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Creative technology and post production for fashion and music, rooted in a deep understanding of fashion imagery and commercial production
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Recent posts
#MOWAJORDAN
Photographer: Norbert Schoerner @dayfornightlab
Creative Director: Mowalola @mowalola
Lead Art Director: Nicolas Thiemann @thiemann
Stylist: Yaz XL @yaz_____xl
Makeup: Terry Barber @terrybarberonbeauty
Movement Director: MJ Harper @m.j.h.a.r.p.e.r
Set Designer: Andrew Stellitano
Art Director: Aicha Sommer @aichasommer
Hair: Virginie Moreira @vpintomoreira
Nails: Liia Zotova @the.fingersofgod
Casting: Affa Osman @affaosman
Production: LAFOUR @lafourstudios
Post Production: Lalaland @lalalandartists
Lighting Director: Tom Moran @tommoranstudio
Grading: Tomoko Inoue for BITE STUDIO @_bitestudio_
Retouch: Split Peas @splitpeaspost
CGI: A New Plane @a_new_plane
21 Sep 2026
Double Magazine, issue 48. Digital direction by A New Plane.
Photographer: @drewvickers
Stylist: @malinajoseph
Model: @stella.hanan
Technical direction by @a_new_plane
Technical production by @romcvague
AI Artist: @ai.s.a.m
CGI Artist: @samuelaldridge_
Hair: @shioritakahashi
Make-up: @lynseyalexander
Casting: @julialangecasting
Set Design: @louissimonon
Photographer’s Assistants: @natemargolis, Sean Morrow and Sam Singer
Digital technician: @johnpheyes
On-set retoucher: Axy Liasides
Stylist’s Assistants: Jessica Sharp and @mariangelaoorlando
Hair Assistant: @adam.embleton
Make-up Assistant: @phoebealana and Tabitha Thomas
Set design Assistant: Samuel Nathan
Production: @partner.films, @kimberly__arms, Star Santos Hannan and Harvey Wells
07 Dec 2024
As a loving tribute to @jgalliano incredible talent and his boundary breaking vision , here is a totally CGI Fashion Film created with @a_new_plane of John’s amazing muse @leondame 🤍🤍
Creative direction @calumkingsleyknight
#virtualmodel
#cgi
#margiela
16 Dec 2024
For the LOVE: DEAD SERIOUS issue, Gigi Hadid inhabits the world of ‘Death Becomes Her’, playing a character consumed by the pursuit of eternal youth, only to lose her head in the process.
Thank you to @sebastianfaena, @juancp, @e.mman for bringing us on board to help shape the surreal visual language of the story with VFX - we had a blast!
Photographer @sebastianfaena
Fashion @carineroitfeld
Fashion Creative Consultant @e.mman
Hair @edwardlampley at @clmagency
Makeup @cgonzalezbeauty at @aframe_agency
Set Design @studio_hans_nyc at @bryantartists
Nails @aliciatnails at @bridgeartists
Photography Assistants @erik_lee_snyder and @slouching_toward_nirvana
Digital Assistant @jennifer.czyborra
Fashion Collaborator @andreaetlou
Styling Assistants Isabella Natale, Isabel Choi, and Natalia Kelly
Set Design Assistants @nicoleroosien and EMILE DOMISE
Body Double @clairevanbeber at @closeupmodelsagency
Videographer @lucasflorespiran
Production @kitten_production @mahautlefort
Creative Technology Studio and Post-Production @a_new_plane
The LOVE Team
Creative Director @juancp
Chief Executive Officer @nordineb
Chief Content Officer @valeriedumont
Editorial Director @kaci0n
Fashion Director @taticotliar
Design Director @jiminie
Managing Editor @claragiampellegrini
Visual Direction @studio.demi
Fashion and Market Editor @shaoul.avital
Designer @iliasmettioui
03 Mar 2026
In collaboration with The Metropolitan Museum of Modern Art’s archive for their Sleeping Beauties: Reawakening Fashion exhibition, we created a Pepper’s Ghost installation for this 1910’s Jeanne Hallée “hobble dress”
The legendary Belle Époque characaturist Sem observed that the very narrow skirt style of the time made the women who wore them walk like insects. In response, we worked with insect imaging specialists (yes, they exist) to 3D scan various bug parts to turn @uglyworldwide into an uncanny human-insect hybrid as they walked along the crest of Sem’s original book of illustrations within the gallery.
The Costume Institute’s incredible team fully recreated the dress to @uglyworldwide ’s proportions, so we could motion-capture the precise movements. We then digitally recreated the dress from 3d scans and images with meticulous detail, down to the precise underlying corset specifications and very particular construction methods used to get the movement of the dress as close to the original as we possibly could.
