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Play the space as an instrument. Creative spatial sound studio based in Amsterdam.
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#electronicsound#4dsound#spatialsound#spatialaudio#immersivesound#immersiveart#munch#munchmuseum#xr#xtreme
Recent posts
As the full live video recently released on youtube we’re revisiting our performance with @arca1000000 in @boursedecommerce in Paris.
We designed a completely custom spatial audio setup, with dozens of speakers facing in all directions and others concealed high above to energize the immense dome of the Bourse de Commerce. We also created custom looping and FX tools for Arca to perform with live, an extension of her being, transforming the room and electronics into a vast anarcoustic eruption. Arca had the full creative direction and developed this enchanting performance.
4DSOUND engineer: @poulholleman
Lights: @vincentdebelleval
Video: @1engua
Find the full video on youtube
21 Jan 2026
'The deep sea is so remote and inhospitable that it is not directly experienceable. And it also represents a kind of blind spot: there is still so much that we do not know. I wanted to explore what the embodied experience of the deep sea might feel like, the light, density, pressure, and sounds there, and how to make this distant space somehow more tangible. 'Deep seeing currents' can, I hope, offer us a way of empathising with a part of the world that is vastly different from our own and yet profoundly important', says Olafur on 'Deep seeing currents', 2026.
Currently on view, and permanently installed in the aquarium of @ARTIS.Amsterdam. Spatial audio system: @4DSOUND / Spatial sound composition: @MONOMStudios (photo: © ARTIS, Maarten Nauw)
https://www.artis.nl/en/artis-zoo/aquarium/art-in-the-aquarium/deep-seeing-currents
27 Oct 2026
4DSOUND is featured in issue 106 of Electronic Sound magazine. Reflecting on our Stone Nest residency in London, Anton Spice interviews Kali Malone, NikNak, and Max Cooper about their experience creating new spatial sound works for the system. Co-founder and director Poul Holleman speaks about the technology and values underpinning the company.
A great read that situates the 4DSOUND project amongst pioneering spatial sound experimentation in history.
The issue is sold out online but you can still find it at your local magazine stands!
@hotscorpions
@maxcoopermax
@niknakdjmusic
@anton.spice
@poulholleman
@electronicsoundmag
#electronicsound #4dsound #spatialsound #spatialaudio #immersivesound #immersiveart
21 Nov 2023
Why does listening matter now, in the middle of social, ecological, and political crises?
On Friday 4 December, we invite you to join us for the first Futures of Listening Symposium, at the Royal Conservatoire The Hague (@koninklijkconservatorium): a full day of keynotes, talks, panels, and live performance in spatial sound.
The day is for makers and researchers, professional or student, who work in spatial sound and sound art, and for anyone with a strong interest in sound.
First confirmed speakers: Stephanie Loveless (@stepifany), @christopher_salter, Angela McArthur, Minji Kim (@9unknownkim5), @poulholleman, @brechtdeman, @mari.yasero, @pia_baltazar, @instrumentinventors, with more to be announced. In the early evening, a spatial sound composition turns the day’s questions into live listening.
🗓 Fri 4 December, 10:00–20:00
📍 Royal Conservatoire The Hague, Spuiplein 150
🎟 Tickets via link in bio. €19.50 / €12.50 students. Free for KC students and teachers, subject to capacity. If the price is a barrier, write to [email protected].
Presented by: @fiberfestival, @4dsound, @visionsofvisions, Art of Sound, @instrumentinventors, @pxlresearch.
Kindly supported by @stimuleringsfonds, CIIIC, Art of Sound and @afk020. Part of the ADRIE Consortium Programme.
📸 @alexheuvink
05 Nov 2026
Sound nerds, this one’s for you. 🔊
On 18 and 19 January, Nxt Museum and @4dsound are joining forces for a two-day bootcamp in spatial sound and immersive audio, bringing the museum’s IX Lab to life as a space for experimentation and creative exploration.
Forget the lectures. Think hands-on experiments, your own time in the studio and one-on-one mentorship from 4DSOUND’s creative engineers Roman Willems (@roman.willems) and Joris Takken (@juuptakken).
Only six spots available, so bring your ideas and get ready to make some noise.
