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Current: Sophie Birch | Until 21 November / Upcoming: Gian Manik | Opening 26 November
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Recent posts
Don’t miss Sophie Birch’s solo exhibition, ‘The eye lives in this texture [...]’, currently on view at Alice Amati through 21 November.
In this new body of work, spatial logic is continually built up and dissolved. Layers of marks accumulate, are rubbed back, and painted over, carrying traces of duration, revision, and recollection. Birch’s distinctive use of colour generates surfaces that flicker and shift; tones placed alongside one another create a subtle instability, producing the sensation that the image is still in the process of forming.
Image: Sophie Birch, ‘Luck’, 2026, Oil and marble dust on canvas, 45 x 35 cm | Photo Tom Carter
Don’t miss Sophie Birch’s solo exhibition, ‘The eye lives in this texture [...]’, currently on view at Alice Amati through 21 November.
In this new body of work, spatial logic is continually built up and dissolved. Layers of marks accumulate, are rubbed back, and painted over, carrying traces of duration, revision, and recollection. Birch’s distinctive use of colour generates surfaces that flicker and shift; tones placed alongside one another create a subtle instability, producing the sensation that the image is still in the process of forming.
Image: Detail of Sophie Birch, ‘Luck’, 2026, Oil and marble dust on canvas, 45 x 35 cm | Photo Tom Carter
Don’t miss Sophie Birch’s solo exhibition, ‘The eye lives in this texture [...]’, currently on view at Alice Amati through 21 November.
In this new body of work, spatial logic is continually built up and dissolved. Layers of marks accumulate, are rubbed back, and painted over, carrying traces of duration, revision, and recollection. Birch’s distinctive use of colour generates surfaces that flicker and shift; tones placed alongside one another create a subtle instability, producing the sensation that the image is still in the process of forming.
Image: Sophie Birch, ‘Limbs bright with speed’, 2026, Oil and marble dust on linen, 150 x 190 cm | Photo Tom Carter
Don’t miss Sophie Birch’s solo exhibition, ‘The eye lives in this texture [...]’, currently on view at Alice Amati through 21 November.
In this new body of work, spatial logic is continually built up and dissolved. Laye
09 Nov 2026
🔊 Meet Danielle Fretwell (@danielle.fretwell), a rising painter who pairs hyperreal, Dutch Golden Age–style banquet scenes with an abstracted “veil,” made by pressing fabric and foam into wet oil paint.
Spend a rainy day in New Hampshire with Danielle as she hunts for antiques to paint, stages her compositions, and shares how she wants viewers to feel.
Danielle is part of The Artsy Vanguard 2027, our annual list of 10 artists defining what’s next in contemporary art.
🔗Meet the other artists at the link in bio.
Credits:
Executive producer: Casey Lesser
Creative director: Molly Gottschalk (@mollygottschalk)
Director/DP: Jesse Burke (@jesse_burke)
Editor: Jack Kuczala (@jckjckjckj)
Designer: Douglas Escalante
#TheArtsyVanguard
#TheArtsyVanguard2027
#DanielleFretwell
#EmergingArtists
#ContemporaryArt
07 Nov 2026
Join us, Tuesday 10 November for a conversation between artists Sophie Birch, Jake Grewal, Francesca Mollett and Sophie Ruigrok, moderated by writer and curator Tom Morton.
On the occasion of Sophie Birch’s first solo exhibition in London, we bring together four artists to discuss their painting practices and the importance of conversation and peer networks. The evening will conclude with an audience Q&A and an opportunity to view the exhibition.
Please email [email protected] to RSVP as spaces are limited.
Tuesday 10 November, 6.30pm
27 Warren Street, W1T 5NB
Sophie Birch (b. 1992, Littlehampton, UK) lives and works in London, UK. She holds a BA in Fine Art: Painting from the Wimbledon College of Art, London (2014) and completed The Drawing Year at The Royal Drawing School, London (2019). Recent solo and two-person exhibitions include: ‘The eye lives in this texture (…)’, Alice Amati, London, UK (2026) (Upcoming); ‘Sophie Birch & Rachel Youn: Figures of Speech’, Alice Amati, London, UK (2025); ‘Twofold Vision’, Baert Gallery, Los Angeles, CA (2024). Selected group exhibitions include: ‘Domus Nostra: ‘Episode #1’, Rome, IT (2026); ‘Urban Dwellers’ curated by Lawrence Van Hagen, The Painting Rooms, London, UK (2025); ‘The Garden of Earthly Delights’, Grimm Gallery, NYC, US (2025); amongst others.
