@annabloominghell - IGDataHub

ANNA BLOM

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@annabloominghell

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23 Oct-15 Nov TERRA @terraexhibition 19-22 Nov @mcrcontemporary with @senemcb @slqsgallery

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Last week of TERRA 🍂 Massive thank you to Jenn and Milena and the TERRA team for your unbelievable effort and energy! Thank you to FICOFI for having a handful of my artworks in your wonderful maison and Domaine Chanson for an amazing historical place. And to Beaune for their generous welcome and to collectors for their support, warmth and thoughtfulness. It means more than you can imagine ❤️ I’m incredibly grateful for being part of this fruitful community 🤎 Works on view at TERRA 2026: ‘Hematite’ at Domaine Chanson 2025-2024, Cumbria/London Iron, slag, gravel, sand, salt, grass, kale, blue mussel shells, sealer on canvas 180cm x 250cm x 40cm The following at Maison FICOFI: ‘Fervorous’ 2023 Acrylic, raw pigments, situational debris on canvas 27x21cm ‘Transit’ 2025 Acrylic, Burgundy Earth pigments, situational debris on canvas 54x42cm ‘Birdman’ 2025 Acrylic, Burgundy Earth pigments, situational debris on canvas 36x28cm ‘Circadian Zombies’ 2024 Acrylic, raw pigments, situational debris on canvas 90x70cm ‘Hallowed Grounds’ 2025 Acrylic, raw pigments, situational debris on canvas 63x49cm TERRA 2026 Exhibition dates: October 23 – November 15 @terraexhibition Artistic Director: @jenncellis Associate Curator: @gemadarbo Executive Director: @milenaberman Presented by @apsara.studio @hautes_cotes Photography: James Retief, Alban Gatti, Quantum Productions, TERRA, Max Jones, Ambar & Alex (thank goodness for friends who photographs when I’m loosing myself sideways in chats) . 08 Nov 2026

’Hematite’ on view at TERRA 2025-2024 Cumbria/London Iron, slag, gravel, sand, salt, grass, kale, blue mussel shells, sealer on canvas 180cm x 40cm x 250cm During a stormy November weekend in Cumbria, north of England, an excursion with two friends took place at Hodbarrow Point, the largest iron mine by the 1890s. The deserted iron mines bear evidence of its history of hardship, slag and quarrying. The drowned mines lie under the lagoon which was created by natural flooding when the mines closed in 1968. The trio of friends stood by the shore listening to the land, history, weather and matter. The salty water drenched the canvas. The lagoon surface shimmered forcefully as if submerged voices were telling the bleak story of ‘hell-mouth roaring furnaces’. The canvas absorbed and noted the palpable stories of the rugged land and its suffering, both human and non-human. This sculptural painting is born out of an investigation of iron and the idea of living closely to a particular mineral can affect you both physically and psychologically. Myself and Jess grew up near iron mines in Northern Sweden and Northern England respectively. This has informed the way we approach our practice, and Alex shares our inescapable connection to the land and a curiosity to tap into its untold stories. All three of us approach our practices with a hands-on, on-site process; Jess pushes and pulls her voice in caves, forests; I brings my canvas to sites of interest and Alex records sounds of the environment to hear them anew. Hematite grew out of shared thinking, and grew into a friendship for which I’m forever grateful. Thank you @jessicadandy and @alexjmills Extra thank you to Florence Paintmakers @florencearts for additional supply of local pigments. TERRA 2026 Exhibition dates: October 23 – November 15, 2026 Opening Weekend: October 23–25 @terraexhibition Artistic Director: @jenncellis Associate Curator: @gemadarbo Executive Director: @milenaberman Presented by @apsara.studio @hautes_cotes . 22 Oct 2026

