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TRANSGENESIS
“The human organism is neither wholly human, as a person, nor just an organism.
It is an abstract machine, radically immanent, which captures, transforms and produces.”
— Rosi Braidotti, 2009
My first long duration performance 23 days 8hours per day.
Live stream from today 12pm on https://www.theorangegarden.co/transgenesis.
A rebirth, a metamorphosis and a transformation.
Come visit me.
A project presented by @theorangegardenco
Curated by @arturopassa @tommasodeb and @chardonnie
In partnership with @harlesdenhighstreet
Special Performance by @magnuswestwell
Costum by @erica.curci
Music by @___portamento___
ph. @______henri
07 May 2021
I am about to perform CHM13hTERT today again for the 5th day. Come find me at @spazioserra to redeem yourself from the chains of human evolution.
From 8am to 8pm untill 19th of May.
—————————
@theorangegardenco @kuboraum @silassilverman @agnese_ghinassi @arturopassa @___portamento___
07 May 2023
Cyber-Teratology Operation is now on view at the 60th Venice Biennale curated by @adrianopedrosa
Feeling blessed.
———
Cyber-Teratology Operation foregrounds a transbody (transpecies, transgender, transhuman) inside an operating room where everyone is under surveillance. Whilst the audience watches its internal movements, the subject’s eye is also a monitoring screen, as self and apparatus become one. Questionmark’s work addresses the transgender body as one that is often pathologised, mechanised and hospitalised, illuminating the patriarchal biopolitics at play in science and healthcare.
Text by @kostasstas
———
sound by @marinaherlop
produced by @labiennale and @fondazionefendisperoni
———
thanks to @aifos_gotti @amanda.carneiroo @mariainesrodriguez_ for making this project happen
22 Apr 2024
I am so happy to share that I will be part of the 6th New Museum Triennial opening this coming 4th of February at @newmuseum curated by the amazing @sharpwhitebackground and @isarjeille . This project has been in the making since two years, when curators came to my studio at @prattfineart , where I opened my heart to them. Surgically removed in a mechanical operation it will be shown in the exhibition as my first robotic installation. After living in New York for almost 4 years this is a magical moment to show what I have been up to, the failures and the successes, the emotions and the struggles of being a trans woman in the city. I am forever greatful to those who are continuously supporting my work starting from @fondazionefendisperoni with whom I was able to make the work that got me so far and to those who always believed in me @antonellarodriguezboccanelli , @umbertagb , @lateefabh and @pbd.world and to the new supporters that Im looking forward to share this new experience at the New Museum with.
Stay tuned for a new hybrid creature is about to be born!
a?
ph @sageyodit at @99canal.nyc
13 Oct 2026
Exiled in Domestic Life (2025) is a short video filmed in Naples, where a rare species of Incerta Sedis was reportedly found, witnessed, and recorded inside a cave. After deeper investigation I believe this place might have sheltered the creature for a brief period of time before it disappeared into the agitated waters of the Tyrrhenian Sea. I lost her again.
This footage remains only an infinitesimal trace of a longstanding myth I have spent years pursuing. A small glimpse of her presence, moving gently within its multiple fins and tentacles. For now, I remain content with this brief encounter.
Sound by @___portamento___
Performed by @marequiem
Curated by @aletronk
01 Jun 2026
Artist Agnes Questionmark invites audiences into her personal and artistic process of becoming.
“As a queer person, we are deemed as monsters… I consider myself as a monster without really being able to fully be one.”
Watch the new interview 'Agnes Questionmark - Question Your Reality' via our YouTube the link in our bio @louisianachannel
30 Jan 2026
These are some of the new works I made for ‘Anatomy of Fragility’ at @frankfurterkunstverein, my first German institutional show.
This summer I experimented with wax, making reliefs, and worked with large-scale resin sculptures that reveal the insides of my body. It was a big challenge for me.
I spent a long time looking at images and videos of surgical operations, trying to translate the physical touch, piercing and slicing through the skin to reach my organs, into a clay surface to be cast and reproduced in wax and resin.
I needed to give form to the inner spaces of multiple beings that inhabit myself, imagining their veins, organs, and tissues. All of the parts that live inside of me, revealed by the medical settings.
The monstrous, the alien, the stranger, and the unseen emerge as the battlefield upon which I build my own identity and, ultimately, my own self. And yet, I keep asking who am I? and what do I want to be? I don’t know. It’s hard. You all know that, I guess.
Perhaps you can understand why I constantly shift across multiple spectrums, fighting with the incessant identities that inhabit me, and yielding to the indefinite forms my body can possibly take.
Like my own work, I struggle to maintain equilibrium, bearing the weight of gravity, of existence. Unable to find ease within the infinite transformation, I hold on to a fragmented image of a hybrid being wounded by the norms of social control, political judgment, and self-pity.
Definitely this show was an opportunity to question myself all over again.
“i have an empty sit next to you” (2025), beeswax, fiberglass and metal net.
“Turn Male to Mate” (2025), resin and steel sculpture.
🐟🩵
01 Dec 2025
MEET THE ARTIST: Agnes Questionmark
For the exhibition “Anatomy of Fragility”, Agnes Questionmark has created a large-scale spatial installation. Three life-sized sculptures depict hybrid beings that oscillate between alien and aquatic forms. For the six wall pieces, the artist has distorted images of surgical procedures using wax and silicone. Together, they fill the space, which is permeated by a soundscape of heartbeats and rushing blood. Her works open up a realm for a new kind of corporeality, beyond binary categories of male and female, healthy and ill, human and non-human.