Image: Sophie Birch in her London studio, 2026. Photo: Sofia Borios
Jake Grewal (b.1994, London, lives and works in London). Selected exhibitions include: Jake Grewal: Under The Same Sky, Studio Voltaire, London, England (2025); Jake Grewal: Some days I feel more alive, Pallant House Gallery, Chichester, England (2023); Dissolving Realms, curated by Katy Hessel, Kasmin Gallery, New York NY (2022); Drawing Room Biennial 2021, Drawing Room, London, England (2021); Deity, Arusha Gallery, Edinburgh, Scotland (2020); Everyday is Sunday, UTA Artists Space, California CA (2020); No Time Like The Present, Public Gallery, London, England (2020); The Drawing Year, Open Studios 2019, London, England (2019); The Drawing Year End of Year Exhibition 2019, Royal Drawing School, London, England (2019); Best of the Drawing Year 18-19, Christie’s, London, England (2019); Full En
04 Nov 2026
Congratulations to Danielle Fretwell for being selected for The Artsy Vanguard 2027 @artsy
Now in its ninth year, The Artsy Vanguard is Artsy’s annual list of the 10 most promising artists working today.
Thank you to Casey Lesser and the Artsy editorial team for including Fretwell in this wonderful list.
Image: Danielle Fretwell in her Studio, 2026. Photo by Jesse Burke
#daniellefretwell #TheArtsyVanguard #TheArtsyVanguard20277 #aliceamati #contemporaryart
Congratulations to Danielle Fretwell for being selected for The Artsy Vanguard 2027.
Now in its ninth year, The Artsy Vanguard is Artsy’s annual list of the 10 most promising artists working today.
Thank you to Casey Lesser and the Artsy editorial team for including Fretwell in this wonderful list.
Image: Danielle Fretwell in her Studio in Long Meadow, 2025. Photo by Sydney Sheehan
#daniellefretwell #TheArtsyVanguard #TheArtsyVanguard20277 #aliceamati #contemporaryart
02 Nov 2026
Congratulations to @ruthberaha,winner of the seventh edition of the Tosetti Value Photography Award at Artissima 2026.
The jury — Roberta Tenconi (Pirelli HangarBicocca), Walter Guadagnini (Exposed) and Alterazioni Video (artists) — selected her audio-video work ‘Is this a library?’, which now enters the Tosetti collection.
‘Is this a library?’ was produced for Ruth’s debut London solo exhibition at the gallery, ‘One day, out of the blue, I fell in love with you’ (4 September – 10 October 2026).
The work is currently on view at Artissima with @ncontemporary_gallery
The fair continues today until 7pm at the Oval, Lingotto Fiere, Turin. Visit us at Booth 4, Orange corridor.
01 Nov 2026
Danielle Fretwell’s ‘Second Nature’ (2026) is currently on view, alongside other new works, as part of our presentation at Artissima 2026, which continues until Sunday 1 November.
For the fair, Fretwell presents five still-life oil paintings depicting objects such as fish, knives and candles, which she considers continuations of one another — in her words, “one continuous dinner party”.
Image: Danielle Fretwell, ‘Second Nature’, 2026. Oil on canvas, 101.6 x 76.2 cm.
#aliceamati #contemporaryart #painting #newworks #daniellefretwell
31 Oct 2026
Don’t miss Massimiliano Gottardi’s new work, as part of our presentation at Artissima 2026, Turin, currently on view through Sunday 1 November.
Gottardi translates the vocabulary of classical architecture into sculpture in ‘Palazzo della Memoria (Roman Rooms)’, a tower constructed through the repetition of a single element: the prosecco or champagne flute. Drawing on the mnemonic technique of the memory palace, this work becomes a vertical labyrinth in which memory is lost rather than found.
Images: Installation views of Massimiliano Gottardi, ‘Palazzo della Memoria (Roman Rooms)’, 2026, Wood, plywood, carpet, drinking glasses, glass, resins, plates, light bulbs, rolling papers, filters, golf ball, Android phone, 1:18 scale model Mercedes van, 1:18 scale model BMW., 240 × 150 × 215 cm. Photos by Gabriele Abbruzzese
30 Oct 2026
NOW OPEN: Artissima 2026
Come visit us at Booth Orange 4, where we’re exhibiting new works by Danielle Fretwell (b. 1996) and Massimiliano Gottardi (b.1989).
29 October - 1 November, 2026
OVAL Lingotto Fiere
via Giacomo Mattè Trucco, 70
Torino, Italy
Image: Installation views, Artissima 2026. Photos: Gabriele Abbruzzese
#aliceamati #contemporaryart #daniellefretwell #massimilianogottardi #Artissima
29 Oct 2026
Thank you to everyone who contributed and visited our presentation of works by @danielle.fretwell @amirandawebster @rikedroescher at CouCou Paris last week.
We had an incredible week participating in the second Paris edition of Coucou, alonside @cabinet_studiolo @castiglioni___ @dodopositano
Images: installation views by Allison Borgo
#aliceamati #DanielleFretwell #Mirandawebster #Rikedroescher
26 Oct 2026
Thank you to everyone who has visited, written about and engaged with Paul Robas’s presentation at Frieze London.
We are pleased to share a selection of press coverage highlighting Robas’s works in the Artist-to-Artist section, invited by Louise Giovanelli.
