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Bio
Director Of Photography L600 Camera Operator Translating ideas & culture into visual language. Film • Digital • Mixed media ↓ Watch "Gods in Heat"
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Recent posts
It’s officially official. Connor Lawson - Director Of Photography
I’m so excited to be moving on to being more creatively involved with projects and work directly other talented folks. Its been unreal to be able to have had worked with such amazing crews, collaborators and friends all over the world. It’s been a privilege and I hope to work with you all again hopefully sooner rather than later.
01 Feb 2023
🚨 GODS IN HEAT (DIRECTOR’S CUT) 🎞️ - YouTube link in bio
Gods In Heat - @istasounds
I knew whatever direction we would take this it had to be electrifying and match the “fuzz” and texture of the song. It felt rebellious but it also felt euphoric. It felt like the song knew it was really indulging in the distortion and rightly so, it had something to say.
Visual Concepts by: @trevorbrenden & @analog_catalog_
Director: @analog_catalog_
Animations: @c_c_mulligan
14 Jul 2026
AI x JARRITOS = 🤯 My first AI-generated video is finally here! Months of experimenting, glitches, crashes, and so many breakthroughs led to this! Check out the full video to see the results! #aivideo #generativeai #3d #commercial #virtualproduction #photogrammetry #productphotography #jarritos
This project blends generative AI, 3D modeling, 16mm film, and a whole lot of passion. Huge thanks to the dream team: @christa.guz, @mononoawarefilm, @abuchmu @mbessa_ @trashrika @lukezwalls.
And of course, @jarritos @teamjarritos for the delicious inspiration! 🤩
Want to know the secrets behind the scenes? Ask me anything in the comments! 👇
04 Feb 2025
Intimacy Through Lighting.
These stills are from an unreleased music video for @kumbayaaaaaaaaaaa directed by @morbidtheclown that explored that concept.
Caity had a deck prepared and approved by the label when they brought me on the project. So my job as the cinematographer was really to help interpret and expand upon their original concept.
The unreleased track “Won” was rooted heavily in R&B, while the lyrics traced the history of a relationship. My gut instinct was to center the visual language around “intimacy through lighting.”I didn’t want the color to fall into stereotypically gendered territory, so I limited the lighting palette primarily to purple and gold; colors historically associated with royalty, richness and ceremony.
To enrich the film with a warm, leathery tone and texture, we shot on expired Kodak Vision2 200T and used Antique Suede filters.
My favorite lighting technique on the video was skip-bouncing. It creates this incredibly soft glow, and as a key light it gives a kind of closeness and intimacy that felt right for the relationship at the center of the song. The references on slide 2 from “That’s My Jazz” is easily one of my favorite examples of the technique.
Artist: @kumbayaaaaaaaaaaa
Director: @morbidtheclown
1st AD: @tessraih
Cinematography: @analog_catalog_
1st AC: @moshanegrams
Gaffer: @casually_profound
Key Grip: @riededervaydp
Slides 1 & 3 — “WON” / @kumbayaaaaaaaaaaa
Slides 2, 4 & 5 — Visual references
Ann Veronica Janssens — Fresnels
David Bolen — That’s My Jazz
Khalik Allah — Lemonade
Marc Reshovsky — Set It Off
Maurice Binder — Goldfinger opening titles
01 Sep 2026
Marry the dilusionship and ghost reality on the rom-com short film DESPERATELY SEEKING COMMITMENT.
When it came to developing a visual language for Sophie’s worlds, we wanted to keep her daydreams whimsical and vivid while treating her legal battle as a power struggle. ❤️🩹
Sophie is a hopeless romantic whose unconventional attempts to manufacture destiny with her soulmate escalate into accusations of stalking and a trip to mediation court. 🧑⚖️
When writer/director @finise first sent me the script, I saw Sophie as this clever, blissfully optimistic character who floats seamlessly between her fantasies until reality comes crashing back in just as things start looking promising. 💭💥
We really wanted to play up those micro-dramas happening in her mind.
She sees herself inside a playful detective story, the perfect meet cute, and a romance with her Prince Charming. Each fantasy brought its own familiar genre language, which gave us opportunities to lean into those conventions and then turn them on their head when reality intervenes.
A few frames from DESPERATELY SEEKING COMMITMENT, shot last fall.
26 Aug 2026
Pull The Thread: Ep 1 - Most of my projects don’t begin with a mood board. They usually begin with something much harder to understand like a feeling, a memory, or a mental image that keeps coming back until I can’t ignore it anymore.
That’s when I start researching. I’m not looking for a new idea, but to understand the one I’ve already been chasing.
References help me articulate a direction, test it, and discover where it wants to go.
How do your best ideas usually begin?
27 Jul 2026
Pull The Thread: Ep 1 - Where do creative concepts really come from?
Most people assume creative concepts begin with references.
I’ve found they begin much earlier, typically with something you can’t quite explain yet.
This is the first episode of a series about how I think through creative problems, using “Gods in Heat” as one case study.
When you’re starting a project, what do you trust first references, instinct, or something else?
22 Jul 2026
How do you make a music video express multiple feelings happening at once?
While developing the visual language for Gods in Heat, I kept coming back to the work of Leslie Hewitt. Her photographs allow different times, places, political and social memories to exist in the same frame.
That was when I stopped thinking about individual shots and was able to step back and see the possibility of using competing images and information.
Juxtaposition really made it clear to me that this video can have layers to it, it doesn’t just need to be one image, it can and should be a layering of place, feeling and time, significant on their own but also changes the meaning of everything around it, including the images before and after.
It also became clear that live action alone couldn’t carry the feeling I heard in the music. The project needed multiple visual languages working together to express that emotional trajectory.
Swipe to see how one reference changed the direction of this film.
1, 3, 5, 7 — Gods in Heat stills
2, 4, 6 — Leslie Hewitt
🔗 Link to full video in my bio! 🚨
15 Jul 2026
🚨🎞️ Director’s cut dropping tomorrow!!
“Gods In Heat” - @istasounds
Visual Concepts by: @trevorbrenden & @analog_catalog_
Director: @analog_catalog_
Animations: @c_c_mulligan
13 Jul 2026
Did you save your receipts? 🐎😫🙏🏼🇺🇸
New work for @getnavan with @the.wolff & @wolff.island
10 Jul 2026
3/3 Widelux F7
28 Jan 2026
Widelux F7
28 Jan 2026
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