16 Jun 2026
For the second installment of #ModelsDotCom Industry Access conversation with @showstudio founder Nick Knight @nick_knight, and A New Plane’s Tom Wandrag @a_new_plane, the discussion turns from AI’s possibilities to the deeper questions surrounding labor, beauty, ownership, and the future of fashion itself. Together with Models.com Editorial Director Irene Ojo-Felix @iojofx, Knight and Wandrag examine whether AI can help create a better future for creatives and models or whether it risks accelerating the very forces that have already flattened culture, creativity, and opportunity. To view the complete #IndustryAccess interview, head over to Models.com and YouTube for more. 🔗
Editor-in-Chief: Stephan Moskovic @themoskovic
Editorial Director and Interviewer: Irene Ojo-Felix @iojofx
Location: SHOWstudio London @showstudio
Special Thanks: SHOWstudio, Nick Knight @nick_knight, Charlotte Knight, Tom Wandrag @a_new_plane, and Christopher Michael @chrimichael at Egos & Icons
01 Jun 2026
Working with this Anna Maria Garthwaite designed Spitalfields Silk piece was another highlight from the Met’s Sleeping Beauties: Reawakening Fashion exhibition. Garthwaite was an incredible woman and worth looking up, who, incidentally, used to just live around the corner from our studio in East London.
The method of creating these silks from her designs with a draw loom was intensely complex and highly skilled. Trying to recreate that digitally turned out to be a dead end, so we ended up trying to represent her original painted designs, rather than the silk weaving process specifically.
We found her original painting in the V&A archives and studied her methods and the “point paper” used to translate the design into a working pattern for the weavers. Interestingly, this lead us to noticing the parallels between the Spitalfields silk weavers and the Luddites, a term now used for opposition to technological advances. Decades earlier than the Luddites protestations, the silk weavers had actually succeeded in demanding the kind of legal protection against mechanisation the Luddites would later become infamous fighting for.
The Jacquard Loom, a system using hole-punched cards to automate the weaving process, was arguably a precursor to modern computers. Use of this loom wiped out the practice of the Spitalfield Silk weavers all together.
29 May 2026
Diesel SS26 Campaign
FX + Video Animation by @a_new_plane
Photographer: @Mark_Peckmezian
Art Director: Christopher Simmonds
Creative Director: @GlennMartens
Stylist: @UrsinaGysi
Make Up Artist: @AnthonyPreel
Hair: @KarimBeghiran
Nails: @LoraDeSousa
Casting: @11casting
Production: @FaragoProjects
23 Apr 2026
Artificial intelligence is changing fashion image-making fast and not without controversy. As brands experiment with AI-generated campaigns, conversations around authorship, ethics, and the future of creative jobs continue to intensify. For the latest Industry Access conversation, legendary image-maker Nick Knight @nick_knight joins creative technologist Tom Wandrag @a_new_plane at SHOWstudio @showstudio in London to discuss the promises and limits of AI in fashion. With Knight’s groundbreaking work shooting stars like Björk, Kate Moss, Naomi Campbell, and Iman and A New Plane’s experiments with emerging technology, the pair explore whether AI can expand creativity without replacing the human instinct behind great images. Moderated by Models.com Editorial Director Irene Ojo-Felix, watch part 1 of conversation now at the link in bio and stay tuned next week for part 2.
Editor-in-Chief: Stephan Moskovic @themoskovic
Editorial Director and Interviewer: Irene Ojo-Felix @iojofx
Location: SHOWstudio London @showstudio
Special Thanks: SHOWstudio, Nick Knight @nick_knight, Tom Wandrag @a_new_plane, Charlotte Knight, and Christopher Michael @chrimichael at Egos & Icons
27 May 2026
It was such an amazing process and honor to digitally recreate this 1880’s Charles Worth dress for the Met Costume Institute’s 2024 show, Sleeping Beauties: Reawakening Fashion. It was so fragile it could only be moved a handful of times, ever again! After 3d scanning the supine dress in detail we worked closely with the amazing team of archivists and conservators at the Met to get every detail JUST right. We motion-captured ballroom dancers performing period-accurate choreography, then animated @uglyworldwide ‘s digital avatar for the final piece, a near life-size Pepper’s Ghost “hologram” that greeted visitors as they entered the exhibition. We built a 1/8th scale and a full size replica of the space to get the hologram effect working to perfection, experimenting with chandelier pieces and different looks, all under @nick_knight ‘s direction.
27 May 2026
An Evening With @pinkpantheress at Coachella.
Intro + Interstitials by @a_new_plane
Edited by @raquel_couceiro_
Creative direction: @sianrowe_
Content direction + production: @leajinanderson @chaseoblack
Green screen directed by @boma, produced by @freenjoy
24 Apr 2026
An Evening With @pinkpantheress at Coachella.
Intro + Interstitials by @a_new_plane
Edited by @raquel_couceiro_
Creative direction: @sianrowe_
Content direction + production: @leajinanderson @chaseoblack
Green screen directed by @boma, produced by @freenjoy
05 May 2026
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