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Bio
is a cinematographer represented @wme 2024 Emmy Winner for Cinematography - THE BEAR
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www.andrewwehde.com-
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Recent posts
Still in shock for being honored by the @theacademy. I don’t know where to start, but am so happy and proud of this show and the countless incredible people who pour their hearts into @thebearfx. Chicago is such a special place, full of incredible artists and filmmakers. None of this is possible without my crew that I call family.
08 Jul 2026
THE BEAR - A moment in time where we came together and made a show, our way, in our home town. A show that changed everything. Thank you for letting this story live, thank you for watching, loving and hating. Thank you for everything. 🐻🤍
26 Jun 2026
The Final Season. Maintaining the tone and color from the previous 4 seasons, we decided to end with a new visual language that felt right for the end. Shot on @arri Alexa LF OG paired with the magnificent @panavisionofficial B series anamorphic. A beautiful end to a beautiful show.
08 Jun 2026
Paris, part deux 🇫🇷✨
17 Aug 2026
Plan the trip. Book within 5 days of departure. Tell the kiddos within hours of leaving. Paris 2026 - pure magic!!
@andrewwehde
17 Aug 2026
Dana Gonzales, ASC @dana_gonzales_asc and Andrew Wehde @andrewwehde explore the visual approaches shaping FX’s @fxnetworks sci-fi thriller Alien: Earth @alienearthfx and the Emmy-nominated kitchen drama The Bear @thebearfx in this roundtable moderated by Checco Varese, ASC @checcovarese . Gonzales built Alien: Earth as a reverent homage to Ridley Scott’s original, anchoring the look in 3,200K tungsten light and integrating fixtures into set architecture for naturalistic, one-light setups. Wehde has evolved The Bear’s aesthetic since its pilot, pushing into dreamlike RGB registers and bold stop differences between spaces—a visual language tracking Carmy’s state of mind across the series.
Watch at the link in bio.
#ASCClubhouseConversations #Cinematography
13 Aug 2026
A cinematic retrospective- The Bear through 4 seasons. Mentally preparing for the last and final. Hard to say goodbye.
27 May 2026
GARY @thebearfx | 500T & 200T 35mm
A beautiful and honest look in the friendship of Cousin and Mikey
“We shot this surprise film at the end of season 4. During which, I spent time testing film stocks, pushes and exposures throughout. I was fortunate to be able to test while shooting on Digital to compare lighting and exposure techniques, thus giving me a strong understanding of how I wanted to handle “Gary” once we began filming. This helped us keep our shows shooting pace, exploration and creative choices we normally have the luxury of. I landed on pushing 1 stop on both 200T and 500T, thus maintaining contrast all while giving the print more character, connecting the episodes style and tone to the past. I liked the skin tone of the T stock, without any optical filtration, leaning on Matt Wallach, my colorist, grading the white balance back in post. It gave a very beautiful rich skin tone that I am very happy with. “
Director | Christopher Storer
DP | Andrew Wehde - @andrewwehde
Editor | Joanna Naugle ACE
Production Design | Merje Veski
Color - Matt Wallach | @captaincinema
Lenses and Camera | XL2 AND H SERIES LENSES @panavisionofficial
LAB - FOTOKEM @fotokem_la
SCAN AND COLOR - COMPANY 3 LA @company_3
A Cam Op - Gary Malouf @mr.garymalouf
A Cam 1st - Matt Rozek @rozekrozek
A Cam 2nd - Matt Feasley @drinkinbird
B Cam Op - Chris Dame @cdame1076
B Cam 1st - Sam knapp @samwiseknapp
B Cam 2nd - Eva June @evadjune
Loader - Laney Naling @laneychai
Gaffer - Jeremy long @longj1111
Key Grip - Dave Wagenaar @davewagenaar
14 May 2026
The Bear - Gary
A beautiful and honest look in the friendship of Cousin and Mikey
Color | @captaincinema
Finishing Editor | @nicholas__figueroa
Dailies | @jacktashdjian
Dailies Producer | Matt Riera
Finishing Producer | @krystleannand_post
Director | Christopher Storer
DP | @andrewwehde
Editor | Joanna Naugle ACE
Production Design | Merje Veski
Lenses and Camera | @panavisionofficial
Vision 3 Film | @kodak_shootfilm
13 May 2026
A Beautiful and intimate glimpse into the friendship that Cousin and Mikey once had brought on so many emotions while making this special film. Shot on 3perf 35mm Film with PV lenses. My goal was to process the film in a way that felt like a memory, that stood on its own from the look and tone of The Bear. Quiet with purpose. These 2 juggernauts brought stunning performances and we were so lucky to have been there to capture it. 🐻🤍
07 May 2026
Speechless 🐻❤️
08 Sep 2024
I never expected that this little miracle of a show would last 5 seasons. This has been my special, my one I will always hold closest to my heart. 5 years in the making, with my closest friends, making whatever we wanted and sharing it with the world. The Bear 🤍 forever
06 May 2026
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