Amit Buium

Amit Buium

@amitbuium

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๐Ÿ“ kรถln composer & improviser Everything x Cherry Coloured @cherry.coloured ื“ื‘ืจื™ื ืžืกื•ื™ืžื™ื x ืขึนืžึถืง ื”ึธืึฒืจึปื‘ึผึธื” Guitar x ITAKO @itako_glitterscream

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โจ โจ โจ 3 ื”ื•ืคืขื•ืช ืฉืœ ื™ื•ืฆืจื•ืช ืขืฆืžืื™ื•ืช ื•ืžื™ื•ื—ื“ื™ื ืžื’ื™ืขื™ื ืืœื™ื›ื ืœ- โ€ชโ€ชโ€ช@hqrn_haifaโ€ฌโ€ฌโ€ฌ ื‘ืื•ืงื˜ื•ื‘ืจ. ื‘ื•ืื• ืœื”ืื–ื™ืŸ ๐Ÿ’ฟ ________โ€ช@_fyeb_โ€ฌ - Sร„DE - ื’ืฉื, ื ื™ืฆื•ืฅ, ืื• ืงืจืŸ ืื•ืจ ื‘ืฉืคื•ืช ื”ืกืงื ื“ื™ื ื‘ื™ื•ืช - ื”ื•ื ืคืจื•ื™ืงื˜ ื”ืกื•ืœื• ืฉืœ ื”ื›ื ืจ-ืžืœื—ื™ืŸ-ืžื‘ืฆืข ืขื™ื“ื• ื‘ืŸ ืขืžื™ ื–ื”ืจ. ื™ืฆื™ืจื•ืช ื•ืืœืชื•ืจื™ื ืฉืžื ืกื™ื ืœืžืฆื•ื ืืช ื”ืงืจื‘ื” ื‘ื™ืŸ ืฆืœื™ืœื™ื ื•ืžืงื•ืžื•ืช ืฉืจื—ื•ืงื™ื ื–ื” ืžื–ื”, ืœื™ืฆื™ืจืช ื‘ื™ืช ื—ื“ืฉ __โ€ช@ttefferโ€ฌfferโ€ฌfferโ€ฌffer - ืงื•ืœ ื—ื™ ื•ืžืžื•ื—ืฉื‘, ืฆื•ืจื ื•ืขื“ื™ืŸ, ืžืชืคืจืง ื•ื ืืจื’, ื‘ื—ื™ืคื•ืฉ ืื—ืจ ืœื™ื“ื” ืžื—ื•ื“ืฉืช ืžืชื•ืš ื”ื”ืจื™โ€ช@cherry.colouredโ€ฌlouredโ€ฌlouredโ€ฌloured - ืคืจื•ื™ื™ืงื˜ ื”ื“ืจื™ื ืคื•ืค ืฉืœ ื”ื™ื•ืฆืจืช ื•ื”ืžืœื—ื™ื ื” ืขืžื™ืช ื‘ื•ื™ื•ื. ืฉื™ืจื™ื ืืจื•ื›ื™ื ืขืœ ื”ื’ื•ืฃ, ื”ืžืงื•ื ื•ื”ื–ืžืŸโฉโฉโฉ 18 Sep 2026 ืคืกื˜ื™ื‘ืœ ืื•ืชื•ืช | 30.9 ืฉืžื—ื•ืช ืœืฉืชืฃ ืฉื‘ืคืกื˜ื™ื‘ืœ ืชื•ืคื™ืข ื’ื Cherry Coloured - ืคืจื•ื™ืงื˜ ื”ื“ืจื™ื-ืคื•ืค ืฉืœ ื”ื™ื•ืฆืจืช ื•ื”ืžืœื—ื™ื ื” ืขืžื™ืช ื‘ื•ื™ื•ื, ืฉืชื ื’ืŸ ืฉื™ืจื™ื ืขืœ ื”ื’ื•ืฃ,ื”ืžืงื•ื ื•ื”ื–ืžืŸ. ืชืฉืžืจื• ืืช ื”ืชืืจื™ืš- 30.9 ืจื‘ื™ืขื™, ืžืชื—ื™ืœื™ื ื‘19:00 ื”ื›ื ื™ืกื” ื—ื•ืคืฉื™ืช ืฆื™ืœื•ื: ื ื˜ืฉื” ืฉื—ื ืก ืขื™ืฆื•ื‘ ืคื•ืกื˜ืจ: ืื•ืจื™ ื’ื•ื˜ื”ื•ืœืฅ ื”ืื™ืจื•ืข ื‘ืชืžื™ื›ืช 'ื‘ืจื•ื˜ื™ื ื”' ื‘ืจืฉื•ืช ื”ืฆืขื™ืจื™ื - ื”ืžืงื“ืžืช ืฉื’ืจืช ืื™ืจื•ืขื™ ืชืจื‘ื•ืช ื™ื™ื—ื•ื“ื™ื™ื ืœืฆืขื™ืจื™ื ื‘ืขื™ืจ. 17 Sep 2026 Last July, the participants of Echoes of the Meuse-Rhine took their first steps into the Bankastudios, experimenting with its facilities and exploring what the space could offer.