You can discover Agnes Questiomark’s new works in the exhibition “Anatomy of Fragility- Body Images in Art and Science” at Frankfurter Kunstverein until March 1, 2026.
Video: @michael._.franzen with kind support by @sustainable_film
#FrankfurterKunstverein #ArtandScience #AnatomyofFragility #BodyImages #KunstundWissenschaft #ContemporaryArt #exhibition #artist #contemporaryartist #AgnesQuestionmark #Posthumanism #Transspecies #Cyborg #Posthumanbodies #Transhumanism #Science #Transgenesis #ArtistInterviews
14 Nov 2025
Exiled in Domestic Life at @quadriennalediroma for the section curated by @aletronk is
an installation that pulled me back into the tide,
into the search for a marine creature lost at sea,
adrift and waiting to be rescued from the dominant construction of scientific control.
Alas! this creature is unidentifiable; its body shifting between genders, species and evolutionary patterns;
speaking through the language of fluids and exiles.
To make this work was to found myself again underwater. There - where my father taught me how to become the sea, to dive and to adapt to its depths - I can identify. Carving organs, weaving membranes,
listening to the rhythm of something still breathing beneath layers of silicone and metal.
what does it mean to be exiled when water is your only home?
as John Giorno wrote, “you got to burn to shine.” I burn constantly, depleting myself to be born again.
This work is what remains of that burn: ashes of
a hybrid body, half machine half animal,
still waiting to be named.
This project was supported by @antonellarodriguezboccanelli @fondazionefendisperoni @umbertagb @lateefabh @patriziasandrettorerebaudengo @bancaifis @thesocialhub.rome and Anja and Joachim Wachtlin
Managing and production by @agnese_ghinassi and @arturopassa
Sound by @___portamento___
—
Exiled in Domestic Life
by John Giorno (1983)
[…]
I’m standing in the hall,
I pushed the button,
and I’m waiting for the elevator, you are alone and you are unstable
and you’re not sure it’s OK anymore,
exiled in domestic life.
Nobody does it for you,
you got to do it all by yourself,
and I’ve been brutalized,
and I’ve been brutalized,
and I’ve been brutalized,
and I’ve been brutalized.
exiled in domestic life,
exiled in domestic life.
I would rather be dead,
than 18 years old,
and a poet,
and if I can do that,
I can sit on somebody’s face,
I can sit on somebody’s face,
I can sit on somebody’s face, and feed.
I want to sleep hugging someone over and over again,
I want to sleep hugging someone over and over again,
and cuddling in the morning, cause it’s healing my body and my heart,
it’s safe to be married these days.
[…]
(J. Giorno, 1983)
20 Oct 2025
Yesterday I presented Exiled in Domestic Life at the @quadriennalediroma , a project that I have been working on for a year and has resulted from a lot of team work. I couldn’t be more grateful to all of those who supported this project for allowing this crazy adventure to happen. And to all of my best friends who came to be with me and celebrate this special moment in my life.
The project was supported by @antonellarodriguezboccanelli @fondazionefendisperoni @umbertagb @lateefabh @patriziasandrettorerebaudengo @thesocialhub.rome @bancaifis and @nikewomen
As well as Anja and Joachim Wachtlin
I am so grateful to my team @agnese_ghinassi and @arturopassa for their hard work and to the curator of @aletronk for allowing the project to take off.
Sound by @___portamento___
11 Oct 2025
This summer I made a new underwater video that will soon be part of my upcoming installation for the @quadriennalediroma. To be able to craft a new fable in the mythological world of Naples was just magical. I feel honored to have been welcomed and guided through the city and its submerged realities; to encounter new organisms and gather research that has strengthened my work; and to have met brilliant and witty people with whom I could share my story.
All of it was in symbiotic company with the whimsical @marequiem, whose contribution to my work was crucial and with the kind support of @whitespaceprojectsnapoli .
I can’t wait to show what we have done and share the hard work everyone put into it.
🦕💙
23 Sep 2025
Surgical rooms are transformative spaces. The sensual touch of the stethoscope, the coarse plasticity of doctor’s hands - probing, caressing and pressing my chest and face - and the sterile lighting revealing the layers of skin where the scalpel pierces through my body are only few of the elements that generate a new relationship with our identities.
Although medicalization of the trans body can result in tragic and painful experiences, irony and playfulness become a form of liberation. The exaggerated looks, makeup, and expressions of the doctors, as well as the ritualization of dramatic actions such as dressing, probing, and operating, turn into processing tools to confront frustrating and painful relationship with health system and its often controversial domains.
The highly aestheticized framing and editing of the video highlight the condition of the trans body as one of representation, reproducing an artificial image: always pristine, clean, and glamorous, in order to satisfy the social demand for a binary standard of beauty and gender. The colors and lighting, along with the overly dramatic and unnecessary musical score, arise from a desire to embellish the monstrous and the horrific, echoing the Italian cinema of Dario Argento or the filthy aesthetic of John Waters.
Directed by @violentati
Performed with @gabowlcboy
Filmed by @jasonbanker
Music by @___portamento___
Produced by @dello_scompiglio
08 Aug 2025
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