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down the rabbit hole. Prague << Shanghai · Dali MFA-AVU, Prague | Art in Context
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Recent posts
CONCEIVING FUTURES
Summer Semester Exhibition
21-24 May 2026
(1) YUECHEN WANG - LOVE LOVE EATING SHOP
(2-3) LENA ZAK - ANATOMY OF FLOW / DEEP IN PRESENCE
(4) PAUL LEMORT - THE HUMAN OBJECT
Photos: @filip_beranek
01 Jun 2026
CONCEIVING FUTURES
Summer Semester Exhibition
21-24 May 2026
(1) JESSE EINHORN - TRILOGY IN PLASTER / SILKWOMEN
(2-3) MAQUIS - SHATTERED VOICE / THE TIME ALREADY FORGOTTEN / A FOREST / A MEMORY HARD TO FORGET
(4) PAUL LEMORT - THE HUMAN OBJECT
(5) YUECHEN WANG - LOVE LOVE EATING SHOP
(6-7) Exhibition view
Photos: @filip_beranek
01 Jun 2026
Tree shadows are music's puppets
28 May 2026
(no caption)
23 May 2026
Let me tell you a secret 2026
found objects and handmade interventions
I hope you all have fun playing with it ;)
This is a writing and visual experiment about "inaccessibility." It explores the subtle gaps between language and reality, self and other, body and the world.
As a symbolic system, language cuts continuous, complex experiences into discrete words and concepts. I attempt to use language to deconstruct language, building a nonlinear, recombinable field through text and visuals, abandoning the cause-and-effect logic of linear narratives. Through the juxtaposition, repetition, and variation of symbols, I aim to create resonance and play. In acts of extraction, arrangement, and exchange, minor deviations from the symbolic system emerge, attempting to simulate the fluid and uncertain nature of existence itself.I created a metaphorical theater of the world I inhabit: "a little mouse dancing in beautiful clothes" wanders and suspends in the crevices, both alienated and dwelling, existing transparently within the violence and void of meaning.
This deck of cards serves as a "secret order" outside the symbolic order—an entrance and container at the boundaries of meaning, a "gap" for encounters. It symbolizes an extension of skin, a silent mouthpiece, and a nomadic map. When an individual retreats to the boundary of silence and perception, when language fails, bodily sensation becomes both an anchor point in the dissipation of meaning and a vessel actively embracing fluidity, capturing those "fleeting, cold" moments between gazing and dissolution.
Saloun - Slovenská 4
Winter Semester Works 2025/2026
18 Jan 2026
Take a break from the exhibition, smoke together and melt together..•﹏•
Šaloun - Slovenská 4
Finissage of the Winter Semester Works 2025/2026
18 Jan 2026
An exhibition titled "Strength Grows from the Wild" took place in Dali, Yunnan; it documented the craftsmanship and stories of sisters from ten villages in the Yunnan-Guizhou region. They say, "Women are the soul of the village."
Curator Wang Xin wrote: "This is not an exhibition about 'women's art.' It is the world within their art itself: the whispers that coax the fermentation of wine yeast, the clarity of 'companionship' in the wax-resist scroll, the soul tied to the fishing-net bracelet, the skill of 'changing direction' learned through embroidery, and the gentle breeze of polyphony in Dong folk songs.
They never intended to represent anyone—they are simply guiding us, keeping a comfortable distance from nature, teaching us how to nurture (starters, livestock, families), how to weave (fishing nets, fabric, life), and how to sing (ballads, stories, existence).
This is ‘a world within a world, a village with lingering cooking smoke that has always resided deep within our hearts.’"
A hand-painted origami needlework pouch—an ancient craft—used by them to store needles, threads, hidden patterns, and some of their own treasures inside…;
In many Miao villages, people once had no written language. So, they painted their lives, memories, and stories onto batik cloth—birds, rivers, rituals, and daily life were all recorded. This hundred-birds scroll was created by a Miao grandmother. Looking at her fingers in the photo—darkened by indigo dye as she paints—I feel she is just like a powerful witch of nature. Without rulers or drafts, she painted freely on white cloth, each bird uniquely shaped. A fantasy of stealing a kiss behind this timeless scroll...;
An amusing grazing chess game: because cattle wander far while grazing, the loser must take responsibility for finding them and bringing them back…
The final image is a piece of weaving I made. I feel that across time and space, the labor of hands has brought about a kind of warm connection ☺️
After the opening, the sisters journeyed back over the mountains to their village. Wang Xin told me that a baby was about to be born and the entire village would come together to celebrate this upcoming birth...
03 Jan 2026
(no caption)
21 Dec 2025
去年在大理埋下一滴眼泪,今年春天长出了小猫.・゚゚・(/ω\)・゚゚・.
这是一个关于泪水的轮回、孕育新生的作品,这个作品在二月还经历了水管爆破被水冲得惨惨的,感觉经历了这些时间,这个作品由一个无聊的装置生长成了我没想过的样子,好像拥有生命,而不是一个被保存完好的死气沉沉的“作品”,并且感觉轮回被很神奇地应验了呢~
在大理@绿桃捕光艺术社区
所有眼泪的埋葬地|
💧
2024
纸巾,白胶,墨水,铁丝,锡纸,水池
:泪水在纸巾上留下痕迹,堆积成云,
眼泪是短暂却执着的液体,
在无望中挣扎着分娩,
没有分离是真正而彻底的,
于是这又是一次疲倦的轮回,
无从庆贺或哀悼,
泪水被埋葬,分娩出新的潮湿与余温。
23 Apr 2025
March at @acentricspace residency program *The rampaging elephant in my abdomen*
Installation & video
Met so many incredible friends,
Learned a lot and had a fantastic month 🌱✨
12 Apr 2025
(no caption)
26 Mar 2025
(no caption)
24 Mar 2025
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