🔗 Secure your spot through the link in bio.
Photography: @maartennauwphotography
04 Nov 2026
When artists push the boundaries of technology, new possibilities emerge.
📍 At MUNCH, Swedish and German artists @silvanaimam and @paulastrunden joined forces with researchers to explore the possibilities of extended reality (XR).
The result is Återfödelsen / Rebirth, an immersive work merging the physical and virtual worlds, with a sound universe created by @4dsound and @nisj_____________
Developed as part of the major European research project @xtrememixedreality, the work brings together creative experimentation, innovation and audience participation.
🗓️ Today, 30 October, we’re hosting an immersive listening session and artist talk exploring the creative process behind the project.
🔗 Read more at munch.no
#MUNCH #MUNCHmuseum #XR #XTREME
30 Oct 2026
Exploring the architecture of Loods6, the spatial listening sets of our third evening moved through intricate textures and mesmerising landscapes, powered by @4dsound spatial sound software.
Casimir Geelhoed’s delicate multichannel piece centered around processing and subtle transformation, interlaced with poetic spoken word. Pointillistic and textural, Loek Frey’s compositions collided between organic and machinic, while nthng’s atmospheric ambient weaved through airy drums and ethereal melodies, based on his recently released album. Liza Kuzyakova ended the evening with intricate spatial sound explorations.
We will organise more spatial sound listening events over 2026 - 2027.
➛ Follow Futures of Listening and subscribe to our newsletter to stay in loop with updates about new events, open calls for residencies, meetups and more.
futuresoflistening.nl
Next up: Futures of Listening Symposium on 4 December at the Royal Conservatoire, the Hague.
Photos by @nikolaevalina
25 Oct 2026
The first current has passed through the hall.
Last night, we opened Currents in the monumental @loods6 Bagagehal: more than 60 speakers across the 78-metre hall, bringing together @4DSOUND’s suspended Omnidrives and software, the @in.resonance_ custom omnidirectional speakers, and the self-built low-end of @solsystems.
We began with a question: how can the acoustics and architecture of a space shape the way sound is made? @l.saof, @lioret__, @andreas.tegnander, and @rrose1921 each gave their own interpretation, inviting us to roam, lie down, and find our own place in the field of sound. Swipe through @alexheuvink’s photos of the evening.
Tonight, the system is rebuilt again, and the evening doubles as a testing ground for the new spatial DJ mixer by Brussels-based @ambriosound, with sets from @wataigarashi, @nadiastruiwigh, @okegmusic, @stateofff___, and @zoharzohar_.
A few final tickets remain. Link in @fiberfestival bio.
23 Oct 2026
Three sound worlds, one resonant hall.
During @amsterdamdanceevent, Currents gathers three distinct visions of spatial sound, each reimagining what a sound system can become. Over four days, the Bagagehal at @loods6 transforms as these systems intertwine, inviting audiences to listen in new, unexpected ways.
Currents 〰️ Futures of Listening at ADE 2026
22–25 October · Loods6, Amsterdam
Tickets via link in @fiberfestival bio.
➤ Presented and curated by @fiberfestival, @ctmfestival, @in.resonance_, @4dsound, @ambriosound, @solsystems and @loods6. Part of @futuresoflistening.
@in.resonance_ reimagines the concert format, staging events in churches, theatres, industrial halls, and architecturally singular spaces. Each venue becomes a laboratory for exploring how sound can transform the experience and perception of a room, treating architecture itself as a living instrument.
With custom omnidirectional systems and site-specific setups, each venue is transformed into an immersive sonic landscape. Audiences are invited to engage with sound not just through hearing, but through movement, bodily presence, and heightened spatial awareness.
Currents 〰️ Futures of Listening at ADE 2026
22–25 October · Loods6, Amsterdam
Tickets via link in bio.
➤ Presented and curated by @fiberfestival, @ctmfestival, @in.resonance_, @4dsound, @ambriosound, @solsystems and @loods6. Part of @futuresoflistening.
@in.resonance_ reimagines the concert format, staging events in churches, theatres, industrial halls, and architecturally singular spaces. Each venue becomes a laboratory for exploring how sound can transform the experience and perception of a room, treating architecture itself as a living instrument.