โ  โ  This experimental phase marks the beginning of their preparations for the shows coming next summer.โ  โ  Stay tuned for more glimpses behind the scenes!โ  15 Sep 2026 Sufjan Stevens - From the Mouth of Gabriel 10 Sep 2026 Kvish // ื›ื‘ื™ืฉ is out now! ืžืชืจื’ืฉืช ืœืฉืชืฃ ืกื•ืคืกื•ืฃ ืืช ื”ื”ืงืœื˜ื” ืฉืœ 'ื›ื‘ื™ืฉ' ืœื›ื™ื ื•ืจ ื•ืฆืณืœื• ื‘ื‘ื™ืฆื•ืข ืฉืœ ื˜ืœื™ื” ื”ืจืฆืœื™ืš ื•ื™ื•ื ื™ ื’ื•ื˜ืœื™ื‘ื•ื‘ื™ืฅืณ ื”ืžื“ื”ื™ืžื™ื. ื”ื™ืฆื™ืจื” ื ื›ืชื‘ื” ื‘2023 ื‘ืžื™ื•ื—ื“ ืœืงื•ื ืฆืจื˜ ื˜ื™ื•ืœ ืฉืœ ืื ืกืžื‘ืœ ืžื™ืชืจ ื‘ืงืจื™ื™ืช ื”ืžืœืื›ื” ื‘ืชืœ ืื‘ื™ื‘, ื•ื”ื™ื ื”ื™ืฆื™ืจื” ื”ืจืืฉื•ื ื” ืฉื›ืชื‘ืชื™ ื‘ืชืงื•ืคืช ื”ื”ื—ืœืžื” ืฉืœื™. ืชื•ื“ื” ืขื ืงื™ืช ืœื˜ืœื™ื”, ื™ื•ื ื™ ื•ืœืื ืกืžื‘ืœ ืขืœ ื”ื”ื–ืžื ื•ืช ๐Ÿ’œ "ืื ื™ ืจื•ืื” ืืชื›ืŸ ืขื•ืžื“ื•ืช ืžืขื‘ืจ ืœื›ื‘ื™ืฉ, ื›ืคื™ ืฉื™ืฉื‘ืชืŸ ืžื•ืœื™ ื‘ืกืคืกืœ. ืืš ืฉื ื”ื™ื™ื ื• ืื—ืช, ืขื ื™ืขื“ ืื—ื“ ื‘ืื•ืชื• ืžืกื“ืจื•ืŸ ืžื•ืœ ืื•ืชื ื”ืจื•ืคืื™ื ืขืœ ืื•ืชื ื›ื“ื•ืจื™ื ืฉื–ืจืžื• ื‘ืื•ืชื• ื”ื“ื ืฉื–ืจื ืžืื•ืชื• ื”ื’ื•ืฃ ื‘ืื•ืชื• ื—ื“ืจ ื”ื ื™ืชื•ื— ื•ื™ืฉื ื• ื‘ืื•ืชื” ื”ืžื™ื˜ื” ื‘ื–ืžื ื™ื ืฉื•ื ื™ื ื•ืžื ืงื•ื“ื•ืช ืžื•ืฆื ืฉื•ื ื•ืช. ื•ืื ื™ ืžืกืชื›ืœืช ืขืœื™ื›ืŸ ืžื”ืฆื“ ื”ืฉื ื™ ืฉืœ ื”ื›ื‘ื™ืฉ, ืžืฉืคื™ืœื” ืขื™ื ื™ื™ื, ืฉืชื™ ืจื’ืœื™ื™ื ื‘ืฆื“ ื”ื ื’ื“ื™, ืืชืŸ ืขื•ืžื“ื•ืช ื‘ืคื™ื ื” ื•ืื ื—ื ื• ื‘ืื ื• ืœืจืื•ืช." ื–ืžื™ืŸ ื”ื›ืœ ื”ืคืœื˜ืคื•ืจืžื•ืช ื•ื‘ื‘ื ื“ืงืืžืค - ื”ื™ื•ื ื‘ื ื“ืงืืžืค ืคืจื™ื™ื“ื™ ื•ื›ืœ ื”ื”ื›ื ืกื•ืช ื”ื•ืœื›ื•ืช ื™ืฉื™ืจื•ืช ืœืืžื ื™ื ื‘ืœื™ ืขืžืœื•ืช - ืœื›ื• ืœืชืžื•ืš ื‘ืืžื ื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ื›ื Excited to finally share the recording of Kvish for violin and cello, performed by the amazing Talia Herzlich and Yoni Gotlibovich. This piece was written in 2023 especially for Meitar Ensemble's concert touring Kiryat HaMelacha in Tel Aviv and it is the first piece written during my recovery period. Huge thanks to Talia, Yoni and the ensemble for the opportunity ๐Ÿ’œ (translated from hebrew:) "I see you stand across the street, Just as you sat on the bench in front of me. But there