oct 2026
Sir Patrick Stewart (1940-2026) 🪽
29 Oct 2026
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