TERRA 2026 I’m thrilled to be back in Burgundy next weekend and in TERRA for the third time. A moment to savour, with winemakers proud of their harvest, art in phenomenal architectures, and beautiful conversations with curious minds. It’s a cultural exploration like no other all set in the autumnal tones (my favourite season). TERRA, with its people and ethos, masterminded by @jenncellis and @milenaberman , truly holds a special place in my heart. In this year’s iteration I’m sharing ‘Hematite’, a large sculptural painting, made near an iron mine in Cumbria, England, along with five smaller paintings some made partly from Burgundy earth pigments. They are part of my ongoing practice, a diaristic response to my environment, unpacking the fragile physical and psychological details of everyday landscape. Working with collected objects, matter, sound and writing poured into unstretched raw canvas, the work is grounded in the time and place of its making, a record of careful, philosophical attention to the world immediately around me. The artworks will be shown at a new exciting site, Domaine Chanson & La Maison du Collège in Beaune, Burgundy, an UNESCO heritage site in France. See you there! Exhibition dates: October 23 – November 15, 2026 Opening Weekend: October 23–25 @terraexhibition Artistic Director: @jenncellis Associate Curator: @gemadarbo Executive Director: @milenaberman Presented by @apsara.studio @hautes_cotes Proud to be part of this group of artists: Joël Andrianomearisoa; Mario Antón; Atong Atem; Desia Ava; Raffael Bader; Shaan Bevan; Morgane Baroghel-Crucq; Anna Blom; Kaanchi Chopra; Jess Cochrane; Kirsten Coelho; Carina Florianne; Elodie Elsenberger; Jaime Gili; Molly Grad; Daniel Greenfield-Campoverde; Charlotte Winifred Guérard; Jin Han; Yoona Hur; Sara Jensen; Bo Kim; Kim Lim; Alastair and Fleur Mackie; Alice Magne; Wayilkpa Maymuru; Matt McClune; Alex Mills; Marie-Luce Nadal; Emma Picard; Dawn Ng; Bundith Phunsombatlert; Lucia Pizzani; Dimitris Tampakis; Su-Mei Tse; Lee Ufan; Tomoyuki Ueno; Cassie Vaughan; Clémence Vazard; Jongsuk Yoon and Stanislav Zábrodský Photography: Alban Gatti, James Retief, Jimmy Blom 18 Oct 2026

REVERENCE: On view ’Moss & Mist’ Standing barefoot in the early misty morning on the island amongst pine, moss and hugging dew. The ongoingness is still sleeping allowing the mind to freely be. Moss & Mist 2026-2025 | Värmdö, Sweden Acrylic, raw pigment, situational debris on canvas 180x150cm Blom’s paintings on display at REVERENCE were captured at Värmdö, the Swedish archipelago, in nature’s own theatre of moss, iron, soil, wind and pine - where the quietness sharpens the senses. The artworks are arranged to create a semi-circular physical embrace, a natural respite within the sanctum of the chapel, building on her practice as a continuous record of ephemeral junctures; the physicality of emotions and matter she encounters. For sales please contact Lucy von Goetz @lucyvongoetz [email protected] or myself [email protected] REVERENCE - a duo installation with generative sound, paintings, found element ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photography credit: Max Jones, Jimmy Blom, Rita Silva, myself . 15 Oct 2026

REVERENCE An immersive installation by artists @annabloominghell and @alexjmills, bringing together large-scale paintings, generative sound and live performance within the Chapel at Brompton Cemetery, London. At its heart, REVERENCE explores the question: how do we stay connected with what sustains us? Anna Blom’s monumental paintings, created on the Swedish forest floor using raw pigments, bring traces of the natural world into the chapel. Alongside them, Alex Mills’ generative sound installation explores breath as a musical structure. Intricate systems of code weave together sweeping cello lines, organ and percussion into a continually evolving soundscape. Layers of sound gather into rich sonic clouds before dissolving back into silence. A live performance by cellist @oconnellcello and a breath workshop led by @jamieclements_ deepened this exploration of breath, sound and our connection to the natural world. — Artists: Anna Blom & Alex Mills Cellist: Clare O’Connell Filmmaker: @bobbysaviour Max Programming: @t_whiston With thanks to Jimmy Blom, Rakesh Anand, @lucyvongoetz, @cath_erine_li & all the volunteers of @fobcofficial who helped make this happen. 13 Oct 2026

REVERENCE: On view ’Waltz of Pine’ A study of a pine branch hanging above me. She dances proudly to the wind in her radiating colours. In some cultures she is believed to bring longevity, endurance and even good fortune. She assures me she does as she carries on the dance. Waltz of Pine 2026-2025 | Värmdö, Sweden Acrylic, raw pigment, situational debris on canvas 180x150cm Blom’s paintings on display at REVERENCE were captured at Värmdö, the Swedish archipelago, in nature’s own theatre of moss, iron, soil, wind and pine - where the quietness sharpens the senses. The artworks are arranged to create a semi-circular physical embrace, a natural respite within the sanctum of the chapel, building on her practice as a continuous record of ephemeral junctures; the physicality of emotions and matter she encounters. For sales please contact Lucy von Goetz [email protected] or myself [email protected] REVERENCE - a duo installation with generative sound, paintings, found element ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photography credit: Max Jones, Jimmy Blom, Rita Silva, myself . 12 Oct 2026