we were one, with one destination in the same hallway in front of the same doctors on the same pills that flowed in the same blood that flowed from the same body in the same operating room and we slept in the same bed in different times and from different starting points. And I look at you from the other side of the road, with my eyes 04 Sep 2026 La'Olam Yesh Reshit // ืœืขื•ืœื ื™ืฉ ืจืืฉื™ืช ื‘ื—ื•ืฅ ืื™ืคื” ืฉืฉื•ืžืขื™ื Out in all streaming platforms ื˜ืจื™ื• ืœื–ืžืจืช ืกื•ืคืจืŸ, ืงืœืจื™ื ื˜ ื‘ืก ื•ื’ื™ื˜ืจื” ื—ืฉืžืœื™ืช ืขื ืืœืงื˜ืจื•ื ื™ืงื”, ื‘ื‘ื™ืฆื•ืข ืชื•ื ื–ื™ืœื‘ืจื‘ืจื’ (ืกื•ืคืจืŸ), ืฉืจื™ื’ ื”ื–ื ืคืœื“ (ืงืœืจื™ื ื˜ ื‘ืก) ื•ืฉืœื™ (ื’ื™ื˜ืจื” ื—ืฉืžืœื™ืช, ืืœืงื˜ืจื•ื ื™ืงื”). ื ื›ืชื‘ ื‘ืžืกื’ืจืช ืชื›ื ื™ืช 'ืชื“ืจื™ื' ื‘ืืงื“ืžื™ื” ืœืžื•ื–ื™ืงื” ื•ืžื—ื•ืœ ื‘ื™ืจื•ืฉืœื™ื ื‘ื”ื ื—ื™ื™ืช ืคืจื•ืค' ืืžื ื•ืŸ ื•ื•ืœืžืŸ, ื”ื•ืงืœื˜ ื‘ื‘ื™ืฆื•ืข ื‘ื›ื•ืจื” ื‘ืกื˜ื•ื“ื™ื• ืืžืคื ื‘ื‘ื™ืช ื”ืื“ื•ื ื‘ืฉืคื™ืจื, ืชืœ ืื‘ื™ื‘. ื”ื™ืฆื™ืจื” ื ื›ืชื‘ื” ืกื‘ื™ื‘ ื—ืœืงื™ื ืžืคืจืง 52 ืฉืœ ืกืคืจ ื”ื˜ืื•, ื‘ืชืจื’ื•ื ืฉืœ ื“ืŸ ื“ืื•ืจ ื•ื™ื•ืื‘ ืืจื™ืืœ (2007): ืœืขื•ืœื ื™ืฉ ืจืืฉื™ืช ืืคืฉืจ ืœืจืื•ืช ื‘ื” ืืช ืื ื”ืขื•ืœื. ืžืฉืชืฉื™ื’ ืืช ื”ืื, ืชื“ืข ื‘ืืžืฆืขื•ืชื” ืืช ื‘ื ื™ื”; ื“ืข ืืช ื”ื‘ื ื™ื, ื•ื—ื–ื•ืจ ื•ืฉืžื•ืจ ืืช ื”ืื ื•ืขื“ ื›ืœื•ืช ื™ืžื™ืš ืœื ืชื“ืข ืกื›ื ื”. ื—ืกื•ื ืืช ื”ืคืชื—ื™ื, ืกื’ื•ืจ ืืช ื”ืฉืขืจื™ื, ื•ื›ืœ ื—ื™ื™ืš ืœื ืชื“ืข ืžืืžืฅ. [โ€ฆ] ื”ื–ืงืง ืœืื•ืจ, ืฉื•ื‘ ืืœ ื”ืžื•ืืจ, [โ€ฆ] ืชื•ื“ื•ืช ืขืฆื•ืžื•ืช ืœืื“ื ืฉืคืœืŸ ืขืœ ื”ืื™ืจื•ื— ื‘ืกื˜ื•ื“ื™ื• ื•ื”ืกืื•ื ื“, ืœืขืžื™ืช ื“ื•ืœื‘ืจื’ ื•ืื ืกืžื‘ืœ ืžื™ืชืจ ืขืœ ืชื›ื ื™ืช ืชื“ืจื™ื, ืœืืžื ื•ืŸ ืขืœ ื›ืœ ืžื” ืฉืœืžื“ืชื™ ืžืžื ื• ื“ืจืš ื”ืขื‘ื•ื“ื” ืขืœ ื”ื™ืฆื™ืจื” ื”ื–ื•, ื•ื‘ืขื™ืงืจ ืœืชื•ื ื•ืฉืจื™ื’ ืขืœ ื”ื›ืœ. Trio for soprano, bass clarinet and electric guitar with electronics. Performed by Tom Silberberg (soprano), Sarig Hasenfeld (bass clarinet) and me (electric guitar, electronics). Written as a part of Tedarim program at the Jerusalem Academy of Music and Dance