With custom omnidirectional systems and site-specific setups, each venue is transformed into an immersive sonic landscape. Audiences are invited to engage with sound not just through hearing, but through movement, bodily presence, and heightened spatial awareness.
Currents 〰️ Futures of Listening at ADE 2026
22–25 October · Loods6, Amsterdam
Tickets via link in bio.
➤ Presented and curated by @fiberfestival, @ctmfestival, @in.resonance_, @4dsound, @ambriosound, @solsystems and @l
02 Oct 2026
Such an honor to have been invited by @gaudeamusnl to create a new performance. My idea was to make an intimate, diary-like, multi-speaker live performance for a small audience. I performed it three times throughout the day, allowing people to enter in small groups and experience the work up close.
I invited @studioayseemre to create the scenography, she lifted the atmosphere into a world I could never have imagined on my own. For the spatialisation, I worked together with @juuptakken in @4dsound, Joris’ mind of endless ideas brought so much more color and depth to the piece.
So grateful to have made this together with two of my best friends. It became something I’m very proud of and I can’t wait to play it again. 🤍
Photos by @by_pauluz
Made possible by Fentener van Vlissingen Fonds
22 Sep 2026
What happens when space becomes an instrument?
In the Bagagehal of the monumental @loods6, each footstep travels the full stretch of 78 metres of concrete. Built in 1921 to move cargo through the harbour, and later a passenger terminal where journeys began before travellers boarded the ships, the hall was made for a century of things passing through it. Nowadays, it is a distinct cultural venue focused on experimentation.
During @amsterdamdanceevent, architecture becomes a resonating body, defying the standard of a fixed stage and audience, or sound that travels in one direction. Between 22–25 October, we invite you to experience this 100 year-old harbour hall and passenger terminal as a mutating instrument.
Every surface, every nook and cranny, with its texture and traces, shapes the spatial sound encounter, while a constellation of artists compose and perform specifically for the space. Sit, lie down on the floor, or walk along, and envelop yourself in sonic currents.
Currents 〰️Futures of Listening at ADE 2026
22–25 October · Loods6, Amsterdam
Lineup announcement coming very soon. Early bird passes and combi tickets now available:
futuresoflistening.nl
➤ Presented and curated by @fiberfestival, @ctmfestival, @in.resonance_, @4dsound, @ambriosound, @solsystems, and @loods6. Part of @futuresoflistening.
Design by @marcomaldarella
10 Sep 2026
What can sound tell us about the systems we live inside – ecological, social, more-than-human? What can spatial sound do on its own terms, as an immersive medium for narrative and for thinking?
Spatial sound can create conditions for rich sensory experience and invite new ways of collective listening. Whereas thinking about immersion often begins in the realm of spatial imagery (XR, VR, AR), Futures of Listening is grounded in spatial sound and explores its immersive and narrative possibilities, particularly in relation to urgent ecological and social issues.
Through four interconnected research areas, residencies and open calls, Futures of Listening will create spaces for experimentation, research and presentation. It will explore how this rapidly growing form of art calls for new instruments, accessible systems and interdisciplinary collaborations, while asking how spatial sound can become more inclusive, and open to diverse ways of hearing.
We invite you to keep an eye on our upcoming programme involving residencies, symposia, workshops, and live events. The first open calls will be announced this week.
➡ Visit our new website and subscribe to our newsletter to stay up to date with announcements and open calls: futuresoflistening.nl, and follow us on Pixelfed: pixelfed.de/FuturesOfListening
Partners: @fiberfestival, @4dsound, Robin Koek (@visionsofvisions), Art of Sound at @koninklijkconservatorium, @instrumentinventors, SSC and ACPA at Leiden University and University of the Arts The Hague @acpa_leiden, @monomstudios, PXL-Music Research @pxlresearch at @pxlmusicbe, @ctmfestival, @monomstudios, @mutekmontreal @studio.airport, @knmi.nl (The Royal Netherlands Meteorological Institute), @nadd.network (Network Archives Design and Digital Culture).
Supported by CIIIC and @stimuleringsfonds.
19 Aug 2026
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