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Bio
Production-quality VFX assets, 3D models & professional courses for VFX artists & creative professionals who 𝐌𝐚𝐤𝐞 𝐈𝐭 𝐑𝐞𝐚𝐥. 🔥 ⬇️⬇️⬇️
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Recent posts
This course teaches you to plan, shoot, and composite professional VFX yourself — using tools you probably already have. Taught by Zac VanHoy and Sam Crowe, built for filmmakers, editors, and DPs who already know their way around After Effects, Premiere, or DaVinci Resolve.
What you’ll walk away with:
— The ability to plan, shoot, and composite VFX shots for real client work
— Green screen keying, object removal, sky replacement, and 3D camera tracking, by hand and with AI
— Matte painting and environment builds that hold up to scrutiny
— 13 custom live-action plates + 4K production-quality VFX assets to keep
— A portfolio’s worth of finished shots
No prior compositing experience needed. If you’re already in After Effects, Premiere, or DaVinci Resolve, you’re ready.
#VFX #VisualEffects #Work #Filmmaker #Filmmaking
10 Aug 2026
AI For VFX. Comment "Course" For Link.
✅ Install and set up ComfyUI
✅ Build clean image workflows
✅ Create mattes, clean plates, and 3D assets
✅ Export EXRs and upscale shots
🧠 Built for VFX artists. Backed by ActionVFX.
📂 Available now. Comment "Course" For Link.
#VFX #AIforVFX #VFXTraining #ComfyUI #PostProduction #StudioPipeline #AIworkflow #ActionVFX #VFXArtists #FilmmakingTools #VisualEffects #AIVFX
05 Nov 2025
Shirogumi’s VFX team used ActionVFX assets in Godzilla Minus One to get the job done right. F
rom explosions to atmospheric effects, these elements made complex scenes easier to manage and more realistic. Want the same tools they use?
📥 Check out the ActionVFX library (🔗in Bio)
#VFX #Godzilla #GodzillaMinusOne #VFXbreakdown #VFXstudio #AE #NukeCompositing #Blender3D #B3D #BlenderRender #DIYfilmmaking #Filmmaker #Oscars #Oscarwinning
03 Oct 2024
We film VFX elements for a living, so we’ve pulled a lot of green screen keys. Hair, smoke, motion blur. The kind of shot that turns into an afternoon of roto.
So we threw our own footage at CorridorKey 2.0: a dust explosion, a blood splatter, a car full of glass, a dark crinkled screen and a head of wild curly hair.
Five out of six keyed in one click. The sixth tripped it up, and it wasn’t the one we expected.
The full test is coming to our YouTube. The practice clips are free to download, so you can try to break it yourself. Link in bio.
#vfx #greenscreen #compositing #corridorkey #aftereffects #nuke
06 Nov 2026
Comment "TITLES" for the course link.
The best title sequences are won before anyone opens After Effects.
Emmy winner Eric Demeusy (Stranger Things) takes one Bond-style title from script to final comp, covering the concept, pitch, typography, animatic, 3D and composite.
Cinematic Title Sequence Design.
#titledesign #strangerthings #cinema4d #aftereffects #vfx
05 Nov 2026
Nine compositors. 610 shots. One Oscar.
Shirogumi's team on Godzilla Minus One had no room for slack. Each artist wore several hats: set work, previews, R&D, look development, CG and comp.
So they stopped building what they could shoot once and reuse. Ryo Matsumoto, one of the compositors, put it plainly: atmospheric smoke, fire, or dust explosions around Godzilla's feet is where pre-shot elements come in.
The real gain was time. Ryo said that even with a generous schedule, the hours you save let you improve something else, or go home and rest.
The takeaway for your next shot: list the elements that are background support, not hero work. Dust at the feet, ground bursts, atmosphere. Those are the ones to buy back time on, so your hours go to the shots the audience remembers.
Worth a look if you comp under a tight schedule.
#GodzillaMinusZero #VFX #VisualEffects
04 Nov 2026
Comment "Titles" and we'll send you the link.
A good title sequence tells you what kind of story you’re about to watch before a single line of dialogue.
Before you open After Effects, it helps to answer three questions:
What should the audience feel in the first five seconds?
What one visual idea carries that feeling? (A texture, a typeface, a camera move, a material.)
What can you take away and still keep the feeling?
Most title work that falls flat skips straight to animation. The type moves well, but there’s no idea holding it together.
Eric Demeusy, the Emmy-winning designer of the Stranger Things title sequence, built a course around exactly this. He takes you through his whole process: developing the idea, setting the visual direction, experimenting, refining, and then designing, animating, and compositing the final sequence.
It’s a mix of VFX, motion design, and graphic design. That combination is why title work is one of the more valuable skills you can add right now.
Preorder is $50 off until launch on November 5th.
→ https://bit.ly/cinematic-title-design
#TitleDesign #MotionDesign #VisualEffects #StrangerThings
03 Nov 2026
URBEX | Nuke + Postshot
Made as part of my 3D Reconstruction course on @actionvfxofficial. This abandoned building was scanned with a drone during the day, processed in #realitycapture and #postshot as a 3D Gaussian Splat, and relit and animated in #nuke.
If you want to learn my whole process for capturing, processing, and making things with gaussian splats amd photogrammetry assets, then check out my course on Action VFX (link in bio)
#vfx #3d
23 Oct 2026
Compositing student @timitsky.art used eight ActionVFX fire collections for this shot in his final project at @gnomon_school.
Drop some encouragement for Adrian in the comments! 👏
Full spotlight on our blog (website link in the bio).
Inspiration: The Black Spot Fire scene from IT: Welcome to Derry, Season 1.
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.
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#vfx #charactermodeling #vfxbreakdown #compositing #gnomonschool
23 Oct 2026
SEARCH & RESCUE | Unreal Engine + Postshot
The second piece of art made for my 3D reconstruction course over at @actionvfxofficial (link in bio). @alecccohen and I took thousands of photos of mountains with drones out in New Jack City, then I came back home and aligned those images with @realityscanofficial and trained them as 3D gaussian splats in Postshot by @jawset.visual.computing
If you want to learn how to do this yourself, check out my 3D reconstruction course over at ActionVFX! (Link in bio). It comes with a couple of these splats too!
#noai #gaussiansplatting #vfx #3d #tutorial
22 Oct 2026
Four hours of simming or four minutes of dragging in a clip.
Same shot. One of those gets you to dinner.
Everything here came off a stage: fire, dust, debris, smoke. Real light, real chaos, no render queue.
Spend your time on the decisions only you can make.
How long did your last sim take to look right? 👇
#vfx #compositing #vfxbreakdown #nuke #vfxartist
21 Oct 2026
Office Loop | After Effects + Postshot
Made as part of my 3D Reconstruction Course for @actionvfxofficial. What you’re looking at is a digital reconstruction of my office (made with Postshot by @jawset.visual.computing) which I duplicated and brought to life in After Effects, and recorded to tape on my VCR.
More cool splat art to come… If you want to learn how I made this shot from start to finish, and want to learn how I capture, process and use splats and scans, check out my course on Action VFX (link in bio).
#noai #vfx #gaussiansplatting #3d #art
21 Oct 2026
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