with guidance from prof. Amnon Wolman, recorded at the premiere at Studio Ampa, Tel Aviv. Based on excerpts from the Tao Te Ching, verse 52, as translated to hebrew by Dan Daor and Yoav Ariel (2007). Huge thanks to Adam Scheflan for hosting us in his amazing studio and for the sound, to Amit Dolberg and Meitar Ensemble for Tedarim, to Amnon who taught me so much while working on this, and above all to Tom and Sarig for everything. ๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’– 14 Aug 2026 The project "Echoes of the Meuse-Rhine" is making a great start with the composers having their first individual lessons! Together with Professor Omelchuck (from HfMT Kรถln) their ideas will come to life! โ  โ  The partaking composers are: Ethan Blackburn, Phuc Nguyen, Cรฉdric Havard, Konstantinos Zisimopoulos, Joan Tan and Amit Buium. Together, they make up the group of six composers who will shape the soundtrack of โ€˜Echoes of the Meuse-Rhineโ€™. โ  โ  We are incredibly excited to develop their work and have it resonate throughout our regionโ€™s heritage in the spring of 2027.โ  โ  This project is done in cooperation with Centre Henri Pousseur (Liรจge), Ensemble Hopper (Liรจge), de Hochschule fรผr Musik und Tanz Kรถln (Kรถln) and Intro In Situ (Maastricht).โ  โ  Weโ€™ll keep you posted on their whereabouts! 09 Jul 2026 POST BODY for string quartet premieres today super excited about this and about many more adventures to come (this is also a tribute to queen SOPHIE) today at 19:30 at the KOMPASS #9 concert at the Konzertsaal of HfMT Kรถln @hannaemaria @alinesmueller @saracubarsi @arm__poghosyan @ifnm_koeln @sophie_msmsmsm ๐Ÿ’–๐Ÿ’–๐Ÿ’– 07 Jul 2026 Glรผckwunsch an Amit Buium die Composer in Residence in der Sparte โ€žmultimediale Kompositionโ€œ der Neue Musik Zentrale 2026. Wir freuen uns schon รผber die hier entstehende Arbeit! Geschlechtsangleichung ist ein langsamer Prozess der physischen, sozialen und spirituellen Bewegung von Entfremdung hin zu Zugehรถrigkeit. Das in der Neuen