Pedro Reyes

Pedro Reyes

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@_pedro_reyes_

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sculptor Represented by @lisson_gallery @galerialuisastrina & @l_a_b_o_r founder of @tlacuilobiblioteca @artistsagainstthebomb

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A gathering of stones๐Ÿ—ฟ๐ŸคŽ 06 Nov 2026 2026 ์ฐฝ์›์กฐ๊ฐ๋น„์—”๋‚ ๋ ˆ ใ€Š๊ณต๋ช…์žฅใ€‹ ๋กœ๋น„์— ๋“ค์–ด์„œ์ž๋งˆ์ž ๊ฑฐ๋Œ€ํ•œ ์ž‘ํ’ˆโŒฉํ•ต๋ฌด๊ธฐ ์ œ๋กœ IโŒช(2021)๋ฅผ ๋งˆ์ฃผํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ํŽ˜๋“œ๋กœ ๋ ˆ์ด์˜ˆ์Šค(@_pedro_reyes_)๋Š” ์กฐ๊ฐ์„ ๋„˜์–ด ์—ฐ๊ทน, ์‹ฌ๋ฆฌํ•™, ํ–‰๋™์ฃผ์˜๋ฅผ ๊ฒฐํ•ฉํ•˜๋ฉฐ ์‚ฌ๋žŒ๋“ค์ด ํ•จ๊ป˜ ์ƒ๊ฐํ•˜๊ณ  ํŒ๋‹จํ•˜๊ณ  ํ–‰๋™ํ•  ์ˆ˜ ์žˆ๋Š” ์‚ฌํšŒ์  ์žฅ์น˜๋ฅผ ๋งŒ๋“ค์–ด์™”์Šต๋‹ˆ๋‹ค. โŒฉ์ง€๊ตฌ ์ข…๋ง ์‹œ๊ณ„โŒช(2022)๋Š” ํ•ต๋ฌด๊ธฐ์— ๋Œ€ํ•œ ์ถ”์ƒ์ ์ธ ๊ณตํฌ๋ฅผ ๋ˆˆ์•ž์˜ ํ˜•์ƒ๊ณผ ์‹œ๊ฐ„์œผ๋กœ ๋“œ๋Ÿฌ๋ƒ…๋‹ˆ๋‹ค. ๊ณต๊ธฐ ์ฃผ์ž…์‹ ๋ฒ„์„ฏ๊ตฌ๋ฆ„ ์œ„์˜ โ€œZERO NUCLEAR WEAPONSโ€์™€ ์ž์ •์„ ํ–ฅํ•ด ํ๋ฅด๋Š” ๋””์ง€ํ„ธ ์‹œ๊ณ„๋Š” ๋ณด์ด์ง€ ์•Š๋Š” ์œ„ํ—˜์„ ํ˜„์žฌ์˜ ๋ฌธ์ œ๋กœ ํ™˜๊ธฐํ•ฉ๋‹ˆ๋‹ค. ์žฌ๋‚œ์˜ ์ด๋ฏธ์ง€๋ฅผ ๊ธฐ๋…๋น„๋กœ ๋‚จ๊ธฐ๋Š” ๋Œ€์‹ , ํ•จ๊ป˜ ๋ฐ”๋ผ๋ณด๊ณ  ์งˆ๋ฌธํ•˜๋ฉฐ ์‘๋‹ตํ•˜๊ฒŒ ํ•˜๋Š” ์žฅ์œผ๋กœ ์ „ํ™˜ํ•˜๋Š” ๊ฒƒ. ๋ ˆ์ด์˜ˆ์Šค์˜ ์กฐ๊ฐ์€ ๊ทธ๋ ‡๊ฒŒ ์‚ฌํšŒ์™€ ์šฐ๋ฆฌ์˜ ๊ด€๊ณ„๋ฅผ ๋‹ค์‹œ ์ƒ๊ฐํ•˜๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. Changwon Sculpture Biennale 2026 Pedro Reyes As you enter the lobby, you encounter the monumental work Zero Nukes I, 2021. Pedro Reyes has expanded sculpture beyond its traditional forms, combining theater, psychology, and activism to create social devices that invite people to think, judge, and act together. Doomsday Clock, 2022 confronts the nuclear threat through visible form and the measure of time. The words โ€œZERO NUCLEAR WEAPONS,โ€ emblazoned across an inflatable mushroom cloud, and the digital clock counting down to midnight transform an invisible danger into an urgent present. Rather than fixing catastrophe as a monument, Reyes turns it into a space for gathering, questioning, and responding. His sculptures invite us to reconsider how we relate to society and to one another. ๐Ÿ“ท: @personaweare _ 2026 ์ฐฝ์›์กฐ๊ฐ๋น„์—”๋‚ ๋ ˆ ใ€Š๊ณต๋ช…์žฅใ€‹ ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ธ๐˜ฐ๐˜ฏ ๐˜š๐˜ค๐˜ถ๐˜ญ๐˜ฑ๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜‰๐˜ช๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข๐˜ญ๐˜ฆ 2026, ๐˜™๐˜ฆ๐˜ด๐˜ฐ๐˜ฏ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜๐˜ช๐˜ฆ๐˜ญ๐˜ฅ ์„ฑ์‚ฐ์•„ํŠธํ™€, ์ฐฝ์›์˜์ง‘ ยท ์ฐฝ์›์—ญ์‚ฌ๋ฏผ์†๊ด€, ์ง„ํ•ด์—ญ ์ผ๋Œ€, ๋งˆ์‚ฐ์–ด์‹œ์žฅ Seongsan Art Hall, House of Changwon ยท Changwon History & Folklore Museum, Jinhae Station Area, Masan Fish Market ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ. ๐Ÿต. ๐Ÿฏ๐Ÿฌ. โ€” ๐Ÿญ๐Ÿญ. ๐Ÿญ๐Ÿฑ. 07 Oct 2026 TRAILER DE ODISEA NACIONAL Un viaje lรญrico y sugerente compuesto por micro historias รญntimas que exploran la profunda relaciรณn entre la arquitectura y la vida cotidiana. Dirigida y escrita