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www.filmindependent.org/blog/the-perfect-pickpocket-coat-with-the-only-living-pickpocket-in-new-york-costume-designer-cailey-breneman www.forbes.com/sites/joshweiss/2026/10/23/the-only-living-pickpocket-in-new-york-costume-designer-on-zegna-collaboration-and-shoe-shopping-with-john-turturro vfxvoice.com/where-practical-ends-and-vfx-begins-in-backrooms themakingof.substack.com/p/widows-bay-cinematographer-editor substack.com/@themakingof/note/p-223231193?r=r79pb&utm_medium=ios&utm_source=notes-share-action We found Email for this account. Get the details-
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Recent posts
New York acts differently than anywhere else; it has its own look, its own vernacular. Whether it’s the Wall Street power suit, the jeans-and-heels fashion crowd, or the Uptown Tims and Polo, New Yorkers dress up for the occasion, because that’s just what you do. Costume designer Caily Breneman’s job was to capture the energy of the city in the new film The Only Living Pickpocket in New York.
The film stars John Turturro as an old-school pickpocket, whose lucky score turns into a bad break when he unknowingly swipes a crypto-wallet from a young and vicious mob scion, played by Will Price.
Breneman’s work shows just how intimate the art of picking a pocket is, through placements of hidden pockets, open zippers and all the details we don’t notice, until it’s too late.
The costumes are an exercise in contrast, showing the old New York in more the classic tailoring of Turturro and Steve Buscemi, versus the online and on-trend New York of Price and his hangers on.
We spoke with Breneman about those choices, as well as dressing other icons like Giancarlo Esposito and Jamie Lee Curtis. But first, we had to ask about that overcoat…
Link to full story in bio.
@sonyclassics @caileybreneman @filmindependent @onlylivingpickpocket
04 Nov 2026
In this episode of The Making Of, we welcome Chris Welcker, CAS (Production Sound Mixer), Ari Balouzian (Composer), and Paul Hsu (Re-Recording Mixer) to discuss the sound of #Primetime. From capturing production sound to crafting the film’s original score and immersive sound design, we explore the creative collaboration behind the film’s distinctive sonic atmosphere, building tension and bringing its story to life.
Link in bio for the full chat!
@a24 @primetimemovie @catgutsound @aribalouzian
04 Nov 2026
Congratulations to Simon Hayes & the entire #INK team on their 4 BIFA nominations this morning!
• Best Supporting Performance: Claire Foy
• Best Editing: Fin Oates
• Best Production Design: Gareth Pugh and Carson McColl
• Best Sound: Simon Hayes and Johnnie Burn
03 Nov 2026
COWARD
As the First World War drags on, Pierre, a soldier newly arrived at the front, is eager to prove himself. Behind the lines, he meets Francis, who decides to lift the spirits of his comrades by putting together a theatre show. While the violence continues, both men try to find ways to escape the brutality of war, even if only for a moment.
In US theaters this Christmas.
Production Designer: Eve Martin
Costume Designer: Isabel Van Renterghem
28 Oct 2026
Cailey Breneman x Forbes
The fact that the movie mainly takes place over the course of a single day was both a blessing and a curse. “I find it to be more interesting because there’s no phoning it in,” noted Breneman. “There are no throwaway changes, but it does put a little bit more pressure on you because everything really does have to be perfect. I’ve done movies where people have over 80 some changes. It’s nice to have a mix of both, but on this one, it was pretty fun because we just had to nail it.”
The Only Living Pickpocket In New York co-stars Giancarlo Esposito, Steve Buscemi, Victoria Moroles, Lori Tan Chinn, Michael Hsu Rosen, Karina Arroyave, Jack Mulhern, Kelvin Han Yee, and Jamie Lee Curtis.
Link to full article in bio.
@sonyclassics @onlylivingpickpocket @caileybreneman
26 Oct 2026
#Backrooms, from the mind of visionary YouTube creator #KaneParsons, is a dread-inducing cinematic nightmare that is defining a new era in horror storytelling. Set in 1990 and based on Parsons’ viral web series, the film follows furniture salesman Clark (Chiwetel Ejiofor) as he makes a startling discovery in the basement of his showroom — a portal, bathed in yellow fluorescent lights and littered with familiar objects, leading to an eerie maze of endless office space. When Clark goes missing, his therapist Dr. Mary Kline (Renate Reinsve) finds herself lost in the backrooms, searching for answers and a way out. An A24 release.
Director Kane Parsons will be presented with the NextGen Director Award. A special In Conversation event, featuring Parsons, production designer Danny Vermette, director of photography Jeremy Cox, and VFX supervisor Edward Douglas precedes the screening.
@edwardjdouglas @a24 @backroomsmovie @kanepixels
23 Oct 2026
Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to
document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey
into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes YOU CAN SEE EVERYTHING.
In theaters NOW.
Production Sound Mixer: Richard Carlos
16 Oct 2026
Lance Oppenheim returns to the show to discuss his first-ever narrative feature film, “Primetime,” starring Robert Pattinson as “To Catch a Predator” host Chris Hansen. He is joined by members of his longtime creative team to break down the film’s audacious juxtaposition of truth and fiction: Everything from shooting with (literally) dozens of cameras and recording formats, filming much of it like an actual documentary, at its deliberate use of “fever-dream” editing, music, and sound design, resulting in an astonishing film that begs the question, “what is real?”
“I want everyone [here]… to do something that [they] would never do with another filmmaker. I want to give them the same freedom, really, that also I was giving Rob [Pattinson] as a performer… it’s my job to perfume my excitement about the subject and the approach, and see how it takes shape with other people. That’s the most beautiful part of making films, the collaborative dimension of it.” —Lance Oppenheim, Director, “Primetime”
Joining this conversation:
Lance Oppenheim – Director
Paul Hsu – Sound Designer and Re-recording Mixer
Chris Welcker – Production Sound Mixer
David Bolen – Director of Photography
Daniel Garber – Editor
Ari Balouzian – Composer
Listen to wherever you get your podcasts -
@primetimemovie @a24
15 Oct 2026
A bold tapestry spanning nearly a century of Spanish history, La Bola Negra tells the story of three generations of men whose lives are intimately connected through desire, pain, and love in this celebrated film from Cannes-winning directors Javier Calvo and Javier Ambrossi.
Re-recording mixer: Mayte Cabrera
06 Oct 2026
Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to
document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey
into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes YOU CAN SEE EVERYTHING.
Production sound mixer: Richard Carlos
06 Oct 2026
Russia, 2022. Corporate executive Gleb finds himself under siege on all fronts: haunted by suspicions that his wife is unfaithful and facing a demand to draft a quota of employees for war. Though desperate to keep his hands clean, his struggle to reassert control accelerates toward violence.
Supervising Re-Recording Mixer Andrey Dergachev
05 Oct 2026
A bold tapestry spanning nearly a century of Spanish history, La Bola Negra tells the story of three generations of men whose lives are intimately connected through desire, pain, and love in this celebrated film from Cannes-winning directors Javier Calvo and Javier Ambrossi.
SFX Supervisor: Pau Costa
05 Oct 2026
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