Image: Paul Robas, ‘Overcast’, 2026, Acrylic, oil, ink and encaustic on linen, 30 x 40 cm | Photo Tom Carter
#friezeofficial #FriezeLondon #paulrobas #aliceamati #contemporaryart
Thank you to everyone who has visited, written about and engaged with Paul Robas’s presentation at Frieze London.
We are pleased to share a selection of press coverage highlighting Robas’s works in the Artist-to-Artist section, invited by Louise Giovanelli.
Image: Installation view of Paul Robas Artist-to-Artist presentation at Frieze London | Photo Tom Carter
#friezeofficial #FriezeLondon #paulrobas #aliceamati #contemporaryart
Thank you to everyone who has visited, written about and engaged with Paul Robas’s presentation at Frieze London.
We are pleased to share a selection of press coverage highlighting Robas’s works in the Artist-to-Artist section, invited by Louise Giovanelli.
Image: Paul Robas, ‘Anno’, 2026, Acrylic, oil and ink on linen, 30 x 40 cm | Photo Tom Carter
#friezeofficial #FriezeLondon #paulrobas #aliceamati #contemporaryart
Thank you to everyone who has visited, written about and engaged with Paul Robas’s presentation at Frieze London.
We are pleased to share a selection of press coverage highlighting Robas’s works in the Artist-to-Artist section, invited by Louise Giovanelli.
Image: Paul Robas, ‘Long Story’, 2026, Ink, encaustic Ink, encaustic and oil on board, 20 × 30 cm | Photo Tom Carter
#friezeofficial #FriezeLondon #paulrobas #aliceamati #contemporaryart
Thank you to everyone who has visited, written about and engaged with Paul Robas’s presentation at Frieze London.
We are pleased to share a selection of press coverage highlighting Robas’s works in the Artist-to-Artist section, invited by Louise Giovanelli.
Image: Paul Robas, ‘Full circle’, 2026, Acrylic, oil, ink and encaustic on linen, 30 x 40 cm | Photo Tom Carter
#friezeofficial #FriezeLondon #paulrobas #aliceamati #contemporaryart
23 Oct 2026
We look forward to our participation in Artissima in Turin, Italy next week, from 30 October – 2 November 2026, where we’re showing a two-person presentation of new works by Danielle Fretwell (b. 1996) and Massimiliano Gottardi (b.1989).
ARTISSIMA | Main Section, Booth Orange 4
30 October - 2 November, 2026
OVAL Lingotto Fiere
Torino, Italy
Images: Danielle Fretwell, ‘Dissonance’, 2026, Oil on canvas, 137.2 x 182.9 cm.
#aliceamati #contemporaryart #daniellefretwell #massimilianogottardi #Artissima
21 Oct 2026
COUCOU🥕CLOSE UP
MIRANDA WEBSTER W/Alice Amati, London
📸
Untitled (concrete) 2025
Oil on wood
31 x 24 cm
ph Tom Carter
🥕🥕🥕🥕🥕🥕🥕🥕🥕
Miranda Webster (b. 1991, Auckland, New Zealand) currently lives and works in Margate, UK. They
studied at the Turps Margate Programme, UK (2026), École Nationale Supérieure des Beaux-Arts de
Paris, FR (2021), Slate School of Fine Art, London, UK, and L’Atelier de Sèvres, Paris, FR.
Recent exhibitions include ‘Kith and Kin’, Galerie Jousse Enterprise, Paris, FR (2026); ‘Of Minor
Importance’, Domus Nostra, Rome, IT and Alice Amati, London, UK (2026); ‘Quatre’, La Verrière,
Brussels, BE (2026); ‘John Moores Painting Prize’, Walker Art Gallery, Liverpool, UK (2026); ‘Pocket
Forests’, Limbo, Margate, UK (2026); ‘Works Cited’, Margate Bookshop, Margate, UK (2025); ‘Le Jour
des Peintres’, Musée d’Orsay, Paris, FR (2024); ‘Voir en Peinture’, Musée d’Art Moderne et
contemporain des Sables-d’Olonne, Musée Estrine de Saint-Rémy-de-Provence, and Musée des
Beaux-Arts de Dole, FR (2024); ‘Il faudrait que je me calme’, Mendes Wood, Brussels, BE (2022);
‘Aura Par Procuration’, Palais des Beaux-Arts, Paris, FR (2021); ‘Le Rayon vert - furtif et elliptique’,
private residence, Saint-Ouen, FR (2020); ‘Qu’est-ce que ça ne veut pas dire?’, IESA gallery, Paris, FR
( 2019).
Miranda Webster was highly commended in the John Moores Painting Prize in 2025. In 2026, she
participated in the Therapeia residency in Paxos, GR, and in 2024, she was an artist in residence at
Brink Residency, Margate, UK. In 2019, she received the Bourse de Dessin Helene Diamond.
📸
Miranda Webster, 2026
Courtesy of the artist and Alice Amati, London
21 Oct 2026
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