REVERENCE: On view ‘Shadow of Us’ This painting was captured during late afternoons looking into the end of the woods where the immemorial lives and the spruce shadows talk a different language. Aged iron has been used to portray the abstract shadow traces. Shadow of Us 2026-2025 | Värmdö, Sweden Acrylic, raw pigment, situational debris on canvas 180x150cm Blom’s paintings on display at REVERENCE were captured at Värmdö, the Swedish archipelago, in nature’s own theatre of moss, iron, soil, wind and pine - where the quietness sharpens the senses. The artworks are arranged to create a semi-circular physical embrace, a natural respite within the sanctum of the chapel, building on her practice as a continuous record of ephemeral junctures; the physicality of emotions and matter she encounters. For sales please contact Lucy von Goetz [email protected] or myself [email protected] REVERENCE - a duo installation with generative sound, paintings, found element ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photography credit: Max Jones, Jimmy Blom, Rita Silva, Catherine Li . 11 Oct 2026

REVERENCE - one week on Still feeling super grateful to have worked with this absolute dream team. What a joy to bring it all to life and create beautiful things together. Particularly grateful to our collaborators behind the scenes: @bobbysaviour, @t_whiston, @ritaolivesilva, @lucyvongoetz and volunteers of @fobcofficial. Can’t wait for the next instalment 🤍 — Photos by @clareparkphoto 10 Oct 2026

REVERENCE: On view ’Difficult Grounds’ The days on the island get shorter and darker. I’m sitting with questions of how the soil we stand on affects how we live, what we eat, how we thrive. The hero pigments of sand and clay is an homage to the ground we get to enjoy but take for granted. Difficult Grounds 2026-2025 | Värmdö, Sweden Acrylic, raw pigment, situational debris on canvas 180x150cm Blom’s paintings on display at REVERENCE were captured at Värmdö, the Swedish archipelago, in nature’s own theatre of moss, iron, soil, wind and pine - where the quietness sharpens the senses. The artworks are arranged to create a semi-circular physical embrace, a natural respite within the sanctum of the chapel, building on her practice as a continuous record of ephemeral junctures; the physicality of emotions and matter she encounters. For sales please contact Lucy von Goetz [email protected] or myself [email protected] REVERENCE - a duo installation with generative sound, paintings, found element ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photography credit: Max Jones, Jimmy Blom, Alex Mills, myself . 10 Oct 2026

REVERENCE: On view ’Arboreal’ She was found on a London common and placed at the Chapel’s epicentre. The tree is a symbol of her wisdom in connecting, breathing and working together. Also, serves as a kind reminder that nature exists everywhere and an invite to listen can be found anywhere. REVERENCE - a duo installation with generative sound, paintings, found element ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photography credit: Rita Silva, Alex Mills, myself . 09 Oct 2026

REVERENCE: Thank you A massive thank you to each and every one of you who came to REVERENCE over the weekend, and to those who supported us from afar. We’re so grateful for your time, curiosity and generosity, and for all the amazing conversations we shared. Together, we turned Brompton Cemetery Chapel into a space to ground. To slow down, breathe and return to what sustains us. An extra thank you to our extended collaborators: cellist @oconnellcello and breathwork facilitator @jamieclements_ , who helped bring our intention to life; @lucyvongoetz for her support; @bobbysaviour and @ritaolivesilva for film and photography; and @t_whiston for Max programming. And last but not least, to our partners and family for putting up with our madness and supporting us throughout. We’re immensely grateful to @fobcofficial for their generosity in welcoming us into the Chapel for the weekend. Please consider donating to help them continue their work supporting artists and making projects like this possible. Thank you for being part of REVERENCE 🤍 . REVERENCE ANNA BLOM | ALEX MILLS // Oct 3-4, 2026 Brompton Cemetery Chapel, London // How do we stay connected to what sustains us? . Photo credit: Catherine, Alex, Anna, Rita 06 Oct 2026

REVERENCE: Opening tomorrow Thank you @britishgq for including us in your weekly round-up of the coolest things to do in London 🤍 REVERENCE opens tomorrow at the Chapel, Brompton Cemetery. Come and experience our installation of painting, sound and live performance across the weekend… and reconnect to what sustains us. 3–4 October | 10am–5pm Brompton Cemetery Chapel, London See you there! @annabloominghell @alexjmills @fobcofficial @lucyvongoetz @jamieclements_ @oconnellcello 01 Oct 2026

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DffJZPtAig_	Last week of TERRA 🍂 Massive thank you to Jenn …
DezgsUfkQF9	’Hematite’ on view at TERRA 2025-2024 Cumbria/…
DepSUH3kbjV	TERRA 2026 I’m thrilled to be back in Burgundy…

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shortcode	caption	likes	comments
DffJZPtAig_	Last week of TERRA 🍂 Massive thank you to Jenn …
DezgsUfkQF9	’Hematite’ on view at TERRA 2025-2024 Cumbria/…
DepSUH3kbjV	TERRA 2026 I’m thrilled to be back in Burgundy…

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