por: Mariano Renterรญa @mariano_garnica Producida por: Jorge Dรญez @jorg_diez CON LA PARTICIPACIร“N ESPECIAL DE: Javier Senosiain @javiersenosiaina, Carlos Bedoya @productora_df , Tatiana Bilbao @tabilbaoestudio, Mauricio Rocha @maurocha, Pedro Reyes @_pedro_reyes_ & Jorge Taboada @jorgetaboada Coreรณgrafo: Diego Vega @diegovegasolorza No habitamos los espacios, estos nos habitanโ€ฆ #OdiseaNacional #Trailer #CineMexicano ยฉ El Relicario Cine 17 Sep 2026 Artists Against the Bomb is now open in Homeroom. The exhibition includes over 80 calls to action papered across the walls, suspended from the ceiling, and displayed in vitrines for closer inspection. Featuring posters, sculptures, photographs, literature, music, and ephemera, the exhibition is rooted in AATB's belief that meaningful change arises through collective action and public refusal. Swing by to see this urgent exhibition and join us this Sat, Sep 12, for "Atomicon," an afternoon of presentations by artists, activists, and scientists hosted by artist Pedro Reyes (@_pedro_reyes_ )as part of our Open House. RSVP at the link in bio. 01 Jan 1970 this Saturday 12 !!! @momaps1 07 Sep 2026 Artists Against the Bomb opens in Homeroom on September 10. The exhibition highlights @artistsagainstthebomb (AATB) and their advocacy for universal nuclear disarmament with the International Campaign to Abolish Nuclear Weapons (ICAN). Uniting artists, musicians, writers, and activists, AATB is rooted in the urgent belief that meaningful change arises through collective action and public refusal. Gathering over 100 urgent calls to action, the exhibition features posters, film, photography, literature, music, sculpture, and rare ephemera supporting the Treaty on the Prohibition of Nuclear Weapons (TPNW). Organized by Estudio Pedro Reyes (@_pedro_reyes_) and ICAN (@nuclearban, recipient of the 2017 Nobel Peace Prize for developing the TPNW), the show highlights worldwide contributions by artists with ties to MoMA PS1โ€”including Regina Josรฉ Galindo, Nani Chacรณn, Carlos Amorales, Frieda Toranzo Jaeger, Art & Language, and Laura Anderson Barbataโ€”alongside newly produced works. โ€” Jose Dรกvila (@josedavila) | Artists Against the Bomb 01 Jan 1970 (no caption) 26 Jul 2026 Muros 2026 ร“leo sobre papel amate 240 x 120 cm ๐Ÿ“ท@sush1sa 20 Jul 2026 Hamaca, 2025 Volcanic stone 30 x 80 x 28 cm ๐Ÿ“ท@sush1sa 17 Jul 2026 Tatara, 2026 Volcanic stone 48.5 x 98.5 x 75 cm ๐Ÿ“ท@sush1sa 16 Jul 2026 Omeyollo 2026 Cantera verde de Oaxaca Hasta este sรกbado en @l_a_b_o_r 15 Jul 2026 Petlachihua, 2026 Oil on amate paper 244 x 122 cm 15 Jul 2026

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DfauJykFO1XA gathering of stones๐Ÿ—ฟ๐ŸคŽ
DeL-qMSmFcU2026 ์ฐฝ์›์กฐ๊ฐ๋น„์—”๋‚ ๋ ˆ ใ€Š๊ณต๋ช…์žฅใ€‹ ๋กœ๋น„์— ๋“ค์–ด์„œ์ž๋งˆ์ž ๊ฑฐ๋Œ€ํ•œ ์ž‘ํ’ˆโŒฉํ•ต๋ฌด๊ธฐ ์ œ๋กœ Iโ€ฆ
DdZ3avdI7bjTRAILER DE ODISEA NACIONAL Un viaje lรญrico y suโ€ฆ

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