Musik Zentrale entstehende Stรผck erforscht den transformierenden Kรถrper unter dem Einfluss geschlechtsangleichender MaรŸnahmen, die damit einhergehenden kรถrperlichen Empfindungen und die sich stetig weiterentwickelnde Verbindung zwischen Kรถrper und Geist. @amitbuium (*1998 in Israel) ist eine in Kรถln lebende Musikerin. Sie begann ihre musikalische Laufbahn als Gitarristin und Songwriterin und verรถffentlicht seit ihrem 17. Lebensjahr Musik unter dem Alias Cherry Coloured. Sie studierte Komposition an der Jerusalem Academy of Music and Dance bei Talia Amar und Amnon Wolman und begann 2025 ihr Studium der Instrumentale Komposition an der Hochschule fรผr Musik und Tanz Kรถln in der Klasse von Brigitta Muntendorf und Oxana Omelchuk. Sie war in verschiedenen musikalischen Projekten aktiv, darunter das experimentelle Singer-Songwriter-Trio Omek Ha'Aruba, die Post-Hardcore-Band ITAKO und diverse Free-Improvisationsprojekte. Foto von Eden Chen Die Residenzen sind Teil des Projektes "Zentral im Quartier", ein Projekt im Rahmen des Programms Kreativ.Quartiere Ruhr, gefรถrdert durch das Ministerium fรผr Kultur und Wissenschaft des Landes Nordrhein-Westfalen und umgesetzt vom Regionalverband Ruhr. 30 Apr 2026 Short Little Prayer of One Little Syllable Improvisation with a synthesizer, recorded in Cologne on February 9th 2026. Available on Bandcamp and streaming platforms ๐Ÿฉท ืืœืชื•ืจ ืขื ืกื™ื ืชืกื™ื™ื–ืจ, ื”ื•ืงืœื˜ ื‘ืงืœืŸ ื‘9 ื‘ืคื‘ืจื•ืืจ 2026. ื–ืžื™ืŸ ื‘ื‘ื ื“ืงืืžืค ื•ื‘ืคืœื˜ืคื•ืจืžื•ืช ื”ืกื˜ืจื™ืžื™ื ื’ ๐Ÿฉท 14 Feb 2026 Joni Mitchell - Little Green 05 Feb 2026 live laugh loveless @nogadoronz ๐Ÿ’œ๐Ÿฉท๐Ÿ’œ 16 Jan 2026

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DdbMbMBMwwxโจ โจ โจ 3 ื”ื•ืคืขื•ืช ืฉืœ ื™ื•ืฆืจื•ืช ืขืฆืžืื™ื•ืช ื•ืžื™ื•ื—ื“ื™ื ืžื’ื™ืขื™ืโ€ฆ
DdYz4nZCKoeืคืกื˜ื™ื‘ืœ ืื•ืชื•ืช | 30.9 ืฉืžื—ื•ืช ืœืฉืชืฃ ืฉื‘ืคืกื˜ื™ื‘ืœ ืชื•ืคื™ืข ื’โ€ฆ
DdT3QA1ikKOLast July, the participants of Echoes of the Meuโ€ฆ

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