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Bio
>>> 7/1-15/2: winter residency @phoenix_artspace Dec 2026: Held by Form @uchicagopress
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#contemporaryart#artwork#abstractart#art#artcollector#contemporarypainting#watercolor#botanical#artoftheday#annaccmoser
Recent posts
I’m excited to announce that I’ve just launched a new website, which I’ve been developing over the past few months.
The site, which was sensitively designed by Noam Ballon of Azou Studio, brings my art and writing together and draws upon the analog book tradition of the catalogue raisonné. It offers a much richer and more detailed engagement with my paintings, drawings, and botanicals, and includes an index that functions as a living archive of my practice.
Link in bio - and accessible at annaccmoser.com. For a full viewing experience I recommend a desktop although the mobile version is good as well.
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#annaccmoser
11 Jun 2026
I’m thrilled to share the cover of 𝙃𝙚𝙡𝙙 𝙗𝙮 𝙁𝙤𝙧𝙢, which features a painting that I made in 2021. It means a great deal to have my writing and art come together in this way.
The book will be published in December 2026 and is now available to preorder on the University of Chicago’s Thinking Literature Series page.
https://press.uchicago.edu/ucp/books/book/chicago/H/bo279207748.html
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‘What, the book asks, does it mean to be committed? How does such a commitment materialize? What are its consequences? What does it mean not to take for granted an affiliation like “feminist” (or even “woman”), but rather to involve one’s art in probing its historical formations, present conditions, and future trajectories? Moser explores both the risks and possibilities of making art in this equivocal condition. She reveals that the poetry of certain contemporary writers not only unfolds within this space of agonistic commitment, but that, in doing so, it offers an important contribution to feminist thinking. Moser’s book also shows that while form is a constraint that limits these poets’ freedom, it also holds them in a more sustaining sense, allowing something belatedly and imperfectly to be said.’
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#universityofchicagopress #thinkingliterature #heldbyform
09 Apr 2026
My new piece ‘On Immediacy’ - an essay on Anna Kornbluh’s 2024 book 𝘐𝘮𝘮𝘦𝘥𝘪𝘢𝘤𝘺: 𝘖𝘳, 𝘛𝘩𝘦 𝘚𝘵𝘺𝘭𝘦 𝘰𝘧 𝘛𝘰𝘰 𝘓𝘢𝘵𝘦 𝘊𝘢𝘱𝘪𝘵𝘢𝘭𝘪𝘴𝘮 - is now live on the @effectsjournal website! Link in bio.
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‘Why should we let art challenge and disorient us when everyday life already supplies more than enough anxiety and uncertainty?
This question lies behind Anna Kornbluh’s Immediacy, or, The Style of Too Late Capitalism, a polemic against a culture of flow: autofiction and streaming, immersive exhibitions and algorithmic feeds, endless forms of apparently frictionless contact with the real.
Anna Moser begins from Kornbluh’s powerful defence of mediation, but questions whether immediacy can-or should-simply be rejected. If immediacy is constitutive of contemporary experience, might art have to pass through its forms rather than retreat from them?
Looking to Alina Tenser, Laura Owens and Ben Lerner, Moser describes an emergent ‘mediated immediacy’: art that takes up the seductions and visual languages of the present while introducing glitches, delays and contradictions into their apparent transparency.
Neither immersion nor disjection, but something less certain-and perhaps more hospitable.’
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#effects #immediacy #mediation
19 Aug 2026
A small study on Arches paper, made with soft pastel and watercolor
10.5 x 14 in
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#contemporarypainting #watercolor
14 Aug 2026
Geranium ‘Rozanne’ stems from the garden, now in bloom
Watercolor on paper
22 x 30 in
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#botanicals #contemporaryart
03 Jul 2026
My partner Oliver Southall on the extraordinary pollination mechanism of the fly orchid (𝙊𝙥𝙝𝙧𝙮𝙨 𝙞𝙣𝙨𝙚𝙘𝙩𝙞𝙛𝙚𝙧𝙖) in this week’s Guardian Country Diary. 🐝🌱
‘Up close, I can see how its edges are curved back just so, a sleight of folding which gives the illusion of volume. An iridescent blue patch at its centre suggests the sheen of folded wings’.
https://www.theguardian.com/environment/2026/jun/11/country-diary-a-tiny-orchid-with-mighty-powers-of-deception?CMP=Share_iOSApp_Other
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@bsbibotany @southdownsnp
#theguardian #countrydiary #orchids
13 Jun 2026
Branches of pelargonium tomentosum.
Perhaps my favorite pelargonium, it has large fuzzy leaves that smell like peppermint if you rub them.
Watercolor on paper
22 x 30 in
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#botanical #contemporaryart #pelargonium
03 Jun 2026
@annaccmoser
Three small new paintings all together @phoenix_artspace
Gouache on panels
9 x 12 in
#artoftheday #artwork #abstractart #art #artcollector
01 Jun 2026
@annaccmoser
‘Recent works from my winter residency at @phoenix_artspace ‘
Left: gouache on canvas
Right: watercolor, aquacryl, and soft pastel on watercolor paper
#art #abstractart #artoftheday #artwork #artcollector
26 May 2026
@annaccmoser
Big Air (2026)
gouache on canvas
120 x 90 cm
#art #abstractart #artwork #artist #artcollector
20 May 2026
Shadowplay (2026)
Gouache on panel
11 x 14 in
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#contemporaryart #shadowplay
20 May 2026
Cornus branches currently in bloom from the tree overhanging our courtyard.
Watercolor on paper
22 x 30 in
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#botanical #watercolor #contemporarypainting
03 May 2026
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